Antoine Brumel

Trackimage Playbut Trackname Playbut Trackname
Ave. virgo gloriosa 10:24 Tools
O Crux, ave, spes unica 01:49 Tools
Nativitas unde guadia 05:45 Tools
Credo 10:54 Tools
Mater Patris 03:22 Tools
Kyrie and Gloria (Missa Victimae paschali laudes) 09:11 Tools
Agnus Dei 06:30 Tools
Missa Et ecce terrae motus (The Earthquake Mass): Kyrie 07:41 Tools
Sanctus and Benedictus 07:41 Tools
Du tout plongiet/Fors seulement 12:28 Tools
Gloria 10:07 Tools
Missa pro defunctis: Introit 05:58 Tools
Mater patris et filia 02:50 Tools
Du tout plongiet - Fors seulemnet I'attente (after Johannes Ockeghem) (rondeau) - 1975 Remastered Version 12:28 Tools
Sicut Lilium 01:18 Tools
Kyrie 05:49 Tools
Quae est ista (arr. D. Skinner for choir) 09:33 Tools
Agnus Dei (Arr. Garbarek and The Hilliard Ensemble) - Live in Bellinzona / 2014 09:33 Tools
Sicut lilium inter spinas (arr. D. Skinner for choir) 09:13 Tools
Nato canunt omnia 06:49 Tools
Motet - Sicut lilium 02:27 Tools
Brumel: Lamentations of Jeremiah - 3. Jerusalem 00:00 Tools
I. Kyrie - 1. Kyrie Eleison 01:39 Tools
Brumel: Lamentations of Jeremiah - 1. Heth 10:27 Tools
Sanctus 08:30 Tools
Missa pro defunctis: Kyrie 03:15 Tools
Missa "Et ecce terrae motus" A 12 voce: Kyrie: a. Kyrie eleison - Voice 03:57 Tools
Sequentia "Dies irae Dies illa" 19:11 Tools
Brumel: Lamentations of Jeremiah - 2. Caph 01:46 Tools
Lamentations 09:05 Tools
Fors seulement, à 4 03:15 Tools
I. Kyrie - 2. Christe Eleison 02:45 Tools
Sicut lilium inter spinas 01:55 Tools
I. Kyrie - 4. Gloria 10:30 Tools
Missa "Et ecce terrae motus" A 12 voce: b. Christe eleison - Voice 10:08 Tools
I. Kyrie - 3. Kyrie Eleison 01:43 Tools
I. Kyrie - 5. Credo 10:54 Tools
II. Sanctus - 1. Sanctus 03:14 Tools
Lauda: O divina virgo 02:27 Tools
II. Sanctus - 4. Benedictus 03:08 Tools
Ave, ancilla Trinitatis 03:57 Tools
II. Sanctus - 3. Hosanna 02:23 Tools
II. Sanctus - 2. Pleni sunt caeli 01:47 Tools
Noe, noe, noe 01:17 Tools
Brumel: Missa Et Ecce Terrae Motus - Agnus Dei 2 19:11 Tools
II. Sanctus - 5. Hosanna 02:31 Tools
Magnificat Secundi Toni 16:46 Tools
Missa Et Ecce Terrae Motus - The Earthquake Mass (in 12 Parts): 1. Kyrie 06:49 Tools
III. Agnus Dei - 1. Agnus Dei I 01:46 Tools
Missa "Et ecce terrae motus" A 12 voce: Gloria - Voice 10:30 Tools
Missa "Et ecce terrae motus" A 12 voce: c. Kyrie eleison - Voice 10:08 Tools
Missa "Et ecce terrae motus" A 12 voce: b. Pleni sunt coeli (a 8 voce) - Voice 06:45 Tools
Missa pro defunctis: Communio 03:07 Tools
III. Agnus Dei - 2. Agnus Dei II 03:09 Tools
III. Agnus Dei - 3. Agnus Dei III 02:03 Tools
Lauda: Regina sovrana 09:13 Tools
Kyrie eleison 03:15 Tools
Missa "Et ecce terrae motus" A 12 voce: d. Benedictus (a 8 voce) - Voice 10:08 Tools
Missa "Et ecce terrae motus" A 12 voce: Sanctus: a. Sanctus - Voice 10:30 Tools
Agnus Dei II 03:09 Tools
Missa pro defunctis: Sequence 13:23 Tools
Kyrie and Gloria - Missa Victimae paschali laudes 09:13 Tools
Missa "Et ecce terrae motus" A 12 voce: e. Hosanna - Voice 03:14 Tools
Missa "Et ecce terrae motus" A 12 voce: c. Hosanna - Voice 10:30 Tools
Missa "Et ecce terrae motus" A 12 voce: b. Agnus Dei II (a 6 voce) - Voice 05:58 Tools
Missa Et Ecce Terrae Motus - The Earthquake Mass (in 12 Parts): 5. Agnus Dei 06:50 Tools
Missa Et Ecce Terrae Motus - The Earthquake Mass (in 12 Parts): 3. Credo 09:42 Tools
Missa "Et ecce terrae motus" A 12 voce: Agnus Dei: a. Agnus Dei I - Voice 03:14 Tools
Benedictus 03:08 Tools
Lauda: Oi me lasso 01:55 Tools
Missa Et Ecce Terrae Motus - The Earthquake Mass (in 12 Parts): 2. Gloria 09:33 Tools
Missa "Et ecce terrae motus" A 12 voce: Credo - Voice 01:39 Tools
Missa pro defunctis: Sanctus 01:54 Tools
Missa pro defunctis: Agnus Dei 01:35 Tools
Missa "Et ecce terrae motus" A 12 voce: c. Agnus Dei III - Voice 08:31 Tools
Tous les regretz 02:00 Tools
Tandernac 02:46 Tools
Heth, cogitavit dominus 06:09 Tools
Agnus Dei III 02:03 Tools
Lauda: Salve, salve, virgo pia 11:11 Tools
Christe eleison 02:45 Tools
Sequentia "Dies Irae Dies Illa" - Voice 03:14 Tools
Missa de Beata Virgine: Gloria 10:08 Tools
Noe noe 01:14 Tools
Missa pro defunctis: Libera me, Domine 06:45 Tools
Missa et Ecce Terraemotus 06:45 Tools
Brumel: Missa Et ecce terrae motus, Gloria - 5. Cum Sancto Spiritu 01:39 Tools
Missa de Beata Virgine: Kyrie 05:49 Tools
Agnus Dei I 01:55 Tools
Missa et Ecce Terraemotus: Gloria 08:42 Tools
Hosanna 01:55 Tools
Pleni sunt caeli 01:47 Tools
Missa de Beata Virgine: Sanctus 08:31 Tools
Du tout plongiet - Fors seulemnet I'attente (after Johannes Ockeghem) (rondeau) 09:26 Tools
Missa de Beata Virgine: Credo 10:48 Tools
Tandernack 04:26 Tools
Du tout plongiet - Fors seulemnet I'attente (after Johannes Ockeghem) (rondeau) - 1975 Remastered V 01:35 Tools
Lamentation - Languente miseris (arr. for recorder ensemble) 03:57 Tools
Missa de Beata Virgine: Agnus Dei 05:58 Tools
Brumel: Missa Et ecce terrae motus: Kyrie 01:55 Tools
Ave virgo gloriosa 11:11 Tools
Ave, virgo gloriosa: Ave virgo gloriosa 11:11 Tools
Tanndernac 09:26 Tools
Brumel: Missa Et ecce terrae motus: Gloria 06:45 Tools
Missa "Et ecce terrae motus" a 12 voci: Kyrie: Kyrie eleison 01:43 Tools
Noe, noe, noe (arr. for chamber ensemble) 00:00 Tools
Missa et Ecce Terraemotus: Sanctus 06:45 Tools
Missa Et ecce terrae motus (The Earthquake Mass): Credo 09:26 Tools
Missa Et ecce terrae motus (The Earthquake Mass): Gloria 19:11 Tools
Beata Es, Maria 02:12 Tools
France (1500-1550): Motet - Sicut lilium (Antoine Brumel) 10:08 Tools
Tous Les Regretz Quelques Furent Au Monde 00:00 Tools
Missa Et ecce terræ motus: Va. Agnus Dei I 00:00 Tools
Missa et ecce Terrae Motus - Gloria 09:36 Tools
Missa "Et ecce terrae motus" a 12 voci: Sanctus: Hosanna 02:31 Tools
Brumel: Missa Et ecce terrae motus, Gloria - 3. Qui tollis peccata mundi 02:31 Tools
Lauda Sion Salvatorem 02:12 Tools
Missa Et ecce terrae motus (The Earthquake Mass): Sanctus - Benedictus 09:26 Tools
Ave Caelorum Domina 02:12 Tools
Missa "Et ecce terrae motus" a 12 voci: Gloria 10:30 Tools
Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis 10:30 Tools
Missa "Et ecce terrae motus" a 12 voci: Kyrie: Christe eleison 02:45 Tools
Missa "Et ecce terrae motus" a 12 voci: Sanctus: Pleni sunt caeli 01:47 Tools
Missa "Et ecce terrae motus" a 12 voci: Agnus Dei: I. 01:46 Tools
Brumel: Missa Et ecce terrae motus, Gloria - 2. Domine Deus, Agnus Dei 01:46 Tools
Missa Et ecce terrae motus (The Earthquake Mass): Agnus Dei 09:26 Tools
Missa "Et ecce terrae motus" a 12 voci: Sanctus: Benedictus 03:08 Tools
Brumel: Missa Et ecce terrae motus, Gloria - 4. Qui sedes 03:08 Tools
Missa "Et ecce terrae motus" a 12 voci: Sanctus: Sanctus 03:14 Tools
Missa "Et ecce terrae motus" a 12 voci: Agnus Dei: III. 02:03 Tools
Missa Et ecce terræ motus: I. Kyrie 02:03 Tools
Missa 'Et ecce terrae motus' (1976 Digital Remaster): Gloria 02:03 Tools
Missa Pro Defunctis - Agnus Dei 01:39 Tools
Brumel: Missa 'Et ecce terrae motus': Gloria 09:26 Tools
Sanctus & Benedictus 01:44 Tools
Missa "Et ecce terrae motus" a 12 voci: Credo 10:54 Tools
Sequentia "Dies Irae, Dies Illa" 19:11 Tools
Missa "Et ecce terrae motus" a 12 voci: Agnus Dei: II. 03:09 Tools
Sequentia : 'Dies Irae, Dies Illa' 11:11 Tools
Agnus Dei - Et ecce terrae motus (for 12 voices) 11:11 Tools
Missa Et Ecce Terrae Motus: Kyrie 11:11 Tools
Missa Et ecce terræ motus: Vb. Agnus Dei II 11:11 Tools
Missa Et ecce terræ motus: III. Credo 11:11 Tools
Missa Et Ecce Terrae Motus - Kyrie 07:02 Tools
Regina Celi 02:12 Tools
Missa "Et ecce terrae motus": Gloria 09:26 Tools
Rosa novum dans odorem 09:26 Tools
Missa Et ecce terrae motus: Gloria 11:11 Tools
Missa Et ecce terrae motus: Agnus Dei II 11:11 Tools
Motets: Noe noe 09:26 Tools
Missa 'Et Ecce Terrae Motus' for 12 Voices: Gloria 09:32 Tools
Missa Et ecce terrae motus "Earthquake Mass": Gloria 09:32 Tools
Brumel: Missa Et ecce terrae motus: Credo 09:32 Tools
Brumel: Missa Et ecce terrae motus: Agnus Dei 09:32 Tools
Missa Et ecce terrae motus "Earthquake Mass": Kyrie 09:32 Tools
Missa Et ecce terrae motus "Earthquake Mass": Credo 09:32 Tools
Missa Et Ecce Terrae Motus - Credo 09:41 Tools
Missa de beata virgine - IV. Sanctus and Benedictus 09:24 Tools
Missa de beata virgine - I. Kyrie 09:26 Tools
Tandernacken 09:26 Tools
Missa Et ecce terræ motus: II. Gloria 09:26 Tools
Ave, virgo gloriosa 10:27 Tools
Nativitas unde gaudia 09:26 Tools
Motets: O Domine Jesu Christe 09:26 Tools
Motets: Ave virgo gloriosa 09:26 Tools
Missa Et ecce terrae motus "Earthquake Mass": Sanctus & Benedictus 19:11 Tools
Missa Et Ecce Terrae Motus - Agnus Dei 06:45 Tools
Gloria in Excelsis Deo 09:24 Tools
Missa de beata virgine - V. Agnus Dei 09:24 Tools
Missa Et Ecce Terrae Motus - The Earthquake Mass (in 12 Parts) 09:24 Tools
Missa 'Et ecce terrae motus' - I. Kyrie - 2. Christe eleison 02:44 Tools
Missa de beata virgine - II. Gloria 02:44 Tools
Missa "Et ecce terrae motus" 09:26 Tools
Missa de beata virgine - III. Credo 09:26 Tools
Missa Et ecce terræ motus: IV. Sanctus 09:26 Tools
Introit 09:26 Tools
Missa Et ecce terræ motus 09:26 Tools
Tandernac (Arr. M.M. Ayerza for Recorder Ensemble) 09:26 Tools
Brumel: Missa Et ecce terrae motus: Gloria - Gloria from The Earthquake Mass 09:26 Tools
Brumel : "Noe, noe" 09:26 Tools
Missa 'Et ecce terrae motus': Agnus Deu 09:26 Tools
Missa 09:26 Tools
Brumel: Missa Et Ecce Terrae Motus - Gloria 09:26 Tools
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Antoine Brumel (c. 1460 – 1512 or 1513) was a French composer. He was one of the first renowned French members of the Franco-Flemish school of the Renaissance, and, after Josquin Desprez, was one of the most influential composers of his generation. Little is known about his early life, but he was probably born west of Chartres, perhaps in the town of Brunelles, near to Nogent-le-Rotrou, making him one of the first of the Netherlandish composers who was actually French. He sang at Notre-Dame de Chartres from 9 August 1483 until 1486, and subsequently held posts at St Peter's in Geneva (until 1492) and Laon (around 1497) before becoming choirmaster to the boys at Notre-Dame de Paris from 1498 to 1500, and choirmaster to Alfonso I d'Este at Ferrara from 1506, replacing the famous composer Jacob Obrecht who had died of the plague there the previous year. The chapel there was disbanded in 1510, after which he evidently stayed in Italy; several documents connect him with churches in Faenza and Mantua, where he probably died in 1512 or shortly after. He is known to have written at least one work after his dismissal from Ferrara (the Missa de beata virgine), and he may have still have been alive in 1513 since there is a mention in a treatise of Vincenzo Galilei that Brumel was one of a group of composers who met with Pope Leo X in that year; however since Vincenzo was writing more than a generation later and reporting second-hand, and no other corroborating evidence has been found, this account is not considered to be certain. Then again, Heinrich Glareanus, writing later about Brumel, indicated that he lived to a "ripe old age", so it remains possible that he lived longer, but records have not survived. A Jachet Brumel was organist for the Ferrara court in 1543, and is presumed to be Antoine's son. Brumel was at the center of the changes that were taking place in European music around 1500, in which the previous style of highly differentiated voice parts, composed one after another, was giving way to smoothly flowing, equal parts, composed simultaneously. These changes can be seen in his music, with some of his earlier work conforming to the older style, and his later compositions showing the polyphonic fluidity which became the stylistic norm of the Josquin generation. Brumel is best known for his masses, the most famous of which is the twelve-voice Missa Et ecce terrae motus. Techniques of composition varied throughout his life: he sometimes used the cantus firmus technique, already archaic by the end of the 15th century, and also the paraphrase technique, in which the source material appears elaborated, and in other voices than the tenor, often in imitation. He used paired imitation, like Josquin, but often in a freer manner than the more famous composer. A relatively unusual technique he used in an untitled mass was to use different source material for each of the sections (mass titles are taken from the pre-existing composition used as their basis: usually a plainchant, motet or chanson: hence the mass is without title). Brumel wrote a Missa l'homme armé, as did so many other composers of the Renaissance: appropriately, he set it as a cantus firmus mass, with the popular song in long notes in the tenor, to make it easier to hear. All of his masses, with the exception of the highly unusual 12-voice Missa Et ecce terrae motus, are for four voices. During the 16th century the most famous of Brumel's masses was his Missa de beata virgine, a paraphrase mass using elaborations of various plainchant melodies. According to Heinrich Glarean, writing in 1547, it was written in competition with Josquin, who simultaneously wrote his own Missa de Beata Virgine, and the two works are similar in style. Brumel also wrote numerous motets, chansons, and some instrumental music. His style in these also evolved throughout his life, with his earlier works showing the irregular lines and rhythmic complexity of the Ockeghem generation, while the later ones used the smooth imitative polyphony of the Josquin style as well as the homophonic textures of the current Italian composers of popular songs (for example Tromboncino, who was in Ferrara at the same time as Brumel). One peculiar feature of Brumel's style is that sometimes he uses very quick syllabic declamation in chordal writing, anticipating the madrigalian fashion of later in the 16th century. This appears sometimes in the "Credo" sections of his masses – logically, since that section has the longest text, and if set similarly to the other sections to the mass, it can be disproportionately long. Brumel's Missa pro defunctis for four voices, a late work, is notable for being the first Requiem to include a polyphonic setting of the Dies Irae. In addition, it is one of the earliest surviving Requiems: only Ockeghem's is earlier. After Josquin Desprez, Brumel is considered one of the greatest composers of his generation. During his life, Ottaviano Petrucci published a book of his masses, and a number of other composers wrote pieces commemorating him after his death. His impressive 12-voice Missa et ecce terrae motus survives from a part-book in Munich of 1570, long after his death, evidently used for performances by Lassus. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.