Antonio Martín y Coll

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La Purpura della Rosa: El Amor de Venus y Adonis: Loa: Chinfonia 00:00 Tools
El Villano 00:00 Tools
Canários 00:00 Tools
Diferéncias Sobre Las Folias 00:00 Tools
Diferencias sobre las Folias 00:00 Tools
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La Purpura della Rosa: El Amor de Venus y Adonis: Loa: Entrada de las clarines 00:00 Tools
Differencias sobre las Folias 00:00 Tools
Huerto ameno de varias flores de mussica, 1709. Folías 00:00 Tools
La chacona 00:00 Tools
Xácara 00:00 Tools
Flores de música: Huerto ameno de varias flores de musica (arr. N. Llopis Areny) : V. Quando podre lograrte 00:00 Tools
Danza del hacha 00:00 Tools
Flores de música: Huerto ameno de varias flores de musica (arr. N. Llopis Areny) : IV. Otro Genero de Canarios 00:00 Tools
Flores de música: Huerto ameno de varias flores de musica (arr. N. Llopis Areny) : II. Minuetes al Violin No. 27 00:00 Tools
Flores de música: Huerto ameno de varias flores de musica (arr. N. Llopis Areny) : I. Corrent 00:00 Tools
Flores de música: Huerto ameno de varias flores de musica (arr. N. Llopis Areny) : III. Zarabande 00:00 Tools
Flores de Musica: Canarios 00:00 Tools
Folías (1) 00:00 Tools
Las Folías 00:00 Tools
Huerto ameno de varias flores de mussica: Folías 00:00 Tools
Pasacalle 00:00 Tools
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Antonio Martín y Coll (died ca. 1734) was a Spanish organist, composer and collector of Baroque music. Martín y Coll grew up in a monastery and eventually became a Franciscan friar. The last years of his life were spent in a the monastery of San Francisco el Grande in Madrid. He probably died there after 1733 and before 1735. Though primarily an organist, Martín y Coll also wrote a pair of treatises (1714 and 1734). However, his modern fame lies on four volumes of the Flores de Música (Musical flowers), a compilation of hundreds of keyboard pieces, nearly all of them without an author. Since the pieces were probably famous at the time of the compilation, listeners would have known the composer. Modern scholarship has been able to attribute a large number of the works to composers such as Corelli, Handel, Frescobaldi, Cabanilles, and Cabezón. The fifth volume of the Flores de Música, called Ramillete oloroso: suabes flores de música para órgano, contains mostly organ music (as the title indicates). The works in this volume are generally assumed to be Martín y Coll's own compositions. Two of these works are variations on La Folia, a long Diferencias sobre las Folías and a shorter Folías. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.