Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
82898149 | Play | Spectaculum | 00:00 Tools | |
82898150 | Play | Supper Time | 00:00 Tools | |
82898151 | Play | A Bit Near The Knuckle | 00:00 Tools | |
82898152 | Play | Open The Door, Open Your Mind | 00:00 Tools | |
82898153 | Play | Clean-Up Sunday | 00:00 Tools | |
82898154 | Play | Downtown Paradise Lost | 00:00 Tools | |
82898155 | Play | 108 | 00:00 Tools | |
82898156 | Play | Heavenly Rose | 00:00 Tools | |
82898157 | Play | Unchangable things?! | 00:00 Tools | |
82898158 | Play | Riverside | 00:00 Tools | |
82898159 | Play | Young And Strong | 00:00 Tools | |
82898160 | Play | Heavenly Rose (Bonus Track) | 00:00 Tools | |
82898161 | Play | Heavenly Rose (Bonus) | 00:00 Tools | |
82898164 | Play | Young And Strong (Bonus Track) | 00:00 Tools | |
82898162 | Play | Open The Door, Open Your Mind (Bonus) | 00:00 Tools | |
82898163 | Play | Young And Strong (bonus) | 00:00 Tools | |
82898165 | Play | Riverside (Bonus Track) | 00:00 Tools | |
82898166 | Play | Riverside (bonus) | 00:00 Tools | |
82898167 | Play | Oh, Sorry | 00:00 Tools | |
82898168 | Play | Clean Up Sunday | 00:00 Tools | |
82898169 | Play | Downtown-Paradise-Lost | 00:00 Tools | |
82898170 | Play | Unchangeable Things?! | 00:00 Tools | |
82898171 | Play | A Beat Near The Knuckle | 00:00 Tools |
Not much is known about ARDO DOMBEC except that they were an early 70's German prog band who released an album with a heavy, bluesy, and slightly jazzy feel, ending up barely sounding German at all. Often compared to COLOSSEUM, their music features a lot of saxophone, often matched by electric guitar and flute. Their arrangements are upbeat and bright, yet the lyrics are rather dark and cynical in contrast. The band consisted of Helmut Hachmann on sax and flute, Harald Gleu on guitar and vocals, Wolfgang Spillner on drums and vocals, and Michael Ufer on bass. Their only cd, entitled simply "Ardo Dombec" (1971), collects just about everything the band has ever recorded. At times, their jazzy material flirts with pop and at other times, it sounds downright baroque. The band obviously enjoys strange and complex rhythms, SOFT MACHINE style. Although they seem to favour vocal tracks (which aren't exactly their forte), it is in the instrumental sections that they truly shine. Technically speaking, the musicianship is fairly good but the compositions may lack a little inspiration and excitement. Not an essential album by any means but certainly worth a listen, if only for Hachmann's heavy sax grooves. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.