Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
37384243 | Play | Canción para follar | 00:00 Tools | |
37384244 | Play | En los días cuerdos | 00:00 Tools | |
37384245 | Play | Amarillo | 00:00 Tools | |
37384246 | Play | Pastoral | 00:00 Tools | |
37384247 | Play | La escala de las cosas | 00:00 Tools | |
37384248 | Play | El día después | 00:00 Tools | |
37384249 | Play | Flavour of the Month | 00:00 Tools | |
37384250 | Play | La maleta | 00:00 Tools | |
37384251 | Play | Cifras | 00:00 Tools | |
37384252 | Play | Nada | 00:00 Tools | |
37384253 | Play | Pequeña y verde | 00:00 Tools | |
37384254 | Play | We Can't Be Friends | 00:00 Tools | |
37384255 | Play | Myriam, la Primera | 00:00 Tools | |
37384258 | Play | The Biggest Idiot in the World | 00:00 Tools | |
37384257 | Play | I Row Across A Japanese Watercolor | 00:00 Tools | |
37384256 | Play | Y la cinta de "Los Bingueros" | 00:00 Tools | |
37384259 | Play | Katharine Says | 00:00 Tools | |
37384260 | Play | Happiness Avoids Me | 00:00 Tools | |
37384261 | Play | La Historia Más Triste | 00:00 Tools | |
37384262 | Play | An Orchid Is A Flower That Thrives On Neglect | 00:00 Tools | |
37384263 | Play | Canción con Idioma | 00:00 Tools | |
37384266 | Play | Our Walk | 00:00 Tools | |
37384264 | Play | Come Home | 00:00 Tools | |
37384265 | Play | Her IQ #2 | 00:00 Tools | |
37384267 | Play | Her IQ #1 | 00:00 Tools | |
37384268 | Play | Canción Sin Palabras | 00:00 Tools | |
37384273 | Play | Madrid | 00:00 Tools | |
37384270 | Play | Blue Room | 00:00 Tools | |
37384269 | Play | Autobiographical Rhyming Song | 00:00 Tools | |
37384271 | Play | Vigo | 00:00 Tools | |
37384272 | Play | Horoscope | 00:00 Tools | |
37384275 | Play | X-Song | 00:00 Tools | |
37384274 | Play | Sick In The Body, Sick In The Head | 00:00 Tools | |
37384278 | Play | Fuck Rock | 00:00 Tools | |
37384276 | Play | The Lonely Drunk | 00:00 Tools | |
37384277 | Play | En el patio interior | 00:00 Tools | |
37384279 | Play | Words | 00:00 Tools | |
37384280 | Play | Not Amused | 00:00 Tools | |
37384281 | Play | Upside Down | 00:00 Tools | |
37384285 | Play | Otro Triste Final | 00:00 Tools | |
37384282 | Play | Finally (If Only I'd Known) | 00:00 Tools | |
37384283 | Play | Whiskey | 00:00 Tools | |
37384284 | Play | Tell Noah About the Rain | 00:00 Tools | |
37384287 | Play | Caroline Says II | 00:00 Tools | |
37384286 | Play | Too Proud To Try | 00:00 Tools | |
37384288 | Play | Schooling | 00:00 Tools | |
37384289 | Play | Recuerdos | 00:00 Tools | |
37384290 | Play | Cupid Come | 00:00 Tools | |
37384291 | Play | A Dream | 00:00 Tools | |
37384295 | Play | 320 | 00:00 Tools | |
37384294 | Play | From The Butler Institute Of American Art | 00:00 Tools | |
37384292 | Play | Keys | 00:00 Tools | |
37384293 | Play | Good Intentions | 00:00 Tools | |
37384296 | Play | Mi sitio está aquí | 00:00 Tools | |
37384297 | Play | Eder, Simone | 00:00 Tools | |
37384298 | Play | Fade | 00:00 Tools | |
37384299 | Play | Finally (If Only I'd Know) | 00:00 Tools | |
37384300 | Play | 02. Recuerdos - Aroah | 00:00 Tools | |
37384301 | Play | 01. Come Home - Aroah | 00:00 Tools | |
37384302 | Play | 03. 320 - Aroah | 00:00 Tools | |
37384303 | Play | 05. Mi Sitio Esta Aqui - Aroah | 00:00 Tools | |
37384304 | Play | 06. Fade - Aroah | 00:00 Tools | |
37384305 | Play | 04. Eder, Simone - Aroah | 00:00 Tools | |
37384309 | Play | Row Across a Japanese Watercolor | 00:00 Tools | |
37384306 | Play | 360 | 00:00 Tools | |
37384307 | Play | Flower That Thrives On Neglect | 00:00 Tools | |
37384308 | Play | 10 - madrid | 00:00 Tools | |
37384310 | Play | 02 - vigo | 00:00 Tools | |
37384311 | Play | Pequena Y Verde | 00:00 Tools | |
37384312 | Play | The Biggest Idiot In The World (Acoustic) | 00:00 Tools | |
37384314 | Play | An orchid is a flower that thr | 00:00 Tools | |
37384315 | Play | La Historia Mбs Triste | 00:00 Tools | |
37384313 | Play | I Row Across a Japanese Watercolour | 00:00 Tools | |
37384330 | Play | The Biggest Idiot in the World (acoustic version) | 00:00 Tools | |
37384316 | Play | Kiss | 00:00 Tools | |
37384317 | Play | Finally | 00:00 Tools | |
37384318 | Play | Flavor of the Month | 00:00 Tools | |
37384319 | Play | en los dнas cuerdos | 00:00 Tools | |
37384320 | Play | Canciуn Con Idioma | 00:00 Tools | |
37384321 | Play | Her IQ#1 | 00:00 Tools | |
37384324 | Play | Y La Cinta De ''Los Bingueros'' | 00:00 Tools | |
37384322 | Play | Otro Triste Final [Exclusive Track] | 00:00 Tools | |
37384323 | Play | Her IQ#2 | 00:00 Tools | |
37384325 | Play | myriam la primera | 00:00 Tools | |
37384326 | Play | An orchid that thrives on neglect | 00:00 Tools | |
37384327 | Play | Las Manos Dentro del Agua | 00:00 Tools | |
37384328 | Play | Canciуn Sin Palabras | 00:00 Tools | |
37384329 | Play | an orchid is a flower that th | 00:00 Tools | |
37384331 | Play | 10. words | 00:00 Tools | |
37384332 | Play | Sick In The Body Sick In The Soul | 00:00 Tools | |
37384333 | Play | pequeńa y verde | 00:00 Tools |
After two both musically and instrumentally complete and complex albums such as “No podemos ser amigos” (2002) and “The Last Laugh” (2004), Irene Tremblay, otherwise known as Aroah, is back with a six song (five in English, one in Spanish) mini-CD. The new record could well be defined as the echo of that last spell, an epilogue to “The Last Laugh”. It’s a simple, flowing, acoustic-inspired record that suggests comparisons to Hope Sandoval or early Nina Nastasia. Erie arrangements and roomy instrumentation are provided by producer Raül Fernández – Élena, Refree…-, who also co-authors three of the record’s songs. Unintentionally, her least ambitious project and most laid back recording experience have resulted in a compendium of poetry and… ¿orchestrated folk-pop? In which –Irene claims – the largest influence has been “silence”. In fact, during the months that preceded the recording she never listened to music or bought records – there was already too much noise going on in her head. She spent most of October and November of 2004 sleeping. She mostly had nightmares such as the one that inspired “A dream”. The only recording she did listen to was Elliot Smith’s posthumous record; it depressed her so that she hid it away and still hasn’t found it. The lyrics are portraits of real experiences. Of course, the courtyard is a pretty obvious metaphor, but it’s also a place where photographs for the CD’s artwork were taken: the garden of the house where “The Last Laugh” was completed. “Into the courtyard” – the song- speaks of another temporary home where Irene lived for months out of a suitcase, accumulating books, pictures, bottle corks, papers, sad memories and very occasionally a triumphant moment. Ever since she set aside the idea of an entirely Spanish EP that would bear the title “Objetos Perdidos” (an expression she translates loosely as Lost & Found) she has been obsessed with the idea of with the necessity/lack of necessity of such material possessions. After years of concerts and tribulations, two full-length recordings, two EPs and various tours in different circumstances – more or less rock-like, with assorted line-ups- Aroah introduces us to her best song-writing to date. The single cover on the record, “Caroline Says II”, owes more influence to Nico’s “Chelsea Girls” or Lisa Germano than to Lou Reed’s original recording. On the five new songs Irene seems to be waving goodbye to all her possible influences – Joni Mitchell, Vashti Bunyan…-. This is what happens to the best of artists when, after a long time searching for something they didn’t want to find, they find something they weren’t actually looking for: a code, a unique poetic language of symbols that continuously change while pronouncing every word and playing every note as if they were the last. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.