Beatenberg

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Pluto 05:52 Tools
Rafael 00:00 Tools
Ithaca 04:49 Tools
The Prince of the Hanging Gardens 00:00 Tools
Scorpionfish 00:00 Tools
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Beauty like a tightened bow 00:00 Tools
Southern Suburbs 00:00 Tools
Pluto - Live 00:00 Tools
Ode To The Berg Wind 00:00 Tools
Echoes 00:00 Tools
Camera 00:00 Tools
Cavendish Square 00:00 Tools
All About Me 00:00 Tools
Cape to Rio 00:00 Tools
Facebook Apologia 00:00 Tools
Stamina 00:00 Tools
Full Length Mirror 00:00 Tools
She's Not Like That 00:00 Tools
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Dark Glasses 00:00 Tools
Ode Slowed 00:00 Tools
M3 00:00 Tools
Stamina Vignette 00:00 Tools
Naomi 00:00 Tools
Bowerbird 00:00 Tools
Spirit Level 00:00 Tools
I Won't Take No For An Answer 00:00 Tools
Beauty Like A Tightened Bow - Chris Sen Remix / Radio Edit 00:00 Tools
The Sultan of the Economic Cafe 00:00 Tools
Beauty Like A Tightened Bow - Chris Sen Remix / Extended Edit 00:00 Tools
Thinking About You (Frank Ocean Cover) 00:00 Tools
In B Flat 00:00 Tools
Thinking About You 00:00 Tools
Fool You’ve Landed 00:00 Tools
Achievement 00:00 Tools
Bend The Rules 00:00 Tools
Wona 00:00 Tools
Pluto (Live) 00:00 Tools
Recent Developments 00:00 Tools
Die For You 00:00 Tools
Lost in Translation 00:00 Tools
Old Woolen Jersey 00:00 Tools
Aphrodite 00:00 Tools
Primary School 00:00 Tools
Brothers 00:00 Tools
What Remains 00:00 Tools
The Beaufort Scale 00:00 Tools
Chelsea Blakemore - Das Kapital Club Mix 00:00 Tools
Jessie Colyn 00:00 Tools
Chelsea Blakemore - Das Kapital Radio Edit 00:00 Tools
sultan of the economic cafe 00:00 Tools
Pluto (Remember You) 00:00 Tools
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Beatenberg is a fresh new face in pop music from South Africa. Or rather, three faces, handsome and young and intelligent. The faces are of Matthew Field, who also has a beautiful voice and plays the guitar, Ross Dorkin, who has beautiful hands that play the bass, and Robin Brink, who has a beautiful life-force and plays the drums like a nutcase. Despite being in love with and schooled in ‘serious music’ like Beethoven, Debussy and John Coltrane, (Ross and Matthew studied music together at the University of Cape Town) Beatenberg is adamant that they are heard as ‘pop music’, which they believe is actually quite serious too. Songwriter Matthew says: ‘It’s about emotions, images and fleeting senses of things: the mad stuff that everyone feels and almost understands.’ Their first album, Farm Photos (2011, released independently), was a tender and somewhat naïve offering which somehow makes a strange and lasting impression with its sophisticated harmony, sincere delivery and boyish lyrics. But this is not the final definition of Beatenberg: last year, the band pointed towards a new direction with the internet release of their first independently produced single, Echoes. Their self-declared ‘pop’ aesthetic becomes clear in this strange but alluring song. Echoes blends synth elements with ‘africanesque’ guitar lines and stark, haunting vocals, while the band’s impromptu acoustic performance video of Scorpionfish (2012) displays their core as a trio that actually plays instruments. Over the last couple of years, Beatenberg have played extensively. They’ve appeared many times at The Assembly and other prominent Cape Town clubs, and they’ve also played in more unexpected places from the TEDx Conference in Stellenbosch to AfrikaBurn on the back of a flat-bed truck. They have also done several tours to Joburg, playing shows with bands like Desmond and the Tutus and The Brother Moves On. Last year (2012), Beatenberg opened for The Tallest Man On Earth at the Cape Town International Convention Centre. This was a special concert that got a lot of people talking about them and several features in the media. They also played Rocking the Daisies (2012) and will be playing several festivals this year too, including Sowing The Seeds and Oppikoppi. 2012 brought them a deal with Universal Music, and they are currently at work on a long-awaited album, to be released at the end of the year. Beatenberg is at once familiar and inscrutable. In person, they are well-dressed, well-spoken and moderately charming. They are not at all rock and roll. But there is definitely something strange about them. They seem to know something we don’t. Their music is once crystal clear in its vision and strangely challenging to describe. The guitars, basslines and rhythms span several continents, the electronic sounds are from Logic Pro, the singing is from the heart and the songs are from another world. Beatenberg offers a glimpse of the eternal and the universal, but they are very definitely Cape Town 2013. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.