Betsuni Nanmo Klezmer

Trackimage Playbut Trackname Playbut Trackname
Odessa Bulgarish 06:46 Tools
Bay Mir Bistu Sheyn 05:50 Tools
Tum Balalayke 04:46 Tools
Dos Geshrey Fun der Vilder Kat 05:12 Tools
Ale Brider 05:12 Tools
Doina 03:43 Tools
Kandel's Hora 09:07 Tools
A Nakht in Gan Eydn 08:11 Tools
Mahotsukai Sally 04:11 Tools
Dona Dona (Shalom Secunda) 02:24 Tools
Der Shtiler Bulgar (tradition) 05:02 Tools
Der Gasn Nigun (traditional) 06:08 Tools
Terk in Amerika (tradional) 07:59 Tools
Araber Tantz 06:09 Tools
Papirosn 04:40 Tools
Dovid, Shpil es Nokh a Mol 05:34 Tools
Ershter Vals 04:24 Tools
Der Gasn Nigun 06:08 Tools
Dona Dona 02:25 Tools
Terk in Amerika 07:59 Tools
Der Shtiler Bulgar 05:01 Tools
Those Were The Days 08:23 Tools
Terkish Yale V'yove Tantz 02:35 Tools
Terkish Yale V'yove Tantz (Naftule Brandwine) 05:43 Tools
Odessa Bulgarish (traditional) 08:23 Tools
Kandel's Hora (traditional) 08:23 Tools
Those Were the Days (Gene Raskin) 08:23 Tools
Araber Tantz (traditional) 08:23 Tools
Papirosn (music traditional l 08:23 Tools
Tum Balalayke (traditional) 08:23 Tools
Baym Rebin in Parestina 08:23 Tools
Those Were the Days (Gene Rask 08:23 Tools
Terkish Yale V'yove Tantz (Naf 08:23 Tools
Mahotsukai Sally - Gakusei Jidai 04:11 Tools
Dovid, Shpil es Nokh a Mol (tr 04:11 Tools
Ershter Vals (traditional Cha 04:11 Tools
Der Shtiler Bulgar (traditional) 04:11 Tools
Doina ( Japan Klezmer) 03:42 Tools
Terk in Amerika (traditional) 03:42 Tools
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Kazutoki Umezu formed Betsuni Nanmo Klezmer in 1992 and the sprawling ensemble left the world with three public recordings, the 1994 debut Omedeto and two 1996 releases, Waruzu(Waltz) and Ahiru. Betsuni Nanmo Klezmer was Kazutoki Umezu's first klezmer band, prior to his current Komatcha Klezmer project, and boy was it a doozy - a 17(!)-piece orchestra plus heavyweights Makigami Koichi and Tokyo Nammy (who has collaborated with members of Ruins, Hikashu, and others) sharing vocal duties. The group often doubled up on instrumentation (including pairs of drums, bass, violin, clarinets, saxophones, and marimbas, as well as banjo, accordion, trombone, and tuba) and featured members of both Otomo's New Jazz Quintet and musicians who'd later end up in Komatcha Klezmer, among other groups. The group mostly deconstructed traditional Jewish standards, and interpolated arrangements by Naftule Brandwine, Benny Goodman, and Gene Raskin, amongst others. The fantastic thing about t he group is that unlike most klez bands, there's so much going on with the instrumentation and the sheer size of the band that the tunes are often taken out and given ample room to stretch and twist into contorted shapes of their former selves, with twisted melodies flailing about as sturdy polyrhythms anchor the madness; Makigami & Nammy's vocals also add additional madness to the proceedings whilst also being entirely respectful of the genre and its histories - and while Makigami's almost always impressive and fantastic, Nammy's performances often steal the show. Her style, alternating between higher-pitched cooing and throaty growls, reminds me very much of Japanese vocalist Komatcha Klezmer. Members: Kazutoki Umezu: clarinet, bass clarinet , alto saxophone Wataru Okuma: clarinet, bass clarinet Kazuhiro Nomoto: baritone saxophone bass clarinet Kanji Nakao: soprano saxophone Takero Sekijima: tuba, alto horn Hiroshi Itaya: trombone Yoko Tada: alto saxophone Ayumi Matsui: violin Yuriko Mukojima: violin Hidehiko Urayama: banjo Chan Koyo: accordion Jyoji Sawada: double bass Yasuhiko Tachibana: double bass Yasuo Sano: kit drums Yasuhiro Yoshigaki: kit drums Sachiko Nagata: marimba, percussion Yoko Ishizaki: marimba, percussion Koichi Makigami: vocal Nammy Tokyo: vocal Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.