Billy Ward and His Dominoes

Trackimage Playbut Trackname Playbut Trackname
Stardust 03:09 Tools
The Bells 03:15 Tools
Deep Purple 02:12 Tools
Sixty Minute Man 02:29 Tools
Star Dust 03:13 Tools
Have Mercy Baby 02:23 Tools
Pedal pushin' papa 02:31 Tools
Jennie Lee 02:02 Tools
Christmas in Heaven 02:02 Tools
Rags To Riches 02:40 Tools
Stardust (Goodfellas Soundtrack) 03:11 Tools
That's What You're Doing To Me 02:25 Tools
These Foolish Things (Remind Me Of You) 03:04 Tools
Stardust (LP Version 03:14 Tools
Don't Leave Me This Way 03:17 Tools
Behave Hula Girl - Remastered 03:14 Tools
I'd Be Satisfied 01:57 Tools
I Ain't Gonna Cry For You 02:05 Tools
Do Something For Me 03:02 Tools
I Ain't Gonna Cry for You - Remastered 01:57 Tools
RINGING IN A BRAND NEW YEAR 02:14 Tools
Give Me You - Remastered 02:14 Tools
Sixty-Minute Man 03:17 Tools
Don't Leave Me This Way - Remastered 03:02 Tools
Behave Hula Girl 02:12 Tools
Give Me You 03:07 Tools
Have Mercy Baby - Remastered 03:12 Tools
These Foolish Things Remind Me Of You 03:06 Tools
Deep Sea Blues 03:01 Tools
Can't Do Sixty No More 02:06 Tools
Chicken Blues 02:06 Tools
Stardust (from the film Goodfellas) 03:06 Tools
Harbor Lights 03:06 Tools
You Can't Keep A Good Man Down 02:12 Tools
These Foolish Things 03:06 Tools
Weeping Willow Blues 03:06 Tools
The Bells - Tears 03:06 Tools
St. Therese Of The Roses 03:12 Tools
My Baby's 3 D 02:06 Tools
When the Swallows Come Back to Capistrano 03:07 Tools
Little Things Mean a Lot - Remastered 03:12 Tools
St. Louis Blues 01:52 Tools
My Baby's 3 D - Remastered 01:52 Tools
Behave Hula Girl (Remastered) 01:56 Tools
My Proudest Possession - Remastered 01:52 Tools
I Am With You 01:52 Tools
Don't Leave Me This Way (Remastered) 01:56 Tools
Give Me You (Remastered) 01:56 Tools
I Ain't Gonna Cry for You (Remastered) 01:56 Tools
Tenderly 01:52 Tools
Lucinda 01:52 Tools
Over The Rainbow 01:52 Tools
Until The Real Thing Comes Along 01:52 Tools
May I Never Love Again 03:02 Tools
Little Things Mean a Lot 03:02 Tools
Lonesome Road 01:56 Tools
Pedal Pushing Papa 01:56 Tools
Cave Man 01:56 Tools
  • 27,848
    plays
  • 8,507
    listners
  • 27848
    top track count

This article is about the R&B group from the 1950s. For the drummer, see Billy Ward. Billy Ward and the Dominoes were one of the top American R&B groups of the 1950s, and launched the careers of both Clyde McPhatter and Jackie Wilson. Billy Ward (b Robert Williams, 19 September 1921, Los Angeles – d. 16 February 2002, Inglewood, California) grew up in Philadelphia, and was a child musical prodigy, winning an award for a piano composition at the age of 14. Following military service he studied music in Chicago, and at the Juilliard School of Music in New York. While working as a vocal coach and part-time arranger on Broadway, he met talent agent Rose Marks, who became his business and songwriting partner. The pair set out to form a vocal group from the ranks of his students. The group was at first called the Ques, and comprised Clyde McPhatter (lead tenor), Charlie White (tenor), Joe Lamont (baritone), and Bill Brown (bass). Ward acted as their pianist and arranger. After the group made successful appearances on talent shows in the Apollo Theater and on the Arthur Godfrey show in 1950, Rene Hall recommended them to Ralph Bass of Federal Records, a subsidiary of King, where they were signed to a contract and renamed the Dominoes. Their first single release, "Do Something For Me", with McPhatter’s lead vocal, reached the R&B charts in early 1951, climbing to #6. After a less successful follow-up, the group released "Sixty Minute Man", on which Bill Brown sang lead, and boasted of being able to satisfy his girls with fifteen minutes each of "kissin'" "teasin'" and "squeezin'", before "blowin'" his "top". It reached #1 on the R&B chart in May 1951 and stayed there for a near-record 14 weeks. It was an important record in several respects – it crossed the boundaries between gospel singing and blues, its lyrics pushed the limits of what was deemed acceptable, and it appealed to many white as well as black listeners, peaking at #17 on the pop charts. In later years, it became a contender for the title of "the first rock and roll record". The group toured widely, building up a reputation as one of the top R&B acts of the era, and an audience which crossed racial divides. However, Ward’s strict disciplinarian approach, and failure to recompense the singers, caused internal problems. The name "The Dominoes" was owned by Ward and Marks, who had the power to hire and fire, and to pay the singers a salary. Clyde McPhatter was being paid barely enough to live on, and often found himself billed as "Clyde Ward" to fool fans into thinking he was Billy Ward's brother. White and Brown both left in 1951/52 to form the Checkers, and were replaced by James Van Loan and David McNeil. In March 1952, the Dominoes were chosen to be the only vocal group at Alan Freed's "Moondog Coronation Ball". The hits continued, with "Have Mercy Baby" topping the R&B charts for 10 weeks in 1952. However, in early 1953, McPhatter also decided to leave, and soon formed a new group, the Drifters. His replacement in the Dominoes was Jackie Wilson, who had sung with the group on tour. Lamont and McNeil also left and were replaced by Milton Merle and Cliff Givens. With Wilson singing lead, singles such as "You Can't Keep A Good Man Down" continued to be successful. In 1954, Ward moved the group to the Jubilee label and then to Decca, where they enjoyed a #27 pop hit with "St. Teresa of the Roses". However, the group were unable to follow that success in the charts, and there were a succession of personnel changes. They increasingly moved away from their R&B roots with appearances in Las Vegas and elsewhere. In late 1956, Wilson left for a solo career, replaced by Eugene Mumford, of The Larks. The group then got a new contract with Liberty Records, and had a hit with "Star Dust.” "Star Dust" made #13 on the Top 100 in the summer of 1957 and sold for 24 weeks. This proved to be their last major success, although various line-ups of the group continued recording and performing into the 1960s. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.