Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
83291265 | Play | Komarov's Fall | 00:00 Tools | |
83291266 | Play | Viola Concerto: I. Fragment | 00:00 Tools | |
83291279 | Play | Epitaphs: III. Der Philosoph | 00:00 Tools | |
83291267 | Play | Intimate decision for solo viola | 00:00 Tools | |
83291269 | Play | Now comes the dawn | 00:00 Tools | |
83291271 | Play | Carlo | 00:00 Tools | |
83291268 | Play | Miss Genevieve's Nocturne | 00:00 Tools | |
83291270 | Play | Pastoral Symphony | 00:00 Tools | |
83291272 | Play | The Siduri Dances | 00:00 Tools | |
83291276 | Play | Viola Concerto: III. Veiled and Mysterious | 00:00 Tools | |
83291273 | Play | Water Music: III. Parched Earth | 00:00 Tools | |
83291274 | Play | Winter Songs: I. (Introduction) - (1. "E") - (2. "N") | 00:00 Tools | |
83291275 | Play | Viola Concerto: II. Pursuit | 00:00 Tools | |
83291277 | Play | To Look Yet Not Find | 00:00 Tools | |
83291278 | Play | Testament | 00:00 Tools | |
83291280 | Play | 12 Angry Men | 00:00 Tools | |
83291281 | Play | Water Music: II. Coursing | 00:00 Tools | |
83291284 | Play | Shadow Music: I. Prelude | 00:00 Tools | |
83291293 | Play | Game Over | 00:00 Tools | |
83291283 | Play | Shadow Music: II. Forgotten Garden | 00:00 Tools | |
83291282 | Play | Winter Songs: II. 3. "If In Beginning Twilight Winter Will Stand" | 00:00 Tools | |
83291285 | Play | Intimate Decisions | 00:00 Tools | |
83291286 | Play | Shadow Music: III. Voices and Shadows | 00:00 Tools | |
83291290 | Play | Water Music: I. Bubbling | 00:00 Tools | |
83291287 | Play | Winter Songs: Iii. (4. "Who Are You Little I") - (5. "N") | 00:00 Tools | |
83291295 | Play | Was it a voice? (Music for Ascension Day) | 00:00 Tools | |
83291294 | Play | Winter Songs: I. (Introduction) - (e) - (n) | 00:00 Tools | |
83291288 | Play | I. Bubbling | 00:00 Tools | |
83291289 | Play | Between Moments | 00:00 Tools | |
83291291 | Play | Demons | 00:00 Tools | |
88584384 | Play | Epitaphs: II. Walk a Little Way with Me | 00:00 Tools | |
88584383 | Play | Epitaphs: I. Only I Will Know | 00:00 Tools | |
83291292 | Play | Etüdenfest | 00:00 Tools | |
88584380 | Play | Dramatis personæ: III. The Accidental Revolutionary | 00:00 Tools | |
83291297 | Play | Dean: Pastoral Symphony | 00:00 Tools | |
88584381 | Play | Dramatis personæ: I. Fall of a Superhero | 00:00 Tools | |
90258901 | Play | String Quartet No. 2 "And Once I Played Ophelia": I. Fast, Breathless | 00:00 Tools | |
90258902 | Play | Epitaphs: V. Between the Spaces in the Sky | 00:00 Tools | |
83291296 | Play | I. Fragment | 00:00 Tools | |
90258903 | Play | String Quartet No. 1 "Eclipse": I. Slow and Spacious, Secretive | 00:00 Tools | |
90258904 | Play | String Quartet No. 1 "Eclipse": II. Unlikely Flight | 00:00 Tools | |
90258905 | Play | Epitaphs: IV. György Meets The Girl Photographer | 00:00 Tools | |
90258906 | Play | String Quartet No. 1 "Eclipse": III. Epilogue | 00:00 Tools | |
90258907 | Play | …the scene of the crime… | 00:00 Tools | |
83291302 | Play | Beggars and Angels | 00:00 Tools | |
90258908 | Play | 11 Oblique Strategies: No. 2, A Line Has Two Sides | 00:00 Tools | |
83291298 | Play | Short Stories: No. 1. Devotional | 00:00 Tools | |
83291301 | Play | Winter Songs: II. (If in beginning twilight winter will stand) | 00:00 Tools | |
83291299 | Play | Night´s Journey | 00:00 Tools | |
90258909 | Play | 11 Oblique Strategies: No. 3, Don't Stress One Thing More Than Any Other | 00:00 Tools | |
90258910 | Play | 11 Oblique Strategies: No. 1, Listen to the Quiet Voice | 00:00 Tools | |
83291300 | Play | Etudenfest | 00:00 Tools | |
90258911 | Play | Dramatis personæ: II. Soliloquy | 00:00 Tools | |
90258912 | Play | 11 Oblique Strategies: No. 5, What Are the Sections Sections Of? | 00:00 Tools | |
88584382 | Play | Night's Journey: Night´s Journey | 00:00 Tools | |
83291307 | Play | The Lost Art of Letter Writing: IV. Jerilderie, 1879 | 00:00 Tools | |
83291309 | Play | Winter Songs: III. (Who are you little i) - (n) | 00:00 Tools | |
90258913 | Play | 3 Caprichos after Goya: No. 3. No te escaparas | 00:00 Tools | |
90258914 | Play | 3 Caprichos after Goya: No. 1. Que sacrificio! | 00:00 Tools | |
83291303 | Play | Amphitheatre | 00:00 Tools | |
90258915 | Play | Testament for 12 violas | 00:00 Tools | |
90258916 | Play | 11 Oblique Strategies: No. 4, Look at a Small Object, Look at Its Centre | 00:00 Tools | |
83291304 | Play | Short Stories: No. 3. Embers | 00:00 Tools | |
83291305 | Play | Short Stories: No. 2. Premonitions | 00:00 Tools | |
90258917 | Play | The Lost Art of Letter Writing: I. Hamburg, 1854 | 00:00 Tools | |
90258918 | Play | The Lost Art of Letter Writing: III. Vienna, 1886 | 00:00 Tools | |
83291306 | Play | III. Veiled and Mysterious | 00:00 Tools | |
83291308 | Play | III. Parched Earth | 00:00 Tools |
Brett Dean (b.1961) is a Grawemeyer Award-winning composer and viola player. Dean studied in Brisbane until 1984, when he moved to Germany to join the Berliner Philharmoniker’s viola section, a position he held for 15 years. He began composing in 1988, becoming established in his own right through works such as the clarinet concerto Ariel’s Music, which won a UNESCO International Rostrum of Composers award, the piano quintet Voices of Angels and Twelve Angry Men, written for the 12 cellists of the Berliner Philharmoniker. Leaving the orchestra to devote himself to full-time composition, he returned to Australia in 2000. He continues to perform as a violist and conductor and is artistic director of the Australian National Academy of Music. Dean’s most widely-known work, Carlo for strings, sampler and tape, was inspired by the music of Renaissance composer Carlo Gesualdo. Other major scores include Beggars and Angels (1999), commissioned by the Melbourne Symphony Orchestra, Pastoral Symphony (2001), written for Ensemble Modern, and Testament (2003), composed for the Berliner Philharmoniker’s 12 violas. Dean has performed his Viola Concerto (2004) 17 times on four continents since its premiere and the work was recently released on an all-Dean disc on the BIS label. He is currently composing his first opera, Bliss, with a libretto by Amanda Holden based on the novel by Peter Carey. Two recent works related to the opera are Moments of Bliss, selected as Best Composition Award at the 2005 Australian Classical Music Awards, and Songs of Joy, premiered by Sir Simon Rattle in Liverpool in October. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.