Brian Blade & The Fellowship Band

Trackimage Playbut Trackname Playbut Trackname
Landmarks 00:00 Tools
Body and Shadow - Night 00:00 Tools
Stoner Hill 00:00 Tools
He Died Fighting 00:00 Tools
Down River 00:00 Tools
Rubylou's Lullaby 00:00 Tools
State Lines 00:00 Tools
Season Of Changes 00:00 Tools
Ark.La.Tex. 00:00 Tools
Shenandoah 00:00 Tools
Broken Leg Days 00:00 Tools
Friends Call Her Dot 04:05 Tools
Return Of The Prodigal Son 00:00 Tools
Bonnie Be Good 00:00 Tools
Farewell Bluebird 00:00 Tools
Most Precious One 00:00 Tools
Within Everything 00:00 Tools
Alpha And Omega 00:00 Tools
Embers 00:00 Tools
Improvisation 00:00 Tools
Most Precious One (Prodigy) 00:00 Tools
Omni 00:00 Tools
TRAVELING MERCIES 00:00 Tools
Duality 00:00 Tools
Body and Shadow - Noon 00:00 Tools
Body and Shadow - Morning 00:00 Tools
Have Thine Own Way, Lord - Band 00:00 Tools
Have Thine Own Way, Lord - Solo 00:00 Tools
Ark.La.Tex 00:00 Tools
Body and Shadow (Noon) 00:00 Tools
Body and Shadow (Morning) 00:00 Tools
Have Thine Own Way, Lord (Band) 00:00 Tools
Have Thine Own Way, Lord (Solo) 00:00 Tools
Body and Shadow (Night) 00:00 Tools
Body and Shadow 00:00 Tools
Full Performance (Live on KEXP) 00:00 Tools
Have Thine Own Way, Lord 00:00 Tools
Red River Revel 00:00 Tools
Folklore 00:00 Tools
Lifeline 00:00 Tools
The Undertow 00:00 Tools
In Spite Of Everything 00:00 Tools
Loving Without Asking 00:00 Tools
Mohave 00:00 Tools
Perceptual 00:00 Tools
Crooked Creek 00:00 Tools
Reconciliation 00:00 Tools
Evinrude-Fifty (Trembling) 00:00 Tools
Omini 00:00 Tools
Improvisation (Jon & Myron) 00:00 Tools
Patron Saint of Girls 00:00 Tools
Steadfast 00:00 Tools
Trembling 00:00 Tools
If You See Lurah 00:00 Tools
Return Of The Prodigal San 00:00 Tools
The Sunday Boys (Improvisation) 00:00 Tools
Patron Saint Of Girls - Live 00:00 Tools
Variations Of A Bloodline 00:00 Tools
Omne 00:00 Tools
Brian Blade & The Fellowship Band 00:00 Tools
Landmarks (Live on KEXP) 00:00 Tools
Stoner Hill (Live on KEXP) 00:00 Tools
King's Highway 00:00 Tools
Evinrude - Fifty (Trembling) 00:00 Tools
Stoner Hill (Album Version) 00:00 Tools
Farewell Bluebird (Live on KEXP) 00:00 Tools
Alpha & Omega 00:00 Tools
Variations Of A Blood Line 00:00 Tools
Down River / Landmarks 00:00 Tools
Full Performance 00:00 Tools
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Season of Changes is the third album and first Verve release by Brian Blade and the Fellowship Band, the visionary ensemble that matches renowned drummer/composer Blade with the formidable talents of pianist and composer Jon Cowherd, Kurt Rosenwinkel (guitar), Chris Thomas (bass), Myron Walden (alto saxophone, bass clarinet) and Melvin Butler (tenor saxophone). The album features nine moving new works by Blade and Cowherd, and offers a compelling distillation of the compositional eloquence and collective chemistry that have made Blade and his longtime bandmates one of contemporary jazz's most respected ensembles. True to its title, Season of Changes (produced by Blade and Cowherd) finds the players pursuing their collective muse into emotionally evocative new territory. The album opens with the gently striking "Rubylou's Lullaby," one of the album's six Blade compositions, followed by Cowherd's driving, multi-movement "Return of the Prodigal Son," which showcases Rosenwinkel's stellar guitar work and Butler's emotive tenor. The title track is a modern epic that reveals Cowherd's depth and growth as a composer, as well as his ability to write for the band's collective expression. Another highlight is "Most Precious One" and its companion piece "Most Precious One (Prodigy)." The former starts off with Thomas' steady bass mantra, and then transitions into a more layered, beat-driven performance of the composition. The album closes with the Blade composition "Omni," which features Walden's soaring alto. Season of Changes is the group's first album in eight years, following 1998's Daniel Lanois-produced Brian Blade Fellowship and 2000's Perceptual, which Blade and Cowherd co-produced. The Louisiana-bred Blade's remarkable percussive sensitivity and versatility were nurtured in his hometown of Shreveport and later in New Orleans under the tutelage of such mentors as John Mahoney, Steve Masakowski, Bill Huntington, George French, Ellis Marsalis and drumming masters John Vidacovich and David Lee, Jr. In recent years, he's balanced his Fellowship activities with his parallel career as one of today's most in-demand drummers, with a resume that includes recording and/or live work with a broad range of musical artists that includes Daniel Lanois, Bob Dylan, Bill Frisell, Kenny Garrett, Emmylou Harris, Joni Mitchell, Joshua Redman, Seal and Wayne Shorter. Despite his and his cohorts' prestigious individual resumes, Blade emphasizes the Fellowship Band's collaborative focus. "I feel less like a leader than I feel like I'm trying to be part of an enduring collective statement," he states. "It's always a learning experience to take the trip and see what happens when we mix and mingle as a band. Everybody gives everything to it, and it's always a joyful experience, even when the music is melancholy.” "When I'm writing for the Fellowship," Blade explains, "Myron and Melvin and Chris and Jon and Kurt are always in my mind and I'm writing for their voices. The music on paper sits dormant, until I bring it to them and they inject it with their energy. That's when it becomes real. It's the same with Jon's writing; it always inspires me to hear what he's working on, because he has a real talent for bringing out the gifts of the group." The musicians' individual talents and organic rapport make Season of Changes a memorable evocation of Brian Blade and the Fellowship Band's singular brilliance. "I feel really blessed to be a part of this group," Blade asserts, "and to know these people and to feel such dedication and emotional investment in being a part of this band. It's not something that you can put on paper; it's a chemical reaction that comes from people having a connection, and in our case it keeps growing. Even if we have a lot of time away from each other, the thread is held, and it's still there when we come back to it. It really feels like coming home to my family.” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.