Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
83054382 | Play | Piano Etude I (Alpha) | 00:00 Tools | |
83054383 | Play | Chilean Drought | 00:00 Tools | |
83054384 | Play | Portable Gold and Philosophers' Stones (Music From Brains In Fours) | 00:00 Tools | |
83054385 | Play | Four Lines (Two High) | 00:00 Tools | |
83054386 | Play | On Being Invisible, Part II | 00:00 Tools | |
83054387 | Play | Attunement | 00:00 Tools | |
83054389 | Play | Station Oaxaca | 00:00 Tools | |
83054388 | Play | On Being Invisible, Part I | 00:00 Tools | |
83054390 | Play | In The Beginning Etude I (Trombones) | 00:00 Tools | |
83054392 | Play | Future Travel: Station Oaxaca | 00:00 Tools | |
83054391 | Play | Nazca Liftoff | 00:00 Tools | |
83054393 | Play | Corona Dance | 00:00 Tools | |
83054394 | Play | Portable Gold And Philosohers' Stones | 00:00 Tools | |
83054395 | Play | Time Arroyo | 00:00 Tools | |
83054397 | Play | Future Travel: Time Arroyo | 00:00 Tools | |
83054396 | Play | Desert Night Touch Down | 00:00 Tools | |
83054402 | Play | Portable Gold And Philosophers' Stones | 00:00 Tools | |
83054398 | Play | Palazzo | 00:00 Tools | |
83054400 | Play | Future Travel: Corona Dance | 00:00 Tools | |
83054399 | Play | Nova Wind | 00:00 Tools | |
83054401 | Play | Future Travel: Nazca Liftoff | 00:00 Tools | |
83054408 | Play | Future Travel: Desert Night Touch Down | 00:00 Tools | |
83054404 | Play | And Out Come The Night Ears | 00:00 Tools | |
83054403 | Play | Portable Gold And Philosophers' Stones (Music From Brains In Fours) (1972) | 00:00 Tools | |
83054405 | Play | And Come Up Dripping | 00:00 Tools | |
83054407 | Play | Section I (Essential Tension To Universe) | 00:00 Tools | |
83054406 | Play | Children Drought (1974) | 00:00 Tools | |
83054415 | Play | Future Travel: Palazzo | 00:00 Tools | |
83054410 | Play | In the Beginning I: (Electronic) | 00:00 Tools | |
83054409 | Play | Section II (Symmetrical Harmonies In Chaotic Orbits) | 00:00 Tools | |
83054417 | Play | Prologue | 00:00 Tools | |
83054412 | Play | Section III (World) | 00:00 Tools | |
83054413 | Play | Section IV (Life) | 00:00 Tools | |
83054411 | Play | In The Beginning 1 (Electronic) | 00:00 Tools | |
83054430 | Play | The Winding of a Spring: The Stochastic Part | 00:00 Tools | |
83054414 | Play | Naked Curvature: Four Memories of the Daimon (A Whispered Opera) | 00:00 Tools | |
83054416 | Play | Section V (Humanity) | 00:00 Tools | |
83054418 | Play | Musical Intervention 1979 | 00:00 Tools | |
83054419 | Play | Hymn of Change | 00:00 Tools | |
83054458 | Play | In the Beginning IV: (Electronic) | 00:00 Tools | |
83054423 | Play | Initial State | 00:00 Tools | |
83054421 | Play | Musical Intervention 1982 | 00:00 Tools | |
83054425 | Play | Future Travel: Nova Wind | 00:00 Tools | |
83054422 | Play | Section VII (impression) | 00:00 Tools | |
83054420 | Play | Zones Of Influence | 00:00 Tools | |
83054424 | Play | Section VI (culture) | 00:00 Tools | |
83054435 | Play | How Much Better If Plymouth Rock Had Landed on the Pilgrims: Section I. (essential tension to the universe) | 00:00 Tools | |
83054432 | Play | Meaning | 00:00 Tools | |
83054427 | Play | Section VIII (unification) | 00:00 Tools | |
83054431 | Play | Central Section | 00:00 Tools | |
83054433 | Play | Interrupt 1 | 00:00 Tools | |
83054426 | Play | Music For Unstable Circuits | 00:00 Tools | |
83054434 | Play | Interrupt 2 | 00:00 Tools | |
83054428 | Play | B.C.-A.D. 1 (The Moon Landing) (1969) | 00:00 Tools | |
83054447 | Play | in the beginning: etude I (trombones) | 00:00 Tools | |
83054429 | Play | Urboul, Part 1, Pear Facts | 00:00 Tools | |
83054445 | Play | Piano Etude | 00:00 Tools | |
83054438 | Play | Given the Senses the Real Pregeometry | 00:00 Tools | |
83054439 | Play | Meaning in Context | 00:00 Tools | |
83054454 | Play | Closed Attracting Trajectories: Melody Set 1 | 00:00 Tools | |
83054436 | Play | How Much Better If Plymouth Rock Had Landed on the Pilgrims: Section III. (world) | 00:00 Tools | |
83054437 | Play | Musical Intervention (1979) | 00:00 Tools | |
83054450 | Play | Closed Attracting Trajectories: Melody Set 2 | 00:00 Tools | |
83054466 | Play | The Winding of a Spring: The Tripartite Structure | 00:00 Tools | |
83054455 | Play | Epigenesis, Ontogenesis, Phylogenesis, Parthenogenesis | 00:00 Tools | |
83054440 | Play | Pear Facts: Four Soundings from URBOUI (1968) | 00:00 Tools | |
83054441 | Play | The Fats of Life: Four Soundings from URBOUI (1968) | 00:00 Tools | |
83054442 | Play | a) The Stochastic Part - Zones of Influence, Part 1, The Winding of Spring (1984) | 00:00 Tools | |
83054443 | Play | Trio II | 00:00 Tools | |
83054444 | Play | Meu-sic: Four Soundings from URBOUI (1968) | 00:00 Tools | |
83054468 | Play | How Much Better If Plymouth Rock Had Landed on the Pilgrims: Section II. (symmetrical harmonies in chaotic orbits) | 00:00 Tools | |
83054459 | Play | How Much Better If Plymouth Rock Had Landed on the Pilgrims: Section IV. (life) | 00:00 Tools | |
83054446 | Play | Earie: Four Soundings from URBOUI (1968) | 00:00 Tools | |
83054448 | Play | Music for Analog Computers (1968-69) | 00:00 Tools | |
83054449 | Play | Musical Intervention (1982) | 00:00 Tools | |
83054464 | Play | Study for 'Zones' | 00:00 Tools | |
83054451 | Play | Section IX (Links) | 00:00 Tools | |
83054452 | Play | Trio II (1978) | 00:00 Tools | |
90251108 | Play | Portable Gold and Philosopher's Stones (Deviant Resonances) | 00:00 Tools | |
83054457 | Play | In the Beginning: Etude III (Keyboard & Two Oranges) | 00:00 Tools | |
83054453 | Play | Section IX (Links) [Aka, Piano Etudes I] | 00:00 Tools | |
83054462 | Play | Extended Trio: Sampler | 00:00 Tools | |
83054456 | Play | B) The Tripartite Structure- Zones of Influence, Part 1, the Winding of Spring (1984) | 00:00 Tools | |
83054469 | Play | The Buckling of a Spring | 00:00 Tools | |
83054461 | Play | Children Drought | 00:00 Tools | |
83054460 | Play | David Rosenboom - Corona Dance | 00:00 Tools | |
83054465 | Play | Continental Divide | 00:00 Tools | |
83054483 | Play | How Much Better If Plymouth Rock Had Landed on the Pilgrims: Section V. (humanity) | 00:00 Tools | |
83054467 | Play | Section IX (Links) (Aka Piano Etude I) | 00:00 Tools | |
83054463 | Play | David Rosenboom - Nova Wind | 00:00 Tools | |
83054472 | Play | In the Beginning II: (Song of Endless Light + Sextet) | 00:00 Tools | |
83054489 | Play | How Much Better If Plymouth Rock Had Landed on the Pilgrims: Section VIII. (unification) | 00:00 Tools | |
83054477 | Play | Twilight Language | 00:00 Tools | |
83054485 | Play | How Much Better If Plymouth Rock Had Landed on the Pilgrims: Section IX. (links) | 00:00 Tools | |
83054480 | Play | In the Beginning III: (Quintet) | 00:00 Tools | |
83054473 | Play | Champ Vital (Life Field) | 00:00 Tools | |
83054470 | Play | David Rosenboom - Desert Night Touch Down | 00:00 Tools | |
83054471 | Play | David Rosenboom - Time Arroyo | 00:00 Tools | |
83054491 | Play | How Much Better If Plymouth Rock Had Landed on the Pilgrims: Section VII. (impression) | 00:00 Tools | |
83054481 | Play | B.C.-A.D. II | 00:00 Tools | |
83054474 | Play | David Rosenboom - Nazca Liftoff | 00:00 Tools | |
83054475 | Play | David Rosenboom - Station Oaxaca | 00:00 Tools | |
83054476 | Play | David Rosenboom - palazzo | 00:00 Tools | |
83054486 | Play | In the Beginning: Etude II (Keyboard-Plucked Strings) | 00:00 Tools | |
83054488 | Play | Pocket Pieces I | 00:00 Tools | |
83054482 | Play | Pocket Pieces III | 00:00 Tools | |
90251109 | Play | Predictions, Confirmations & Disconfirmations | 00:00 Tools | |
90251110 | Play | A Precipice in Time | 00:00 Tools | |
83054496 | Play | In the Beginning V: (The Story: Movement 3 | 00:00 Tools | |
83054494 | Play | In the Beginning V: (The Story: Movement 1 | 00:00 Tools | |
83054487 | Play | Pocket Pieces II | 00:00 Tools | |
83054484 | Play | Musical Intervention 1979 (Excerpt) | 00:00 Tools | |
83054498 | Play | How Much Better If Plymouth Rock Had Landed on the Pilgrims: Section VI. (culture) | 00:00 Tools | |
83054497 | Play | In the Beginning V: (The Story: Movement 2 | 00:00 Tools | |
90251111 | Play | On Being Invisible (Live at Western Front, Vancouver) Part 1 | 00:00 Tools | |
90251112 | Play | Bell Solaris: III. The Right Measure of Opposites (Version for 2 Pianos) | 00:00 Tools | |
83054490 | Play | Portable Gold And Philosopher's Stones | 00:00 Tools | |
90251113 | Play | In the Beginning V: (The Story: Movement 6 | 00:00 Tools | |
90251114 | Play | In the Beginning V: (The Story: Movement 4 | 00:00 Tools | |
90251115 | Play | In the Beginning V: (The Story: Movement 5 | 00:00 Tools | |
90251116 | Play | Music for Unstable Circuits (+ Piano) | 00:00 Tools | |
90251117 | Play | Earth Encomium - Nothingness Is Unstable | 00:00 Tools | |
83054495 | Play | Piano Etude I | 00:00 Tools | |
83054493 | Play | 20-Piano Etude I (Alpha) (Radio Boredcast Day 12) | 00:00 Tools | |
83054492 | Play | 16 - Piano Etude I (Alpha) (Radio Boredcast Day 8) | 00:00 Tools | |
90251118 | Play | Distant Space | 00:00 Tools | |
90251119 | Play | Pocket Pieces (I) | 00:00 Tools | |
90251120 | Play | Pocket Pieces (II) | 00:00 Tools | |
90251121 | Play | Pocket Pieces (III) | 00:00 Tools | |
90251122 | Play | On Being Invisible (Live at Western Front, Vancouver) Part 2 | 00:00 Tools | |
88577678 | Play | On Being Invisible, Part 1 | 00:00 Tools | |
88577679 | Play | In The Beginning I (Electronic) | 00:00 Tools | |
90251123 | Play | Is Art Is | 00:00 Tools | |
83054499 | Play | Musical Intervention 1982 (Excerpt) | 00:00 Tools | |
83054500 | Play | Urboui, Part I, Pear Facts | 00:00 Tools | |
90251124 | Play | In The Beginning V: (The Story) - Movement 1 | 00:00 Tools | |
83054503 | Play | In The Beginning: Etude II | 00:00 Tools | |
90251125 | Play | in the beginning | 00:00 Tools | |
83054501 | Play | In the Beginning IV | 00:00 Tools | |
83054502 | Play | the winding of a spring part 2 | 00:00 Tools |
David Rosenboom (born September 9, 1947 in Fairfield, Iowa) is an American composer and pioneer in the use of neurofeedback. Rosenboom has also worked with cross-cultural collaborations and compositional algorithms. He studied composition, performance, and electronic music at the University of Illinois at Urbana-Champaign with Salvatore Martirano, Lejaren Hiller, Kenneth Gaburo, Gordon Binkerd, Bernard Goodman, Paul Rolland, Jack McKenzie, Soulima Stravinsky, John Garvey, and others. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.