Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
82509225 | Play | Trumpet Concerto No. 1, Op. 42: I. Andante - Allegro | 00:00 Tools | |
82509218 | Play | Saxophonkonzert op. 79 - Con Moto | 00:00 Tools | |
82509219 | Play | Concerto Grosso op. 5 - Allegro Molto, Quasi Toccata | 00:00 Tools | |
82509220 | Play | Concerto Grosso op. 5 - Adagio | 00:00 Tools | |
82509221 | Play | Concerto Grosso op. 5 - Allegro Moderato, Allegro | 00:00 Tools | |
82509222 | Play | Saxophonkonzert op. 79 - Allegretto Galante | 00:00 Tools | |
82509223 | Play | Saxophonkonzert op. 79 - Lento, Allegretto Moderato | 00:00 Tools | |
82509224 | Play | Nocturne op. 90 - Nocturne | 00:00 Tools | |
82509226 | Play | Trumpet Concerto No. 1, Op. 42: II. Lento - Con Moto | 00:00 Tools | |
82509227 | Play | Trumpet Concerto No. 1, Op. 42: III. Allegro Molto | 00:00 Tools | |
82509228 | Play | Klarinettenkonzert op. 96 - Sisenemised-Rahutus-Maelestustest Kerkinu Valss-Maelestuste Maelestus | 00:00 Tools | |
82509231 | Play | Karumommi unelaul (Teddy-Bear's Lullaby) | 00:00 Tools | |
82509229 | Play | Music for Five, Op. 86 | 00:00 Tools | |
82509232 | Play | Concerto grosso, Op. 5: III. Allegro molto, quasi toccata | 00:00 Tools | |
82509237 | Play | Concerto grosso, Op. 5: II. Adagio | 00:00 Tools | |
82509241 | Play | Joanna Tentata Suite, Op. 37a: II. Round Dance | 00:00 Tools | |
82509230 | Play | I. Allegro moderato | 00:00 Tools | |
82509243 | Play | Concerto grosso, Op. 5: I. Allegro moderato | 00:00 Tools | |
82509244 | Play | Symphonic Dances, Op. 6: I. Moderato - Allegro giocoso | 00:00 Tools | |
82509245 | Play | Joanna Tentata Suite, Op. 37a: V. Feasting People | 00:00 Tools | |
82509233 | Play | II. Andante sostenuto | 00:00 Tools | |
82509249 | Play | Joanna Tentata Suite, Op. 37a: III. Chorale | 00:00 Tools | |
82509234 | Play | Desiderium Concordiae | 00:00 Tools | |
82509250 | Play | Joanna Tentata Suite, Op. 37a: VI. Phantoms | 00:00 Tools | |
82509235 | Play | III. Allegro molto | 00:00 Tools | |
82509236 | Play | V. Feasting people | 00:00 Tools | |
82509242 | Play | Aaria | 00:00 Tools | |
82509255 | Play | Joanna Tentata Suite, Op. 37a: I. The All-Possessed Nuns | 00:00 Tools | |
82509254 | Play | Joanna Tentata Suite, Op. 37a: IV. Prayers and Passions | 00:00 Tools | |
82509238 | Play | Trumpet Concerto #1, Op. 42 - 3. Allegro Molto | 00:00 Tools | |
82509239 | Play | Trumpet Concerto #1, Op. 42 - 2. Lento, Con Moto | 00:00 Tools | |
82509240 | Play | Trumpet Concerto #1, Op. 42 - 1. Andante, Allegro | 00:00 Tools | |
90234207 | Play | Song of the Gascone Cadets (Cyrano de Bergerac) | 00:00 Tools | |
90234208 | Play | Joanna Tentata Suite, Op. 37a: VII. Transfiguration. Despair | 00:00 Tools | |
82509246 | Play | I. The all-possessed nuns | 00:00 Tools | |
82509247 | Play | I. Moderato - Allegro giocoso | 00:00 Tools | |
82509253 | Play | Symphonic Dances, Op. 6: III. Allegro giusto e molto marcato | 00:00 Tools | |
82509251 | Play | VI. Phantoms | 00:00 Tools | |
82509248 | Play | II. Lento - Con moto | 00:00 Tools | |
88563338 | Play | Konzert Op. 42 | 00:00 Tools | |
90234209 | Play | Symphonic Dances, Op. 6: II. Andante sostenuto | 00:00 Tools | |
82509252 | Play | II. Round dance | 00:00 Tools | |
82509256 | Play | II. Adagio | 00:00 Tools |
Eino Tamberg (born 1930) is an Estonian composer. He studied music composition with Eugen Kapp at the Tallinn Conservatory, graduating in 1953. In Estonia he first became known with his song cycle Viis romanssi Sándor Petöfi luulele (1955) based on poetry by Sándor Petöfi, and with his Concerto Grosso (1956), for which he won a gold medal at an international music festival in Moscow. Tamberg was an important initiator of the anti-romantic composition movement of the late 1950s. His vision on music composition belonged to the so-called New Wave in Estonian music. He became more known outside of Estonia from approximately 1960, writing music for a large variety of genres, but in particular music for theater, and symphonic music. Tamberg is one of the most important representatives of neoclassicism in Estonian music, though his later works are more expressionistic in style. Since 1969 he has been teaching at the Estonian Academy of Music, where he also holds a professorship since 1983. For the 1997-1998 season he was composer-in-residence with the Estonian National Symphony Orchestra. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.