Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
83504857 | Play | Encantaciones Cubanas | 00:00 Tools | |
83504858 | Play | Something Nice To Say About You | 00:00 Tools | |
83504859 | Play | Oguere's Cha | 00:00 Tools | |
83504860 | Play | Orishaoko | 00:00 Tools | |
83504861 | Play | Negrita Prende La Vela | 00:00 Tools | |
83504862 | Play | El Hombre | 00:00 Tools | |
83504864 | Play | You Spoke Too Soon | 00:00 Tools | |
83504863 | Play | It's Not That Serious | 00:00 Tools | |
83504865 | Play | Assumption | 00:00 Tools | |
83504866 | Play | Cacique | 00:00 Tools | |
83504867 | Play | The Source In Between | 00:00 Tools | |
83504868 | Play | Oddua Suite | 00:00 Tools | |
88590820 | Play | Troubled Waters, Pt. 3 | 00:00 Tools | |
83504869 | Play | Faces Not Evil | 00:00 Tools | |
83504871 | Play | Luna | 00:00 Tools | |
83504870 | Play | Don't Ever Say Never | 00:00 Tools | |
83504872 | Play | Three Plus One | 00:00 Tools | |
83504873 | Play | Sunday Stomp at Congo Square | 00:00 Tools | |
83504875 | Play | Caribbean Tinge | 00:00 Tools | |
83504874 | Play | Last Train to Paris | 00:00 Tools | |
83504876 | Play | Mambo Vivo | 00:00 Tools | |
83504879 | Play | Cofradias | 00:00 Tools | |
83504880 | Play | Flower By The Dry River | 00:00 Tools | |
83504877 | Play | Arara | 00:00 Tools | |
83504878 | Play | 1529 | 00:00 Tools | |
83504884 | Play | Two to Tango | 00:00 Tools | |
83504881 | Play | Cuba Linda | 00:00 Tools | |
83504883 | Play | Saghezi | 00:00 Tools | |
83504882 | Play | A Las Millas | 00:00 Tools | |
83504885 | Play | En la Colonia | 00:00 Tools | |
83504887 | Play | Yusa's | 00:00 Tools | |
83504889 | Play | Alla | 00:00 Tools | |
83504888 | Play | The Lonely One | 00:00 Tools | |
83504886 | Play | Agua Marina | 00:00 Tools | |
83504890 | Play | Vertiente | 00:00 Tools | |
83504893 | Play | In The Dark | 00:00 Tools | |
83504891 | Play | Faces, Not Evil | 00:00 Tools | |
88590821 | Play | Paseo | 00:00 Tools | |
83504892 | Play | Resurrection of the Incapacitated | 00:00 Tools | |
88590822 | Play | La Burla De Los Congos | 00:00 Tools | |
88590824 | Play | Troubled Waters | 00:00 Tools | |
88590823 | Play | Conga y Comparsa | 00:00 Tools |
Born in the Pinar del Río province of Western Cuba, Villafranca was classically trained in percussion and composition at the Instituto Superior de Arte in Havana, Cuba. Since his arrival in the U.S. in late 1995, he has been involved in jazz and Latin jazz scenes on both the East and West Coasts. Inspired by jazz and other musical genres that developed as a result of the African Diaspora, Villafranca creates original cultural and musical fusions notable for their spirited, groundbreaking innovations and has composed and arranged original soundtracks for PBS documentaries and a variety of independent films. Based in New York City he is resident professor at the University of the Arts in Philadelphia. Over the years his Quartet has included as members with Grammy nominated Blue Note recording artists guitarist Pat Martino and the Canadian saxophonist Jane Bunnett and trumpeter Terell Stafford, among other notable instrumentalists, and has performed in New York City at the Blue Note, Jazz Standard, Jazz at Lincoln Center’s Dizzy’s Club Coca Cola and other venues. As a sideman Villafranca has collaborated sideman with leading jazz and Latin jazz artists including: Wynton Marsalis; Jon Faddis; Sonny Fortune; Dave Valentin; Lenny White; Horacio "El Negro" Hernández; Ralph Peterson; Giovanni Hidalgo; Eddie Henderson; Miguel Zenón; Cándido Camero; and Johnny Pacheco, among others. Villafranca toured Europe with Bunnett (in The Spirits of Havana) and Martino (in the Pat Martino Quintet) and performed with each at various world-renowned venues and events including the Blue Note Jazz Festival in Ghent, Belgium; in Italy at the Blue Note Jazz Club in Milan and the Umbria Jazz Festival in Perugia; and at the North Sea Jazz Festival at The Hague, Holland. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.