Elmer Gantry's Velvet Opera

Trackimage Playbut Trackname Playbut Trackname
Air 03:10 Tools
Mary Jane 00:00 Tools
Mother Writes 00:00 Tools
Flames 00:00 Tools
I Was Cool 00:00 Tools
Long Nights Of Summer 00:00 Tools
Dream Starts 00:00 Tools
Intro 00:00 Tools
What's The Point Of Leaving 00:00 Tools
Lookin' For A Happy Life 00:00 Tools
Salisbury Plain 00:00 Tools
Reaction Of A Young Man 00:00 Tools
Now She's Gone 00:00 Tools
Walter Sly Meets Bill Bailey 00:00 Tools
Dreamy 00:00 Tools
Water Sly Meets Bill Bailey 00:00 Tools
Volcano 00:00 Tools
And I Remember 00:00 Tools
To Be With You 00:00 Tools
Talk Of The Devil 00:00 Tools
Flames - Single Version 00:00 Tools
Flames (Single Version) 00:00 Tools
Mary Jane - Single Version 00:00 Tools
The Painter 00:00 Tools
Salisbury Plain (Single Version) 00:00 Tools
Mary Jane (Single Version) 00:00 Tools
A Quick B 00:00 Tools
Dreamy (Single Version) 00:00 Tools
Volcano (single version) 00:00 Tools
A Quick "B" 00:00 Tools
All Along The Watchtower 00:00 Tools
But I Was Cool 00:00 Tools
Raise The Light 00:00 Tools
01 - Intro 00:00 Tools
08 - Flames 00:00 Tools
06 - Air 00:00 Tools
Depression 00:00 Tools
Dreamy, Single Version 00:00 Tools
A Quick 'B' (Single Version) 00:00 Tools
Eleanor Rigby 00:00 Tools
Volcano, Single Version 00:00 Tools
Flames, Single Version 00:00 Tools
A Quick "B" (single version) 00:00 Tools
Salisbury Plain, Single Version 00:00 Tools
Statesboro Blues 00:00 Tools
Money By 00:00 Tools
Mary Jane, Single Version 00:00 Tools
Anna Dance Square 00:00 Tools
Don't You Realize 00:00 Tools
Intro / Mother Writes 00:00 Tools
Warm Day In July 00:00 Tools
Raga 00:00 Tools
14 - Flames (Single Version) 00:00 Tools
17 - Dreamy (Single Version) 00:00 Tools
16 - Mary Jane (Single Version) 00:00 Tools
Reaction Of Young Man 00:00 Tools
Mary Jane [Single Version] 00:00 Tools
Flames [Single Version] 00:00 Tools
15 - Salisbury Plain (Single Version) 00:00 Tools
Black Jack Davy 00:00 Tools
02 - Mary Jane 00:00 Tools
18 - Volcano (Single Version) 00:00 Tools
19 - A Quick "B" (Single Version) 00:00 Tools
Money By (1970) 00:00 Tools
Salisbury Plain - Extended Demo 00:00 Tools
There's A Hole In My Pocket 00:00 Tools
Ride a Hustler's Dream 00:00 Tools
Dreamy [Single Version] 00:00 Tools
Flames - Demo Version 00:00 Tools
01 - Intro-Mother Writes 00:00 Tools
Intro-Mother Writes 00:00 Tools
Salisbury Plain [Single Version] 00:00 Tools
05 - Air 00:00 Tools
07 - Flames 00:00 Tools
08 - What A Point Of Leaving 00:00 Tools
A Quick "B", Single Version 00:00 Tools
Mary Jane [BBC Radio Version] 00:00 Tools
Volcano [Single Version] 00:00 Tools
A Quick "B" [Single Version] 00:00 Tools
13 - Flames (Single Version) 00:00 Tools
To Be With You (Coventry, U.K.) 00:00 Tools
Mary Jane (single A-side,1968) 00:00 Tools
10 - Dream Stairs 00:00 Tools
14 - Salisbury Plain (Single Version) 00:00 Tools
A Quick _B_, Single Version 00:00 Tools
Flames (single A-side,1967) 00:00 Tools
She Keeps Giving Me These Feelings 00:00 Tools
15 - Mary Jane (Single Version) 00:00 Tools
Salisbury Plain (single B-side,1967) 00:00 Tools
16 - Dreamy (Single Version) 00:00 Tools
14 - Air 00:00 Tools
Dream Starts (1968) 00:00 Tools
Reactions Of A Young Man (Coventry, U.K.) 00:00 Tools
Flames (mono single version) 00:00 Tools
A Quick 'B' 00:00 Tools
To Be With You (Bonus) 00:00 Tools
The Painter (bonus) 00:00 Tools
Lookin for a Happy Life 00:00 Tools
Intro/Mother Writes 00:00 Tools
Talk Of The Devil (Bonus) 00:00 Tools
Dreamy (single B-side,1968) 00:00 Tools
what's the point in leaving 00:00 Tools
20 - Salisbury Plain ('67) 00:00 Tools
And I Remember (Bonus) 00:00 Tools
Whats the Point of Leaving 00:00 Tools
Eleanor Rigby (1970) 00:00 Tools
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Elmer Gantry's Velvet Opera picked up on the British psychedelic movement after supporting The Pink Floyd as a soul/blues band called 'The Five Proud Walkers', the lineup was Richard Hudson (Hud) on drums, Colin Forster on lead guitar, Jimmy Horrocks (Horovitz) on organ and flute, John ???? (bass) and Dave Terry on vocals and harmonica. The boys took inspiration from the experience and it wasn't long before the change of both music and image. They gigged for a while playing blues based material,but gradually got interested in more free-form stuff. John ???? was replaced by John Ford and the band searched for a new name. Velvet Opera was chosen initially, which was amended to Elmer Gantry's Velvet Opera within days after Dave turned up to a session wearing a long black cape and a preachers hat and had to endure some piss-taking from the rest of the band (Elmer Gantry was the fictional hero of a Sinclair Lewis novel and 1960 film about a preacher). The name stuck and Dave became Elmer. By this time Elmer, influenced by the music of John Cage, was making experimental taped backing sounds and using signal generators on stage in the act. The band began to get quite a following and played clubs and university gigs all over the country and at London venues like the Marquee and 100 club and Electric garden. They would also occasionally play at the Speakeasy where Jimi Hendrix would jam with them, also people like Jeff beck and Eric Burdon. The band had been recorded independantly for a while by Southern Music Publishing, who had their own, four -track, studio in Denmark Street, and it wasn't long before they had secured a record deal with CBS's "Direction" label. The problem was that Southern Music had originally signed them as a bluesy/jazzy band and they were not very keen on trying to get new, more riotous stage act on disc. The group were persuaded to do more "regular" material. The first recording was the song, written by Elmer, that the band were best known for, 'Flames'. The record was on jukeboxes all over the country and was covered live by bands as diverse as "The Joe Loss Orchestra" and "Led Zeppelin", in fact Jimmy Page recently told Elmer that Flames was the only non-Zep number that they included in their early stage-act (Robert Plant also included it in his 2001-2002 tour). However, for the average radio listener the song was too far ahead of its time and despite live popularity and numerous radio plays the song only managed to achieve number 30 in the charts. Direction did however, take faith in the band to record second and third singles and more importantly a self-titled album. The group's second single, "Mary Jane" was taken off the BBC playlist after they realised that the song was the slang term for Marijuana. The third single, Volcano, was written by Howard & Blakely, who had written hits for Dave Dee etc. After three singles and the album, major success had still not been achieved. The agent at the time, Terry King, had booked the group a lot of shows, they were regularly appearing on the BBC on John Peel's show, among others, they were playing, touring and promoting hard, but recording success was still elusive. Colin Forster was then replaced by Paul Brett but this still didn't acheive the desired result. Disagreements erupted within the band, which lead to a split from Elmer and so the Velvet Opera was formed. Elmer Gantry remembers : "eventually, EGVO broke up due to a change of direction within the band. Paul Brett, (who incidentally I had worked with previously and had brought into the band following our initial success) although a brilliant guitarist, had a strong interest in more folkish music and, with Hud's increasing interest in playing instruments other than drums, the band started to change direction. I did not welcome this change, and whilst I had great admiration for all the other members as musicians, was not interested. There followed a coup in which the other members of the band attempted to just replace me and keep the name. This would clearly have been ridiculous as I was already known as Elmer Gantry and the band was largely know for its riotous, envelope-pushing stage presence, not for electro-folk. The result was that they brought twelve string guitarist folk-blues guitarist Johnny Joyce in, and continued as The Velvet Opera and eventually The Strawbs and The Monks producing the novelty hits "Union Man" and "Nice legs, shame about the face" and I continued with a new line-up, formed from the Downliners sect, as the Elmer Gantry band. I also later had a lead role in "Hair" in the west end, recorded on two Alan Parsons Project albums, did the lead vocals on Cozy powell's album, sang and wrote with Jon Lord on his solo album. A second album, "Ride a Hustler's Dream" was released by the Velvet Opera on their own, Elmer and Colin having been replaced by John Joyce and Paul Brett. The album was recorded (as was the EGVO album) at Southern Music's studios in Denmark St. Paul Brett remembers : "It was an 8 track set up and was a real struggle to get real quality and instrument separation, but we did our best. We did lots of Radio 1 sessions and quite a few dates, the most memorable being with the Who at The Lyceum. John Ford and Richard Hudson were getting more into writing their own songs and they also wanted to perform them, Johnny and I were more into acoustic music and inevitably, we went our own ways quite amicably. Southern would have made another LP with us but we felt we needed to follow our hearts! I spoke to Hud last year about the possibility of collaborating on a new Velvet Opera LP as the bands reputation has survived and even grown over the years, probably because we have all done our own things. This is very much a possibility and I will pursue this with Hud and John. I did a CD last year with John Joyce 'Acoustic Power' that was really well received by the media. It could also be that there is another Fire LP in the future and certainly their will be more Paul Brett CD's and there are collectors issues on CD of the previous material and some unreleased Paul Brett & Sage stuff via my site www.fret-dancer.com". After the split, Ford and Hudson joined The Strawbs whilst Rick Wakeman was still a member. In 1971, Colin Forster recruited a whole new Velvet Opera featuring ex-Tintern Abbey vocalist, Dave MacTavish, bass player Colin Bass and drummer Mike Fincher who recorded one single on the Spark label. Elmer Gantry later appeared in the Seventies in Stretch singing the hit single "Why Did You Do It?" Stretch released four albums and some singles on the "Anchor" label. During the 90s, a CD of live "John Peel BBC Sessions" was released by "Strange Fruit" and a double CD set " Stretch, The Story of Elmer Gantry" was released on Repertoire Records. The Stretch catalogue is currently handled by "Trojan Records." Elmer is now working in the drug-rehabilitation field but still gigs occasionally both here and in America. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.