Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
8108220 | Play | Vision (O Euchari In Leta Via) | 03:41 Tools | |
8108221 | Play | Vision (O Euchari In Leta Via)(Full Length) | 00:00 Tools | |
8108222 | Play | Only the Devil Laughed (Sed diabolus) | 00:00 Tools | |
8108225 | Play | Praise For The Mother (O Virga AC Diadema) | 00:00 Tools | |
8108223 | Play | For The Virgin (O Frondens Virga) | 00:00 Tools | |
8108224 | Play | Song to the Mother (O viridissima virga) | 00:00 Tools | |
8108227 | Play | The Living Light | 00:00 Tools | |
8108229 | Play | Wherever (Unde Quocumque) | 00:00 Tools | |
8108228 | Play | For The Creator (O Quam Mirabilis) | 00:00 Tools | |
8108250 | Play | Vision | 00:00 Tools | |
8108226 | Play | This Honorable Fame (Deus Enim Rorem) | 00:00 Tools | |
8108232 | Play | Divine Love (Karitas habundat) | 00:00 Tools | |
8108231 | Play | The Chalice (O vas nobile) | 00:00 Tools | |
8108233 | Play | For the Trinity (Laus Trinitati) | 00:00 Tools | |
8108230 | Play | From This Wicked Fall (Cum erubuerint) | 00:00 Tools | |
8108234 | Play | The Anointing | 00:00 Tools | |
8108238 | Play | As I Went to Walsingham | 00:00 Tools | |
8108236 | Play | Living Fountain (O vivens fons) | 00:00 Tools | |
8108235 | Play | The Flower Gleams (Hodie aperuit) | 00:00 Tools | |
50940093 | Play | Gloria RV589: Gloria in excelsis | 00:00 Tools | |
8108242 | Play | Sweet stay awhile (Anon) | 00:00 Tools | |
8108237 | Play | Requiem Op. 573: O vos imitatores [Hildegard von Bingen | 00:00 Tools | |
8108266 | Play | Funeral Teares (John Coprario) | 00:00 Tools | |
8108282 | Play | Surcharged with discontent | 00:00 Tools | |
50940094 | Play | Atalanta Fugiens: Fugue 2 | 00:00 Tools | |
8108258 | Play | O he is gone | 00:00 Tools | |
50940096 | Play | Atalanta Fugiens: Fugue 5 | 00:00 Tools | |
50940097 | Play | Je Vivroie Liement | 00:00 Tools | |
8108241 | Play | A toy (Anon) | 00:00 Tools | |
50940095 | Play | I Wonder as I Wander - Vocal | 00:00 Tools | |
50940102 | Play | Atalanta Fugiens: Fugue 11 | 00:00 Tools | |
8108288 | Play | Machaut: Je Vivroie Liement | 00:00 Tools | |
8108291 | Play | A Toy | 00:00 Tools | |
50940098 | Play | Praise for the Virgin (O virga ac diadema) | 00:00 Tools | |
50940099 | Play | Messiah HWV56, (PART 2): Hallelujah (chorus) | 00:00 Tools | |
8108273 | Play | Vuestros ojos (Anon) | 00:00 Tools | |
8108279 | Play | Corranto Lady Riche (Anon) | 00:00 Tools | |
8108272 | Play | My little sweet darling (Anon) | 00:00 Tools | |
50940108 | Play | Atalanta Fugiens: Fugue 29 | 00:00 Tools | |
8108278 | Play | The Living Light (instrumental) | 00:00 Tools | |
50940100 | Play | Casche toy, celeste soleil | 00:00 Tools | |
50940104 | Play | Atalanta Fugiens: Fugue 16 | 00:00 Tools | |
50940105 | Play | Atalanta Fugiens: Fugue 14 | 00:00 Tools | |
50940107 | Play | Atalanta Fugiens: Fugue 43 | 00:00 Tools | |
50940101 | Play | Messiah, Part One: Comfort ye my people (tenor) | 00:00 Tools | |
8108247 | Play | Au joly bois (Charles Tessier) | 00:00 Tools | |
8108276 | Play | My Lady Rich's galliard (Dowland) | 00:00 Tools | |
8108249 | Play | Come when I call (Dowland) | 00:00 Tools | |
50940109 | Play | Atalanta Fugiens: Fugue 26 | 00:00 Tools | |
50940112 | Play | Atalanta Fugiens: Fugue 25 | 00:00 Tools | |
50940103 | Play | How Should I Your True Love Know | 00:00 Tools | |
50940114 | Play | Atalanta Fugiens: Fugue 47 | 00:00 Tools | |
8108271 | Play | Hampton Court Masque (Anon) | 00:00 Tools | |
8108286 | Play | Reveillez vous belle Cattin (Tessier) | 00:00 Tools | |
8108281 | Play | Weeping full sore (William Byrd) | 00:00 Tools | |
8108244 | Play | A la volta Mistress Lettice Rich (Anon) | 00:00 Tools | |
8108270 | Play | Mr Dowland's Midnight (John Dowland) | 00:00 Tools | |
8108283 | Play | This Honorable Fame (Deus enim roren) | 00:00 Tools | |
8108239 | Play | Magnificat in D: Quia respexit humilitatem | 00:00 Tools | |
50940116 | Play | Atalanta Fugiens: Fugue 30 | 00:00 Tools | |
50940111 | Play | Atalanta Fugiens: Fugue 44 | 00:00 Tools | |
50940113 | Play | My True Love Hath My Heart | 00:00 Tools | |
50940106 | Play | And is it night? (Robert Jones | 00:00 Tools | |
76952667 | Play | Westron wynde | 00:00 Tools | |
8108274 | Play | When I am laid in Earth, Dido and Aeneas | 00:00 Tools | |
87135195 | Play | L'Orfeo, SV 318, Act IV: "Quali grazie ti rendo" | 00:00 Tools | |
50940110 | Play | Henry Purcell: When I Am Laid In Earth | 00:00 Tools | |
8108264 | Play | In fields abroad (Byrd) | 00:00 Tools | |
50940115 | Play | The thrush did pipe full clear | 00:00 Tools | |
50940117 | Play | Oh He Is Gone | 00:00 Tools | |
8108277 | Play | The funerals (Anthony Holborne) | 00:00 Tools | |
8108263 | Play | Then Hesperus on high (John Bartlet) | 00:00 Tools | |
50940119 | Play | The Anointing (instrumental) | 00:00 Tools | |
8108267 | Play | Vision from Hildegard von Bingen | 00:00 Tools | |
50940118 | Play | Vision (O euchari in leta via) (full length reprise) | 00:00 Tools | |
8108269 | Play | In a Grove Most Rich of Shade | 00:00 Tools | |
50940120 | Play | Messiah HWV56, (PART 2): He was despised (alto) | 00:00 Tools | |
50940121 | Play | Atalanta Fugiens: Fugue 1 | 00:00 Tools | |
50940122 | Play | Funeral Teares: In Darkness Let Me Dwell | 00:00 Tools | |
8108245 | Play | And is it night (Robert Jones) | 00:00 Tools | |
50940123 | Play | Magnificat in D, BWV243, Aria, Et Exultavit Spiritus Meus | 00:00 Tools | |
89184990 | Play | L'Orfeo, SV 318, Act II: "In un fiorito prato" | 00:00 Tools | |
89184991 | Play | L'Orfeo, SV 318, Act II: "Ahi caso acerbo" | 00:00 Tools | |
50940124 | Play | Mr Dowland's Midnight (John Do | 00:00 Tools | |
76952668 | Play | I Wonder As I Wander | 00:00 Tools | |
89184992 | Play | O Lord, How Vain Are All Our Frail Delights | 00:00 Tools | |
89184993 | Play | L'Orfeo, SV 318, Act II: "Ma io" | 00:00 Tools | |
89184994 | Play | L'Orfeo, SV 318, Act IV: "Signor quell’infelice" | 00:00 Tools | |
50940125 | Play | Mr Dowland's Midnight | 00:00 Tools | |
50940126 | Play | Funeral Teares: O Sweet Flower | 00:00 Tools | |
50940127 | Play | Weeping full sore | 00:00 Tools | |
50940128 | Play | Atalanta Fugiens: Fugue 3 | 00:00 Tools | |
8108280 | Play | O viridissima virga | 00:00 Tools | |
50940129 | Play | The Funerals | 00:00 Tools | |
50940130 | Play | And Is It Night? | 00:00 Tools | |
50940131 | Play | Funeral Teares: O Th'unsure Hopes Of Men | 00:00 Tools | |
50940132 | Play | My Lady Rich's Galliard | 00:00 Tools |
Emily Van Evera has earned an international reputation for her versatile and expressive interpretation of earlier vocal repertoires. She also sings newly-composed songs, traditional folk music, and whatever takes her fancy. Emily is a soloist on over fifty recordings including ground-breaking and award-winning discs of works by Monteverdi, Bach, Handel and Vivaldi with the Taverner Consort (EMI/Virgin), of 16th & 17th-c. English, Italian and Spanish song with The Musicians of Swanne Alley, Circa 1500 and Tragicomedia (Virgin, Chandos, CRD, Harmonia mundi, Teldec), music by Hildegard of Bingen and Machaut (Hyperion) and more recently, My Lady Rich (Avie), an Elizabethan portrait welcomed as 'riveting... heart-stealing' (BBC Music Magazine), 'a vivid and touching portrait' (New York Times) and 'a magnificent recording' (Goldberg). She sang the role of Dido for the BBC-commissioned commemorative recording of Purcell's Dido and Aeneas (Taverner Players, BBC/Sony), and in 2010 released songs by Benjamin Britten and Vladimír Godár on So sweet a melody (Somm) and a live concert recording with Solamente naturali (Bratislava) of church music for soprano and orchestra by Ján Levoslav Bella. Emily's enjoyment of exploring and conveying meaning is reflected in Gramophone's 1998 survey of 30 Hildegard of Bingen recordings: 'the sheer power of the words comes across nowhere else as strongly as in Van Evera's performance'. Concerts have taken her to festivals throughout Europe, North America and Japan and to the Wigmore Hall, the Royal Albert Hall, and the Concertgebouw (Amsterdam). She has been a soloist at the BBC Proms on several occasions, including broadcasts of songs by Charles Ives and Carl Ruggles (Composers Ensemble/John Woolrich) and Haydn's Creation Mass with the London Mozart Players. Emily took part in a specially devised chamber concert for the Metropolitan Museum of Art's Rubens exhibition in 2005 (New York Collegium), and in 2009 created for The Forbidden Gaze exhibition at Compton Verney a programme of French and English music on the myth of Diana and Acteon (London Baroque). Other recent highlights: a programme of early Tudor song for The Neill Concert at All Souls, Oxford; recitals of Francesca Caccini and Barbara Strozzi in London, Cambridge and Boston; a concert performance of Gluck's Orfeo ed Euridice (Euridice); English lute songs with Anthony Bailes in Basel and Cambridge, and live radio broadcasts of dramatic works by Rameau and A. Scarlatti (CBC, Dutch radio), French and Italian 16th & 17th-c. florid song and Messiah (American National Public Radio), and Schubert songs with 19th-century guitar (Martin Krajčo) from the 2008 Bratislava Music Festival. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.