Ensemble PAN

Trackimage Playbut Trackname Playbut Trackname
Qui n'a le cuer 04:04 Tools
J'ai maintes fois 01:36 Tools
Bonne é belle 03:02 Tools
Contre dolour 04:09 Tools
Je prens d'amour 04:14 Tools
Aspre Fortune 05:02 Tools
O Virgo virginum/O sacra virgo virginum/Tu nati nata suscipe 04:09 Tools
Tousjours 03:01 Tools
Qui de Fortune 02:40 Tools
Danse d'Abroz 01:54 Tools
Da magne Pater/Si doucement 03:08 Tools
Moult fort me plaist 05:25 Tools
J'ai mon cuer 02:07 Tools
Anna parens matris/Alma parens nata/O Maria stella maris 03:12 Tools
Pymalion qui moult subtilz estoit 05:53 Tools
Hodie Christus natus est/Hodi peur nascitur/Homo mortalis firmiter 06:58 Tools
Belle, Bonne, Sage - Baude Cordier (Instrumental) Lute, 2 Vielles 06:58 Tools
Fumeux Fume Par Fumee 06:58 Tools
A Mon Pouir 06:58 Tools
Puisque Je Suis Fumeux 06:58 Tools
En Nul Estate 06:58 Tools
010-Motet Rex beatus 06:58 Tools
Ha, fortune 06:58 Tools
De Ce Que Foul Pense 06:58 Tools
Belle, bonne, sage 06:58 Tools
A L'arme, A L'arme 04:10 Tools
Motet Fauvel nous a fait present 06:58 Tools
10 - A L'arme, A L'arme - Grimace (Virelai) 3 Voices, Vielle 06:58 Tools
Medee Fu En Amer Veritable 04:10 Tools
Pictagoras, Jabol et Orpheus 04:10 Tools
De Ce Que Foul Pense - Pierre Des Molins (Instrumental) 2 Vielles, Lute 06:58 Tools
Par Maintes Foys - Jean Vaillant (Virelai) 06:58 Tools
Contre Dolour (rondeau) 04:10 Tools
Tousjours (canonic Rondeau) 06:58 Tools
Par maintes foys 06:58 Tools
Qui de Fortune (ballade) 06:58 Tools
»Contre dolour« ~ Anonym [Rondeau] 06:58 Tools
Aspre Fortune (ballade) 06:58 Tools
Oseletto salvaçio (madrigal) 04:10 Tools
Johannes SYMONIS. Puisque je suis fumeux (ballade) mezzosoprano, vielle, corno muto 04:28 Tools
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Ensemble Project Ars Nova, known popularly as Ensemble PAN, takes its name and its sense of spirit from Philippe de Vitry's 14th century musical treatise "Ars Nova" (The New Art). Founded at the Schola Cantorum in Basel, Switzerland, by young American artists Laurie Monahan (mezzo-soprano), Michael Collver (countertenor and corno muto) and Crawford Young (lute), the Ensemble debuted at the Festival Estival in Paris in 1982. At its American debut at the Castle Hill Festival in 1984, Shira Kammen (bowed strings) and John Fleagle (tenor and medieval harp) joined the group. The Ensemble's first widespread recognition came with acclaim at the Boston Early Music Festival in 1987, followed by appearances on prestigious early music and chamber music series in cities such as New York, Boston, Chicago, Seattle, Vancouver, San Francisco, San Diego and Los Angeles. In recognition of Ensemble PAN's growing prominence in the field, Chamber Music America awarded the Ensemble a grant in 1989 to establish a three-year performance and teaching residency in Boston, co-sponsored by the Longy School of Music and National Public Radio affiliate WGBH-fm. For the 1993-94 season, its fourth in Boston, the Massachusetts Arts Council awarded the Ensemble a grant to continue its popular four-concert series, recorded and co-presented by WGBH and Longy. Arts Midwest has also awarded the Ensemble fee support for tours in eight states in the 1993-94 and 1994-95 seasons. With Crawford Young teaching at the Schola Cantorum Basiliensis, Ensemble PAN has maintained its European ties and continues to appear at the best-known festivals and venues for early music in The Netherlands, France, Italy, Germany and Switzerland. A program of "Music from the Great Papal Councils" two seasons ago was heard in an extensive tour of Switzerland. A regular at the Holland Festival in Utrecht and recently featured at the Como Festival in Italy, the group has also been invited for the summer of 1994 to the Musikfestspiele Potsdam at the Palace of Sanssouci and the Dartington Festival in England. The Ensemble has also recorded and broadcast for Radio Basel, Radio France and Westdeutsche Rundfunk, among others. Highlights of recent seasons have included the Boston Early Music Festival (taped for public television and radio); the Berkeley Early Music Festival; premieres in Boston (Longy School) and New York (Columbia University) of new works by Robert Kyr commissioned by Chamber Music America; and performances for the Frick Collection and The Cloisters in New York, Rutgers University, Stanford University, the University of California at Davis, the Universities of Maryland and Connecticut, and appearances in Pittsburgh, Cleveland, Milwaukee and Seattle, to name a few. For the Columbus Quincentenary in the 1992-93 season, the Ensemble performed programs featuring works from the cancionero in the collection of the navigator's son, Ferdinand Columbus. the Ensemble's tour that season included The Shrine to Music in Vermillion, South Dakota, Ambassador Auditorium in Pasadena, The Frick, the Longy School and Brandeis University in Boston, Clayton State College near Atlanta, and Western Washington University in Bellingham. In addition, programs of Italian music were heard at Yale University, Wellesley College and at the 1992 Conference of the American Musicological Society in Pittsburgh. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.