Eric Siday

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Pie Eyed Pipers 01:29 Tools
Swing Synthesis 01:31 Tools
Power Play 01:55 Tools
Sidereal Vibrations 01:55 Tools
Galaxy 02:06 Tools
Moonscape 02:06 Tools
Ultimate 02:06 Tools
Challenge Of Space 02:06 Tools
Concerto To The Stars 02:06 Tools
Pizzicato Piano 02:06 Tools
Suspended Animation 02:57 Tools
Luna Park 02:28 Tools
Pavane 02:06 Tools
Honeysuckle Rose 02:57 Tools
Plenipoteniary 02:57 Tools
Sports Desk A 00:36 Tools
Fallout 00:36 Tools
Chromatic Aberration 00:36 Tools
Fallout Aftermath 00:36 Tools
jazz cellar 00:41 Tools
Meteors 00:36 Tools
Dedication 02:30 Tools
Bell Tune 00:41 Tools
Starry Eyed 00:53 Tools
Cool Explosion 00:41 Tools
Instant Breakfast 00:41 Tools
Bullfrog and Nightingale 02:01 Tools
Auto Mobile 00:41 Tools
Old Fashioned 00:41 Tools
Bubbling Under 02:01 Tools
Mood Three 00:41 Tools
Prestigious 00:41 Tools
Sparkler 00:41 Tools
Helicopter Eyeview 02:01 Tools
Bargain Basement 01:17 Tools
racing news a 02:01 Tools
Yacht Club B 00:41 Tools
Market Place 02:01 Tools
Yacht Club A 02:01 Tools
Space Drift 02:01 Tools
Traffication C 02:01 Tools
Kitchen Concerto 02:01 Tools
Fly Right 01:17 Tools
The Concerto To The Stars 00:41 Tools
Anaesthesia 02:01 Tools
Typing Pool 01:17 Tools
Jed And Elmer 02:01 Tools
Hypnosis 01:59 Tools
Conflict No. 1 01:17 Tools
The Machines 1 01:17 Tools
Transmutations 1 01:17 Tools
The Machines 2 01:17 Tools
Telecommunications 2 01:17 Tools
The Laboratory 2 01:17 Tools
Transmutations 3 01:17 Tools
Transmutations 2 01:17 Tools
Side 2 01:17 Tools
The Laboratory Pt.2 01:17 Tools
Eclipse 01:17 Tools
The Laboratory 01:17 Tools
Side 1 01:17 Tools
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Eric Siday (November 1, 1905, near London, England, UK–March 25, 1976, in New York, New York, USA) was a composer and musician. While most commonly known for his pioneering work in electro-acoustic music, his early career was that of a hot-jazz violinist in the London dance bands in the Roaring ’20s, including Ray Starita's Piccadilly Revels. Even then, as a young violinist, his improvised soloing style was amazingly advanced for his era. He played with a remarkably modern chromatic style, verging on atonal, often incorporating multi-stops (playing up to four notes in harmony on the violin simultaneously utilizing multiple fingers). In 1939, he emigrated to the US. He was the first composer to systematically utilize electro-acoustic sound potential within the television medium, particularly with his invention of the sound logo and the Musical Rorschach test. His now-legendary Maxwell House perking coffee pot TV commercial was one of these first innovations. He also commissioned Robert Moog to create the first percussion synthesizer, which he used extensively in his television work. Among his other contributions to the use of electro-acoustic music in television were numerous station IDs and commercials, including that of the National Educational Television network, the forerunner to PBS, and the 1965 Screen Gems TV logo. Throughout his life, Siday was also an educator, creating many radio broadcasts about the nature of the so-called new music and new sound. In addition to his large commercial repertoire, he composed a number of extended works, both traditional and experimental. In the years before his death, he devoted considerable effort to exploring new ways in which to use electro-acoustic music in the building of special sound environments. Use of new music through practical design concepts was his forte. Eric Siday was the brother of R. E. Siday, a mathematician who specialized in quantum mechanics. The Eric and Edith Siday Charitable Foundation was established in 1998 in memory of the composer Eric Siday and his wife Edith. The Foundation is dedicated, inter alia, to the promotion of musical creativity, among both professionals and gifted, underprivileged youth. His archives, which included business records, personal papers, music scores, photographs, and tapes, were donated to the New York Public Library. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.