Erik Bergman

Trackimage Playbut Trackname Playbut Trackname
Punschens visa 00:00 Tools
Vier Galgenlieder, Op.51B - Tapetenblume 00:00 Tools
Bim Bam Bum, Op. 80: No. 1. Bim Bam Bum (Bim Bam Boom) 00:00 Tools
Vier Galgenlieder, Op.51B - Unter Zeiten 00:00 Tools
Vier Galgenlieder, Op.51B - Das Grosse Lalula 00:00 Tools
Vier Galgenlieder, Op.51B - Igel Und Agel 00:00 Tools
Lapponia: I. Südatalv 00:00 Tools
Vier Galgenlieder, Op.51b (1960): III. Tapetenblume 00:00 Tools
Vier Galgenlieder, Op.51b (1960): I. Das grosse Lalula 00:00 Tools
Lapponia: II. Joig 00:00 Tools
Lapponia: III. Jaaniöö 00:00 Tools
Vier Galgenlieder, Op.51b (1960): II. Igel und Agel 00:00 Tools
Vier Galgenlieder, Op.51b (1960): IV. Unter Zeiten 00:00 Tools
Lapponia: IV. Torm mägedes 00:00 Tools
etwas rascher, Op. 108 00:00 Tools
Energien, Op. 66 00:00 Tools
Vier Galgenlieder Op. 51b (Part 1) 00:00 Tools
Vier Galgenlieder Op. 51b (Part 4) 00:00 Tools
Vier Galgenlieder Op. 51b (Part 2) 00:00 Tools
Midnight, Op. 83 00:00 Tools
Vier Galgenlieder Op. 51b (Part 3) 00:00 Tools
3 Fantasias, op.42, for clarinet and piano: Moderato grottescamente 00:00 Tools
Hathor suite on ancient Egyptian texts for soprano, baritone and chorus: II 00:00 Tools
Hathor suite on ancient Egyptian texts for soprano, baritone and chorus: I 00:00 Tools
Dreams for soprano and chamber choir: I 00:00 Tools
Samothrake for chamber choir and ensemble 00:00 Tools
3 Fantasias, op.42, for clarinet and piano: Comodo e poco rubato 00:00 Tools
Hathor suite on ancient Egyptian texts for soprano, baritone and chorus: III 00:00 Tools
String quartet, op.98: I 00:00 Tools
Hathor suite on ancient Egyptian texts for soprano, baritone and chorus: V 00:00 Tools
Hathor suite on ancient Egyptian texts for soprano, baritone and chorus: IV 00:00 Tools
Dreams for soprano and chamber choir: III 00:00 Tools
Vaggvisa (1950) [Lullaby] 00:00 Tools
No. 1. Moderato grottescamente 00:00 Tools
Dreams for soprano and chamber choir: II 00:00 Tools
Si drommaren kommer dar (See the Dreamer Coming There), Op. 21, No. 1 00:00 Tools
3 Fantasias, op.42, for clarinet and piano: Adagio elegiaco 00:00 Tools
String quartet, op.98: III 00:00 Tools
String quartet, op.98: IV 00:00 Tools
String quartet, op.98: II 00:00 Tools
Birds in the Morning, op.89, for flute and orchestra: I 00:00 Tools
I. — 00:00 Tools
No. 3. Comodo e poco rubato 00:00 Tools
Lapponia 00:00 Tools
Guitar Suite, Op. 32: I. Fantasia 00:00 Tools
Colori ed improvvisazioni, op.72, for orchestra: I 00:00 Tools
Noa, op.78, for baritone, orchestra and chorus 00:00 Tools
Paradisdag, Op. 22-1 (1946) [A Day In Paradise] 00:00 Tools
Serenade, Op.35 No.1 00:00 Tools
Colori ed improvvisazioni, op.72, for orchestra: II 00:00 Tools
Birds in the Morning, op.89, for flute and orchestra: II 00:00 Tools
Birds in the Morning, op.89, for flute and orchestra: III 00:00 Tools
Aubade, op.48, for orchestra 00:00 Tools
Colori ed improvvisazioni, op.72, for orchestra: III 00:00 Tools
Guitar Suite, Op. 32: III. Toccata 00:00 Tools
Petrarca Suite, Op. 118: I. S'amor non è 00:00 Tools
Bergman : Energien 00:00 Tools
Bergman : Bim Bam Bum Op.80 : I Bim Bam Bum [Bim Bam Boom : Bim Bam Boom] 00:00 Tools
Bergman : Aubade Op.48 00:00 Tools
Guitar Suite, Op. 32: II. Canzonetta 00:00 Tools
No. 2. Adagio elegiaco 00:00 Tools
Jantblig (A Maid´s Glance), Op. 21, No. 3 00:00 Tools
Dreams, Op. 85: III. Restlessness 00:00 Tools
Dreams, Op. 85: I. Echoes 00:00 Tools
Paradisdag, Op. 22/1 - 1946 A Day in Paradise 00:00 Tools
Bergman : Neljä vokaliisia Op.100 : IV [Four Vocalises : IV] 00:00 Tools
III. — 00:00 Tools
II. — 00:00 Tools
Det sjungande tradet (The Singing Tree), Op. 110: I. Prologue: The Tree of Life stands at the center, its roots encircling the prince Hatt's lair, its crown reflecting all the wonder of life (Prince Hatt, Witch) 00:00 Tools
Danze senza nomine, Op. 13: No. 2. Andante orgoglioso, ma con grazia 00:00 Tools
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Erik Valdemar Bergman (November 24, 1911 – April 24, 2006) was an influential composer of classical music from Finland. Bergman's style ranged widely, from Romanticism in his early works (many of which he later prohibited from being performed) to modernism and primitivism, among other genres. He won the Nordic Council Music Prize in 1994 for his opera "Det sjungande trädet". Bergman studied at the Sibelius academy in Helsinki and afterwards with Heinz Tiessen in Berlin and with Wladimir Vogel in Ascona. Since 1963 he has taught composition at the Sibelius academy, besides working until 1978 as a choir conductor. Bergman was considered as a pioneer of the modern music in Finland. Because of his training he was considered as a representative of the avant-garde; he developed for example the twelve-tone techniques of Arnold Schönberg learned from Vladimir Vogel. He composed song cycles, cantatas, a violin concerto, pieces for piano and for organ, a guitar suite, a chamber concert for flute, clarinet, bass clarinet, violin, viola, cello, percussion and piano and further chamber works. His “Requiem for a dead poet” (1970) and “Colori ed improvvisazioni” for orchestras (1973) gave him international recognition. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.