Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
8255874 | Play | Wolf-Ferrari: I quatro rusteghi: Beati chi pol godarse, chi a tempo de scherzar | 00:00 Tools | |
87149000 | Play | Suite veneziano, Op. 18: I. In Laguna. Andante tranquillo | 00:00 Tools | |
87149001 | Play | Piano Trio No. 1 in D Major, Op. 5: III. Larghetto - Poco mosso - più mosso - Larghetto | 00:00 Tools | |
8256067 | Play | Act I: Prelude | 00:00 Tools | |
8255871 | Play | Andante aus der Streicherserenade Es-Dur | 00:00 Tools | |
8255948 | Play | Intermezzo | 00:00 Tools | |
8255879 | Play | Ouvertüre zur Oper "La dama boba" | 00:00 Tools | |
87149002 | Play | La passione, Op. 21 | 00:00 Tools | |
51040348 | Play | Wolf-Ferrari: I quatro rusteghi: Prelude; Siora mare?... Fia mia? | 00:00 Tools | |
8255892 | Play | The Jewels Of The Madonna - Serenata | 03:30 Tools | |
8256051 | Play | Il segreto di Susanna: Overture | 00:00 Tools | |
8255878 | Play | II. Strimpellata: Presto | 00:00 Tools | |
51040381 | Play | Der Schmuck der Madonna / 3 Akt: Intermezzo | 00:00 Tools | |
51040349 | Play | Act I: Hoheit, gestatten... | 00:00 Tools | |
51040359 | Play | I Gioielli Della Madonna: Intermezzo Act 3 | 00:00 Tools | |
8255921 | Play | Wolf-Ferrari: I quatro rusteghi: O come che me godo vardar sti novizzeti! | 00:00 Tools | |
8255888 | Play | The Camorrists | 00:00 Tools | |
51040350 | Play | Wolf-Ferrari: I quatro rusteghi: Chi e sto sior?... Se il nome mio chiedete | 00:00 Tools | |
8255875 | Play | Intermezzo No. 2 | 00:00 Tools | |
8255883 | Play | Jewels of the Madonna | 03:30 Tools | |
51040351 | Play | III. Serenata | 00:00 Tools | |
51040352 | Play | Wolf-Ferrari: I quatro rusteghi: Lucieta xe un bel nome che el cor pol stuzzegar | 00:00 Tools | |
8255887 | Play | Allegro aus der Streicherserenade Es-Dur | 00:00 Tools | |
51040353 | Play | Canzone und Strimpellata aus Suite-concertino Op.16 | 00:00 Tools | |
8255886 | Play | Adagio non troppo aus der "Sinfonia Brevis" Op.28 Es-Dur | 00:00 Tools | |
8255961 | Play | Wolf-Ferrari: I quatro rusteghi: Ghe la fazzo, cospetina! | 00:00 Tools | |
51040354 | Play | Wolf-Ferrari: I quatro rusteghi: Cossa fe la? Seu mat? | 00:00 Tools | |
8255876 | Play | Canzone und Strimpellata aus Suite-concertino op. 16 | 00:00 Tools | |
51040355 | Play | Act II: So schau'er sich um | 00:00 Tools | |
8255873 | Play | Rondo aus dem "Idillio Concertino" op. 15 A-Dur | 00:00 Tools | |
51040356 | Play | Intermezzo aus der Oper "I gioelli della madonna" | 00:00 Tools | |
8256023 | Play | Act III: Hier! Hier! Horch...Nein | 00:00 Tools | |
51040357 | Play | Wolf-Ferrari: I quatro rusteghi: Coss'e? coss'e, parona, che pare un bissona? | 00:00 Tools | |
51040358 | Play | Rondo aus dem "Idillio Concertino" Op.15 A-Dur | 00:00 Tools | |
8256056 | Play | Idillio-Concertino: I. Preambolo | 00:00 Tools | |
51040368 | Play | Suite-concertino in F major, Op. 16: II. Strimpellata: Presto | 00:00 Tools | |
51040360 | Play | II. Intermezzo | 00:00 Tools | |
8255894 | Play | Arabesken in E minor, Op. 22 | 00:00 Tools | |
8255880 | Play | Wolf-Ferrari: I quatro rusteghi: O' fenio la mia renga | 00:00 Tools | |
51040361 | Play | Wolf-Ferrari: I quatro rusteghi: Sior Lunardo, patron | 00:00 Tools | |
8255872 | Play | Intermezzo (Die vier Grobiane / Oper) | 00:00 Tools | |
51040377 | Play | I quatro rusteghi: Intermezzo | 00:00 Tools | |
51040362 | Play | Act III: Ach! Wo bin ich? | 00:00 Tools | |
51040363 | Play | Wolf-Ferrari: I quatro rusteghi: Spete un pocheto. El poaro sior Lunardo | 00:00 Tools | |
8255890 | Play | Wolf-Ferrari: I quatro rusteghi: La fa che me bisega in sen | 00:00 Tools | |
51040391 | Play | I gioielli della Madonna Suite: II. Intermezzo | 00:00 Tools | |
8255893 | Play | Idillio-Concertino: iii. Adagio | 00:00 Tools | |
8255898 | Play | III. Canzone: Andante cantabile | 00:00 Tools | |
51040364 | Play | Allegro moderato | 00:00 Tools | |
51040365 | Play | Wolf-Ferrari: I quatro rusteghi: Marideve, che avare de sti gusti | 00:00 Tools | |
51040369 | Play | Adagio non troppo aus der "Sinfonia Brevis" op. 28 Es-Dur | 00:00 Tools | |
51040366 | Play | I Gioielli della Madonna: T’eri un giorno ammalato | 00:00 Tools | |
51040367 | Play | Wolf-Ferrari: I quatro rusteghi: E cussi, come va sto maridozzo? | 00:00 Tools | |
51040372 | Play | Suite-concertino in F Major, Op. 16: III. Canzone: Andante cantabile | 00:00 Tools | |
51040383 | Play | Suite-concertino in F Major, Op. 16: IV. Finale: Andante con moto | 00:00 Tools | |
76956137 | Play | Suite-Concertino in F Major, Op. 16: II. Strimpellata - Presto | 00:00 Tools | |
51040373 | Play | Idillio-concertino in A Major, Op. 15: I. Preambola | 00:00 Tools | |
8255987 | Play | Idillio-Concertino: II. Scherzo | 00:00 Tools | |
8255884 | Play | I. Preambola | 00:00 Tools | |
89195731 | Play | I gioielli della Madonna: Intermezzo II | 00:00 Tools | |
51040370 | Play | Act III: Sie war's! Sie war's gewiss | 00:00 Tools | |
8255882 | Play | Intermezzo aus der Oper "I gioielli della Madonna" | 00:00 Tools | |
8256058 | Play | IV. Finale | 00:00 Tools | |
51040371 | Play | Act I: Ha! Welche Schmach! | 00:00 Tools | |
51040385 | Play | La dama boba: Overture | 00:00 Tools | |
8255896 | Play | Violin concerto in D major, Op. 26: I. Fantasia | 00:00 Tools | |
51040376 | Play | Suite-concertino in F Major, Op. 16: I. Notturno: Andante un poco mosso | 00:00 Tools | |
51040411 | Play | I quatro rusteghi: Prelude | 00:00 Tools | |
51040384 | Play | Idillio-concertino in A Major, Op. 15: II. Scherzo | 00:00 Tools | |
51040374 | Play | Wolf-Ferrari: I quatro rusteghi: Che maniera! E dir che i m'a invida | 00:00 Tools | |
51040375 | Play | Wolf-Ferrari: I quatro rusteghi: Marina?... Sior?... Coss'elo sto bacan? | 00:00 Tools | |
8255926 | Play | I Quattro Rusteghi: Intermezzo | 00:00 Tools | |
76956138 | Play | The Jewels of the Madonna - Intermezzo | 00:00 Tools | |
8256057 | Play | Act I: Der Kanzler befahl | 00:00 Tools | |
8256072 | Play | Idillio-Concertino: IV. Rondo | 00:00 Tools | |
51040378 | Play | Prelude | 00:00 Tools | |
87149004 | Play | Wolf-Ferrari: Il segreto di Susanna: Overture (Vivacissimo) | 00:00 Tools | |
51040382 | Play | Idillio-concertino in A Major, Op. 15: IV. Rondo | 00:00 Tools | |
87149013 | Play | Violin Concerto in D Major: 2. Romanza - Live | 00:00 Tools | |
51040386 | Play | Idillio-concertino in A Major, Op. 15: III. Adagio | 00:00 Tools | |
8255897 | Play | I. Notturno: Andante un poco mosso | 00:00 Tools | |
51040379 | Play | Wolf-Ferrari: I quatro rusteghi: "El specio me ga dito che son bela" | 00:00 Tools | |
51040380 | Play | Act II: Gesegnet sei, den die Erde erkor | 00:00 Tools | |
89195732 | Play | 2. Romanza - Live | 00:00 Tools | |
51040387 | Play | Coro A Bocca Chiusa | 00:00 Tools | |
8255889 | Play | II. Scherzo | 00:00 Tools | |
8256010 | Play | Act II: Doch, irren wir uns nicht | 00:00 Tools | |
51040390 | Play | I gioielli della Madonna - Intermezzo | 00:00 Tools | |
87149008 | Play | Violin concerto in D major, Op. 26: II. Romanza | 00:00 Tools | |
51040424 | Play | Concertino in A-Flat Major, Op. 34: I. Preludio | 00:00 Tools | |
8256049 | Play | I. Sostenuto - Allegro appassionato quasi presto | 00:00 Tools | |
51040388 | Play | Act I: Es sind schon zweiunddreissig | 00:00 Tools | |
51040389 | Play | Wolf-Ferrari: I quatro rusteghi: Mi no, ma gnanca l'orco | 00:00 Tools | |
51040399 | Play | I gioielli della Madonna Suite: I. Festa popolare | 00:00 Tools | |
87149020 | Play | Il Campiello: Ritornello | 00:00 Tools | |
51040426 | Play | Sinfonia da camera in B-Flat Major, Op. 8: III. Vivace con spirito | 00:00 Tools | |
51040427 | Play | Concertino in A-Flat Major, Op. 34: III. Adagio | 00:00 Tools | |
51040412 | Play | Concertino in A-Flat Major, Op. 34: IV. Finale | 00:00 Tools | |
51040392 | Play | III. Capriccio: Lo stesso tempo della Canzone - Gagliardo e vivace assai | 00:00 Tools | |
51040393 | Play | Wolf-Ferrari: I quatro rusteghi: Ben vegni qua e senti | 00:00 Tools | |
51040394 | Play | Madonna unter Tranen (from I Gioielli della Madonna) | 00:00 Tools | |
51040395 | Play | Act II: Ah!... Hei, hei, hei-ha-ha-hei! | 00:00 Tools | |
51040396 | Play | Wolf-Ferrari: I quatro rusteghi: Hm! Ah, femen del diavolo | 00:00 Tools | |
51040397 | Play | Act I: Fern, in der Vater Park ein tiefer See | 00:00 Tools | |
51040398 | Play | Wolf-Ferrari: I quatro rusteghi: Servitore umilissimo di loro Signorie | 00:00 Tools | |
89195733 | Play | Violin concerto in D major, Op. 26: III. Improvviso | 00:00 Tools | |
51040419 | Play | L'amore Medico: Overture | 00:00 Tools | |
51040420 | Play | Suite-concertino in F Major, Op. 16: I. Andante un poco mosso | 00:00 Tools | |
51040407 | Play | Violin Concerto in D, op.26 - I. Fantasia | 00:00 Tools | |
89195734 | Play | Il Segreto Di Susanna | 00:00 Tools | |
89195735 | Play | Overture | 00:00 Tools | |
51040422 | Play | Sinfonia da camera in B-Flat Major, Op. 8: I. Allegro moderato | 00:00 Tools | |
89195736 | Play | Ouverture de l'opéra "La dama boba" | 00:00 Tools | |
89195737 | Play | I gioielli della Madonna, Act I: Act I: 'O quadro d'a Madonna (Vendor of Sacred Wares, Macaroni Seller, Flower Girl, Ice-Cream Man, Water Seller, Blind Man, Children, Chorus) | 00:00 Tools | |
76956139 | Play | Il Segreto di Susanna: "Mantiglia griga, cappellino rosa" | 00:00 Tools | |
87149019 | Play | I gioielli della Madonna, Act I: Act I: Festa grande, gran baldoria! (Chorus, 2 Morra-Players, Ice-Cream Man, Fruit Seller) | 00:00 Tools | |
87149005 | Play | I gioielli della Madonna, Act I: Act I: Festa grande, gran baldoria! (Chorus, Totonno, 2 Morra-Players, Sorbet Seller) | 00:00 Tools | |
76956140 | Play | Sly, Act I: "Un orso in musoliera" | 13:47 Tools | |
51040425 | Play | Concertino in A-Flat Major, Op. 34: II. Capriccio | 00:00 Tools | |
51040400 | Play | La Vedova Scaltra (The Cunning Widow): Act I: Et comme ca j'ai fini (Marionette, Rosaura) | 00:00 Tools | |
8255983 | Play | III. Scherzo: Presto | 00:00 Tools | |
51040416 | Play | Ritornello | 00:00 Tools | |
51040401 | Play | IV. Finale: Rondo | 00:00 Tools | |
8255877 | Play | Idillio Concertino | 00:00 Tools | |
51040402 | Play | IV. Finale: Andante con moto | 00:00 Tools | |
51040403 | Play | Act II: Nein! Nein! Du lugst! | 00:00 Tools | |
87149006 | Play | Two orchestral intermezzi from "Il Gioielli della Madonna" (Op.4) | 00:00 Tools | |
89195738 | Play | Idillo-concertino in A major, Op 15 (4th mvt) | 00:00 Tools | |
87149007 | Play | Il segreto di Susanna (Overture) | 00:00 Tools | |
51040404 | Play | Suite-concertino F-dur op16 3.Satz Canzone | 00:00 Tools | |
87149009 | Play | I Gioielli Della Madonna Suite: Iv. Danza Napolitana | 00:00 Tools | |
89195739 | Play | I gioielli della Madonna Suite: III. Serenata | 00:00 Tools | |
51040405 | Play | Violin Concerto in D, op.26 - II. Romanza | 00:00 Tools | |
51040428 | Play | Il segreto di Susanna: Intermezzo | 00:00 Tools | |
51040406 | Play | Idillio-Concertino | 00:00 Tools | |
87149011 | Play | The School for Fathers - Intermezzo | 00:00 Tools | |
87149012 | Play | Violin Concerto in D Major: 1. Fantasia - Live | 00:00 Tools | |
89195740 | Play | I gioielli della Madonna, Act I: Act I: Per chi, primavera odorosa (3 Girls, Totonno, Chorus) | 00:00 Tools | |
76956142 | Play | Il segreto di Susanna: "Evitiam che un domestic allora, questo odor " | 00:00 Tools | |
51040421 | Play | Il segreto di Susanna - Overture | 00:00 Tools | |
51040409 | Play | Prolog (1-6) | 00:00 Tools | |
51040410 | Play | Serenade for Strings in E-Flat - III. Scherzo | 00:00 Tools | |
51040429 | Play | The Secret of Susanna: Overture | 00:00 Tools | |
89195741 | Play | Il Campiello: Intermezzo | 00:00 Tools | |
8255881 | Play | IV. Rondo | 13:47 Tools | |
51040413 | Play | I. Auf der Lagune: Andante tranquillo | 00:00 Tools | |
51040414 | Play | Vorspiel | 00:00 Tools | |
51040415 | Play | II. Adagio | 00:00 Tools | |
51040417 | Play | Act II: Wer wagt es, uns Winde zu storen? | 00:00 Tools | |
51040418 | Play | Wolf-Ferrari: I quatro rusteghi: I me vol zirar Ma mi li go magnai | 00:00 Tools | |
89195742 | Play | Sly: Un orso in musoliera | 00:00 Tools | |
87149010 | Play | Triptychon in E Major, Op. 19: I. Vorgesang: Adagio | 00:00 Tools | |
89195743 | Play | I gioielli della Madonna: Intermezzo | 00:00 Tools | |
76956141 | Play | Intermezzo to Act III of Jewels of the Madonna | 00:00 Tools | |
89195744 | Play | Violin Concerto in D Major: 3. Improvviso - - Live | 00:00 Tools | |
87149014 | Play | Il segreto di Susanna: "Sante col cioccolato " | 00:00 Tools | |
89195745 | Play | Suite veneziano, Op. 18: III. Notturno. Adagio | 00:00 Tools | |
87149016 | Play | Il segreto di Susanna: "O, siete qui, mio Gil? " | 00:00 Tools | |
89195746 | Play | Piano Trio No. 1 in D Major, Op. 5: I. Allegro molto moderato | 00:00 Tools | |
87149017 | Play | Il campiello (Act 2 Intermezzo) | 00:00 Tools | |
87149018 | Play | Danza napolitana after "I gioielli della Madonna" (Arr. for Clarinet and Orchestra by Andreas Tarkmann) | 00:00 Tools | |
89195747 | Play | I gioielli della Madonna, Act I: Act I: Ve'! Arriva il Pazzariello! (Chorus, Totonno, 2 Monks) | 00:00 Tools | |
89195748 | Play | I gioielli della Madonna, Act I: Act I: Maledetti, la finite? - Eh! La banda! (Toy-Balloon Man, Ragamuffins, Street Urchins, Chorus) | 00:00 Tools | |
87149021 | Play | Il segreto di Susanna: "Che palpiti, che palpiti! " | 00:00 Tools | |
8255895 | Play | III. Agitato con passione | 00:00 Tools | |
87149022 | Play | Intermezzo after "Il segreto di Susanna" (Arr. for Clarinet and Orchestra by Andreas Tarkmann) | 00:00 Tools | |
51040430 | Play | I. Allegro | 00:00 Tools | |
51040431 | Play | II. Canzone: Adagio | 00:00 Tools | |
76956143 | Play | I. Preludio | 00:00 Tools | |
51040432 | Play | Act III: Ha!...Ruhre dich nicht | 00:00 Tools |
Ermanno Wolf-Ferrari (born Ermanno Wolf) (Venice, January 12, 1876 – Venice January 21, 1948) was an Italian composer. He is best known for his comic operas, I quattro rusteghi (1906) and Il segreto di Susanna (1909). A number of his works were based on plays by Carlo Goldoni, including Il campiello. Ferrari was his mother's maiden-name, which he added to his own surname in 1895. His father was a painter, and sent Ermanno to Rome to study art. From there he went to Munich, and it was while there that he decided to concentrate instead on music, taking lessons from Josef Rheinberger. He wrote his first works in the 1890s. In 1900, having failed to have two previous efforts published, Wolf-Ferrari saw the first performance of one of his operas, Cenerentola, which was given in Venice. This was a failure at its premiere, although a later performance in Bremen was a success, setting a pattern for his later work, much of which was premiered in Germany and was received a good deal better there than it was in his native Italy. Among these works are Le donne curiose (1903), I quattro rusteghi (1906), and Il segreto di Susanna (1909), all of them comedies, and all of them successful at their German premieres. With the outbreak of World War I, Wolf-Ferrari moved to Zürich and composed much less, though he still wrote another comedy, Gli amanti sposi (1916). He did not really pick up his rate of output until the 1920s, when he wrote Das Himmelskleid (1925) and Sly (1927), the latter based on William Shakespeare's The Taming of the Shrew. In 1939 he became professor of composition at the Mozarteum in Salzburg. In 1946 he moved again to Zürich before returning to Venice. He is buried in the Venetian cemetery island of San Michele. As well as his operas, Wolf-Ferrari wrote a number of instrumental works, mainly at the very beginning and very end of his career. Only his violin concerto has ever been performed with anything approaching regularity, though he also wrote Idillio-concertino (essentially a chamber symphony), various pieces of chamber music including a piano quintet and two piano trio, two violin sonatas and a number of works for the organ amongst others. Wolf-Ferrari's work is not performed very widely, although he is generally thought of probably the finest writer of Italian comic opera of his time. His works often recall the opera buffa of the 18th century, although he also wrote more ambitious works in the manner of Pietro Mascagni, which are thought of less well. Much of his work has been ignored, although a performance in 1999 of Sly by the Washington National Opera (the work's American premiere) marked something of a revival of interest in his works Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.