Ermanno Wolf-Ferrari

Trackimage Playbut Trackname Playbut Trackname
Wolf-Ferrari: I quatro rusteghi: Beati chi pol godarse, chi a tempo de scherzar 00:00 Tools
Suite veneziano, Op. 18: I. In Laguna. Andante tranquillo 00:00 Tools
Piano Trio No. 1 in D Major, Op. 5: III. Larghetto - Poco mosso - più mosso - Larghetto 00:00 Tools
Act I: Prelude 00:00 Tools
Andante aus der Streicherserenade Es-Dur 00:00 Tools
Intermezzo 00:00 Tools
Ouvertüre zur Oper "La dama boba" 00:00 Tools
La passione, Op. 21 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Prelude; Siora mare?... Fia mia? 00:00 Tools
The Jewels Of The Madonna - Serenata 03:30 Tools
Il segreto di Susanna: Overture 00:00 Tools
II. Strimpellata: Presto 00:00 Tools
Der Schmuck der Madonna / 3 Akt: Intermezzo 00:00 Tools
Act I: Hoheit, gestatten... 00:00 Tools
I Gioielli Della Madonna: Intermezzo Act 3 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: O come che me godo vardar sti novizzeti! 00:00 Tools
The Camorrists 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Chi e sto sior?... Se il nome mio chiedete 00:00 Tools
Intermezzo No. 2 00:00 Tools
Jewels of the Madonna 03:30 Tools
III. Serenata 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Lucieta xe un bel nome che el cor pol stuzzegar 00:00 Tools
Allegro aus der Streicherserenade Es-Dur 00:00 Tools
Canzone und Strimpellata aus Suite-concertino Op.16 00:00 Tools
Adagio non troppo aus der "Sinfonia Brevis" Op.28 Es-Dur 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Ghe la fazzo, cospetina! 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Cossa fe la? Seu mat? 00:00 Tools
Canzone und Strimpellata aus Suite-concertino op. 16 00:00 Tools
Act II: So schau'er sich um 00:00 Tools
Rondo aus dem "Idillio Concertino" op. 15 A-Dur 00:00 Tools
Intermezzo aus der Oper "I gioelli della madonna" 00:00 Tools
Act III: Hier! Hier! Horch...Nein 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Coss'e? coss'e, parona, che pare un bissona? 00:00 Tools
Rondo aus dem "Idillio Concertino" Op.15 A-Dur 00:00 Tools
Idillio-Concertino: I. Preambolo 00:00 Tools
Suite-concertino in F major, Op. 16: II. Strimpellata: Presto 00:00 Tools
II. Intermezzo 00:00 Tools
Arabesken in E minor, Op. 22 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: O' fenio la mia renga 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Sior Lunardo, patron 00:00 Tools
Intermezzo (Die vier Grobiane / Oper) 00:00 Tools
I quatro rusteghi: Intermezzo 00:00 Tools
Act III: Ach! Wo bin ich? 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Spete un pocheto. El poaro sior Lunardo 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: La fa che me bisega in sen 00:00 Tools
I gioielli della Madonna Suite: II. Intermezzo 00:00 Tools
Idillio-Concertino: iii. Adagio 00:00 Tools
III. Canzone: Andante cantabile 00:00 Tools
Allegro moderato 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Marideve, che avare de sti gusti 00:00 Tools
Adagio non troppo aus der "Sinfonia Brevis" op. 28 Es-Dur 00:00 Tools
I Gioielli della Madonna: T’eri un giorno ammalato 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: E cussi, come va sto maridozzo? 00:00 Tools
Suite-concertino in F Major, Op. 16: III. Canzone: Andante cantabile 00:00 Tools
Suite-concertino in F Major, Op. 16: IV. Finale: Andante con moto 00:00 Tools
Suite-Concertino in F Major, Op. 16: II. Strimpellata - Presto 00:00 Tools
Idillio-concertino in A Major, Op. 15: I. Preambola 00:00 Tools
Idillio-Concertino: II. Scherzo 00:00 Tools
I. Preambola 00:00 Tools
I gioielli della Madonna: Intermezzo II 00:00 Tools
Act III: Sie war's! Sie war's gewiss 00:00 Tools
Intermezzo aus der Oper "I gioielli della Madonna" 00:00 Tools
IV. Finale 00:00 Tools
Act I: Ha! Welche Schmach! 00:00 Tools
La dama boba: Overture 00:00 Tools
Violin concerto in D major, Op. 26: I. Fantasia 00:00 Tools
Suite-concertino in F Major, Op. 16: I. Notturno: Andante un poco mosso 00:00 Tools
I quatro rusteghi: Prelude 00:00 Tools
Idillio-concertino in A Major, Op. 15: II. Scherzo 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Che maniera! E dir che i m'a invida 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Marina?... Sior?... Coss'elo sto bacan? 00:00 Tools
I Quattro Rusteghi: Intermezzo 00:00 Tools
The Jewels of the Madonna - Intermezzo 00:00 Tools
Act I: Der Kanzler befahl 00:00 Tools
Idillio-Concertino: IV. Rondo 00:00 Tools
Prelude 00:00 Tools
Wolf-Ferrari: Il segreto di Susanna: Overture (Vivacissimo) 00:00 Tools
Idillio-concertino in A Major, Op. 15: IV. Rondo 00:00 Tools
Violin Concerto in D Major: 2. Romanza - Live 00:00 Tools
Idillio-concertino in A Major, Op. 15: III. Adagio 00:00 Tools
I. Notturno: Andante un poco mosso 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: "El specio me ga dito che son bela" 00:00 Tools
Act II: Gesegnet sei, den die Erde erkor 00:00 Tools
2. Romanza - Live 00:00 Tools
Coro A Bocca Chiusa 00:00 Tools
II. Scherzo 00:00 Tools
Act II: Doch, irren wir uns nicht 00:00 Tools
I gioielli della Madonna - Intermezzo 00:00 Tools
Violin concerto in D major, Op. 26: II. Romanza 00:00 Tools
Concertino in A-Flat Major, Op. 34: I. Preludio 00:00 Tools
I. Sostenuto - Allegro appassionato quasi presto 00:00 Tools
Act I: Es sind schon zweiunddreissig 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Mi no, ma gnanca l'orco 00:00 Tools
I gioielli della Madonna Suite: I. Festa popolare 00:00 Tools
Il Campiello: Ritornello 00:00 Tools
Sinfonia da camera in B-Flat Major, Op. 8: III. Vivace con spirito 00:00 Tools
Concertino in A-Flat Major, Op. 34: III. Adagio 00:00 Tools
Concertino in A-Flat Major, Op. 34: IV. Finale 00:00 Tools
III. Capriccio: Lo stesso tempo della Canzone - Gagliardo e vivace assai 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Ben vegni qua e senti 00:00 Tools
Madonna unter Tranen (from I Gioielli della Madonna) 00:00 Tools
Act II: Ah!... Hei, hei, hei-ha-ha-hei! 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Hm! Ah, femen del diavolo 00:00 Tools
Act I: Fern, in der Vater Park ein tiefer See 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: Servitore umilissimo di loro Signorie 00:00 Tools
Violin concerto in D major, Op. 26: III. Improvviso 00:00 Tools
L'amore Medico: Overture 00:00 Tools
Suite-concertino in F Major, Op. 16: I. Andante un poco mosso 00:00 Tools
Violin Concerto in D, op.26 - I. Fantasia 00:00 Tools
Il Segreto Di Susanna 00:00 Tools
Overture 00:00 Tools
Sinfonia da camera in B-Flat Major, Op. 8: I. Allegro moderato 00:00 Tools
Ouverture de l'opéra "La dama boba" 00:00 Tools
I gioielli della Madonna, Act I: Act I: 'O quadro d'a Madonna (Vendor of Sacred Wares, Macaroni Seller, Flower Girl, Ice-Cream Man, Water Seller, Blind Man, Children, Chorus) 00:00 Tools
Il Segreto di Susanna: "Mantiglia griga, cappellino rosa" 00:00 Tools
I gioielli della Madonna, Act I: Act I: Festa grande, gran baldoria! (Chorus, 2 Morra-Players, Ice-Cream Man, Fruit Seller) 00:00 Tools
I gioielli della Madonna, Act I: Act I: Festa grande, gran baldoria! (Chorus, Totonno, 2 Morra-Players, Sorbet Seller) 00:00 Tools
Sly, Act I: "Un orso in musoliera" 13:47 Tools
Concertino in A-Flat Major, Op. 34: II. Capriccio 00:00 Tools
La Vedova Scaltra (The Cunning Widow): Act I: Et comme ca j'ai fini (Marionette, Rosaura) 00:00 Tools
III. Scherzo: Presto 00:00 Tools
Ritornello 00:00 Tools
IV. Finale: Rondo 00:00 Tools
Idillio Concertino 00:00 Tools
IV. Finale: Andante con moto 00:00 Tools
Act II: Nein! Nein! Du lugst! 00:00 Tools
Two orchestral intermezzi from "Il Gioielli della Madonna" (Op.4) 00:00 Tools
Idillo-concertino in A major, Op 15 (4th mvt) 00:00 Tools
Il segreto di Susanna (Overture) 00:00 Tools
Suite-concertino F-dur op16 3.Satz Canzone 00:00 Tools
I Gioielli Della Madonna Suite: Iv. Danza Napolitana 00:00 Tools
I gioielli della Madonna Suite: III. Serenata 00:00 Tools
Violin Concerto in D, op.26 - II. Romanza 00:00 Tools
Il segreto di Susanna: Intermezzo 00:00 Tools
Idillio-Concertino 00:00 Tools
The School for Fathers - Intermezzo 00:00 Tools
Violin Concerto in D Major: 1. Fantasia - Live 00:00 Tools
I gioielli della Madonna, Act I: Act I: Per chi, primavera odorosa (3 Girls, Totonno, Chorus) 00:00 Tools
Il segreto di Susanna: "Evitiam che un domestic allora, questo odor " 00:00 Tools
Il segreto di Susanna - Overture 00:00 Tools
Prolog (1-6) 00:00 Tools
Serenade for Strings in E-Flat - III. Scherzo 00:00 Tools
The Secret of Susanna: Overture 00:00 Tools
Il Campiello: Intermezzo 00:00 Tools
IV. Rondo 13:47 Tools
I. Auf der Lagune: Andante tranquillo 00:00 Tools
Vorspiel 00:00 Tools
II. Adagio 00:00 Tools
Act II: Wer wagt es, uns Winde zu storen? 00:00 Tools
Wolf-Ferrari: I quatro rusteghi: I me vol zirar Ma mi li go magnai 00:00 Tools
Sly: Un orso in musoliera 00:00 Tools
Triptychon in E Major, Op. 19: I. Vorgesang: Adagio 00:00 Tools
I gioielli della Madonna: Intermezzo 00:00 Tools
Intermezzo to Act III of Jewels of the Madonna 00:00 Tools
Violin Concerto in D Major: 3. Improvviso - - Live 00:00 Tools
Il segreto di Susanna: "Sante col cioccolato " 00:00 Tools
Suite veneziano, Op. 18: III. Notturno. Adagio 00:00 Tools
Il segreto di Susanna: "O, siete qui, mio Gil? " 00:00 Tools
Piano Trio No. 1 in D Major, Op. 5: I. Allegro molto moderato 00:00 Tools
Il campiello (Act 2 Intermezzo) 00:00 Tools
Danza napolitana after "I gioielli della Madonna" (Arr. for Clarinet and Orchestra by Andreas Tarkmann) 00:00 Tools
I gioielli della Madonna, Act I: Act I: Ve'! Arriva il Pazzariello! (Chorus, Totonno, 2 Monks) 00:00 Tools
I gioielli della Madonna, Act I: Act I: Maledetti, la finite? - Eh! La banda! (Toy-Balloon Man, Ragamuffins, Street Urchins, Chorus) 00:00 Tools
Il segreto di Susanna: "Che palpiti, che palpiti! " 00:00 Tools
III. Agitato con passione 00:00 Tools
Intermezzo after "Il segreto di Susanna" (Arr. for Clarinet and Orchestra by Andreas Tarkmann) 00:00 Tools
I. Allegro 00:00 Tools
II. Canzone: Adagio 00:00 Tools
I. Preludio 00:00 Tools
Act III: Ha!...Ruhre dich nicht 00:00 Tools
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Ermanno Wolf-Ferrari (born Ermanno Wolf) (Venice, January 12, 1876 – Venice January 21, 1948) was an Italian composer. He is best known for his comic operas, I quattro rusteghi (1906) and Il segreto di Susanna (1909). A number of his works were based on plays by Carlo Goldoni, including Il campiello. Ferrari was his mother's maiden-name, which he added to his own surname in 1895. His father was a painter, and sent Ermanno to Rome to study art. From there he went to Munich, and it was while there that he decided to concentrate instead on music, taking lessons from Josef Rheinberger. He wrote his first works in the 1890s. In 1900, having failed to have two previous efforts published, Wolf-Ferrari saw the first performance of one of his operas, Cenerentola, which was given in Venice. This was a failure at its premiere, although a later performance in Bremen was a success, setting a pattern for his later work, much of which was premiered in Germany and was received a good deal better there than it was in his native Italy. Among these works are Le donne curiose (1903), I quattro rusteghi (1906), and Il segreto di Susanna (1909), all of them comedies, and all of them successful at their German premieres. With the outbreak of World War I, Wolf-Ferrari moved to Zürich and composed much less, though he still wrote another comedy, Gli amanti sposi (1916). He did not really pick up his rate of output until the 1920s, when he wrote Das Himmelskleid (1925) and Sly (1927), the latter based on William Shakespeare's The Taming of the Shrew. In 1939 he became professor of composition at the Mozarteum in Salzburg. In 1946 he moved again to Zürich before returning to Venice. He is buried in the Venetian cemetery island of San Michele. As well as his operas, Wolf-Ferrari wrote a number of instrumental works, mainly at the very beginning and very end of his career. Only his violin concerto has ever been performed with anything approaching regularity, though he also wrote Idillio-concertino (essentially a chamber symphony), various pieces of chamber music including a piano quintet and two piano trio, two violin sonatas and a number of works for the organ amongst others. Wolf-Ferrari's work is not performed very widely, although he is generally thought of probably the finest writer of Italian comic opera of his time. His works often recall the opera buffa of the 18th century, although he also wrote more ambitious works in the manner of Pietro Mascagni, which are thought of less well. Much of his work has been ignored, although a performance in 1999 of Sly by the Washington National Opera (the work's American premiere) marked something of a revival of interest in his works Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.