Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
38931577 | Play | Der alte Mann und das Meer, Kapitel 1 | 00:00 Tools | |
38931574 | Play | The Old Man and the Sea | 00:00 Tools | |
38931588 | Play | Der alte Mann und das Meer, Kapitel 2 | 00:00 Tools | |
38931591 | Play | Der alte Mann und das Meer, Kapitel 3 | 00:00 Tools | |
38931575 | Play | Nobel Prize Acceptance Speech | 00:00 Tools | |
38931593 | Play | Der alte Mann und das Meer, Kapitel 4 | 00:00 Tools | |
38931598 | Play | Der alte Mann und das Meer, Kapitel 5 | 00:00 Tools | |
38931606 | Play | Der alte Mann und das Meer, Kapitel 6 | 00:00 Tools | |
38931614 | Play | Der alte Mann und das Meer, Kapitel 7 | 00:00 Tools | |
38931576 | Play | The Old Man and the Sea (Unabridged) | 00:00 Tools | |
38931615 | Play | Der alte Mann und das Meer, Kapitel 8 | 00:00 Tools | |
38931620 | Play | Der alte Mann und das Meer, Kapitel 9 | 00:00 Tools | |
38931578 | Play | 001 | 00:00 Tools | |
38931617 | Play | Der alte Mann und das Meer, Kapitel 10 | 00:00 Tools | |
38931579 | Play | 002 | 00:00 Tools | |
38931581 | Play | 003 | 00:00 Tools | |
38931580 | Play | Farewell to Arms | 00:00 Tools | |
38931600 | Play | The Nobel Prize Acceptance Speech - A1 | 00:00 Tools | |
38931582 | Play | 005 | 00:00 Tools | |
38931583 | Play | 004 | 00:00 Tools | |
38931585 | Play | 006 | 00:00 Tools | |
38931586 | Play | 008 | 00:00 Tools | |
38931587 | Play | 007 | 00:00 Tools | |
38931584 | Play | Reading of the Nobel Prize for Literature Acceptance Address | 00:00 Tools | |
38931589 | Play | 009 | 00:00 Tools | |
38931590 | Play | 010 | 00:00 Tools | |
38931592 | Play | 011 | 00:00 Tools | |
38931594 | Play | 014 | 00:00 Tools | |
38931596 | Play | 01 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931595 | Play | 012 | 00:00 Tools | |
38931597 | Play | 013 | 00:00 Tools | |
38931599 | Play | 016 | 00:00 Tools | |
38931601 | Play | OldManSea_1-01 | 00:00 Tools | |
38931602 | Play | 015 | 00:00 Tools | |
38931607 | Play | 018 | 00:00 Tools | |
38931603 | Play | 019 | 00:00 Tools | |
38931610 | Play | Introduction | 00:00 Tools | |
38931605 | Play | 02 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931604 | Play | 021 | 00:00 Tools | |
38931609 | Play | 020 | 00:00 Tools | |
38931611 | Play | OldManSea_1-02 | 00:00 Tools | |
38931608 | Play | 022 | 00:00 Tools | |
38931613 | Play | 024 | 00:00 Tools | |
38931612 | Play | 023 | 00:00 Tools | |
38931616 | Play | The Sun Also Rises (Unabridged) | 00:00 Tools | |
38931618 | Play | 03 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931619 | Play | 04 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931624 | Play | OldManSea_1-03 | 00:00 Tools | |
38931621 | Play | 025 | 00:00 Tools | |
38931625 | Play | 05 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931622 | Play | 029 | 00:00 Tools | |
38931623 | Play | 026 | 00:00 Tools | |
38931626 | Play | 027 | 00:00 Tools | |
38931638 | Play | Nobel Prize Acceptance Speech 1954 | 00:00 Tools | |
38931628 | Play | 06 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931627 | Play | 033 | 00:00 Tools | |
38931631 | Play | OldManSea_1-04 | 00:00 Tools | |
38931633 | Play | OldManSea_1-05 | 00:00 Tools | |
38931629 | Play | 028 | 00:00 Tools | |
38931634 | Play | OldManSea_1-06 | 00:00 Tools | |
38931632 | Play | 031 | 00:00 Tools | |
38931630 | Play | 032 | 00:00 Tools | |
38931838 | Play | Haben und Nichthaben, Kapitel 1 | 00:00 Tools | |
38931635 | Play | 030 | 00:00 Tools | |
38931636 | Play | 08 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931642 | Play | OldManSea_1-07 | 00:00 Tools | |
38931919 | Play | Schnee auf dem Kilimandscharo, Kapitel 1 | 00:00 Tools | |
38931637 | Play | 07 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931640 | Play | 042 | 00:00 Tools | |
38931644 | Play | 049 | 00:00 Tools | |
38931641 | Play | 036 | 00:00 Tools | |
38931639 | Play | 034 | 00:00 Tools | |
38931643 | Play | 040 | 00:00 Tools | |
38931645 | Play | 039 | 00:00 Tools | |
38931646 | Play | 09 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931661 | Play | OldManSea_1-08 | 00:00 Tools | |
38931649 | Play | OldManSea_1-10 | 00:00 Tools | |
38931650 | Play | The Fifth Column | 00:00 Tools | |
38931647 | Play | 054 | 00:00 Tools | |
38931656 | Play | 038 | 00:00 Tools | |
38931648 | Play | 10 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931660 | Play | OldManSea_1-09 | 00:00 Tools | |
38931651 | Play | 053 | 00:00 Tools | |
38931652 | Play | 31 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931815 | Play | The Nobel Prize acceptance speech | 00:00 Tools | |
38931653 | Play | 046 | 00:00 Tools | |
38931654 | Play | 048 | 00:00 Tools | |
38931655 | Play | 037 | 00:00 Tools | |
38931657 | Play | 043 | 00:00 Tools | |
38931658 | Play | 047 | 00:00 Tools | |
38931659 | Play | 11 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931662 | Play | 045 | 00:00 Tools | |
38931673 | Play | 02 A Moveable Feast - A Good Cafe | 00:00 Tools | |
38931663 | Play | 041 | 00:00 Tools | |
38931664 | Play | 12 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931665 | Play | 058 | 00:00 Tools | |
38931666 | Play | 01 A Moveable Feast - RB Intro | 00:00 Tools | |
38931675 | Play | OldManSea_1-11 | 00:00 Tools | |
38931667 | Play | A Farewell to Arms (Unabridged) | 00:00 Tools | |
38931668 | Play | 064 | 00:00 Tools | |
38931669 | Play | Der Unbesiegte | 00:00 Tools | |
38931670 | Play | 13 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931671 | Play | 056 | 00:00 Tools | |
38931672 | Play | 055 | 00:00 Tools | |
38931674 | Play | 14 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931676 | Play | 060 | 00:00 Tools | |
38931677 | Play | 044 | 00:00 Tools | |
38931678 | Play | 059 | 00:00 Tools | |
38931679 | Play | 050 | 00:00 Tools | |
38931684 | Play | OldManSea_1-13 | 00:00 Tools | |
38931685 | Play | OldManSea_1-12 | 00:00 Tools | |
38931680 | Play | 057 | 00:00 Tools | |
38931681 | Play | 051 | 00:00 Tools | |
38931682 | Play | 16 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931683 | Play | 15 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931692 | Play | 070 | 00:00 Tools | |
38931693 | Play | OldManSea_1-16 | 00:00 Tools | |
38931686 | Play | 061 | 00:00 Tools | |
38931687 | Play | 20 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931688 | Play | 062 | 00:00 Tools | |
38931689 | Play | 17 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931690 | Play | 04 A Moveable Feast - Miss Stein Instructs_b | 00:00 Tools | |
38931691 | Play | 05 A Moveable Feast - Une Génération Perdue | 00:00 Tools | |
38931703 | Play | OldManSea_1-17 | 00:00 Tools | |
38931912 | Play | In Harry's Bar in Venice - A3 | 00:00 Tools | |
38931930 | Play | Schnee auf dem Kilimandscharo, Kapitel 2 | 00:00 Tools | |
38931708 | Play | 02Chapter 1 | 00:00 Tools | |
38931694 | Play | 063 | 00:00 Tools | |
38931695 | Play | 18 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931696 | Play | 072 | 00:00 Tools | |
38931697 | Play | 19 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931698 | Play | 071 | 00:00 Tools | |
38931702 | Play | OldManSea_1-14 | 00:00 Tools | |
38931699 | Play | 065 | 00:00 Tools | |
38931704 | Play | OldManSea_1-15 | 00:00 Tools | |
38931970 | Play | Schnee auf dem Kilimandscharo, Kapitel 3 | 00:00 Tools | |
38931700 | Play | 092 | 00:00 Tools | |
38931701 | Play | 066 | 00:00 Tools | |
38931705 | Play | OldManSea_2-02 | 00:00 Tools | |
38931706 | Play | OldManSea_3-05 | 00:00 Tools | |
38931707 | Play | Der Alte Mann Und Das Meer | 00:00 Tools | |
38931739 | Play | 03Chapter 2A | 00:00 Tools | |
38931722 | Play | 06 A Moveable Feast - Shakespeare & Company | 00:00 Tools | |
38931723 | Play | 093 | 00:00 Tools | |
38931709 | Play | 095 | 00:00 Tools | |
38931726 | Play | 03 A Moveable Feast - Miss Stein Instructs | 00:00 Tools | |
38931710 | Play | 067 | 00:00 Tools | |
38931711 | Play | 087 | 00:00 Tools | |
38931712 | Play | 077 | 00:00 Tools | |
38931713 | Play | 080 | 00:00 Tools | |
38931714 | Play | 068 | 00:00 Tools | |
38931715 | Play | OldManSea_2-06 | 00:00 Tools | |
38931716 | Play | OldManSea_2-04 | 00:00 Tools | |
38931735 | Play | OldManSea_3-04 | 00:00 Tools | |
38931967 | Play | Wem die Stunde schlägt, Kapitel 1 | 00:00 Tools | |
38931769 | Play | 07Chapter 3B | 00:00 Tools | |
38931717 | Play | 21 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931718 | Play | 24 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931740 | Play | 101 | 00:00 Tools | |
38931719 | Play | 22 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931720 | Play | 23 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931721 | Play | 084 | 00:00 Tools | |
38931724 | Play | 26 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931725 | Play | 098 | 00:00 Tools | |
38931727 | Play | 085 | 00:00 Tools | |
38931728 | Play | 091 | 00:00 Tools | |
38931729 | Play | 089 | 00:00 Tools | |
38931730 | Play | 083 | 00:00 Tools | |
38931731 | Play | OldManSea_2-01 | 00:00 Tools | |
38931732 | Play | OldManSea_2-03 | 00:00 Tools | |
38931733 | Play | OldManSea_2-17 | 00:00 Tools | |
38931749 | Play | OldManSea_3-10 | 00:00 Tools | |
38931734 | Play | OldManSea_3-06 | 00:00 Tools | |
38931736 | Play | 25 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931737 | Play | 29 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931738 | Play | 27 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931741 | Play | 073 | 00:00 Tools | |
38931742 | Play | 100 | 00:00 Tools | |
38931743 | Play | 099 | 00:00 Tools | |
38931756 | Play | 108 | 00:00 Tools | |
38931744 | Play | 117 | 00:00 Tools | |
38931745 | Play | 116 | 00:00 Tools | |
38931746 | Play | 090 | 00:00 Tools | |
38931747 | Play | OldManSea_2-07 | 00:00 Tools | |
38931761 | Play | OldManSea_2-09 | 00:00 Tools | |
38931748 | Play | OldManSea_2-05 | 00:00 Tools | |
38931787 | Play | Second Poem to Mary | 00:00 Tools | |
38931789 | Play | 04Chapter 2B | 00:00 Tools | |
38931790 | Play | 05Chapter 2C | 00:00 Tools | |
38931750 | Play | 103 | 00:00 Tools | |
38931751 | Play | 28 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931752 | Play | 097 | 00:00 Tools | |
38931773 | Play | 07 A Moveable Feast - People of the Seine | 00:00 Tools | |
38931772 | Play | 111 | 00:00 Tools | |
38931753 | Play | 110 | 00:00 Tools | |
38931776 | Play | 096 | 00:00 Tools | |
38931754 | Play | 081 | 00:00 Tools | |
38931755 | Play | 094 | 00:00 Tools | |
38931757 | Play | 088 | 00:00 Tools | |
38931758 | Play | OldManSea_2-10 | 00:00 Tools | |
38931759 | Play | OldManSea_2-13 | 00:00 Tools | |
38931780 | Play | OldManSea_2-11 | 00:00 Tools | |
38931760 | Play | OldManSea_2-08 | 00:00 Tools | |
38931762 | Play | OldManSea_2-15 | 00:00 Tools | |
38931763 | Play | OldManSea_3-03 | 00:00 Tools | |
38931784 | Play | OldManSea_3-16 | 00:00 Tools | |
38931764 | Play | OldManSea_3-12 | 00:00 Tools | |
38931765 | Play | OldManSea_3-17 | 00:00 Tools | |
38931917 | Play | Second Poem to Mary - A2 | 00:00 Tools | |
38931947 | Play | Haben und Nichthaben, Kapitel 2 | 00:00 Tools | |
38932081 | Play | Schnee auf dem Kilimandscharo, Kapitel 4 | 00:00 Tools | |
38931766 | Play | The Sun Also Rises (Unabridged) Part 1 of 4 | 00:00 Tools | |
88291823 | Play | Paris, ein Fest fürs Leben, Kapitel 1 | 00:00 Tools | |
38931807 | Play | 06Chapter 3A | 00:00 Tools | |
38931767 | Play | 109 | 00:00 Tools | |
38931768 | Play | 106 | 00:00 Tools | |
38931770 | Play | 30 - Ernest Hemingway - The Old Man and the Sea | 00:00 Tools | |
38931791 | Play | 010Chapter 4B | 00:00 Tools | |
38931771 | Play | 102 | 00:00 Tools | |
38931792 | Play | 08Chapter 3C | 00:00 Tools | |
38931774 | Play | 076 | 00:00 Tools | |
38931775 | Play | 075 | 00:00 Tools | |
38931777 | Play | 082 | 00:00 Tools | |
38931778 | Play | 120 | 00:00 Tools | |
38931779 | Play | OldManSea_2-12 | 00:00 Tools | |
38931801 | Play | OldManSea_2-16 | 00:00 Tools | |
38931781 | Play | OldManSea_3-07 | 00:00 Tools | |
38931782 | Play | OldManSea_2-14 | 00:00 Tools | |
38931783 | Play | OldManSea_3-11 | 00:00 Tools | |
38931785 | Play | OldManSea_3-08 | 00:00 Tools | |
38931786 | Play | OldManSea_3-09 | 00:00 Tools | |
38931816 | Play | 014Chapter 5B | 00:00 Tools | |
38931813 | Play | 011Chapter 4C | 00:00 Tools | |
38931808 | Play | 09 A Moveable Feast - A False Spring_b | 00:00 Tools | |
38931788 | Play | 107 | 00:00 Tools | |
38931793 | Play | 121 | 00:00 Tools | |
38931794 | Play | 115 | 00:00 Tools | |
38931795 | Play | 119 | 00:00 Tools | |
38931810 | Play | 113 | 00:00 Tools | |
38931796 | Play | 118 | 00:00 Tools | |
38931797 | Play | 074 | 00:00 Tools | |
38931798 | Play | 078 | 00:00 Tools | |
38931799 | Play | 079 | 00:00 Tools | |
38931800 | Play | OldManSea_3-02 | 00:00 Tools | |
38931802 | Play | OldManSea_3-14 | 00:00 Tools | |
38931803 | Play | OldManSea_3-01 | 00:00 Tools | |
38931804 | Play | OldManSea_3-15 | 00:00 Tools | |
38931805 | Play | Teil 02 | 00:00 Tools | |
38931806 | Play | Teil 01 | 00:00 Tools | |
38931817 | Play | 09Chapter 4A | 00:00 Tools | |
38931818 | Play | 012Chapter 4D | 00:00 Tools | |
38931809 | Play | 114 | 00:00 Tools | |
38931811 | Play | OldManSea_3-13 | 00:00 Tools | |
38931822 | Play | 013Chapter 5A | 00:00 Tools | |
38931823 | Play | 021Chapter 7C | 00:00 Tools | |
38931831 | Play | 017Chapter 6B | 00:00 Tools | |
38931824 | Play | 018Chapter 6C | 00:00 Tools | |
38931819 | Play | 08 A Moveable Feast - A False Spring | 00:00 Tools | |
38931812 | Play | 104 | 00:00 Tools | |
38931820 | Play | In Harry's Bar in Venice | 00:00 Tools | |
38931814 | Play | 112 | 00:00 Tools | |
38931836 | Play | 1a | 00:00 Tools | |
38932117 | Play | Haben und Nichthaben, Kapitel 4 | 00:00 Tools | |
38931829 | Play | 020Chapter 7B | 00:00 Tools | |
38931830 | Play | 015Chapter 5C | 00:00 Tools | |
38931833 | Play | 016Chapter 6A | 00:00 Tools | |
38931832 | Play | 019Chapter 7A | 00:00 Tools | |
38931848 | Play | THE OLD MAN AND THE SEA. Fragment 1 | 00:00 Tools | |
38932133 | Play | Schnee auf dem Kilimandscharo, Kapitel 5 | 00:00 Tools | |
38931821 | Play | Batranul si marea | 00:00 Tools | |
38931839 | Play | 024Chapter 8A | 00:00 Tools | |
38931840 | Play | 022Chapter 7D | 00:00 Tools | |
38931841 | Play | 025Chapter 8B | 00:00 Tools | |
38931842 | Play | 023Chapter 7E | 00:00 Tools | |
38931825 | Play | 11 A Moveable Feast - Hunger Was Good Discipline | 00:00 Tools | |
38932135 | Play | In einem andern Land, Kapitel 2 | 00:00 Tools | |
38931834 | Play | 10 A Moveable Feast - The End Of An Avocation | 00:00 Tools | |
38931835 | Play | 13 A Moveable Feast - Birth Of A New School | 00:00 Tools | |
38931826 | Play | 12 A Moveable Feast - Ford Madox Ford And The Devil's Disciple | 00:00 Tools | |
38931827 | Play | Teil 04 | 00:00 Tools | |
38932004 | Play | Haben und Nichthaben, Kapitel 3 | 00:00 Tools | |
88291824 | Play | Paris, ein Fest fürs Leben, Kapitel 3 | 00:00 Tools | |
38931975 | Play | Das kurze glückliche Leben des Francis Macomber, Kapitel 1 | 00:00 Tools | |
38932226 | Play | Schnee auf dem Kilimandscharo, Kapitel 6 | 00:00 Tools | |
38932153 | Play | Der Unbesiegte, Kapitel 1 | 00:00 Tools | |
38931849 | Play | 026Chapter 9A | 00:00 Tools | |
38931843 | Play | 14 A Moveable Feast - With Pascin At The Dôme | 00:00 Tools | |
38931837 | Play | 122 | 00:00 Tools | |
38931852 | Play | 01 | 00:00 Tools | |
38931828 | Play | Ernest Hemingway - Kam skambina varpai | 00:00 Tools | |
38932108 | Play | Haben und Nichthaben, Kapitel 5 | 00:00 Tools | |
38931863 | Play | 027Chapter 9B | 00:00 Tools | |
88291825 | Play | Paris, ein Fest fürs Leben, Kapitel 2 | 00:00 Tools | |
38931871 | Play | 043Chapter 12B | 00:00 Tools | |
38931872 | Play | 045Chapter 13A | 00:00 Tools | |
38931855 | Play | 044Chapter 12C | 00:00 Tools | |
38931856 | Play | 052Chapter 15B | 00:00 Tools | |
38931844 | Play | 15 A Moveable Feast - Ezra Pound And His Bel Esprit | 00:00 Tools | |
38931845 | Play | 17 A Moveable Feast - The Man Who Was Marked for Death | 00:00 Tools | |
38931846 | Play | Teil 05 | 00:00 Tools | |
38931847 | Play | Teil 03 | 00:00 Tools | |
38931860 | Play | 033Chapter 9H | 00:00 Tools | |
38931893 | Play | 039Chapter 11A | 00:00 Tools | |
38932210 | Play | The Fifth Column - B1 | 00:00 Tools | |
38931877 | Play | 041Chapter 11C | 00:00 Tools | |
38931862 | Play | 030Chapter 9E | 00:00 Tools | |
38931865 | Play | 031Chapter 9F | 00:00 Tools | |
38931866 | Play | 032Chapter 9G | 00:00 Tools | |
38931861 | Play | 034Chapter 9I | 00:00 Tools | |
38931867 | Play | 029Chapter 9D | 00:00 Tools | |
38931864 | Play | 035Chapter 9J | 00:00 Tools | |
38931881 | Play | 038Chapter 10C | 00:00 Tools | |
38931868 | Play | 037Chapter 10B | 00:00 Tools | |
38931870 | Play | 028Chapter 9C | 00:00 Tools | |
38931869 | Play | 042Chapter 12A | 00:00 Tools | |
38931850 | Play | 16 A Moveable Feast - A Strange Enough Ending | 00:00 Tools | |
38931857 | Play | 21 A Moveable Feast - Scott Fitzgerald_b | 00:00 Tools | |
38931851 | Play | Teil 07 | 00:00 Tools | |
38931853 | Play | Teil 06 | 00:00 Tools | |
38931854 | Play | OldManSea_3-18 | 00:00 Tools | |
38932204 | Play | Work in Progress - B2 | 00:00 Tools | |
38931894 | Play | 040Chapter 11B | 00:00 Tools | |
38931878 | Play | 036Chapter 10A | 00:00 Tools | |
38932166 | Play | Haben und Nichthaben, Kapitel 6 | 00:00 Tools | |
38931880 | Play | 048Chapter 13D | 00:00 Tools | |
38931883 | Play | 056Chapter 16B | 00:00 Tools | |
38931884 | Play | 053Chapter 15C | 00:00 Tools | |
38931903 | Play | 050Chapter 14B | 00:00 Tools | |
38931885 | Play | 055Chapter 16A | 00:00 Tools | |
38931882 | Play | 067Chapter 19E | 00:00 Tools | |
88291826 | Play | Paris, ein Fest fürs Leben, Kapitel 5 | 00:00 Tools | |
38931905 | Play | 049Chapter 14A | 00:00 Tools | |
38931886 | Play | 051Chapter 15A | 00:00 Tools | |
38932179 | Play | In einem andern Land, Kapitel 4 | 00:00 Tools | |
38931858 | Play | 18 A Moveable Feast - Evan Shipman | 00:00 Tools | |
38931859 | Play | Teil 08 | 00:00 Tools | |
38931876 | Play | Starec a more 1. | 00:00 Tools | |
38932168 | Play | Haben und Nichthaben, Kapitel 8 | 00:00 Tools | |
38932167 | Play | Haben und Nichthaben, Kapitel 7 | 00:00 Tools | |
38931896 | Play | 058Chapter 17A | 00:00 Tools | |
38931897 | Play | 065Chapter 19C | 00:00 Tools | |
38931898 | Play | 046Chapter 13B | 00:00 Tools | |
38931899 | Play | 047Chapter 13C | 00:00 Tools | |
38931900 | Play | 059Chapter 17B | 00:00 Tools | |
38931901 | Play | 069Chapter 20A | 00:00 Tools | |
38931879 | Play | Work in Progress | 00:00 Tools | |
38931895 | Play | 068Chapter 19F | 00:00 Tools | |
38931902 | Play | 070Chapter 20B | 00:00 Tools | |
38931904 | Play | 054Chapter 15D | 00:00 Tools | |
38932211 | Play | Wem die Stunde schlägt, Kapitel 2 | 00:00 Tools | |
38932181 | Play | In einem andern Land, Kapitel 3 | 00:00 Tools | |
38931873 | Play | A Moveable Feast (Unabridged) | 00:00 Tools | |
38931874 | Play | The Sun Also Rises (Unabridged) Part 2 of 4 | 00:00 Tools | |
38931875 | Play | 19 A Moveable Feast - An Agent of Evil | 00:00 Tools | |
38932159 | Play | Saturday Night at the Whorehouse in Billings, Montana - B3 | 00:00 Tools | |
38931913 | Play | 064Chapter 19B | 00:00 Tools | |
38931914 | Play | 066Chapter 19D | 00:00 Tools | |
38931915 | Play | 061Chapter 18B | 00:00 Tools | |
38931916 | Play | 057Chapter 16C | 00:00 Tools | |
38931920 | Play | 107Chapter 28C | 00:00 Tools | |
38931888 | Play | 20 A Moveable Feast - Scott Fitzgerald | 00:00 Tools | |
38932224 | Play | In einem andern Land, Kapitel 5 | 00:00 Tools | |
38931887 | Play | The Snows of Kilimanjaro (Unabridged) | 00:00 Tools | |
38931889 | Play | 22 A Moveable Feast - Scott Fitzgerald_c | 00:00 Tools | |
38931922 | Play | 1b | 00:00 Tools | |
38931923 | Play | Disc 1 Track 1 | 00:00 Tools | |
38931908 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 01 of 17 | 00:00 Tools | |
38931890 | Play | Teil 13 | 00:00 Tools | |
38931891 | Play | A MOVEABLE FEAST. Preface | 00:00 Tools | |
38931910 | Play | Starec a more 2. | 00:00 Tools | |
88291827 | Play | Paris, ein Fest fürs Leben, Kapitel 8 | 00:00 Tools | |
38931892 | Play | For Whom the Bell Tolls (Unabridged) Part 1 | 00:00 Tools | |
38931929 | Play | 060Chapter 18A | 00:00 Tools | |
38931928 | Play | 063Chapter 19A | 00:00 Tools | |
38931927 | Play | 062Chapter 18C | 00:00 Tools | |
88291829 | Play | Paris, ein Fest fürs Leben, Kapitel 4 | 00:00 Tools | |
38932374 | Play | Wem die Stunde schlägt, Kapitel 3 | 00:00 Tools | |
38931932 | Play | 074Chapter 21C | 00:00 Tools | |
38931931 | Play | 075Chapter 21D | 00:00 Tools | |
38931934 | Play | 140Chapter 35D | 00:00 Tools | |
38931949 | Play | 115Chapter 30B | 00:00 Tools | |
88291828 | Play | Paris, ein Fest fürs Leben, Kapitel 6 | 00:00 Tools | |
38931924 | Play | The Short Happy Life of Francis Macomber - Part 01 | 00:00 Tools | |
38931921 | Play | 02 | 00:00 Tools | |
38931909 | Play | Starec a more 4. | 00:00 Tools | |
38931945 | Play | 080Chapter 23B | 00:00 Tools | |
38932271 | Play | Haben und Nichthaben, Kapitel 9 | 00:00 Tools | |
38931911 | Play | 23 A Moveable Feast - Hawks Do Not Share | 00:00 Tools | |
38931966 | Play | 131Chapter 33C | 00:00 Tools | |
38931926 | Play | THE OLD MAN AND THE SEA. Fragment 2 | 00:00 Tools | |
38931948 | Play | 071Chapter 20C | 00:00 Tools | |
38931946 | Play | 076Chapter 22A | 00:00 Tools | |
38931933 | Play | 10 | 00:00 Tools | |
38931918 | Play | Old Man and the Sea [Disc 01]- Track 01 | 00:00 Tools | |
38932278 | Play | In einem andern Land, Kapitel 9 | 00:00 Tools | |
38931951 | Play | 1d | 00:00 Tools | |
38931907 | Play | The Old Man And The Sea 1-01 | 00:00 Tools | |
38931956 | Play | 1c | 00:00 Tools | |
38931954 | Play | 1e | 00:00 Tools | |
38931960 | Play | 087Chapter 25A | 00:00 Tools | |
38931925 | Play | Starec a more 3. | 00:00 Tools | |
38931961 | Play | 085Chapter 24A | 00:00 Tools | |
38931962 | Play | 078Chapter 22C | 00:00 Tools | |
38931963 | Play | 081Chapter 23C | 00:00 Tools | |
38931964 | Play | 077Chapter 22B | 00:00 Tools | |
38931965 | Play | 130Chapter 33B | 00:00 Tools | |
38931968 | Play | 072Chapter 21A | 00:00 Tools | |
38931969 | Play | 073Chapter 21B | 00:00 Tools | |
88291830 | Play | Paris, ein Fest fürs Leben, Kapitel 7 | 00:00 Tools | |
38932013 | Play | 112Chapter 29B | 00:00 Tools | |
38932015 | Play | 151Chapter 37F | 00:00 Tools | |
38931973 | Play | 129Chapter 33A | 00:00 Tools | |
38932028 | Play | 121Chapter 30H | 00:00 Tools | |
38931976 | Play | 117Chapter 30D | 00:00 Tools | |
38932281 | Play | In einem andern Land, Kapitel 7 | 00:00 Tools | |
38932280 | Play | In einem andern Land, Kapitel 6 | 00:00 Tools | |
38931936 | Play | The Sun Also Rises (Unabridged) Part 3 of 4 | 00:00 Tools | |
38931953 | Play | 12 | 00:00 Tools | |
38931950 | Play | 04 | 00:00 Tools | |
38931952 | Play | 1f | 00:00 Tools | |
38931937 | Play | Teil 09 | 00:00 Tools | |
38931938 | Play | Hemingway - Short Stories vol. I 1-8 | 00:00 Tools | |
38931939 | Play | Teil 10 | 00:00 Tools | |
38931940 | Play | Teil 14 | 00:00 Tools | |
38931941 | Play | Teil 11 | 00:00 Tools | |
38931942 | Play | Teil 12 | 00:00 Tools | |
38931990 | Play | 086Chapter 24B | 00:00 Tools | |
38931943 | Play | Starec a more 6 | 00:00 Tools | |
38931991 | Play | 082Chapter 23D | 00:00 Tools | |
38931992 | Play | 089Chapter 25C | 00:00 Tools | |
38931944 | Play | Starec a more 8 | 00:00 Tools | |
38931993 | Play | 079Chapter 23A | 00:00 Tools | |
38931994 | Play | 099Chapter 27C | 00:00 Tools | |
38931995 | Play | 090Chapter 25D | 00:00 Tools | |
38931996 | Play | 093Chapter 25G | 00:00 Tools | |
38931997 | Play | 091Chapter 25E | 00:00 Tools | |
38931998 | Play | 101Chapter 27E | 00:00 Tools | |
38932003 | Play | 171Chapter 41F | 00:00 Tools | |
38932007 | Play | 125Chapter 31B | 00:00 Tools | |
38932008 | Play | 143Chapter 36A | 00:00 Tools | |
38932010 | Play | 134Chapter 34C | 00:00 Tools | |
38932011 | Play | 137Chapter 35A | 00:00 Tools | |
38932009 | Play | 133Chapter 34B | 00:00 Tools | |
38932012 | Play | 114Chapter 30A | 00:00 Tools | |
38932014 | Play | 105Chapter 28A | 00:00 Tools | |
38932059 | Play | 153Chapter 37A | 00:00 Tools | |
38932025 | Play | 149Chapter 37D | 00:00 Tools | |
38932026 | Play | 148Chapter 37C | 00:00 Tools | |
38932018 | Play | 106Chapter 28B | 00:00 Tools | |
38932019 | Play | 111Chapter 29A | 00:00 Tools | |
38932020 | Play | 116Chapter 30C | 00:00 Tools | |
38932023 | Play | 108Chapter 28D | 00:00 Tools | |
38932024 | Play | 113Chapter 29C | 00:00 Tools | |
38932080 | Play | Das kurze glückliche Leben des Francis Macomber, Kapitel 2 | 00:00 Tools | |
38932030 | Play | 126Chapter 31C | 00:00 Tools | |
38932031 | Play | 103Chapter 27 | 00:00 Tools | |
38932032 | Play | 119Chapter 30F | 00:00 Tools | |
38932033 | Play | 120Chapter 30G | 00:00 Tools | |
38932034 | Play | 118Chapter 30E | 00:00 Tools | |
38932035 | Play | 104Chapter 27 | 00:00 Tools | |
38932021 | Play | 110Chapter 28F | 00:00 Tools | |
38932022 | Play | 109Chapter 28E | 00:00 Tools | |
38932279 | Play | In einem andern Land, Kapitel 8 | 00:00 Tools | |
38931971 | Play | 128Chapter 32B | 00:00 Tools | |
38931974 | Play | 09 | 00:00 Tools | |
38932037 | Play | 1g | 00:00 Tools | |
38931979 | Play | 05 | 00:00 Tools | |
38931980 | Play | 08 | 00:00 Tools | |
38931955 | Play | 3a | 00:00 Tools | |
38931983 | Play | 07 | 00:00 Tools | |
38931985 | Play | 06 | 00:00 Tools | |
38931957 | Play | A MOVEABLE FEAST. A Good Cafe on the Place St-Michel. Fragment 01 | 00:00 Tools | |
38932039 | Play | Disc 1 Track 2 | 00:00 Tools | |
38931935 | Play | For Whom the Bell Tolls (Unabridged), Part 1 | 00:00 Tools | |
38931958 | Play | Starec a more 5. | 00:00 Tools | |
38932043 | Play | 083Chapter 23E | 00:00 Tools | |
38932044 | Play | 084Chapter 23F | 00:00 Tools | |
38932045 | Play | 088Chapter 25B | 00:00 Tools | |
38932047 | Play | 095Chapter 26A | 00:00 Tools | |
38932046 | Play | 096Chapter 26B | 00:00 Tools | |
38931959 | Play | Starec a more 9 | 00:00 Tools | |
38932050 | Play | 097Chapter 27A | 00:00 Tools | |
38932049 | Play | 092Chapter 25F | 00:00 Tools | |
38932051 | Play | 100Chapter 27D | 00:00 Tools | |
38932052 | Play | 098Chapter 27B | 00:00 Tools | |
38932053 | Play | 102Chapter 27F | 00:00 Tools | |
88291831 | Play | Paris, ein Fest fürs Leben, Kapitel 9 | 00:00 Tools | |
38932048 | Play | 094Chapter 25H | 00:00 Tools | |
38932056 | Play | 163Chapter 40A | 00:00 Tools | |
38931999 | Play | THE OLD MAN AND THE SEA. Fragment 3 | 00:00 Tools | |
38932060 | Play | 136Chapter 34E | 00:00 Tools | |
38932068 | Play | 127Chapter 32A | 00:00 Tools | |
88291832 | Play | Paris, ein Fest fürs Leben, Kapitel 10 | 00:00 Tools | |
38932000 | Play | THE OLD MAN AND THE SEA. Fragment 5 | 00:00 Tools | |
38932062 | Play | 170Chapter 41E | 00:00 Tools | |
38932063 | Play | 161Chapter 39A | 00:00 Tools | |
38932064 | Play | 169Chapter 41D | 00:00 Tools | |
38932115 | Play | 145Chapter 36C | 00:00 Tools | |
38932065 | Play | 139Chapter 35C | 00:00 Tools | |
38932066 | Play | 157Chapter 38C | 00:00 Tools | |
38932058 | Play | 154Chapter 37B | 00:00 Tools | |
38932070 | Play | 166Chapter 41A | 00:00 Tools | |
38932069 | Play | 123Chapter 30J | 00:00 Tools | |
38932073 | Play | 152Chapter 37G | 00:00 Tools | |
38932074 | Play | 141Chapter 35E | 00:00 Tools | |
38932071 | Play | 138Chapter 35B | 00:00 Tools | |
38932072 | Play | 132Chapter 34A | 00:00 Tools | |
38932076 | Play | 124Chapter 31A | 00:00 Tools | |
38932077 | Play | 147Chapter 37B | 00:00 Tools | |
38932078 | Play | 146Chapter 37A | 00:00 Tools | |
38932079 | Play | 150Chapter 37E | 00:00 Tools | |
38932082 | Play | 122Chapter 30I | 00:00 Tools | |
88291839 | Play | Wem die Stunde schlägt, Kapitel 4 | 00:00 Tools | |
38932016 | Play | 11 | 00:00 Tools | |
38932029 | Play | 03 | 00:00 Tools | |
38932083 | Play | Disc 1 Track 3 | 00:00 Tools | |
38931981 | Play | 24 A Moveable Feast - A Matter of Measurements | 00:00 Tools | |
38932084 | Play | 1h | 00:00 Tools | |
38931987 | Play | 25 A Moveable Feast - A Matter of Measurements_b | 00:00 Tools | |
38932089 | Play | 1i | 00:00 Tools | |
38931977 | Play | Old Man and the Sea [Disc 01]- Track 10 | 00:00 Tools | |
38931978 | Play | Old Man and the Sea [Disc 01]- Track 02 | 00:00 Tools | |
38931982 | Play | Hemingway Short Stories 02 - Capital of the World 1 of 8 | 00:00 Tools | |
38931984 | Play | 3d | 00:00 Tools | |
38931986 | Play | Old Man and the Sea [Disc 01]- Track 11 | 00:00 Tools | |
38932040 | Play | 3c | 00:00 Tools | |
38931988 | Play | Starec a more 7 | 00:00 Tools | |
38931989 | Play | Starec a more 10 | 00:00 Tools | |
38932054 | Play | THE OLD MAN AND THE SEA. Fragment 6 | 00:00 Tools | |
38932107 | Play | 177Chapter 41L | 00:00 Tools | |
88291837 | Play | Paris, ein Fest fürs Leben, Kapitel 16 | 00:00 Tools | |
38932110 | Play | 176Chapter 41K | 00:00 Tools | |
38932112 | Play | 173Chapter 41H | 00:00 Tools | |
38932109 | Play | 168Chapter 41C | 00:00 Tools | |
38932114 | Play | 155Chapter 38A | 00:00 Tools | |
38932111 | Play | 172Chapter 41G | 00:00 Tools | |
38932116 | Play | 144Chapter 36B | 00:00 Tools | |
38932055 | Play | THE OLD MAN AND THE SEA. Fragment 4 | 00:00 Tools | |
38932118 | Play | 162Chapter 39B | 00:00 Tools | |
38932119 | Play | 165Chapter 40C | 00:00 Tools | |
38932120 | Play | 164Chapter 40B | 00:00 Tools | |
38932121 | Play | 158Chapter 38D | 00:00 Tools | |
88291833 | Play | Paris, ein Fest fürs Leben, Kapitel 12 | 00:00 Tools | |
38932123 | Play | 135Chapter 34D | 00:00 Tools | |
38932125 | Play | 159Chapter 38E | 00:00 Tools | |
38932126 | Play | 160Chapter 38F | 00:00 Tools | |
38932362 | Play | Um eine Viertelmillion, Kapitel 1 | 00:00 Tools | |
88291834 | Play | Paris, ein Fest fürs Leben, Kapitel 13 | 00:00 Tools | |
88291835 | Play | Paris, ein Fest fürs Leben, Kapitel 19 | 00:00 Tools | |
38932002 | Play | Er war ein alter Mann | 00:00 Tools | |
38932005 | Play | The Old Man and the Sea [Disc 03]- Track 01 | 00:00 Tools | |
38931972 | Play | The Old Man And The Sea 1-02 | 00:00 Tools | |
38932017 | Play | Old Man and the Sea [Disc 01]- Track 04 | 00:00 Tools | |
38932027 | Play | Old Man and the Sea [Disc 01]- Track 03 | 00:00 Tools | |
38932087 | Play | The Short Happy Life of Francis Macomber - Part 02 | 00:00 Tools | |
38932036 | Play | Old Man and the Sea [Disc 01]- Track 05 | 00:00 Tools | |
38932093 | Play | 13 | 00:00 Tools | |
38932038 | Play | Old Man and the Sea [Disc 01]- Track 08 | 00:00 Tools | |
38932092 | Play | 1k | 00:00 Tools | |
38932094 | Play | 1j | 00:00 Tools | |
38932097 | Play | 1l | 00:00 Tools | |
38932041 | Play | Teil 15 | 00:00 Tools | |
38932142 | Play | Old Man at the Bridge | 00:00 Tools | |
38932042 | Play | 3b | 00:00 Tools | |
38932104 | Play | 01 Introduction | 00:00 Tools | |
38932149 | Play | The Sun Also Rises | 00:00 Tools | |
38932160 | Play | 167Chapter 41B | 00:00 Tools | |
38932161 | Play | 175Chapter 41J | 00:00 Tools | |
38932162 | Play | 174Chapter 41I | 00:00 Tools | |
38932170 | Play | 156Chapter 38B | 00:00 Tools | |
38932001 | Play | The Old Man And The Sea 1-03 | 00:00 Tools | |
88291842 | Play | Wem die Stunde schlägt, Kapitel 5 | 00:00 Tools | |
88291838 | Play | Paris, ein Fest fürs Leben, Kapitel 11 | 00:00 Tools | |
38932171 | Play | 142Chapter 35F | 00:00 Tools | |
38932219 | Play | Das kurze glückliche Leben des Francis Macomber, Kapitel 4 | 00:00 Tools | |
38932217 | Play | Das kurze glückliche Leben des Francis Macomber, Kapitel 3 | 00:00 Tools | |
38932057 | Play | Schnee auf dem Kilimandscharo | 00:00 Tools | |
38932061 | Play | The Old Man and the Sea [Disc 03]- Track 02 | 00:00 Tools | |
38932067 | Play | The Old Man and the Sea [Disc 03]- Track 03 | 00:00 Tools | |
38932006 | Play | The Old Man And The Sea 1-04 | 00:00 Tools | |
38932075 | Play | The Old Man And The Sea 1-12 | 00:00 Tools | |
38932085 | Play | Old Man and the Sea [Disc 01]- Track 09 | 00:00 Tools | |
38932086 | Play | The Sun Also Rises (Unabridged) Part 4 of 4 | 00:00 Tools | |
38932088 | Play | The Old Man And The Sea 1-21 | 00:00 Tools | |
38932090 | Play | Old Man and the Sea [Disc 01]- Track 06 | 00:00 Tools | |
38932091 | Play | Old Man and the Sea [Disc 01]- Track 07 | 00:00 Tools | |
38932095 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 03 of 17 | 00:00 Tools | |
38932096 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 02 of 17 | 00:00 Tools | |
38932098 | Play | A MOVEABLE FEAST. A Good Cafe on the Place St-Michel. Fragment 03 | 00:00 Tools | |
38932099 | Play | A Clean, Well-Lighted Place 1 | 00:00 Tools | |
38932100 | Play | 3e | 00:00 Tools | |
38932101 | Play | Ernest Hemingway - Short Stories vol. I 5-8 | 00:00 Tools | |
38932102 | Play | Teil 19 | 00:00 Tools | |
38932103 | Play | Teil 16 | 00:00 Tools | |
38932105 | Play | Starec a more 12 | 00:00 Tools | |
88291840 | Play | Paris, ein Fest fürs Leben, Kapitel 25 | 00:00 Tools | |
88291836 | Play | Der Unbesiegte, Kapitel 2 | 00:00 Tools | |
38932106 | Play | THE OLD MAN AND THE SEA. Fragment 10 | 00:00 Tools | |
88291850 | Play | Wem die Stunde schlägt, Kapitel 6 | 00:00 Tools | |
38932378 | Play | Das kurze glückliche Leben des Francis Macomber, Kapitel 5 | 00:00 Tools | |
88291849 | Play | Wem die Stunde schlägt, Kapitel 7 | 00:00 Tools | |
38932113 | Play | The Old Man and the Sea [Disc 03]- Track 04 | 00:00 Tools | |
88291841 | Play | Paris, ein Fest fürs Leben, Kapitel 23 | 00:00 Tools | |
38932122 | Play | A Farewell to Arms (Unabridged) Part 1 of 4 | 00:00 Tools | |
38932127 | Play | The Sun Also Rises [Disc 01]- Track 02 | 00:00 Tools | |
38932128 | Play | The Old Man And The Sea 1-18 | 00:00 Tools | |
38932180 | Play | 15 | 00:00 Tools | |
38932129 | Play | A Farewell to Arms (Unabridged) Part 2 of 4 | 00:00 Tools | |
38932130 | Play | The Old Man And The Sea 1-15 | 00:00 Tools | |
38932131 | Play | 01 Schnee auf dem Kilimandscharo | 00:00 Tools | |
38932132 | Play | The Sun Also Rises [Disc 01]- Track 01 | 00:00 Tools | |
38932182 | Play | 14 | 00:00 Tools | |
38932134 | Play | For Whom the Bell Tolls 01 of 13 | 00:00 Tools | |
38932136 | Play | Old Man and the Sea [Disc 01]- Track 12 | 00:00 Tools | |
38932137 | Play | A Very Short Story - Part 01 | 00:00 Tools | |
38932138 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 04 of 17 | 00:00 Tools | |
38932139 | Play | 3f | 00:00 Tools | |
38932140 | Play | 3g | 00:00 Tools | |
38932141 | Play | Teil 21 | 00:00 Tools | |
38932143 | Play | Teil 18 | 00:00 Tools | |
38932144 | Play | Teil 17 | 00:00 Tools | |
38932145 | Play | Chapter 1b | 00:00 Tools | |
38932146 | Play | For Whom the Bell Tolls - 01/13 | 00:00 Tools | |
38932147 | Play | Chapter 1a | 00:00 Tools | |
38932148 | Play | Chapter 1c | 00:00 Tools | |
38932150 | Play | Starec a more 14 | 00:00 Tools | |
38932151 | Play | Starec a more 16 | 00:00 Tools | |
38932152 | Play | The Sun Also Rises [Disc 01]- Track 04 | 00:00 Tools | |
38932154 | Play | THE OLD MAN AND THE SEA. Fragment 24 | 00:00 Tools | |
38932155 | Play | For Whom the Bell Tolls (Unabridged) Part 2 | 00:00 Tools | |
38932156 | Play | In Another Country - Part 01 | 00:00 Tools | |
88291858 | Play | Wem die Stunde schlägt, Kapitel 11 | 00:00 Tools | |
88291847 | Play | Paris, ein Fest fürs Leben, Kapitel 15 | 00:00 Tools | |
88291844 | Play | Paris, ein Fest fürs Leben, Kapitel 20 | 00:00 Tools | |
38932157 | Play | The Nobel Prize Acceptance Speech - Recorded by a Havana Radio Station | 00:00 Tools | |
38932163 | Play | The Old Man and the Sea [Disc 03]- Track 07 | 00:00 Tools | |
88291845 | Play | Paris, ein Fest fürs Leben, Kapitel 22 | 00:00 Tools | |
88291846 | Play | Paris, ein Fest fürs Leben, Kapitel 21 | 00:00 Tools | |
38932164 | Play | The Old Man and the Sea [Disc 03]- Track 05 | 00:00 Tools | |
38932165 | Play | The Old Man and the Sea [Disc 03]- Track 06 | 00:00 Tools | |
88291848 | Play | Paris, ein Fest fürs Leben, Kapitel 17 | 00:00 Tools | |
38932169 | Play | The Old Man And The Sea 1-09 | 00:00 Tools | |
38932212 | Play | Chapter 1 | 00:00 Tools | |
38932216 | Play | 16 | 00:00 Tools | |
38932124 | Play | The Old Man And The Sea 1-05 | 00:00 Tools | |
38932172 | Play | The Old Man And The Sea 1-13 | 00:00 Tools | |
38932173 | Play | Harry's bar in Venice | 00:00 Tools | |
38932174 | Play | For Whom the Bell Tolls | 00:00 Tools | |
88291851 | Play | Paris, ein Fest fürs Leben, Kapitel 26 | 00:00 Tools | |
38932175 | Play | The Old Man And The Sea 1-16 | 00:00 Tools | |
38932176 | Play | The Old Man And The Sea 1-14 | 00:00 Tools | |
38932177 | Play | The Old Man and the Sea [Disc 03]- Track 10 | 00:00 Tools | |
38932293 | Play | 17 | 00:00 Tools | |
38932230 | Play | The Short Happy Life of Francis Macomber - Part 04 | 00:00 Tools | |
38932236 | Play | The Short Happy Life of Francis Macomber - Part 03 | 00:00 Tools | |
38932237 | Play | The Short Happy Life of Francis Macomber - Part 05 | 00:00 Tools | |
38932183 | Play | The Old Man And The Sea 1-22 | 00:00 Tools | |
38932231 | Play | Disc 1 Track 4 | 00:00 Tools | |
38932184 | Play | A Clean, Well-Lighted Place 2 | 00:00 Tools | |
38932185 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 09 of 17 | 00:00 Tools | |
38932186 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 10 of 17 | 00:00 Tools | |
38932239 | Play | Disc 1 Track 5 | 00:00 Tools | |
38932187 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 06 of 17 | 00:00 Tools | |
38932188 | Play | The Short Happy Life of Francis Macomber - Part 10 | 00:00 Tools | |
38932189 | Play | 3j | 00:00 Tools | |
38932190 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 07 of 17 | 00:00 Tools | |
38932191 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 05 of 17 | 00:00 Tools | |
38932192 | Play | 3i | 00:00 Tools | |
38932193 | Play | 3h | 00:00 Tools | |
38932194 | Play | A MOVEABLE FEAST. A Good Cafe on the Place St-Michel. Fragment 02 | 00:00 Tools | |
38932195 | Play | Chapter 2c | 00:00 Tools | |
38932196 | Play | Chapter 3d | 00:00 Tools | |
38932197 | Play | For Whom the Bell Tolls (Unabridged) | 00:00 Tools | |
38932198 | Play | Chapter 2a | 00:00 Tools | |
38932199 | Play | 1-01 Introduction | 00:00 Tools | |
38932346 | Play | Ernest Hemingway - Anapus upes medziu uksmeje Senis ir jura | 00:00 Tools | |
38932200 | Play | Starec a more 15 | 00:00 Tools | |
38932201 | Play | THE OLD MAN AND THE SEA. Fragment 7 | 00:00 Tools | |
89980862 | Play | Wem die Stunde schlägt, Kapitel 8 | 00:00 Tools | |
38932202 | Play | THE OLD MAN AND THE SEA. Fragment 8 | 00:00 Tools | |
38932203 | Play | THE OLD MAN AND THE SEA. Fragment 12 | 00:00 Tools | |
38932205 | Play | THE OLD MAN AND THE SEA. Fragment 11 | 00:00 Tools | |
88291855 | Play | Paris, ein Fest fürs Leben, Kapitel 18 | 00:00 Tools | |
89980863 | Play | Wem die Stunde schlägt, Kapitel 10 | 00:00 Tools | |
38932158 | Play | The Old Man And The Sea 1-08 | 00:00 Tools | |
38932206 | Play | The Old Man And The Sea 1-17 | 00:00 Tools | |
38932379 | Play | Das kurze glückliche Leben des Francis Macomber, Kapitel 6 | 00:00 Tools | |
38932207 | Play | The Old Man And The Sea 1-10 | 00:00 Tools | |
38932208 | Play | THE OLD MAN AND THE SEA. Fragment 42 | 00:00 Tools | |
88291856 | Play | Paris, ein Fest fürs Leben, Kapitel 14 | 00:00 Tools | |
38932213 | Play | The Old Man and the Sea [Disc 03]- Track 08 | 00:00 Tools | |
38932214 | Play | The Old Man And The Sea 1-11 | 00:00 Tools | |
38932220 | Play | Che Ti Dice La Patria? - Part 04 | 00:00 Tools | |
38932215 | Play | The Sun Also Rises [Disc 01]- Track 09 | 00:00 Tools | |
38932218 | Play | The Sun Also Rises [Disc 01]- Track 03 | 00:00 Tools | |
38932221 | Play | Saturday Night at the Whorehouse in Billings, MT | 00:00 Tools | |
38932178 | Play | The Old Man And The Sea 1-06 | 00:00 Tools | |
38932277 | Play | 2G | 00:00 Tools | |
38932303 | Play | 19 | 00:00 Tools | |
38932223 | Play | The Old Man And The Sea 1-20 | 00:00 Tools | |
38932225 | Play | The Sun Also Rises [Disc 01]- Track 05 | 00:00 Tools | |
38932304 | Play | 18 | 00:00 Tools | |
38932305 | Play | 1m | 00:00 Tools | |
38932227 | Play | The Snows of Kilimanjaro | 00:00 Tools | |
38932288 | Play | Indian Camp - Part 01 | 00:00 Tools | |
38932228 | Play | 01a [59] - Komu bije dzwon | 00:00 Tools | |
38932294 | Play | 3k | 00:00 Tools | |
38932295 | Play | Farewell To Arms 1 | 00:00 Tools | |
38932229 | Play | Chapter 15b | 00:00 Tools | |
38932232 | Play | Up in Michigan - Part 01 | 00:00 Tools | |
38932302 | Play | Disc 1 Track 7 | 00:00 Tools | |
38932233 | Play | Hemingway Short Stories 02 - Capital of the World 2 of 8 | 00:00 Tools | |
38932311 | Play | Hemingway Short Stories 02 - Capital of the World 3 of 8 | 00:00 Tools | |
38932234 | Play | The Old Man And The Sea 1-23 | 00:00 Tools | |
38932235 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 17 of 17 | 00:00 Tools | |
38932238 | Play | The Short Happy Life of Francis Macomber - Part 06 | 00:00 Tools | |
38932240 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 12 of 17 | 00:00 Tools | |
38932241 | Play | The Short Happy Life of Francis Macomber - Part 07 | 00:00 Tools | |
38932242 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 08 of 17 | 00:00 Tools | |
38932318 | Play | Disc 1 Track 11 | 00:00 Tools | |
38932243 | Play | Intro. After The Storm 1 | 00:00 Tools | |
38932317 | Play | Disc 1 Track 9 | 00:00 Tools | |
38932244 | Play | A MOVEABLE FEAST. A Good Cafe on the Place St-Michel. Fragment 04 | 00:00 Tools | |
38932245 | Play | The Sun Also Rises [Disc 02]- Track 02 | 00:00 Tools | |
38932246 | Play | After The Storm 2 | 00:00 Tools | |
38932247 | Play | The Short Happy Life of Francis Macomber - Part 11 | 00:00 Tools | |
38932248 | Play | A Clean, Well-Lighted Place 3 | 00:00 Tools | |
38932249 | Play | Teil 20 | 00:00 Tools | |
38932250 | Play | Hemingway Short Stories 02 - Capital of the World 4 of 8 | 00:00 Tools | |
38932251 | Play | The Sun Also Rises [Disc 02]- Track 08 | 00:00 Tools | |
38932252 | Play | The Sun Also Rises [Disc 02]- Track 12 | 00:00 Tools | |
38932253 | Play | A MOVEABLE FEAST. Miss Stein Instructs. Fragment 06 | 00:00 Tools | |
38932254 | Play | A MOVEABLE FEAST. Miss Stein Instructs. Fragment 01 | 00:00 Tools | |
38932255 | Play | Chapter 16a | 00:00 Tools | |
38932256 | Play | 3n | 00:00 Tools | |
38932340 | Play | Chapter 4b | 00:00 Tools | |
38932257 | Play | Ernest Hemingway - For Whom the Bell Tolls - 01 of 13 | 00:00 Tools | |
38932258 | Play | 1-02 Chapter 1a | 00:00 Tools | |
38932259 | Play | Chapter 3b | 00:00 Tools | |
38932260 | Play | Chapter 2b | 00:00 Tools | |
38932261 | Play | Starec a more 13 | 00:00 Tools | |
38932262 | Play | Cat in the Rain - Part 01 | 00:00 Tools | |
38932263 | Play | Starec a more 11 | 00:00 Tools | |
38932399 | Play | 20 | 00:00 Tools | |
38932264 | Play | THE OLD MAN AND THE SEA. Fragment 16 | 00:00 Tools | |
38932265 | Play | Als der Jung zurückkam … | 00:00 Tools | |
38932266 | Play | THE OLD MAN AND THE SEA. Fragment 13 | 00:00 Tools | |
38932267 | Play | Che Ti Dice La Patria? - Part 05 | 00:00 Tools | |
38932268 | Play | THE OLD MAN AND THE SEA. Fragment 23 | 00:00 Tools | |
38932269 | Play | THE OLD MAN AND THE SEA. Fragment 18 | 00:00 Tools | |
89980864 | Play | Wem die Stunde schlägt, Kapitel 9 | 00:00 Tools | |
38932270 | Play | THE OLD MAN AND THE SEA. Fragment 19 | 00:00 Tools | |
38932468 | Play | Nobel Prize Speech | 00:00 Tools | |
38932209 | Play | The Old Man And The Sea 1-07 | 00:00 Tools | |
38932272 | Play | When The Boy Came Back The Old Man Was Asleep... | 00:00 Tools | |
89980865 | Play | Paris, ein Fest fürs Leben, Kapitel 24 | 00:00 Tools | |
38932498 | Play | Das kurze glückliche Leben des Francis Macomber, Kapitel 7 | 00:00 Tools | |
38932273 | Play | THE OLD MAN AND THE SEA. Fragment 38 | 00:00 Tools | |
38932274 | Play | The Old Man and the Sea [Disc 03]- Track 09 | 00:00 Tools | |
38932275 | Play | The Sun Also Rises [Disc 01]- Track 10 | 00:00 Tools | |
38932381 | Play | Chapter 2 | 00:00 Tools | |
38932276 | Play | The Sun Also Rises [Disc 01]- Track 07 | 00:00 Tools | |
38932383 | Play | Indian Camp - Part 03 | 00:00 Tools | |
38932282 | Play | The Sun Also Rises [Disc 01]- Track 06 | 00:00 Tools | |
38932283 | Play | The Sun Also Rises [Disc 01]- Track 08 | 00:00 Tools | |
38932419 | Play | 23 | 00:00 Tools | |
38932284 | Play | Ernest Hemingway: The Short Stories, Volume 1 (Unabridged) | 00:00 Tools | |
38932512 | Play | Banal Story | 00:00 Tools | |
38932285 | Play | Der Junge ging hinaus | 00:00 Tools | |
38932286 | Play | 1n | 00:00 Tools | |
38932287 | Play | Chapter 14c | 00:00 Tools | |
38932308 | Play | 26 A Moveable Feast - The End | 00:00 Tools | |
38932289 | Play | After the Storm - Part 01 | 00:00 Tools | |
38932394 | Play | 2B | 00:00 Tools | |
38932290 | Play | The Old Man And The Sea 1-24 | 00:00 Tools | |
38932291 | Play | Side1 | 00:00 Tools | |
38932292 | Play | Chapter 15a | 00:00 Tools | |
38932296 | Play | Chapter 15c | 00:00 Tools | |
38932297 | Play | Chapter 15d | 00:00 Tools | |
38932298 | Play | The Short Happy Life of Francis Macomber - Part 08 | 00:00 Tools | |
38932299 | Play | 2D | 00:00 Tools | |
38932300 | Play | Ernest Hemingway - The Sun also rises 1[6] | 00:00 Tools | |
38932301 | Play | Side2 | 00:00 Tools | |
38932306 | Play | Chapter 15e | 00:00 Tools | |
38932307 | Play | The Sun Also Rises [Disc 02]- Track 14 | 00:00 Tools | |
38932309 | Play | The Sun Also Rises [Disc 02]- Track 09 | 00:00 Tools | |
38932310 | Play | The Sun Also Rises [Disc 02]- Track 04 | 00:00 Tools | |
38932312 | Play | The Sun Also Rises [Disc 02]- Track 11 | 00:00 Tools | |
38932313 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 11 of 17 | 00:00 Tools | |
38932314 | Play | Chapter 16i | 00:00 Tools | |
38932411 | Play | Disc 1 Track 8 | 00:00 Tools | |
38932412 | Play | Disc 1 Track 6 | 00:00 Tools | |
38932413 | Play | Disc 1 Track 12 | 00:00 Tools | |
38932414 | Play | Disc 1 Track 10 | 00:00 Tools | |
38932315 | Play | 2E | 00:00 Tools | |
38932316 | Play | Chapter 17b | 00:00 Tools | |
38932319 | Play | The Sun Also Rises [Disc 02]- Track 10 | 00:00 Tools | |
38932321 | Play | The Three-Day Blow - Part 06 | 00:00 Tools | |
38932322 | Play | Chapter 16h | 00:00 Tools | |
38932323 | Play | The Sun Also Rises [Disc 02]- Track 01 | 00:00 Tools | |
38932324 | Play | The Sun Also Rises [Disc 02]- Track 03 | 00:00 Tools | |
38932325 | Play | The Sun Also Rises [Disc 02]- Track 06 | 00:00 Tools | |
38932326 | Play | The Sun Also Rises [Disc 02]- Track 05 | 00:00 Tools | |
38932327 | Play | The Sun Also Rises [Disc 02]- Track 07 | 00:00 Tools | |
38932328 | Play | Die Killer | 00:00 Tools | |
38932329 | Play | 3m | 00:00 Tools | |
38932330 | Play | Chapter 16b | 00:00 Tools | |
38932331 | Play | A MOVEABLE FEAST. Miss Stein Instructs. Fragment 03 | 00:00 Tools | |
38932332 | Play | Ernest Hemingway - The Sun also rises 2[6] | 00:00 Tools | |
38932333 | Play | Chapter 16g | 00:00 Tools | |
38932334 | Play | A MOVEABLE FEAST. Miss Stein Instructs. Fragment 05 | 00:00 Tools | |
38932335 | Play | A MOVEABLE FEAST. Miss Stein Instructs. Fragment 02 | 00:00 Tools | |
38932336 | Play | A MOVEABLE FEAST. Miss Stein Instructs. Fragment 04 | 00:00 Tools | |
38932337 | Play | A MOVEABLE FEAST. Miss Stein Instructs. Fragment 08 | 00:00 Tools | |
38932338 | Play | A MOVEABLE FEAST. Miss Stein Instructs. Fragment 07 | 00:00 Tools | |
38932339 | Play | Chapter 16d | 00:00 Tools | |
38932341 | Play | Chapter 4a | 00:00 Tools | |
38932342 | Play | Chapter 3c | 00:00 Tools | |
38932343 | Play | Chapter 3e | 00:00 Tools | |
38932344 | Play | Chapter 3a | 00:00 Tools | |
38932345 | Play | Der Fisch schwamm ruhig | 00:00 Tools | |
38932347 | Play | Starec a more 17 | 00:00 Tools | |
38932475 | Play | The Killers - Part 01 | 00:00 Tools | |
38932348 | Play | THE OLD MAN AND THE SEA. Fragment 21 | 00:00 Tools | |
88291843 | Play | Der Unbesiegte, Kapitel 3 | 00:00 Tools | |
38932349 | Play | THE OLD MAN AND THE SEA. Fragment 25 | 00:00 Tools | |
38932350 | Play | THE OLD MAN AND THE SEA. Fragment 22 | 00:00 Tools | |
38932351 | Play | Andere Boote liefen hinaus in die See | 00:00 Tools | |
38932352 | Play | THE OLD MAN AND THE SEA. Fragment 9 | 00:00 Tools | |
38932353 | Play | THE OLD MAN AND THE SEA. Fragment 15 | 00:00 Tools | |
38932354 | Play | THE OLD MAN AND THE SEA. Fragment 14 | 00:00 Tools | |
38932355 | Play | THE OLD MAN AND THE SEA. Fragment 28 | 00:00 Tools | |
38932356 | Play | THE OLD MAN AND THE SEA. Fragment 31 | 00:00 Tools | |
38932357 | Play | THE OLD MAN AND THE SEA. Fragment 20 | 00:00 Tools | |
38932358 | Play | A Farewell to Arms (Unabridged) Part 3 of 4 | 00:00 Tools | |
38932359 | Play | They Picked Up The Gear From The Boat. | 00:00 Tools | |
38932360 | Play | In Another Country - Part 02 | 00:00 Tools | |
38932361 | Play | THE OLD MAN AND THE SEA. Fragment 33 | 00:00 Tools | |
38932363 | Play | Sie gingen zusammen die Strasse hinauf | 00:00 Tools | |
38932364 | Play | THE OLD MAN AND THE SEA. Fragment 32 | 00:00 Tools | |
38932365 | Play | Sometimes Someone Would Speak... | 00:00 Tools | |
38932366 | Play | He Was An Old Man Who Fished Alone In A Skiff... | 00:00 Tools | |
38932520 | Play | 21 | 00:00 Tools | |
38932367 | Play | THE OLD MAN AND THE SEA. Fragment 36 | 00:00 Tools | |
38932368 | Play | The Boy Went Out. | 00:00 Tools | |
38932369 | Play | THE OLD MAN AND THE SEA. Fragment 65 | 00:00 Tools | |
38932370 | Play | THE OLD MAN AND THE SEA. Fragment 35 | 00:00 Tools | |
38932371 | Play | Side3 | 00:00 Tools | |
38932492 | Play | 002 of 171 | 00:00 Tools | |
38932372 | Play | THE OLD MAN AND THE SEA. Fragment 61 | 00:00 Tools | |
38932373 | Play | THE OLD MAN AND THE SEA. Fragment 37 | 00:00 Tools | |
38932496 | Play | 29 | 00:00 Tools | |
38932375 | Play | Che Ti Dice La Patria? - Part 02 | 00:00 Tools | |
89980866 | Play | Paris, ein Fest fürs Leben, Kapitel 27 | 00:00 Tools | |
38932485 | Play | 2A | 00:00 Tools | |
38932376 | Play | He was an old man who fished alone in a skiff | 00:00 Tools | |
38932509 | Play | 22 | 00:00 Tools | |
38932377 | Play | THE OLD MAN AND THE SEA. Fragment 72 | 00:00 Tools | |
38932380 | Play | In Our Time - CD 01 | 00:00 Tools | |
38932506 | Play | Hemingway Short Stories 11 - Indian Camp 1 of 3 | 00:00 Tools | |
38932527 | Play | 021 of 171 | 00:00 Tools | |
38932522 | Play | 24 | 00:00 Tools | |
38932497 | Play | A Farewell To Arms | 00:00 Tools | |
88291860 | Play | 012 of 171 | 00:00 Tools | |
38932511 | Play | 30 | 00:00 Tools | |
88291852 | Play | On the Quai at Smyrna - Part 2 | 00:00 Tools | |
38932382 | Play | 05 Schnee auf dem Kilimandscharo | 00:00 Tools | |
88291862 | Play | 33 | 00:00 Tools | |
38932384 | Play | 02 Schnee auf dem Kilimandscharo | 00:00 Tools | |
38932505 | Play | 023 of 171 | 00:00 Tools | |
38932385 | Play | For Whom the Bell Tolls (Unabridged), Part 2 | 00:00 Tools | |
38932386 | Play | 2H | 00:00 Tools | |
38932387 | Play | The Sun Also Rises [Disc 01]- Track 11 | 00:00 Tools | |
38932388 | Play | 04 Schnee auf dem Kilimandscharo | 00:00 Tools | |
38932389 | Play | The Sun Also Rises [Disc 01]- Track 13 | 00:00 Tools | |
38932390 | Play | Chapter 15g | 00:00 Tools | |
38932391 | Play | 03 Schnee auf dem Kilimandscharo | 00:00 Tools | |
88291861 | Play | 019 of 171 | 00:00 Tools | |
38932392 | Play | Chapter 15f | 00:00 Tools | |
38932393 | Play | The Doctor and the Doctor's Wife - Part 03 | 00:00 Tools | |
38932525 | Play | 020 of 171 | 00:00 Tools | |
38932395 | Play | The End of Something - Part 02 | 00:00 Tools | |
38932526 | Play | Disc 2 Track 1 | 00:00 Tools | |
38932396 | Play | Chapter 11b | 00:00 Tools | |
38932397 | Play | Hemingway - Short Stories vol. I 3-8 | 00:00 Tools | |
38932398 | Play | The Short Happy Life of Francis Macomber - Part 17 | 00:00 Tools | |
38932532 | Play | The Sun also rises 1[6] | 00:00 Tools | |
38932400 | Play | The Sun Also Rises [Disc 01]- Track 14 | 00:00 Tools | |
38932401 | Play | The Sun Also Rises [Disc 01]- Track 12 | 00:00 Tools | |
38932402 | Play | Cross-Country Snow - Part 02 | 00:00 Tools | |
38932542 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 15 of 17 | 00:00 Tools | |
38932539 | Play | Indian Camp - Part 02 | 00:00 Tools | |
38932403 | Play | The Short Happy Life of Francis Macomber - Part 12 | 00:00 Tools | |
38932404 | Play | Hemingway Short Stories 01 - Short Happy Life of Francis Macomber 13 of 17 | 00:00 Tools | |
38932405 | Play | Big Two Hearted River - Part 01 | 00:00 Tools | |
38932407 | Play | Up in Michigan - Part 02 | 00:00 Tools | |
38932408 | Play | Up in Michigan - Part 03 | 00:00 Tools | |
38932409 | Play | 2F | 00:00 Tools | |
38932410 | Play | Ernest Hemingway - The Sun also rises 3[6] | 00:00 Tools | |
38932564 | Play | CD01-01 | 00:00 Tools | |
38932415 | Play | Hemingway Short Stories 02 - Capital of the World 5 of 8 | 00:00 Tools | |
38932416 | Play | Chapter 18c | 00:00 Tools | |
38932417 | Play | Chapter 17c | 00:00 Tools | |
38932418 | Play | Chapter 18b | 00:00 Tools | |
38932420 | Play | Chapter 7e | 00:00 Tools | |
38932421 | Play | The Short Happy Life of Francis Macomber - Part 09 | 00:00 Tools | |
38932422 | Play | The Sun Also Rises [Disc 01]- Track 15 | 00:00 Tools | |
38932423 | Play | Hemingway - Short Stories vol. I 2-8 | 00:00 Tools | |
38932424 | Play | The Three-Day Blow - Part 02 | 00:00 Tools | |
38932425 | Play | The Short Happy Life of Francis Macomber - Part 13 | 00:00 Tools | |
38932426 | Play | Chapter 13c | 00:00 Tools | |
38932427 | Play | Chapter 14b | 00:00 Tools | |
38932428 | Play | Chapter 14a | 00:00 Tools | |
38932429 | Play | Chapter 16e | 00:00 Tools | |
38932430 | Play | Chapter 17a | 00:00 Tools | |
89980867 | Play | Chapter 9d | 00:00 Tools | |
38932432 | Play | Chapter 17e | 00:00 Tools | |
38932433 | Play | Chapter 16c | 00:00 Tools | |
38932434 | Play | Hemingway Short Stories 02 - Capital of the World 7 of 8 | 00:00 Tools | |
38932435 | Play | After The Storm 4 | 00:00 Tools | |
38932436 | Play | For Whom the Bell Tolls 03 of 13 | 00:00 Tools | |
38932437 | Play | After The Storm 3 | 00:00 Tools | |
38932438 | Play | Chapter 12a | 00:00 Tools | |
38932439 | Play | For Whom the Bell Tolls 02 of 13 | 00:00 Tools | |
38932440 | Play | Chapter 16f | 00:00 Tools | |
38932441 | Play | The Sun Also Rises [Disc 06]- Track 05 | 00:00 Tools | |
38932442 | Play | The Sun Also Rises [Disc 02]- Track 13 | 00:00 Tools | |
38932443 | Play | The Sun Also Rises [Disc 02]- Track 15 | 00:00 Tools | |
38932444 | Play | Book 2 - Chapter 8a | 00:00 Tools | |
38932445 | Play | Chapter 16j | 00:00 Tools | |
38932446 | Play | Chapter 7a | 00:00 Tools | |
38932447 | Play | 1-04 Chapter 2b | 00:00 Tools | |
38932448 | Play | Chapter 8d | 00:00 Tools | |
38932449 | Play | Chapter 3f | 00:00 Tools | |
38932450 | Play | Chapter 10h | 00:00 Tools | |
38932451 | Play | Chapter 4e | 00:00 Tools | |
38932452 | Play | Chapter 7h | 00:00 Tools | |
38932453 | Play | Chapter 4d | 00:00 Tools | |
38932454 | Play | Chapter 4f | 00:00 Tools | |
38932455 | Play | Chapter 5a | 00:00 Tools | |
38932456 | Play | Chapter 4c | 00:00 Tools | |
38932457 | Play | Den Gamle och Havet 001 | 00:00 Tools | |
38932458 | Play | 1-03 Chapter 2a | 00:00 Tools | |
38932459 | Play | Three Minutes Per | 00:00 Tools | |
38932460 | Play | THE OLD MAN AND THE SEA. Fragment 26 | 00:00 Tools | |
38932461 | Play | THE OLD MAN AND THE SEA. Fragment 27 | 00:00 Tools | |
38932462 | Play | Die Wolken über dem Festland … | 00:00 Tools | |
38932463 | Play | Er konnte jetzt das Grün des Ufers nicht sehen | 00:00 Tools | |
38932464 | Play | THE OLD MAN AND THE SEA. Fragment 29 | 00:00 Tools | |
38932465 | Play | THE OLD MAN AND THE SEA. Fragment 17 | 00:00 Tools | |
88291853 | Play | Um eine Viertelmillion, Kapitel 3 | 00:00 Tools | |
38932466 | Play | THE OLD MAN AND THE SEA. Fragment 30 | 00:00 Tools | |
38932467 | Play | In Another Country - Part 03 | 00:00 Tools | |
38932469 | Play | THE OLD MAN AND THE SEA. Fragment 34 | 00:00 Tools | |
89980868 | Play | 003 of 171 | 00:00 Tools | |
38932470 | Play | THE OLD MAN AND THE SEA. Fragment 62 | 00:00 Tools | |
38932471 | Play | THE OLD MAN AND THE SEA. Fragment 41 | 00:00 Tools | |
38932472 | Play | An Alpine Idyll - Part 02 | 00:00 Tools | |
38932473 | Play | He Looked Across The Sea And Knew How Alone He Was... | 00:00 Tools | |
38932474 | Play | Fifty Grand - Part 02 | 00:00 Tools | |
88291857 | Play | 017 | 00:00 Tools | |
38932476 | Play | THE OLD MAN AND THE SEA. Fragment 64 | 00:00 Tools | |
38932477 | Play | THE OLD MAN AND THE SEA. Fragment 63 | 00:00 Tools | |
38932478 | Play | Side5 | 00:00 Tools | |
38932479 | Play | A Farewell to Arms (Unabridged) Part 4 of 4 | 00:00 Tools | |
38932480 | Play | THE OLD MAN AND THE SEA. Fragment 73 | 00:00 Tools | |
38932481 | Play | Chapter 18i | 00:00 Tools | |
38932482 | Play | Side6 | 00:00 Tools | |
38932483 | Play | THE OLD MAN AND THE SEA. Fragment 67 | 00:00 Tools | |
38932484 | Play | Side4 | 00:00 Tools | |
38932486 | Play | THE OLD MAN AND THE SEA. Fragment 70 | 00:00 Tools | |
38932487 | Play | THE OLD MAN AND THE SEA. Fragment 40 | 00:00 Tools | |
38932488 | Play | THE OLD MAN AND THE SEA. Fragment 39 | 00:00 Tools | |
38932489 | Play | THE OLD MAN AND THE SEA. Fragment 69 | 00:00 Tools | |
38932490 | Play | 06 Schnee auf dem Kilimandscharo | 00:00 Tools | |
38932491 | Play | Side7 | 00:00 Tools | |
89980869 | Play | 007 of 171 | 00:00 Tools | |
89980870 | Play | 32 | 00:00 Tools | |
38932493 | Play | Cat in the Rain - Part 02 | 00:00 Tools | |
38932494 | Play | THE OLD MAN AND THE SEA. Fragment 71 | 00:00 Tools | |
89980871 | Play | 026 of 171 | 00:00 Tools | |
38932495 | Play | The Doctor and the Doctor's Wife - Part 01 | 00:00 Tools | |
89980872 | Play | 31 | 00:00 Tools | |
88291859 | Play | Alter Mann an der Brücke | 00:00 Tools | |
89980873 | Play | 3 | 00:00 Tools | |
89980874 | Play | 006 of 171 | 00:00 Tools | |
89980875 | Play | 014 of 171 | 00:00 Tools | |
38932499 | Play | A MOVEABLE FEAST. "Une Generation Perdue". Fragment 01 | 00:00 Tools | |
38932500 | Play | Just Before It Was Dark | 00:00 Tools | |
38932501 | Play | 2J | 00:00 Tools | |
38932502 | Play | Side8 | 00:00 Tools | |
38932503 | Play | Cross-Country Snow - Part 01 | 00:00 Tools | |
38932504 | Play | 2I | 00:00 Tools | |
38932507 | Play | Soldier's Home - Part 05 | 00:00 Tools | |
38932508 | Play | The Sun Also Rises [Disc 06]- Track 04 | 00:00 Tools | |
89980876 | Play | The Snows of Kilimanjaro - Part 01 | 00:00 Tools |
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American author and journalist. His economical and understated style had a strong influence on 20th-century fiction, while his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and won the Nobel Prize in Literature in 1954. He published seven novels, six short story collections, and two non-fiction works. Additional works, including three novels, four short story collections, and three non-fiction works, were published posthumously. Many of his works are considered classics of American literature. Hemingway was raised in Oak Park, Illinois. After high school he reported for a few months for The Kansas City Star, before leaving for the Italian front to enlist with the World War I ambulance drivers. In 1918, he was seriously wounded and returned home. His wartime experiences formed the basis for his novel A Farewell to Arms (1929). In 1921, he married Hadley Richardson, the first of his four wives. The couple moved to Paris, where he worked as a foreign correspondent and fell under the influence of the modernist writers and artists of the 1920s "Lost Generation" expatriate community. He published his first novel, The Sun Also Rises, in 1926. After his 1927 divorce from Hadley Richardson, Hemingway married Pauline Pfeiffer; they divorced after he returned from the Spanish Civil War where he had been a journalist, and after which he wrote For Whom the Bell Tolls (1940). Martha Gellhorn became his third wife in 1940; they separated when he met Mary Welsh in London during World War II. He was present at the Normandy landings and the liberation of Paris. Shortly after the publication of The Old Man and the Sea (1952), Hemingway went on safari to Africa, where he was almost killed in two successive plane crashes that left him in pain or ill health for much of his remaining lifetime. Hemingway maintained permanent residences in Key West, Florida, (1930s) and Cuba (1940s and 1950s), and in 1959, he bought a house in Ketchum, Idaho, where he committed suicide in the summer of 1961. Ernest Miller Hemingway was born on July 21, 1899, in Oak Park, Illinois, a suburb of Chicago. His father, Clarence Edmonds Hemingway, was a physician, and his mother, Grace Hall-Hemingway, was a musician. Both were well-educated and well-respected in the conservative community of Oak Park, a community about which resident Frank Lloyd Wright said, "So many churches for so many good people to go to". For a short period after their marriage, Clarence and Grace Hemingway lived with Grace's father, Ernest Hall, who eventually became their first son's namesake. Later Ernest Hemingway would say that he disliked his name, which he "associated with the naive, even foolish hero of Oscar Wilde's play The Importance of Being Earnest". The family eventually moved into a seven-bedroom home in a respectable neighborhood with a music studio for Grace and a medical office for Clarence. Hemingway's mother frequently performed in concerts around the village. As an adult, Hemingway professed to hate his mother, although biographer Michael S. Reynolds points out that Hemingway mirrored her energy and enthusiasm. Her insistence that he learn to play the cello became a "source of conflict", but he later admitted the music lessons were useful to his writing, as is evident in the "contrapuntal structure" of For Whom the Bell Tolls. The family owned a summer home called Windemere on Walloon Lake, near Petoskey, Michigan, where as a four-year-old he learned from his father to hunt, fish, and camp in the woods and lakes of Northern Michigan. His early experiences in nature instilled a passion for outdoor adventure and living in remote or isolated areas. From 1913 until 1917, Hemingway attended Oak Park and River Forest High School where he took part in a number of sports, namely boxing, track and field, water polo, and football. He excelled in English classes and performed in the school orchestra with his sister Marcelline for two years. In his junior year, he took a journalism class, taught by Fannie Biggs, which was structured "as though the classroom were a newspaper office". The better writers in class submitted pieces to The Trapeze, the school newspaper. Hemingway and Marcelline both had pieces submitted to The Trapeze; Hemingway's first piece, published in January 1916, was about a local performance by the Chicago Symphony Orchestra. He continued to contribute to and to edit the Trapeze and the Tabula (the school's newspaper and yearbook), for which he imitated the language of sportswriters, and used the pen name Ring Lardner, Jr.—a nod to Ring Lardner of the Chicago Tribune whose byline was "Line O'Type". Like Mark Twain, Stephen Crane, Theodore Dreiser and Sinclair Lewis, Hemingway was a journalist before becoming a novelist; after leaving high school he went to work for The Kansas City Star as a cub reporter. Although he stayed there for only six months, he relied on the Star's style guide as a foundation for his writing: "Use short sentences. Use short first paragraphs. Use vigorous English. Be positive, not negative." Early in 1918, Hemingway responded to a Red Cross recruitment effort in Kansas City and signed on to become an ambulance driver in Italy. He left New York in May and arrived in Paris as the city was under bombardment from German artillery. By June, he was at the Italian Front. It was probably around this time that he first met John Dos Passos, with whom he had a rocky relationship for decades. On his first day in Milan, he was sent to the scene of a munitions factory explosion, where rescuers retrieved the shredded remains of female workers. He described the incident in his non-fiction book Death in the Afternoon: "I remember that after we searched quite thoroughly for the complete dead we collected fragments". A few days later, he was stationed at Fossalta di Piave. On July 8, he was seriously wounded by mortar fire, having just returned from the canteen bringing chocolate and cigarettes for the men at the front line. Despite his wounds, Hemingway assisted Italian soldiers to safety, for which he received the Italian Silver Medal of Bravery. Still only 18, Hemingway said of the incident: "When you go to war as a boy you have a great illusion of immortality. Other people get killed; not you ... Then when you are badly wounded the first time you lose that illusion and you know it can happen to you." He sustained severe shrapnel wounds to both legs, underwent an immediate operation at a distribution center, and spent five days at a field hospital before he was transferred for recuperation to the Red Cross hospital in Milan. He spent six months at the hospital, where he met and formed a strong friendship with "Chink" Dorman-Smith that lasted for decades and shared a room with future American foreign service officer, ambassador, and author Henry Serrano Villard. While recuperating, he fell in love, for the first time, with Agnes von Kurowsky, a Red Cross nurse seven years his senior. By the time of his release and return to the United States in January 1919, Agnes and Hemingway had decided to marry within a few months in America. However, in March, she wrote that she had become engaged to an Italian officer. Biographer Jeffrey Meyers states that Hemingway was devastated by Agnes' rejection, and in future relationships, he followed a pattern of abandoning a wife before she abandoned him. Hemingway returned home early in 1919 to a time of readjustment. Not yet 20 years old, he had gained from the war a maturity that was at odds with living at home without a job and with the need for recuperation. As Reynolds explains, "Hemingway could not really tell his parents what he thought when he saw his bloody knee. He could not say how scared he was in another country with surgeons who could not tell him in English if his leg was coming off or not." In September, he took a fishing and camping trip with high school friends to the back-country of Michigan's Upper Peninsula. The trip became the inspiration for his short story "Big Two-Hearted River", in which the semi-autobiographical character Nick Adams takes to the country to find solitude after returning from war. A family friend offered him a job in Toronto, and with nothing else to do, he accepted. Late that year he began as a freelancer, staff writer, and foreign correspondent for the Toronto Star Weekly. He returned to Michigan the following June and then moved to Chicago in September 1920 to live with friends, while still filing stories for the Toronto Star. In Chicago, he worked as an associate editor of the monthly journal Cooperative Commonwealth, where he met novelist Sherwood Anderson. When St. Louis native Hadley Richardson came to Chicago to visit the sister of Hemingway's roommate, he became infatuated and later claimed, "I knew she was the girl I was going to marry". Hadley was red-haired, with a "nurturing instinct", and eight years older than Hemingway. Despite being older than Hemingway, Hadley, who had grown up with an overprotective mother, seemed less mature than usual for a young woman her age. Bernice Kert, author of The Hemingway Women, claims Hadley was "evocative" of Agnes, but that Hadley had a childishness that Agnes lacked. The two corresponded for a few months and then decided to marry and travel to Europe. They wanted to visit Rome, but Sherwood Anderson convinced them to visit Paris instead, writing letters of introduction for the young couple. They were married on September 3, 1921; two months later, Hemingway was hired as foreign correspondent for the Toronto Star, and the couple left for Paris. Of Hemingway's marriage to Hadley, Meyers claims: "With Hadley, Hemingway achieved everything he had hoped for with Agnes: the love of a beautiful woman, a comfortable income, a life in Europe." Carlos Baker, Hemingway's first biographer, believes that while Anderson suggested Paris because "the monetary exchange rate" made it an inexpensive place to live, more importantly it was where "the most interesting people in the world" lived. In Paris, Hemingway met writers such as Gertrude Stein, James Joyce, and Ezra Pound who "could help a young writer up the rungs of a career". The Hemingway of the early Paris years was a "tall, handsome, muscular, broad-shouldered, brown-eyed, rosy-cheeked, square-jawed, soft-voiced young man." He and Hadley lived in a small walk-up at 74 rue du Cardinal Lemoine in the Latin Quarter, and he worked in a rented room in a nearby building. Stein, who was the bastion of modernism in Paris, became Hemingway's mentor; she introduced him to the expatriate artists and writers of the Montparnasse Quarter, whom she referred to as the "Lost Generation"—a term Hemingway popularized with the publication of The Sun Also Rises. A regular at Stein's salon, Hemingway met influential painters such as Pablo Picasso, Joan Miró, and Juan Gris. He eventually withdrew from Stein's influence and their relationship deteriorated into a literary quarrel that spanned decades. The American poet Ezra Pound met Hemingway by chance at Sylvia Beach's bookshop Shakespeare and Company in 1922. The two toured Italy in 1923 and lived on the same street in 1924. They forged a strong friendship, and in Hemingway, Pound recognized and fostered a young talent. Pound introduced Hemingway to the Irish writer James Joyce, with whom Hemingway frequently embarked on "alcoholic sprees". During his first 20 months in Paris, Hemingway filed 88 stories for the Toronto Star newspaper. He covered the Greco-Turkish War, where he witnessed the burning of Smyrna, and wrote travel pieces such as "Tuna Fishing in Spain" and "Trout Fishing All Across Europe: Spain Has the Best, Then Germany". Hemingway was devastated on learning that Hadley had lost a suitcase filled with his manuscripts at the Gare de Lyon as she was traveling to Geneva to meet him in December 1922. The following September, the couple returned to Toronto, where their son John Hadley Nicanor was born on October 10, 1923. During their absence, Hemingway's first book, Three Stories and Ten Poems, was published. Two of the stories it contained were all that remained after the loss of the suitcase, and the third had been written the previous spring in Italy. Within months a second volume, in our time (without capitals), was published. The small volume included six vignettes and a dozen stories Hemingway had written the previous summer during his first visit to Spain, where he discovered the thrill of the corrida. He missed Paris, considered Toronto boring, and wanted to return to the life of a writer, rather than live the life of a journalist. Hemingway, Hadley and their son (nicknamed Bumby) returned to Paris in January 1924 and moved into a new apartment on the rue Notre-Dame des Champs. Hemingway helped Ford Madox Ford edit the The Transatlantic Review, which published works by Pound, John Dos Passos, Baroness Elsa von Freytag-Loringhoven, and Stein, as well as some of Hemingway's own early stories such as "Indian Camp". When In Our Time (with capital letters) was published in 1925, the dust jacket bore comments from Ford. "Indian Camp" received considerable praise; Ford saw it as an important early story by a young writer, and critics in the United States praised Hemingway for reinvigorating the short story genre with his crisp style and use of declarative sentences. Six months earlier, Hemingway had met F. Scott Fitzgerald, and the pair formed a friendship of "admiration and hostility". Fitzgerald had published The Great Gatsby the same year: Hemingway read it, liked it, and decided his next work had to be a novel. With his wife Hadley, Hemingway first visited the Festival of San Fermín in Pamplona, Spain, in 1923, where he became fascinated by bullfighting. The Hemingways returned to Pamplona in 1924 and a third time in June 1925; that year they brought with them a group of American and British expatriates: Hemingway's Michigan boyhood friend Bill Smith, Donald Ogden Stewart, Lady Duff Twysden (recently divorced), her lover Pat Guthrie, and Harold Loeb. A few days after the fiesta ended, on his birthday (21 July), he began to write the draft of what would become The Sun Also Rises, finishing eight weeks later. A few months later, in December 1925, the Hemingways left to spend the winter in Schruns, Austria, where Hemingway began revising the manuscript extensively. Pauline Pfeiffer joined them in January and against Hadley's advice, urged Hemingway to sign a contract with Scribner's. He left Austria for a quick trip to New York to meet with the publishers, and on his return, during a stop in Paris, began an affair with Pauline, before returning to Schruns to finish the revisions in March. The manuscript arrived in New York in April; he corrected the final proof in Paris in August 1926, and Scribner's published the novel in October. The Sun Also Rises epitomized the post-war expatriate generation, received good reviews, and is "recognized as Hemingway's greatest work". Hemingway himself later wrote to his editor Max Perkins that the "point of the book" was not so much about a generation being lost, but that "the earth abideth forever"; he believed the characters in The Sun Also Rises may have been "battered" but were not lost. Hemingway's marriage to Hadley deteriorated as he was working on The Sun Also Rises. In the spring of 1926, Hadley became aware of his affair with Pauline Pfeiffer, who came to Pamplona with them that July. On their return to Paris, Hadley asked for a separation; in November she formally requested a divorce. They split their possessions while Hadley accepted Hemingway's offer of the proceeds from The Sun Also Rises. The couple were divorced in January 1927, and Hemingway married Pauline Pfeiffer in May. Pfeiffer, who was from a wealthy Catholic Arkansas family, had moved to Paris to work for Vogue magazine. Before their marriage, Hemingway converted to Catholicism. They honeymooned in Le Grau-du-Roi, where he contracted anthrax, and he planned his next collection of short stories, Men Without Women, published in October 1927. By the end of the year Pauline, who was pregnant, wanted to move back to America. John Dos Passos recommended Key West, and they left Paris in March 1928. That spring, Hemingway suffered a severe injury in their Paris bathroom, when he pulled a skylight down on his head thinking he was pulling on a toilet chain. This left him with a prominent forehead scar, which he carried for the rest of his life. When Hemingway was asked about the scar, he was reluctant to answer. After his departure from Paris, Hemingway "never again lived in a big city". In the late spring, Hemingway and Pauline traveled to Kansas City, where their son Patrick was born on June 28, 1928. Pauline had a difficult delivery, which Hemingway fictionalized in A Farewell to Arms. After Patrick's birth, Pauline and Hemingway traveled to Wyoming, Massachusetts, and New York. In the winter, he was in New York with Bumby, about to board a train to Florida, when he received a cable telling him that his father had committed suicide. Hemingway was devastated, having earlier written his father telling him not to worry about financial difficulties; the letter arrived minutes after the suicide. He realized how Hadley must have felt after her own father's suicide in 1903, and he commented, "I'll probably go the same way." Upon his return to Key West in December, Hemingway worked on the draft of A Farewell to Arms before leaving for France in January. He had finished it in August but delayed the revision. The serialization in Scribner's Magazine was scheduled to begin in May, but as late as April, Hemingway was still working on the ending, which he may have rewritten as many as seventeen times. The completed novel was published on September 27. Biographer James Mellow believes A Farewell to Arms established Hemingway's stature as a major American writer and displayed a level of complexity not apparent in The Sun Also Rises. In Spain during the summer of 1929, Hemingway researched his next work, Death in the Afternoon. He wanted to write a comprehensive treatise on bullfighting, explaining the toreros and corridas complete with glossaries and appendices, because he believed bullfighting was "of great tragic interest, being literally of life and death." During the early 1930s, Hemingway spent his winters in Key West and summers in Wyoming, where he found "the most beautiful country he had seen in the American West" and hunted deer, elk, and grizzly bear. He was joined there by Dos Passos and in November 1930, after bringing Dos Passos to the train station in Billings, Montana, Hemingway broke his arm in a car accident. The surgeon tended the compound spiral fracture and bound the bone with kangaroo tendon. Hemingway was hospitalized for seven weeks, with Pauline tending to him; the nerves in his writing hand took as long as a year to heal, during which time he suffered intense pain. His third son, Gregory Hancock Hemingway, was born a year later on November 12, 1931, in Kansas City. Pauline's uncle bought the couple a house in Key West with a carriage house, the second floor of which was converted into a writing studio. Its location across the street from the lighthouse made it easy for Hemingway to find after a long night of drinking. While in Key West, Hemingway frequented the local bar Sloppy Joe's. He invited friends—including Waldo Peirce, Dos Passos, and Max Perkins—to join him on fishing trips and on an all-male expedition to the Dry Tortugas. Meanwhile, he continued to travel to Europe and to Cuba, and—although in 1933 he wrote of Key West, "We have a fine house here, and kids are all well"—Mellow believes he "was plainly restless". In 1933, Hemingway and Pauline went on safari to East Africa. The 10-week trip provided material for Green Hills of Africa, as well as for the short stories "The Snows of Kilimanjaro" and "The Short Happy Life of Francis Macomber". The couple visited Mombasa, Nairobi, and Machakos in Kenya; then moved on to Tanganyika Territory, where they hunted in the Serengeti, around Lake Manyara, and west and southeast of present-day Tarangire National Park. Their guide was the noted "white hunter" Philip Hope Percival who had guided Theodore Roosevelt on his 1909 safari. During these travels, Hemingway contracted amoebic dysentery that caused a prolapsed intestine, and he was evacuated by plane to Nairobi, an experience reflected in "The Snows of Kilimanjaro". On Hemingway's return to Key West in early 1934, he began work on Green Hills of Africa, which he published in 1935 to mixed reviews. Hemingway bought a boat in 1934, named it the Pilar, and began sailing the Caribbean. In 1935 he first arrived at Bimini, where he spent a considerable amount of time. During this period he also worked on To Have and Have Not, published in 1937 while he was in Spain, the only novel he wrote during the 1930s. In 1937, Hemingway agreed to report on the Spanish Civil War for the North American Newspaper Alliance (NANA), arriving in Spain in March with Dutch filmmaker Joris Ivens. Ivens, who was filming The Spanish Earth, wanted Hemingway to replace John Dos Passos as screenwriter, since Dos Passos had left the project when his friend José Robles was arrested and later executed. The incident changed Dos Passos' opinion of the leftist republicans, creating a rift between him and Hemingway, who later spread a rumor that Dos Passos left Spain out of cowardice. Journalist and writer Martha Gellhorn, whom Hemingway had met in Key West the previous Christmas (1936), joined him in Spain. Like Hadley, Martha was a St. Louis native, and like Pauline, she had worked for Vogue in Paris. Of Martha, Kert explains, "she never catered to him the way other women did". Late in 1937, while in Madrid with Martha, Hemingway wrote his only play, The Fifth Column, as the city was being bombarded. He returned to Key West for a few months, then back to Spain twice in 1938, where he was present at the Battle of the Ebro, the last republican stand, and he was among the British and American journalists who were some of the last to leave the battle as they crossed the river. In the spring of 1939, Hemingway crossed to Cuba in his boat to live in the Hotel Ambos Mundos in Havana. This was the separation phase of a slow and painful split from Pauline, which had begun when Hemingway met Martha.[90] Martha soon joined him in Cuba, and they almost immediately rented "Finca Vigia" ("Lookout Farm"), a 15-acre (61,000 m2) property 15 miles (24 km) from Havana. Pauline and the children left Hemingway that summer, after the family was reunited during a visit to Wyoming. After Hemingway's divorce from Pauline was finalized, he and Martha were married November 20, 1940, in Cheyenne, Wyoming. As he had after his divorce from Hadley, he changed locations, moving his primary summer residence to Ketchum, Idaho, just outside the newly built resort of Sun Valley, and his winter residence to Cuba. Hemingway, who had been disgusted when a Parisian friend allowed his cats to eat from the table, became enamored of cats in Cuba, keeping dozens of them on the property. Gellhorn inspired him to write his most famous novel, For Whom the Bell Tolls, which he started in March 1939 and finished in July 1940. It was published in October 1940. Consistent with his pattern of moving around while working on a manuscript, he wrote For Whom the Bell Tolls in Cuba, Wyoming, and Sun Valley. For Whom the Bell Tolls became a Book-of-the-Month Club choice, sold half a million copies within months, was nominated for a Pulitzer Prize, and as Meyers describes it, "triumphantly re-established Hemingway's literary reputation". In August 1939 Hemingway was one of 400 US intellectuals who signed open letter "To All Active Supporters of Democracy and Peace" which stated that "the reactionaries" had "encouraged the fantastic falsehood that the USSR and the totalitarian states are basically alike" and claimed that the USSR had "shown a steadily expanding democracy in every sphere". In January 1941, Martha was sent to China on assignment for Collier's magazine. Hemingway went with her, sending in dispatches for the newspaper PM, but in general he disliked China. A 2009 book suggests during that period he may have been recruited to work for Soviet intelligence agents under the name "Agent Argo". They returned to Cuba before the declaration of war by the United States that December, when he convinced the Cuban government to help him refit the Pilar, which he intended to use to ambush German submarines off the coast of Cuba. From May 1944 to March 1945, Hemingway was in London and Europe. When Hemingway first arrived in London, he met TIME magazine correspondent Mary Welsh, with whom he became infatuated. Martha, who had been forced to cross the Atlantic in a ship filled with explosives because he refused to help her get a press pass on a plane, arrived in London to find Hemingway hospitalized with a concussion from a car accident. Unsympathetic to his plight, she accused him of being a bully and told him she was "through, absolutely finished". The last time he saw Martha was in March 1945, as he was preparing to return to Cuba. Meanwhile, he had asked Mary Welsh to marry him on their third meeting. Hemingway, wearing a large head bandage, was present at the Normandy Landings, but according to Meyers, considered "precious cargo" and not allowed ashore. The landing craft came within sight of Omaha Beach, before coming under enemy fire and turning back. Hemingway would later write in Collier's that he could see "the first, second, third, fourth and fifth waves of [landing troops] lay where they had fallen, looking like so many heavily laden bundles on the flat pebbly stretch between the sea and first cover." Mellow explains that on that first day, none of the correspondents were allowed to land and Hemingway was returned to the Dorothea Dix. Late in July, he attached himself to "the 22nd Infantry Regiment commanded by Col. Charles 'Buck' Lanham, as it drove toward Paris", and Hemingway became de facto leader to a small band of village militia in Rambouillet outside of Paris. Of Hemingway's exploits, World War II historian Paul Fussell remarks: "Hemingway got into considerable trouble playing infantry captain to a group of Resistance people that he gathered because a correspondent is not supposed to lead troops, even if he does it well". This was in fact in contravention of the Geneva Convention, and Hemingway was brought up on formal charges; he said he "beat the rap" by claiming that he only offered advice. On August 25, he was present at the liberation of Paris, although contrary to the Hemingway legend, he was not the first into the city, nor did he liberate the Ritz. In Paris, with Mary Welsh who joined him there, he visited Sylvia Beach and Pablo Picasso; in a spirit of happiness, he forgave Gertrude Stein. Later that year, he was present at heavy fighting in the Battle of Hürtgen Forest. On December 17, 1944, a feverish and ill Hemingway had himself driven to Luxembourg to cover what would later be called The Battle of the Bulge. As soon as he arrived, however, Lanham handed him to the doctors, who hospitalized him with pneumonia; by the time he recovered a week later, most of the fighting in this battle was over. In 1947 Hemingway was awarded a Bronze Star for his bravery during World War II. He was recognized for his valor, having been "under fire in combat areas in order to obtain an accurate picture of conditions", with the commendation that "through his talent of expression, Mr. Hemingway enabled readers to obtain a vivid picture of the difficulties and triumphs of the front-line soldier and his organization in combat". Hemingway said he "was out of business as a writer" from 1942 to 1945. In 1946 he married Mary, who had an ectopic pregnancy five months later. The Hemingway family suffered a series of accidents and health problems in the years following the war: in a 1945 car accident, he "smashed his knee" and sustained another "deep wound on his forehead"; Mary broke first her right ankle and then her left in successive skiing accidents. A 1947 car accident left Patrick with a head wound and severely ill. Hemingway sank into depression as his literary friends began to die: in 1939 William Butler Yeats and Ford Madox Ford; in 1940 Scott Fitzgerald; in 1941 Sherwood Anderson and James Joyce; in 1946 Gertrude Stein; and the following year in 1947, Max Perkins, Hemingway's long-time Scribner's editor and friend. During this period, he suffered from severe headaches, high blood pressure, weight problems, and eventually diabetes—much of which was the result of previous accidents and many years of heavy drinking. Nonetheless, in January 1946, he began work on The Garden of Eden, finishing 800 pages by June. During the post–war years, he also began work on a trilogy tentatively titled "The Land", "The Sea" and "The Air", which he wanted to combine in one novel titled The Sea Book. However, both projects stalled, and Mellow says that Hemingway's inability to continue was "a symptom of his troubles" during these years. In 1948, Hemingway and Mary traveled to Europe, staying in Venice for several months. While there, Hemingway fell in love with the then 19-year-old Adriana Ivancich. The platonic love affair inspired the novel Across the River and into the Trees, written in Cuba during a time of strife with Mary, and published in 1950 to negative reviews. The following year, furious at the critical reception of Across the River and Into the Trees, he wrote the draft of The Old Man and the Sea in eight weeks, saying that it was "the best I can write ever for all of my life". The Old Man and the Sea became a book-of-the-month selection, made Hemingway an international celebrity, and won the Pulitzer Prize in May 1952, a month before he left for his second trip to Africa. In 1954, while in Africa, Hemingway was almost fatally injured in two successive plane crashes. He chartered a sightseeing flight over the Belgian Congo as a Christmas present to Mary. On their way to photograph Murchison Falls from the air, the plane struck an abandoned utility pole and "crash landed in heavy brush". Hemingway's injuries included a head wound, while Mary broke two ribs. The next day, attempting to reach medical care in Entebbe, they boarded a second plane that exploded at take-off, with Hemingway suffering burns and another concussion, this one serious enough to cause leaking of cerebral fluid. They eventually arrived in Entebbe to find reporters covering the story of Hemingway's death. He briefed the reporters and spent the next few weeks recuperating and reading his erroneous obituaries. Despite his injuries, Hemingway accompanied Patrick and his wife on a planned fishing expedition in February, but pain caused him to be irascible and difficult to get along with. When a bushfire broke out, he was again injured, sustaining second degree burns on his legs, front torso, lips, left hand and right forearm. Months later in Venice, Mary reported to friends the full extent of Hemingway's injuries: two cracked discs, a kidney and liver rupture, a dislocated shoulder and a broken skull. The accidents may have precipitated the physical deterioration that was to follow. After the plane crashes, Hemingway, who had been "a thinly controlled alcoholic throughout much of his life, drank more heavily than usual to combat the pain of his injuries." In October 1954 Hemingway received the Nobel Prize in Literature. He modestly told the press that Carl Sandburg, Isak Dinesen and Bernard Berenson deserved the prize, but the prize money would be welcome. Mellow claims Hemingway "had coveted the Nobel Prize", but when he won it, months after his plane accidents and the ensuing world-wide press coverage, "there must have been a lingering suspicion in Hemingway's mind that his obituary notices had played a part in the academy's decision." Because he was suffering pain from the African accidents, he decided against traveling to Stockholm. Instead he sent a speech to be read, defining the writer's life:Writing, at its best, is a lonely life. Organizations for writers palliate the writer's loneliness but I doubt if they improve his writing. He grows in public stature as he sheds his loneliness and often his work deteriorates. For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day. From the end of the year in 1955 to early 1956, Hemingway was bedridden. He was told to stop drinking to mitigate liver damage, advice he initially followed but then disregarded. In October 1956, he returned to Europe and met Basque writer Pio Baroja, who was seriously ill and died weeks later. During the trip, Hemingway became sick again and was treated for "high blood pressure, liver disease, and arteriosclerosis". In November, while in Paris, he was reminded of trunks he had stored in the Ritz Hotel in 1928 and never retrieved. The trunks were filled with notebooks and writing from his Paris years. Excited about the discovery, when he returned to Cuba in 1957, he began to shape the recovered work into his memoir A Moveable Feast. By 1959 he ended a period of intense activity: he finished A Moveable Feast (scheduled to be released the following year); brought True at First Light to 200,000 words; added chapters to The Garden of Eden; and worked on Islands in the Stream. The last three were stored in a safe deposit box in Havana, as he focused on the finishing touches for A Moveable Feast. Author Michael Reynolds claims it was during this period that Hemingway slid into depression, from which he was unable to recover. The Finca Vigia became crowded with guests and tourists, as Hemingway, beginning to become unhappy with life there, considered a permanent move to Idaho. In 1959 he bought a home overlooking the Big Wood River, outside Ketchum, and left Cuba—although he apparently remained on easy terms with the Castro government, telling The New York Times he was "delighted" with Castro's overthrow of Batista. He was in Cuba in November 1959, between returning from Pamplona and traveling west to Idaho, and the following year for his birthday; however, that year he and Mary decided to leave after hearing the news that Castro wanted to nationalize property owned by Americans and other foreign nationals. In July 1960, the Hemingways left Cuba for the last time, leaving art and manuscripts in a bank vault in Havana. After the 1961 Bay of Pigs Invasion, the Finca Vigia was expropriated by the Cuban government, complete with Hemingway's collection of "four to six thousand books". Through the end of the 1950s, Hemingway continued to rework the material that would be published as A Moveable Feast. In the summer of 1959, he visited Spain to research a series of bullfighting articles commissioned by Life magazine, returning to Cuba in January 1960 to work on the manuscript. Life wanted only 10,000 words, but the manuscript grew out of control. For the first time in his life unable to organize his writing, he asked A. E. Hotchner to travel to Cuba to help. Hotchner helped him trim the Life piece to 40,000 words, and Scribner's agreed to a full-length book version (The Dangerous Summer) of almost 130,000 words. Hotchner found Hemingway to be "unusually hesitant, disorganized, and confused", and he was suffering badly from failing eyesight. On July 25, 1960, Hemingway and Mary left Cuba, never to return. Hemingway then traveled alone to Spain to be photographed for the front cover of the current Life magazine piece. A few days later, he was reported in the news to be seriously ill and on the verge of dying, which panicked Mary until she received a cable from him telling her, "Reports false. Enroute Madrid. Love Papa." However, he was seriously ill and believed himself to be on the verge of a breakdown. He was lonely and took to his bed for days, retreating into silence, despite having had the first installments of The Dangerous Summer published in Life in September 1960 to good reviews. In October, he left Spain for New York, where he refused to leave Mary's apartment on the pretext that he was being watched. She quickly took him out to Idaho, where George Saviers (a Sun Valley physician) met them at the train. At this time, Hemingway was worried about money and about his safety. He worried about his taxes, and that he would never return to Cuba to retrieve the manuscripts he had left there in a bank vault. He became paranoid and thought the FBI was actively monitoring his movements in Ketchum. The FBI had opened a file on him during World War II, when he used the Pilar to patrol the waters off Cuba, and J. Edgar Hoover had the agent in Havana watch Hemingway during the 1950s. By the end of November Mary was at wits' end and Saviers suggested Hemingway go to the Mayo Clinic in Minnesota, where he may have believed he was to be treated for hypertension. The FBI knew Hemingway was at the Mayo Clinic, as an agent later documented in a letter written in January 1961. In an attempt at anonymity, he was checked in under Saviers' name. Meyers writes that "an aura of secrecy surrounds Hemingway's treatment at the Mayo", but confirms he was treated with electroconvulsive therapy as many as 15 times in December 1960, then in January 1961, he was "released in ruins". Reynolds accessed Hemingway's records at the Mayo which indicate the combination of medications may have created a depressive state, for which he was treated. Three months later in April 1961, back in Ketchum, one morning in the kitchen Mary "found Hemingway holding a shotgun". She called Saviers who sedated him and admitted him to the Sun Valley hospital; from there he was returned to the Mayo Clinic for more electro shock treatments. He was released in late June and arrived home in Ketchum on June 30. Two days later, in the early morning hours of July 2, 1961, Hemingway "quite deliberately" shot himself with his favorite shotgun. He unlocked the basement storeroom where his guns were kept, went upstairs to the front entrance foyer of their Ketchum home, and "pushed two shells into the twelve-gauge Boss shotgun ...put the end of the barrel into his mouth, pulled the trigger and blew out his brains". Mary called the Sun Valley Hospital, and a doctor quickly arrived at the house. Despite his finding that Hemingway "had died of a self-inflicted wound to the head", the story told to the press was that the death had been "accidental". During his final years, Hemingway's behavior was similar to his father's before he himself committed suicide; his father may have had the genetic disease hemochromatosis, in which the inability to metabolize iron culminates in mental and physical deterioration. Medical records made available in 1991 confirm that Hemingway's hemochromatosis had been diagnosed in early 1961. His sister Ursula and his brother Leicester also committed suicide. Added to Hemingway's physical ailments was the additional problem that he had been a heavy drinker for most of his life. Hemingway's family and friends flew to Ketchum for the funeral which was officiated by the local Catholic priest, who believed the death accidental. Of the funeral (during which an altar boy fainted at the head of the casket), Hemingway's brother Leicester wrote: "It seemed to me Ernest would have approved of it all." In a press interview five years later, Mary Hemingway admitted that her husband had committed suicide. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.