Ezra Pound

Trackimage Playbut Trackname Playbut Trackname
Fiddle Music First Suite Part 1 00:00 Tools
Fiddle Music First Suite Part 5 00:00 Tools
Buildings Follow Me to You 00:00 Tools
Hugh Selwyn Mauberley (excerpt) 00:00 Tools
Hugh Selwyn Mauberley 00:00 Tools
Cantico del Sole 00:56 Tools
Fiddle Music First Suite Part 6 00:00 Tools
Canto #38 00:00 Tools
Dictes Moy: Selection from Le Testament 00:00 Tools
Poi Che Di Doglia: From the opera Cavalcanti 00:00 Tools
The Seafarer 00:00 Tools
Canto I 00:00 Tools
Moeurs Contemporaines 00:00 Tools
Sestina: Altaforte 00:00 Tools
four legs 00:00 Tools
Canto XLV 00:00 Tools
Tos Temps Serai: From the opera Cavalcanti 00:00 Tools
Canto #3 00:00 Tools
in the morning 00:00 Tools
The Cantos [Excerpt] 00:00 Tools
Canto III 00:00 Tools
Canto IV 00:00 Tools
The Exile's Letter 00:00 Tools
Frattola: Recorded at Arch Recording Studios, Berkeley California, July, 19, 1983 00:00 Tools
Canto XVII 00:00 Tools
XLV from The Cantos 00:00 Tools
The Gypsy 00:00 Tools
Canto XXXVI 00:00 Tools
Sol Per Pieta: From the opera Cavalcanti 00:00 Tools
Canto XXX 00:00 Tools
Canto #106 00:00 Tools
aliter: Recorded live March 28, 1983 at Herbst Theatre, San Francisco, California 00:00 Tools
Dame Du Ciel: Selection from Le Testament 00:00 Tools
Al Poco Giorno: Recording from the world premiere performance, March 28, 1983 at Herbst Theatre, San Francisco, California 00:00 Tools
Pere Noe: Selection from Le Testament 00:00 Tools
Ailas: From the opera Cavalcanti 00:00 Tools
Canto LI 00:00 Tools
Envoi (1919) (from "Hugh Selwyn Mauberley" at the end of Part I) 00:00 Tools
Heaulmiere's Aria - "Ha, Vieillesse Felonne Et Fiere": Selection from Le Testament 00:00 Tools
Hugh Selwyn Mauberley, Parts II, IV, & V 00:00 Tools
Yeux Glauques 00:00 Tools
Gianni Quel Guido: From the opera Cavalcanti 00:00 Tools
Perch'io Non Spero: From the opera Cavalcanti 00:00 Tools
Freres Humains: Selection from Le Testament 00:00 Tools
Canto LXXXIV 00:00 Tools
Collis O Heliconii: Selection from the opera Collis O Heliconii, text of this performance excerpt is from the first 50 lines of Carmen LXI 00:00 Tools
E.P.: Ode Pour L'Election de Son Sepulchre 00:00 Tools
Homage to Sextus Propertius, Section VI 00:00 Tools
Hugh Selwyn Mauberley, First two sections of Part II 00:00 Tools
From Canto LXXVI 00:00 Tools
Canto XVI 00:00 Tools
Canto XLIX 00:00 Tools
Canto LVI 00:00 Tools
Quando Di Morte: From the opera Cavalcanti 00:00 Tools
Hid! Hid! 00:00 Tools
Canto CXV 00:00 Tools
aliter 00:00 Tools
Ezra Pound - Canto #3 00:00 Tools
Le Testament de Villon: Dictes moy 00:00 Tools
The year puts on her shining robe 00:00 Tools
Al poco giorno 00:00 Tools
Fiddle Music First Suite: I. — 00:00 Tools
From Hugh Selwyn Mauberly 00:00 Tools
Garden peach 00:00 Tools
From Hugh Selwyn Mauberly (II, IV, V) 00:00 Tools
Canto LXXXI - First Reading 00:00 Tools
The Beautiful Toilet 00:00 Tools
Ezra Pound - Canto #106 00:00 Tools
Dictes Moy 00:00 Tools
Thick, all in mass 00:00 Tools
In fleecy coats 00:00 Tools
What! No clothes? 00:00 Tools
Ezra Pound - Canto #38 00:00 Tools
Lies a dead deer 00:00 Tools
Folk worn out 00:00 Tools
Song of the Bowmen of Shu 00:00 Tools
RATS 00:00 Tools
Compassionate heaven 00:00 Tools
Hep-Cat Chung 00:00 Tools
On comes her car 00:00 Tools
The River Song 00:00 Tools
Chariots, rank on rank 00:00 Tools
Fiddle Music First Suite: V. — 00:00 Tools
Canto XCIX 00:00 Tools
Fiddle Music First Suite: VI. — 00:00 Tools
I climb the knoll 00:00 Tools
Hugh Selwyn Maugerly II, IV, and V 00:00 Tools
Yaller bird 00:00 Tools
The River Merchant's Wife: A Letter 00:00 Tools
Hugh Selwyn Mauberley II, IV, and V 00:00 Tools
Cavalcanti: Poi che di doglia 00:00 Tools
Flies, blue flies on a fence rail 00:00 Tools
Dame du ciel 00:00 Tools
Further Instructions 00:00 Tools
Canto LXXXI - Second Reading 00:00 Tools
Frottola 00:00 Tools
O omen tree 00:00 Tools
A Girl 00:00 Tools
Ailas 00:00 Tools
Canto XCII 00:00 Tools
Canto CVI 00:00 Tools
Exile's Letter 00:00 Tools
Impressions of François-Marie Arouet (de Voltaire), I (“Phyllidula and the Spoils of Gouvernet”) 00:00 Tools
Canto XLVI 00:00 Tools
Ezra Pound 00:00 Tools
Cavalcanti: Ailas 00:00 Tools
Cavalcanti: Tos temps serai 00:00 Tools
Heaven’s worry 00:00 Tools
Tos temps serai 00:00 Tools
Francesca 00:00 Tools
Canto XXV 00:00 Tools
Impressions, III (“To Madame Lullin,” German translation) 00:00 Tools
“Es starben” (German trans. of “Hugh Selwyn Mauberley, I, V”) 00:00 Tools
Le Testament de Villon: Ha, vieillesse felonne et fiere 00:00 Tools
Impressions, III (“To Madame Lullin”) 00:00 Tools
Statement of Being 00:00 Tools
Collis O Heliconii: Carmen LXI 00:00 Tools
The City of Choan 00:00 Tools
Poem by the Bridge at Ten-Shin 00:00 Tools
Frottola (c. 1931) 00:00 Tools
Lament of the Frontier Guard 00:00 Tools
Poi Che Di Doglia 00:00 Tools
Quando di morte 00:00 Tools
Impressions, II (“To Madame du Châtelet”) 00:00 Tools
Canto XXVI 00:00 Tools
Cavalcanti: Sol per pieta 00:00 Tools
Show of respect 00:00 Tools
Now sun rises in Ram sign 00:00 Tools
Cavalcanti: Gianni quel Guido 00:00 Tools
Sennin Poem by Kakuhaku 00:00 Tools
Cavalcanti: Quando di morte 00:00 Tools
The Alchemist 00:00 Tools
South-Folk In Cold Country 00:00 Tools
Canto XCVI 00:00 Tools
Lord of the Light’s axe 00:00 Tools
Taking Leave of a Friend 00:00 Tools
From Canto CXI 00:00 Tools
Dante Speech (1965) 00:00 Tools
Le Testament de Villon: Freres humains 00:00 Tools
Cavalcanti: Perch'io non spero 00:00 Tools
A Ballad of the Mulberry Tree 00:00 Tools
Hugh Selwyn Mauberley [Excerpt] 00:00 Tools
The Jewel Stair's Grievance 00:00 Tools
“Der Wirbel” (German trans. of “Phanopoeia, I”) 00:00 Tools
To Em-Mei's : The Unmoving Cloud 00:00 Tools
Al poco giorno (c. 1931) 00:00 Tools
Perch'io Non Spero 00:00 Tools
Gianni Quel Guido 00:00 Tools
Ezra Pound - Canto I 00:00 Tools
Bad Penny 00:00 Tools
Addendum for C 00:00 Tools
Bad Penny 00:00 Tools
Le Testament de Villon: Pere Noe 00:00 Tools
Le Testament de Villon: Dame du ciel 00:00 Tools
Old Idea of Choan by Rosoriu 00:00 Tools
Four Poems of Departure 00:00 Tools
The Seafarer: From the Anglo-Saxon 00:00 Tools
From Canto XCIII 00:00 Tools
From Canto CXII 00:00 Tools
Ezra Pound - Canto III 00:00 Tools
Freres Humains 00:00 Tools
Canto LXXXI 00:00 Tools
Pere Noé 00:00 Tools
Tame Cat 00:00 Tools
Ezra Pound - Hugh Selwyn Mauberley 00:00 Tools
Follow Me to You 00:00 Tools
Clear 00:00 Tools
From Canto LXXX 00:00 Tools
Ur Moeurs Contemporaines 00:00 Tools
"Cantico Del Sole" 00:00 Tools
Hugh Selwyn Mauberly 00:00 Tools
Selection From Collis O Heliconii (1932) Carmen LXI 00:00 Tools
Sol Per Pietà 00:00 Tools
The River-Merchant's Wife: A Letter 00:00 Tools
Hugh Selwyn Maub 00:00 Tools
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Ezra Weston Loomis Pound (October 30, 1885 – November 1, 1972) was an American expatriate, poet, musician and critic who, along with T.S. Eliot, was a major figure of the modernist movement in early 20th century poetry. He was the driving force behind several modernist movements, notably Imagism and Vorticism. The critic Hugh Kenner said on meeting Pound: "I suddenly knew that I was in the presence of the center of modernism." Because of his political views, especially his support of Mussolini and his anti-Semitism, Pound continues to attract much criticism. While it is almost impossible to ignore the vital role he played in the modernist revolution in 20th century literature in English, Pound's perceived importance has varied over the years. The location of Pound -- as opposed to other writers such as T.S. Eliot -- at the center of the Anglo-American Modernist tradition was famously asserted by the critic Hugh Kenner, most fully in his account of the Modernist movement titled The Pound Era. The critic Marjorie Perloff has also insisted upon the centrality of Pound to numerous traditions of "experimental" poetry in the 20th century. As a poet, Pound was one of the first to successfully employ free verse in extended compositions. His Imagist poems influenced, among others, the Objectivists and The Cantos were a touchstone for Allen Ginsberg and other Beat poets. Almost every 'experimental' poet in English since the early 20th century has been considered by some to be in his debt. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.