Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
35879363 | Play | Wire Tap Out | 00:00 Tools | |
35879364 | Play | I'll Be Back On Sunday | 00:00 Tools | |
35879365 | Play | Celebrate The Static | 00:00 Tools | |
35879366 | Play | November 5th | 00:00 Tools | |
35879367 | Play | Wardrobe Full of Fiction | 00:00 Tools | |
35879368 | Play | Broken Thoughts of Praise | 00:00 Tools | |
35879369 | Play | Start The End Again | 00:00 Tools | |
35879370 | Play | Right Before You Disappear | 00:00 Tools | |
35879371 | Play | Blue Christmas | 00:00 Tools | |
35879372 | Play | 300 Voices At Liberty Hall | 00:00 Tools | |
35879373 | Play | Do You Think Dallas Is Still In The Slammer? | 00:00 Tools | |
35879374 | Play | Walking Past You | 00:00 Tools | |
35879375 | Play | Do You Think Dallas Is Still In The Slammer | 00:00 Tools | |
35879376 | Play | Your Shattered Past | 00:00 Tools | |
35879377 | Play | Interlude | 00:00 Tools | |
35879378 | Play | Goodbye Father, Hello Brother | 00:00 Tools | |
35879379 | Play | Escape Plan | 00:00 Tools | |
35879380 | Play | Clarity | 00:00 Tools | |
35879381 | Play | Never Running Out | 00:00 Tools | |
35879382 | Play | Sleepwalker | 00:00 Tools | |
35879383 | Play | Stage Lights | 00:00 Tools | |
35879384 | Play | Crashing Down | 00:00 Tools | |
35879385 | Play | Temper Temper | 00:00 Tools | |
35879386 | Play | 6 | 00:00 Tools | |
35879387 | Play | Good Morning | 00:00 Tools | |
35879388 | Play | Untitled | 00:00 Tools | |
35879389 | Play | I’ll Be Back On Sunday | 00:00 Tools | |
35879392 | Play | Make It Count | 00:00 Tools | |
35879398 | Play | No Take-Backs | 00:00 Tools | |
35879390 | Play | Wardrobe Full of Function | 00:00 Tools | |
35879397 | Play | Moments Till Sunrise | 00:00 Tools | |
35879394 | Play | What We Live For | 00:00 Tools | |
35879395 | Play | Make Tonight | 00:00 Tools | |
35879396 | Play | Alive or A Life | 00:00 Tools | |
35879401 | Play | It's Not Me, It's You | 00:00 Tools | |
35879391 | Play | Broken Thoughts of Phaise | 00:00 Tools | |
35879400 | Play | Here's To Me | 00:00 Tools | |
35879393 | Play | Do You Think Dallas is Still in the Slammer? (from Doubt Becomes the New Addiction) | 00:00 Tools | |
35879408 | Play | No Doubt | 00:00 Tools | |
35879403 | Play | Error 404 | 00:00 Tools | |
35879402 | Play | Here's to You (Raise a Glass) | 00:00 Tools | |
35879407 | Play | Tidal Waves | 00:00 Tools | |
35879405 | Play | Cold Feet | 00:00 Tools | |
88122336 | Play | Loud and Clear | 00:00 Tools | |
88122339 | Play | You Win Some | 00:00 Tools | |
88122337 | Play | You Lose Some | 00:00 Tools | |
88122340 | Play | Smile Again | 00:00 Tools | |
88122338 | Play | I've Got the Time | 00:00 Tools | |
35879399 | Play | [untitled] | 00:00 Tools | |
35879404 | Play | before you disappear | 00:00 Tools | |
35879406 | Play | Walking Past You (Interlude) | 00:00 Tools | |
35879409 | Play | 04 I'll be back on sunday | 00:00 Tools | |
89873223 | Play | 01 Celebrate the Static | 00:00 Tools |
Delivering the sounds and sentiments of a defining moment, Flee The Seen grab your heart and attention in an instant. One listen to the raspy yet peacefully harmonious vocals of Kim Anderson, addictive guitar hooks and pounding rhythms from RL Brooks, Manuel Sanchez and Aaron Crawford, and you know you have experienced something genuine and true that will resonate within your heart for years to come. The four piece took form in December of 2003 with a clear vision and determined work ethic. Writing and self-releasing the “Fighting Chance” EP in late 2003 and the “Sound Of Sirens” EP in October 2004. Flee The Seen quickly conquered their home scene of Kansas City taking home three trophies at the Pitch Awards for Best New Band, Best Punk Bank, and Best Female vocalist. Their honest and passionate blend of rock fueled scream-core has already wooed audiences alongside of bands such as Weezer, Coheed and Cambria, Alkaline Trio, 30 Seconds To Mars, and Cake; all this before ever releasing a full-length album. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.