Friedrich Witt

Trackimage Playbut Trackname Playbut Trackname
IV. Finale - Allegro 00:00 Tools
III. Menuetto - Allegro molto 00:00 Tools
Oboe Concertino in C major 00:00 Tools
II. Adagio cantabile 00:00 Tools
I. Adagio - Allegro moderato 00:00 Tools
Concertino in E flat major 00:00 Tools
Rondo aus dem Flötenkonzert G-Dur Op.8 00:00 Tools
I. Allegro 00:00 Tools
Minuetto aus der Sinfonie Nr. 6 a-moll "Sinfonie turque" 00:00 Tools
III. Rondo 00:00 Tools
1.Satz aus der Sinfonie Nr.6 a-moll "Sinfonie turque" 00:00 Tools
IV. Finale: Allegro 00:00 Tools
Rondo aus dem Flötenkonzert G-Dur op. 8 00:00 Tools
Symphony in C major, "Jena": I. Adagio - Allegro vivace 00:00 Tools
II. Romanze 00:00 Tools
Septet in F Major: II. Adagio cantabile 00:00 Tools
Die frühen Jahre mit Herbert von Karajan 04:39 Tools
Symphony in C major, "Jena": IV. Finale: Allegro 00:00 Tools
1. Satz aus der Sinfonie Nr. 6 a-moll "Sinfonie turque" 00:00 Tools
Kindheit und Ausbildung 00:00 Tools
Vorwort 00:00 Tools
III. Menuetto 00:00 Tools
Concertino per oboe e fiati in Do Maggiore: Adagio - Polacca 00:00 Tools
IV. Allegretto 00:00 Tools
Sinfonie Nr. 16 A-Dur 00:00 Tools
I. Adagio - Allegro vivace 00:00 Tools
Quintet in D Major: II. Andante 00:00 Tools
Quartet in E-Flat Major: II. Andante 00:00 Tools
Symphony in C major, "Jena": II. Adagio cantabile 00:00 Tools
Symphony in A major: I. Adagio - Allegro vivace 00:00 Tools
Septet in F Major: I. Adagio - Allegro maestoso 00:00 Tools
Wie ich Berliner Philharmoniker wurde 00:00 Tools
Historische Aufführungspraxis - Beethoven light? 00:00 Tools
Allegro Aus Dem Fagott-Quartett F-Dur 00:00 Tools
Symphony in C major, "Jena": III. Menuetto 00:00 Tools
Die Rolle des Orchester-Dirigenten 00:00 Tools
Flute Concerto in G major, Op. 8: I. Allegro 00:00 Tools
Quartet in F Major: II. Adagio sustenuto 00:00 Tools
Karajan und die Osterfestspiele in Salzburg 00:00 Tools
Der Dirigent, das unbekannte Wesen 00:00 Tools
Symphony in A major: III. Andante 00:00 Tools
Symphony in A Major: II. Menuetto: Allegro 00:00 Tools
Flute Concerto in G major, Op. 8: II. Adagio cantabile 00:00 Tools
Quintet in D Major: I. Allegro 00:00 Tools
Quintet in D Major: IV. Rondo: Allegro 00:00 Tools
Ein Kontrabass spielt selten allein 00:00 Tools
Die zweite Amerika-Reise mit Herbert von Karajan (1956) 00:00 Tools
Sinfonie Nr. 9 d-moll 00:00 Tools
Symphony in A major: IV. Allegretto 00:00 Tools
Flute Concerto in G major, Op. 8: III. Rondo 00:00 Tools
Quartet in E-Flat Major: I. Adagio - Allegro risoluto 00:00 Tools
Septet in F Major: IV. Finale: Allegretto 00:00 Tools
II. Menuetto: Allegro 00:00 Tools
Quartet in F Major: III. Allegro moderato con variazioni 00:00 Tools
III. Andante 00:00 Tools
Quartet in F Major: I. Allegro moderato 00:00 Tools
Die erste Japan-Reise der Berliner Philharmoniker 00:00 Tools
II. Andante 00:00 Tools
Flute Concerto in G Major, Op. 7: II. Adagio cantabile 00:00 Tools
Flute Concerto in G Major, Op. 7: III. Rondo 00:00 Tools
Passacaglia d moll 00:00 Tools
Piano and Wind Quintet in E-Flat Major, Op. 5: III. Menuetto - Allegro molto 00:00 Tools
Quartet in E-Flat Major: III. Alla polacca 00:00 Tools
Septet in F Major: III. Menuetto: Allegro 00:00 Tools
Minuetto du Symphonie No. 6 en la mineur "Sinfonie turque" 00:00 Tools
IV. Finale: Allegretto 00:00 Tools
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Friedrich Jeremias Witt (1770–1836) was a German composer and cellist. Born on the 8th November 1770 in the Württemberg village of Niederstetten, Witt became a cellist (some accounts say a violinist) in the court orchestra of Oettingen-Wallerstein when he was nineteen. Witt was most famous in his lifetime for his oratorio Der leidende Heiland, securing an appointment as Kapellmeister for the Prince of Würzburg, and later for the theater, where he stayed until his death on the 3rd January 1836. He also wrote two operas: Palma (1804) and Das Fischerweib (1806). His other compositions include concertos, church music, chamber music, and symphonies. In 1909, Fritz Stein discovered a Symphony in C major, now known as the Jena Symphony, which he believed to have been composed by Beethoven. He published it ,saying that it was probably an early work by Beethoven, and pointed out some stylistic similarities in the preface to the score. When H. C. Robbins Landon found another copy of the work at the Göttweig Abbey archives with Witt's name on it, he convinced most other scholars that the work was in fact by Witt. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.