Fuchsia

Trackimage Playbut Trackname Playbut Trackname
Two 00:00 Tools
Mundane 00:00 Tools
Remember 00:00 Tools
Priority 00:00 Tools
Lurk 00:00 Tools
Tears 00:00 Tools
Just Anyone 00:00 Tools
Me And My Kite 00:00 Tools
Gone With The Mouse 00:00 Tools
A Tiny Book 00:00 Tools
Shoes And Ships 00:00 Tools
The Nothing Song 00:00 Tools
Another Nail 00:00 Tools
Girl from Kandahar 00:00 Tools
Lost Generations 00:00 Tools
Fuchsia Song 00:00 Tools
Absent Friends 00:00 Tools
I'll remember Her Face 00:00 Tools
The Waves 00:00 Tools
Rainbow Song 00:00 Tools
Melancholy Road 00:00 Tools
Crossing the Big C 00:00 Tools
Mary used to play the Piano 00:00 Tools
Piper at the Gates 00:00 Tools
The Band 00:00 Tools
Melancholy Rd. 00:00 Tools
Ring of Red Roses 00:00 Tools
Ragtime Brahms 00:00 Tools
Drunken Meanderings 00:00 Tools
Pirate Jenny 00:00 Tools
Prologue 00:00 Tools
Behind Innocent Eyes 00:00 Tools
What We Know So Far About Google's New OS 00:00 Tools
Mr Munch Interminable Lunch 00:00 Tools
Conversations 00:00 Tools
Mr Munch's Interminable Lunch 00:00 Tools
I'll Remember Her Face, I'll Remember Her Name 00:00 Tools
Murmurs 00:00 Tools
Knots 00:00 Tools
Shade Of Sheets 00:00 Tools
Mr. Munch's Interminable Lunch 00:00 Tools
Two 00:00 Tools
Mundane 00:00 Tools
Remember 00:00 Tools
Goodbyes 00:00 Tools
Priority 00:00 Tools
Piper at the Gates of Time 00:00 Tools
Lurk 00:00 Tools
Me and My Kite [Fuchsia] 1971 00:00 Tools
Tears 00:00 Tools
Mary Used To Play The Piano (1970) 00:00 Tools
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The British band Fuchsia released a little-noticed self-titled album in 1971 that, true to its name, was a fusion of various currents of early-'70s rock, particularly progressive rock and British folk-rock. While guitarist and lead singer Tony Durant was Fuchsia's main motor as the composer of most of the material, the band's chief distinguishing mark was its three-woman string section, including cellist Madeleine Bland (who also played piano and harmonium) and violinists Janet Rogers and Vanessa Hall-Smith; all three also contributed backing vocals. With fairly tuneful folk-rock-pop-ish songs whose progressions are unconventional enough that you often don't know quite where they're going, it's an interesting effort, if not a wholly successful one. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.