Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
82146489 | Play | Passeado | 00:00 Tools | |
82146491 | Play | Fraile Cornudo | 00:00 Tools | |
82146492 | Play | Nós Tenemos Muitos Nabos | 00:00 Tools | |
82146490 | Play | chin glin din | 00:00 Tools | |
82146493 | Play | Burgalesa | 00:00 Tools | |
82146495 | Play | Senhor Galandum | 00:00 Tools | |
82146494 | Play | se tou pai me dera | 00:00 Tools | |
82146496 | Play | L Pandeiro | 00:00 Tools | |
82146500 | Play | Coquelhada Marralheira | 00:00 Tools | |
82146501 | Play | Rebola la Boda | 00:00 Tools | |
82146497 | Play | alborada | 00:00 Tools | |
82146498 | Play | fandango | 00:00 Tools | |
82146499 | Play | redondo | 00:00 Tools | |
82146506 | Play | Cabalheiralgo | 00:00 Tools | |
82146502 | Play | berdugal | 00:00 Tools | |
82146503 | Play | dona Tresa | 00:00 Tools | |
82146504 | Play | la lhoba parda | 00:00 Tools | |
82146505 | Play | 25 | 00:00 Tools | |
82146510 | Play | L Cura Stá Malo | 00:00 Tools | |
82146507 | Play | Heilena | 00:00 Tools | |
82146509 | Play | Pingacho | 00:00 Tools | |
82146511 | Play | Campanicas | 00:00 Tools | |
82146514 | Play | A saia da Carolina | 00:00 Tools | |
82146515 | Play | Passa calhes | 00:00 Tools | |
82146513 | Play | Modas de Baile | 00:00 Tools | |
82146508 | Play | pur baixo de la punte | 00:00 Tools | |
82146516 | Play | La Galhina | 00:00 Tools | |
82146512 | Play | procisson, apuis baile | 00:00 Tools | |
82146517 | Play | Senhor Mio | 00:00 Tools | |
82146519 | Play | Mie Madre Tenie un Huorto | 00:00 Tools | |
82146518 | Play | Cirigoça | 00:00 Tools | |
82146521 | Play | Repasseado | 00:00 Tools | |
82146523 | Play | Riu piu piu | 00:00 Tools | |
82146520 | Play | La tarara | 00:00 Tools | |
82146524 | Play | Biolinda | 00:00 Tools | |
82146525 | Play | Binte cinco | 00:00 Tools | |
82146526 | Play | Bicha | 00:00 Tools | |
82146522 | Play | num quiero casa caída | 00:00 Tools | |
82146529 | Play | Para Namorar Morena | 00:00 Tools | |
82146527 | Play | Nabos | 00:00 Tools | |
82146536 | Play | Siga a Malta | 00:00 Tools | |
82146528 | Play | Passeado II | 00:00 Tools | |
90222025 | Play | Balsagaita Cun Pandeiros | 00:00 Tools | |
82146534 | Play | Zé Pereira | 03:21 Tools | |
82146531 | Play | Balsa Rasteira / Heilena | 00:00 Tools | |
82146538 | Play | Rico Abariento | 00:00 Tools | |
82146546 | Play | Mirandum | 00:00 Tools | |
88552584 | Play | Tanta Pomba | 00:00 Tools | |
82146530 | Play | nun quiero casa caída | 00:00 Tools | |
88552583 | Play | La Pulga I L Piolho | 00:00 Tools | |
82146539 | Play | Canedo | 00:00 Tools | |
82146543 | Play | Alicran | 00:00 Tools | |
82146532 | Play | Nabos (Cun Alheiras i Bino) | 00:00 Tools | |
82146544 | Play | Fonte do Salgueirinho | 00:00 Tools | |
82146533 | Play | Balsa rastreira / Heilena | 00:00 Tools | |
82146556 | Play | Bebe Bino | 00:00 Tools | |
82146541 | Play | Procisson Apuis Baile | 00:00 Tools | |
82146550 | Play | Redondo (instrumental) | 00:00 Tools | |
82146537 | Play | Faixa 1 | 00:00 Tools | |
82146545 | Play | BAKSA RASTREIRA/HELEINA | 00:00 Tools | |
82146553 | Play | Pur Baixo de la Puonte | 00:00 Tools | |
82146547 | Play | Faixa 2 | 00:00 Tools | |
82146548 | Play | Faixa 12 | 00:00 Tools | |
82146549 | Play | Faixa 3 | 00:00 Tools | |
82146551 | Play | Faixa 7 | 00:00 Tools | |
82146557 | Play | Passeado I | 00:00 Tools | |
82146554 | Play | Reboda la boda | 00:00 Tools | |
82146552 | Play | Faixa 11 | 00:00 Tools | |
82146555 | Play | Faixa 4 | 00:00 Tools | |
82146558 | Play | L cura está malo | 00:00 Tools | |
82146563 | Play | La galinha | 00:00 Tools | |
82146559 | Play | Faixa 5 | 00:00 Tools | |
82146560 | Play | Faixa 9 | 00:00 Tools | |
82146561 | Play | Faixa 13 | 00:00 Tools | |
82146562 | Play | Nun Quiero Casa Caida | 00:00 Tools | |
82146564 | Play | Faixa 8 | 00:00 Tools | |
82146565 | Play | Faixa 6 | 00:00 Tools | |
82146566 | Play | Bergudal | 00:00 Tools | |
82146567 | Play | pu | 00:00 Tools | |
82146568 | Play | Redondo (Intr) | 00:00 Tools | |
82146570 | Play | 07 Riu Piu Piu | 00:00 Tools | |
82146569 | Play | redondo (instr.) | 00:00 Tools | |
82146579 | Play | La Lhoba | 00:00 Tools | |
82146571 | Play | 09 Repasseado | 00:00 Tools | |
82146572 | Play | 08 La Tarara | 00:00 Tools | |
82146573 | Play | 13 Bicha | 00:00 Tools | |
82146574 | Play | 01 Alborada | 00:00 Tools | |
82146575 | Play | 11 Cirigoça | 00:00 Tools | |
82146576 | Play | 12 Passeado | 00:00 Tools | |
82146577 | Play | Num quiero Casa Caida | 00:00 Tools | |
82146578 | Play | 03 Se Tou Pai Me Dera | 00:00 Tools | |
82146580 | Play | 07 Redondo | 00:00 Tools | |
82146581 | Play | 13 25 | 00:00 Tools | |
82146582 | Play | 02 Chin Glin Din | 00:00 Tools | |
82146585 | Play | 05 Berdugal | 00:00 Tools | |
82146583 | Play | Procissão, Apuis Baile | 00:00 Tools | |
82146586 | Play | 09 La Lhoba Parda | 00:00 Tools | |
82146587 | Play | 11 Redondo | 00:00 Tools | |
82146588 | Play | 12 Dona Teresa | 00:00 Tools | |
82146584 | Play | Procisson Apuis Baile | 00:00 Tools | |
88552585 | Play | Bebe Vinho | 00:00 Tools | |
82146589 | Play | 08 Procisson Apuis Baile | 00:00 Tools | |
82146590 | Play | 10 Pur Baixo De La Punte | 00:00 Tools | |
88552586 | Play | 06 Nun Quiero Casa Caida | 00:00 Tools | |
88552587 | Play | Aborada | 00:00 Tools |
In the year of 1996 the band Galandum Galundaina is born, with the purpose to study, investigate and show the traditional music, dances and the language from the region of Miranda do Douro (the Mirandese plateau, northeast Portugal). The band makes the connection between the elder musicians generation and the younger generation, ensuring the continuity of this region's rich cultural tradition, that for years was about to disappear. The instruments used, reproductions of ancient ones, mantaining their look and resonance, are: mirandese bagpipes, tabor pipes, hurdy-gurdy, war drum, scallop shells, castanets, tambourine, among several others. Besides instrumental music, the band presents repertoire of vocal music, faithfully reproducting the traditional melodies, embellished with sounds, rhythms and harmonies, capable of inspiring emotion and, why not, some modernism. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.