Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
87827801 | Play | Welcome To The Party | 00:00 Tools | |
22696418 | Play | Welcome To The Party (Jazzanova Mix) | 00:00 Tools | |
22696419 | Play | Feed Me Good | 02:35 Tools | |
22696422 | Play | Ngoma | 06:01 Tools | |
22696420 | Play | Santa Cruz | 05:56 Tools | |
22696421 | Play | Tico | 07:29 Tools | |
22696423 | Play | Barrets Bag | 04:45 Tools | |
22696424 | Play | Oua-Train | 05:27 Tools | |
22696429 | Play | Welcome To The Party (Jazzanov | 08:10 Tools | |
22696425 | Play | HAR-YOU Theme | 01:25 Tools | |
22696426 | Play | Barretts Bag | 04:43 Tools | |
22696427 | Play | Welcome To The Party (Original Version) | 04:01 Tools | |
22696431 | Play | Feel Me Good | 03:06 Tools | |
22696428 | Play | Oua Train | 05:28 Tools | |
60390694 | Play | Sana Cruz | 08:07 Tools | |
22696434 | Play | Welcome To The Party (Mix) | 08:10 Tools | |
22696441 | Play | Montego Joe's HAR-YOU Postscript | 13:39 Tools | |
22696438 | Play | Welcome To The Party (Original Mix) | 04:01 Tools | |
22696433 | Play | Welcome to the Party [Jazzanova Mix] | 08:07 Tools | |
60390693 | Play | Oua - Train | 08:07 Tools | |
22696430 | Play | Har-You Postcript 2008 | 13:39 Tools | |
22696440 | Play | Montego Joe's HAR-YOU Postscript 2008 | 13:39 Tools | |
60390695 | Play | Welcome To The Party (Jazzanova remix) | 13:39 Tools | |
22696432 | Play | Barrett's Bag | 04:43 Tools | |
60390696 | Play | W | 13:39 Tools | |
60390697 | Play | Wellcome To The Party | 13:39 Tools | |
60390698 | Play | Wlcome | 13:39 Tools | |
60390700 | Play | Har-You Percussion Group | 08:10 Tools | |
60390699 | Play | Wel | 13:39 Tools | |
22696436 | Play | Welcome To The Party (Jazzano | 08:10 Tools | |
60390701 | Play | Har-You Percussion Group / Welcome To The Party (Jazzanova Mix) | 03:14 Tools |
In the late 1960s race riots plagued major cities; in Harlem, these events forced educators to think of new and exciting ways to keep kids off the streets and interested in their education. Harlem Youth Opportunities Unlimited (the Har-You Act) was a series of educational programs designed for that purpose. The Harlem Youth Percussion Group grew out of that zeitgeist. Jamaican-born percussionist Montegro Joe was asked by Julien Euell (executive director of the arts and culture division of Har-You Act) to teach Afro and jazz percussion. After four years of training, these 11 young men, age 16-19, created a self-titled album. Album royalties from the project went into a scholarship fund for the students. The group was reunited on the Cu-Bop label in 1996. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.