Horacio Vaggione

Trackimage Playbut Trackname Playbut Trackname
Ash 07:04 Tools
La Maquina de Cantar 17:02 Tools
Ending 17:10 Tools
24 variations 10:24 Tools
Points Critiques 16:00 Tools
nodal 13:08 Tools
Agon 08:46 Tools
Points Critiques (2011) 16:01 Tools
Arenas 15:08 Tools
Arenas (2007) 15:34 Tools
NODAL (1997) 00:30 Tools
Thema 10:12 Tools
Ash (1989-90) 07:04 Tools
Phases (2001) 10:20 Tools
Phases 16:00 Tools
Tar 09:38 Tools
Scir (excerpt) 07:28 Tools
Till 07:28 Tools
Schall 07:28 Tools
KITAB 07:28 Tools
Myr-S (excerpt) 16:00 Tools
Tar - 1987 - clarone e tape 09:29 Tools
Agon (Excerpt) [1998] 01:11 Tools
Nodal (excerpt) 16:00 Tools
Agon (excerpt) 16:00 Tools
Thema - 1985 - sax baixo e tape 10:05 Tools
Leph 16:00 Tools
Scir 01:50 Tools
Consort for Convolved Violins 00:30 Tools
Tar- 1987- clarone e tape 09:29 Tools
Myr 09:29 Tools
Myr-S 02:55 Tools
Thema- 1985- sax baixo e tape 00:30 Tools
Tahil 00:30 Tools
Harrison Variations 02:55 Tools
04 Agon 01:03 Tools
03 Ash 07:04 Tools
05 Nodal 03:55 Tools
06 Scir 01:50 Tools
La Maquina Se Cantar 16:51 Tools
La Máquina De Cantar 07:04 Tools
Thelma 07:04 Tools
08 Myr-S 07:04 Tools
02 Ending 07:04 Tools
07 Thema 07:04 Tools
10 Tar 07:04 Tools
Atem 07:04 Tools
Taléas 07:04 Tools
Préludes Suspendus II 07:04 Tools
La Macquina de Cantar 07:04 Tools
01. la maquina de cantar 07:04 Tools
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Horacio Vaggione (born 1943 in Córdoba, Argentina) is an electro-acoustic and musique concrete composer who specialises in micromontage, granular synthesis, and thus microsound and (Landy 1994, p.148) whose pieces often are for performer and computer-generated tape. He studied composition at the National University in Córdoba and the University of Illinois, where he first gained exposure and access to computers. Vaggione lives in Europe and visited every electronic studio there during the 1970s. From 1969 to 1973 he lived in Madrid, Spain, and was part of ALEA and co-founded an electronic studio and the Projects Music and Computer at the Autonomous University in Madrid with Luis de Pablo. In 1978 he moved to France, where he still resides, and begin work at GMEB in Bourges, INA-GRM and IRCAM in Paris where his music moved from synthesised and sampled loops (as in La Maquina de Cantar, produced on an IBM computer) towards micromontage. Since 1994 he has been Professor of Music University of Paris VIII and organised the CICM Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.