JMD

Trackimage Playbut Trackname Playbut Trackname
Time Machine (E.S. Dubs Mix) 00:00 Tools
Airstrike 00:00 Tools
Thirty One (JMD remake) 00:00 Tools
Polar (Psychadelik Pedestrian remix) 00:00 Tools
Polar (original mix) 00:00 Tools
JMD / Time Machine (E.S. Dubs Mix) 00:00 Tools
Subfusion (original mix) 00:00 Tools
Nuclear Sunset (original mix) 00:00 Tools
On Target (2010 remix) 00:00 Tools
Solar Wind (Psychadelik Pedestrian mix) 00:00 Tools
Solar Wind (original mix) 00:00 Tools
Slider (original mix) 00:00 Tools
On Target 00:00 Tools
Solar Wind (edit) 00:00 Tools
Losin' My Mind 00:00 Tools
Hold My Breath (original mix) 00:00 Tools
Frontline (original mix) 00:00 Tools
Bless Up 00:00 Tools
Frontline (Psychadelik Pedestrian remix) 00:00 Tools
Biggie Smalls (Thomas the tank engine remix) 00:00 Tools
Futuristic Sound 00:00 Tools
The Bride 00:00 Tools
Time Machine (Es Dubs Mix) 00:00 Tools
Formation (edit) 00:00 Tools
On Target (remix) 00:00 Tools
Jumpin' (Beat Doctor remix) 00:00 Tools
Get Up And Dance 00:00 Tools
High Strung Woman 00:00 Tools
There's More 00:00 Tools
On the Loose 00:00 Tools
Cool Me Down 00:00 Tools
Black Magic 00:00 Tools
Futuristic Sound (original mix) 00:00 Tools
On Target (original mix) 00:00 Tools
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As a departure from his previous Hyperterminal sound, John Dalling launched his JMD project with "New Beginning", a track produced in Autumn 2003 but not released online until 2004. Combining melodic and progressive trance sounds with a harder but still fairly commercial edge, the trademarks of the JMD sound are heavily phased synth pads and stabs and, more recently, rippling arpeggios and gated synths. John worked on several JMD tracks in 2004, but during the year, the remixes gained a higher profile - with "Time On Your Hands" (Redmann), "Why Not" (Excelsior), and "House Trancefusion" (DJ Rise) all getting the JMD treatment. Original JMD tracks "Jumpin", "New Beginning"' and "Formation", also produced during the year, stuck to the hard but melodic, commercial sound. By 2005, the JMD sound started getting less commercial, becoming more minimal, pure synth driven trance. This was evident in JMD's remake of his Hyperterminal tune "Thirty One" and new track "Black Magic". This style continued into 2006, by which time JMD had added a more electro feel to the sound, seen on tracks such as "Futuristic Sound" and "On Target". Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.