Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
84317223 | Play | The Big Beat | 00:00 Tools | |
84317225 | Play | Room with sky | 00:00 Tools | |
84317224 | Play | rabbit2 | 00:00 Tools | |
84317226 | Play | Hunt | 00:00 Tools | |
84317227 | Play | My Windsock | 00:00 Tools | |
84317228 | Play | On and On | 00:00 Tools | |
84317229 | Play | Cloister 4, May 2001 | 00:00 Tools | |
84317230 | Play | Righteous Indignation | 00:00 Tools | |
84317231 | Play | Don't Worry About Anything, I'll Talk To You Tomorrow | 00:00 Tools | |
84317232 | Play | Radio | 00:00 Tools | |
84317238 | Play | Sketch Of A Field | 00:00 Tools | |
84317235 | Play | Radio Past | 00:00 Tools | |
84317233 | Play | pond | 00:00 Tools | |
84317234 | Play | Untitled | 00:00 Tools | |
84317239 | Play | Hush Of The Hushing Dust | 00:00 Tools | |
84317237 | Play | the house is made of evening twilight | 00:00 Tools | |
84317236 | Play | Steamheat | 00:00 Tools | |
84317240 | Play | cut the thatching grass | 00:00 Tools | |
84317242 | Play | Winter Rain Watching The Sky From My Window | 00:00 Tools | |
84317244 | Play | Font's Point | 00:00 Tools | |
84317241 | Play | Drosophilia Melanogaster | 00:00 Tools | |
84317243 | Play | Uluk Reconstitution | 00:00 Tools | |
84317245 | Play | sunday evening | 00:00 Tools | |
84317246 | Play | Snd8 | 00:00 Tools | |
84317247 | Play | Ice On Snow | 00:00 Tools | |
84317249 | Play | Fireworks | 00:00 Tools | |
84317248 | Play | In The Dream (The Sacrifice) | 00:00 Tools | |
84317252 | Play | tapeOTO | 00:00 Tools | |
84317250 | Play | Mouth | 00:00 Tools | |
84317251 | Play | Miss Dove, Mr. Dove | 00:00 Tools | |
84317254 | Play | One | 00:00 Tools | |
84317253 | Play | Construction | 00:00 Tools | |
84317262 | Play | In The Dream (Tarkovski's Sacrifice) | 00:00 Tools | |
84317255 | Play | The Wood Bells | 00:00 Tools | |
84317256 | Play | Two | 00:00 Tools | |
84317257 | Play | Highway | 00:00 Tools | |
84317259 | Play | Way Anybody | 00:00 Tools | |
84317258 | Play | Gamelon | 00:00 Tools | |
84317260 | Play | Three | 00:00 Tools | |
84317261 | Play | Four | 00:00 Tools | |
84317263 | Play | Birds And Reeds | 00:00 Tools | |
84317264 | Play | Five | 00:00 Tools | |
84317270 | Play | Witch's Butter | 00:00 Tools | |
84317271 | Play | Lakes Whole Lakes | 00:00 Tools | |
84317265 | Play | Love Song Of M | 00:00 Tools | |
84317266 | Play | Asphalt | 00:00 Tools | |
84317268 | Play | Drunhaids Rigadoon | 00:00 Tools | |
84317267 | Play | 4.6 | 00:00 Tools | |
84317269 | Play | sunday | 00:00 Tools | |
84317275 | Play | Faded Curtain (audio version) | 00:00 Tools | |
84317272 | Play | Counting | 00:00 Tools | |
84317274 | Play | E. White | 00:00 Tools | |
84317273 | Play | Garbage Air | 00:00 Tools | |
84317276 | Play | Cricketmachine | 00:00 Tools | |
84317277 | Play | Tall Grasses | 00:00 Tools | |
84317278 | Play | Many Sparrows | 00:00 Tools | |
84317280 | Play | don't worry about anything; i'll talk to you tomorrow | 00:00 Tools | |
84317281 | Play | Amniotic Suspension | 00:00 Tools | |
84317279 | Play | Contemporary Favorite | 00:00 Tools | |
84317283 | Play | Ice Cream Man | 00:00 Tools | |
84317282 | Play | EI_1 | 00:00 Tools | |
84317284 | Play | Grains | 00:00 Tools | |
84317299 | Play | Moth | 00:00 Tools | |
84317291 | Play | in the dream | 00:00 Tools | |
84317285 | Play | Uluk Reconsitution | 00:00 Tools | |
84317286 | Play | Älska dig min kärlek | 00:00 Tools | |
84317287 | Play | Theremon | 00:00 Tools | |
84317288 | Play | John Hudak - Uluk Reconsitution | 00:00 Tools | |
84317289 | Play | EI_2 | 00:00 Tools | |
84317290 | Play | Presence of Deer | 00:00 Tools | |
84317296 | Play | Reopening Of Dusseldorf | 00:00 Tools | |
84317298 | Play | Participants | 00:00 Tools | |
84317292 | Play | Hatchet | 00:00 Tools | |
84317293 | Play | In the Dream [Tarkovsky's Sacrifice] [edit] | 00:00 Tools | |
84317294 | Play | The Lost Pleasures | 00:00 Tools | |
84317295 | Play | EI_3 | 00:00 Tools | |
84317312 | Play | Kettle | 00:00 Tools | |
84317297 | Play | The Quiet American | 00:00 Tools | |
84317301 | Play | 5 Reduced By 9 | 00:00 Tools | |
84317300 | Play | Wait | 00:00 Tools | |
84317305 | Play | John Hudak | 00:00 Tools | |
84317302 | Play | I Hate the Cold | 00:00 Tools | |
84317303 | Play | moon or sun | 00:00 Tools | |
84317304 | Play | Watcher | 00:00 Tools | |
84317306 | Play | - In the Dream (...`s Sacrifice) -- Another Kind of Language (2003) -- A6428-COMPAMB-KINDLANG-C-DET | 00:00 Tools | |
84317307 | Play | Brooklyn Bridge (track 3) | 00:00 Tools | |
84317308 | Play | - Room with Sky -- Room with Sky (200?) -- | 00:00 Tools | |
84317311 | Play | Brooklyn Bridge 1 | 00:00 Tools | |
84317309 | Play | The Wax Of The Candle | 00:00 Tools | |
84317310 | Play | untitled source april 2003 | 00:00 Tools | |
84317313 | Play | The Passengers | 00:00 Tools | |
84317314 | Play | evx sketch 6 | 00:00 Tools | |
84317315 | Play | Sotto Voce 1 | 00:00 Tools | |
84317316 | Play | Sotto Voce 2 | 00:00 Tools | |
84317317 | Play | Sotto Voce 3 | 00:00 Tools | |
84317318 | Play | Sotto Voce 5 | 00:00 Tools | |
84317319 | Play | Sotto Voce 4 | 00:00 Tools |
John Hudak has been interested in sound and music from the age of four when he began to play a variety of instruments. At the University of Delaware (BA, English 1981) and Naropa Institute for the Arts (1979), he studied video, photography, creative writing and dance. He then began to create taped soundtracks for his solo performance-art/dance pieces that later developed into sound-only pieces. In recent years, he has concentrated solely on sound, particularly natural sounds. Hudak’s current work focuses on the rhythms and melodies that exist in our daily aural environments. These sounds usually remain hidden, as we tend to overlook their musical qualities, or their musical qualities are obscured through mixture with other sounds. In simplified terms, what he is doing could be considered "re-framing what is already there so that it can be admired." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.