Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
86074400 | Play | Cloud Song | 00:00 Tools | |
86074401 | Play | The American Metaphysical Circus | 00:00 Tools | |
86074402 | Play | The Garden Of Earthly Delights | 00:00 Tools | |
86074403 | Play | Hard Coming Love | 00:00 Tools | |
86074404 | Play | Coming Down | 00:00 Tools | |
86074406 | Play | I Won't Leave My Wooden Wife For You, Sugar | 00:00 Tools | |
86074405 | Play | Love Song For The Dead Che | 00:00 Tools | |
86074407 | Play | The American Way Of Love: Part I- Metaphor For An Olderman/Part II- California Good-Time Music/Part III- Love Is All | 00:00 Tools | |
86074408 | Play | Osamu's Birthday - Alternate Version | 00:00 Tools | |
86074409 | Play | You Can Never Come Down | 00:00 Tools | |
86074410 | Play | Heresy (Coming Down) | 00:00 Tools | |
86074411 | Play | Mouse (The Garden Of Earthly Delights) | 00:00 Tools | |
86074412 | Play | The American Metaphysical Circus - Alternate Version | 00:00 Tools | |
86074413 | Play | Animals | 00:00 Tools | |
86074414 | Play | Deck The Halls | 00:00 Tools | |
86074416 | Play | Carol Of The Bells | 00:00 Tools | |
86074415 | Play | Loops and Sequences | 00:00 Tools | |
86074417 | Play | E La Don Don Verges Maria | 00:00 Tools | |
86074418 | Play | Christmas In The Morning | 00:00 Tools | |
86074419 | Play | Densities I | 00:00 Tools | |
86074420 | Play | Three Aphorisms: Movement 1 | 00:00 Tools | |
86074422 | Play | Four Sound*Poems | 00:00 Tools | |
86074423 | Play | Three Aphorisms: Movement 3 | 00:00 Tools | |
86074421 | Play | Carillon | 00:00 Tools | |
86074424 | Play | Three Aphorisms: Movement 2 | 00:00 Tools | |
86074425 | Play | Jingle Bells | 00:00 Tools | |
86074426 | Play | Silent Night | 00:00 Tools | |
86074427 | Play | String Trio: Movement 1 | 00:00 Tools | |
86074428 | Play | The Holly And The Ivy | 00:00 Tools | |
86074429 | Play | Taublein Weiss | 00:00 Tools | |
86074430 | Play | Christmas | 00:00 Tools | |
86074431 | Play | Water Music | 00:00 Tools | |
86074432 | Play | In Dulci Jubilo | 00:00 Tools | |
86074433 | Play | The First Nowell | 00:00 Tools | |
86074434 | Play | String Trio: Movement 2 | 00:00 Tools | |
86074435 | Play | It Came Upon A Midnight Clear | 00:00 Tools | |
86074436 | Play | Prelude to “The Mystery Cheese-Ball” | 00:00 Tools | |
86074437 | Play | Lo, How A Rose E'er Blooming | 00:00 Tools | |
86074438 | Play | Hark The Hearald Angels Sing | 00:00 Tools | |
86074440 | Play | The Star Spangled Banner | 00:00 Tools | |
86074441 | Play | America The Beautiful | 00:00 Tools | |
86074439 | Play | You're a Grand Old Flag | 00:00 Tools | |
86074442 | Play | Conquest of the American Wilderness | 00:00 Tools | |
86074443 | Play | The Yankee Doodle Boy | 00:00 Tools | |
86074444 | Play | Mouth Music (arr. J. Byrd) | 00:00 Tools | |
86074445 | Play | Hark The Herald Angels Sing | 00:00 Tools | |
86074446 | Play | The Stars And Stripes Forever (March) | 00:00 Tools | |
86074447 | Play | 1 | 00:00 Tools | |
86074450 | Play | The American Way Of Love: Part I- Metaphor For An Olderman/Part II- California Good-Time Music/Part | 00:00 Tools | |
86074449 | Play | A Ballet for Woodwinds - Arr. for Guitar | 00:00 Tools | |
86074448 | Play | Hark! The Herald Angels Sing | 00:00 Tools | |
86779955 | Play | Ghost Dance (Opening & Closing Theme) | 00:00 Tools |
Composer Joseph Byrd (credited as Joe Byrd on his two Columbia releases with The United States of America and Joe Byrd and the Field Hippies) studied modern composition with John Cage among others. He was an early proponent of "minimalist" composition, and was involved in the academic avant-garde in the early 60s. After getting a teaching appointment at UCLA, he relocated to the West Coast and began to study Indian and other music, eventually forming the psychedelic rock group The United States of America. After that group's single record proved too experimental for the commercial market, the band split up and Byrd conceived of Joe Byrd and the Field Hippies, a studio project involving rock musicians, orchestral and choral elements, and electronic manipulations. Their 1969 album was one of the earliest to combine rock and electronics, and has been cited as an influence by many later artists, including Radiohead, Portishead and others. Since the Field Hippies project, Byrd has continued a career in modern composition that has occasionally touched upon more mainstream styles, including movie soundtracks and a pair of electronic albums, one of Christmas music and one of patriotic American music recorded for the 1976 US Bicentennial. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.