Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
83501125 | Play | Music for Marcel Duchamp (1947) - instrumental | 00:00 Tools | |
83501131 | Play | Tono Humano: Trompicavalas amor | 00:00 Tools | |
83501126 | Play | Etude de Stage | 00:00 Tools | |
83501128 | Play | Radio Music (1956) - instrumental | 00:00 Tools | |
83501129 | Play | Belle haleine (duo) | 00:00 Tools | |
83501127 | Play | Tamaran, 1974 | 00:00 Tools | |
83501130 | Play | 02 Tamaran, 1974 | 00:00 Tools | |
83501132 | Play | Eau de voilette (quartetto) | 00:00 Tools | |
83501136 | Play | L.H.O.O.Q. (sestetto) | 00:00 Tools | |
83501134 | Play | Tamaran | 00:00 Tools | |
83501133 | Play | Rrose Selavy | 00:00 Tools | |
83501135 | Play | Music for Marcel Duchamp - 1947 | 00:00 Tools | |
83501137 | Play | Esperar, sentir, morir | 00:00 Tools | |
83501138 | Play | Rrose Sélavy (Solo) | 00:00 Tools | |
83501139 | Play | Ay que me rio de amor | 00:00 Tools | |
83501140 | Play | Rrose Sélavy (Trio) | 00:00 Tools | |
83501143 | Play | Rrose Sélavy (Quintetto) | 00:00 Tools | |
83501141 | Play | Belle Haleine | 00:00 Tools | |
83501142 | Play | Music for Amplified Toy Pianos - Music for Amplified Toy Pianos | 00:00 Tools | |
83501144 | Play | Eau De Voilette | 00:00 Tools | |
83501146 | Play | Parte prima | 00:00 Tools | |
83501145 | Play | Radio Music - 1956 | 00:00 Tools | |
83501148 | Play | Parte seconda | 00:00 Tools | |
83501147 | Play | L H O O Q | 00:00 Tools | |
83501149 | Play | Cage: Music For Marcel Duchamp | 00:00 Tools | |
83501150 | Play | Rrose Sèlavy (quintetto) | 00:00 Tools | |
83501151 | Play | Sixty-two Mesostics Re Merce Cunningham - 1971 | 00:00 Tools | |
83501152 | Play | Tamaran (1974) | 00:00 Tools | |
83501153 | Play | Rrose Sèlavy (solo) | 00:00 Tools | |
83501154 | Play | Tamaran 1974 | 00:00 Tools | |
83501155 | Play | Rrose Sélavy | 00:00 Tools | |
83501159 | Play | De las luces que en el mar | 00:00 Tools | |
83501156 | Play | Rrose sèlavy (trio) | 00:00 Tools | |
83501158 | Play | Al dichoso nacer de mi nino | 00:00 Tools | |
83501169 | Play | Noble en Tinacria naciste (jácara) | 00:00 Tools | |
83501157 | Play | Rrose Selavy(Trio) | 00:00 Tools | |
83501160 | Play | A del arrebol luciente | 00:00 Tools | |
83501161 | Play | Ay Amor, ay ausencia! | 00:00 Tools | |
83501165 | Play | Con tanto respecto adoran | 00:00 Tools | |
83501166 | Play | Music For Marcel Duchamp (1947) | 00:00 Tools | |
83501162 | Play | Ja-u-la | 00:00 Tools | |
90266585 | Play | Solo es querer | 00:00 Tools | |
83501175 | Play | Trompicábalas amor | 00:00 Tools | |
83501180 | Play | La noche tenebrosa | 00:00 Tools | |
83501164 | Play | Tono Humano: Trompicávalas amor | 00:00 Tools | |
83501172 | Play | Tono humano: Disfrazado de pastor | 00:00 Tools | |
83501186 | Play | Ay que si | 00:00 Tools | |
83501163 | Play | Rrose Selavy(Solo) | 00:00 Tools | |
83501173 | Play | Offenes trio | 00:00 Tools | |
83501167 | Play | Belle Haleine(Duo) | 00:00 Tools | |
83501184 | Play | Ay corazón amante | 00:00 Tools | |
83501176 | Play | Aulaga 2 | 00:00 Tools | |
83501168 | Play | Eau De Voilette(Quartetto) | 00:00 Tools | |
83501170 | Play | J'aimerai jouer avec un piano qui aurait un grosse queue (Per pianoforte a quaranta mani) | 00:00 Tools | |
83501171 | Play | Adversus (Homenade Electric Music) | 00:00 Tools | |
83501193 | Play | Esperar Sentir Morir | 00:00 Tools | |
83501189 | Play | A todos miro (recitative) | 00:00 Tools | |
83501190 | Play | Atiende y da | 00:00 Tools | |
83501174 | Play | L.H.O.O.Q.(Sestetto) | 00:00 Tools | |
88590679 | Play | Peynandose Estaba Un Olmo | 00:00 Tools | |
83501187 | Play | CIU Music quartet | 00:00 Tools | |
83501177 | Play | Taraman | 00:00 Tools | |
83501181 | Play | CIU Music Quartet - 1959 | 00:00 Tools | |
83501178 | Play | Rrose Selavy(Quintetto) | 00:00 Tools | |
83501191 | Play | Tamaran (Excerpt) | 00:00 Tools | |
83501183 | Play | Milan piano | 00:00 Tools | |
83501188 | Play | Étude De Stage | 00:00 Tools | |
83501179 | Play | Tamaran Pt.1 | 00:00 Tools | |
83501195 | Play | ¡Ay amor, ay ausencia! | 00:00 Tools | |
83501228 | Play | Quedito, pasito | 00:00 Tools | |
83501182 | Play | 2 Tamaran | 00:00 Tools | |
83501192 | Play | Peynándose estaba un olmo | 00:00 Tools | |
88590677 | Play | Rrose Selavy (Solo) | 00:00 Tools | |
88590681 | Play | Los Celos Hacen Estrellas: La Noche Tenebrosa | 00:00 Tools | |
83501230 | Play | ¡Venid, Querubines Alados! | 00:00 Tools | |
83501202 | Play | ¡Ay, que si, ay, que no! | 00:00 Tools | |
83501204 | Play | ¡Crédito es de mi decoro! | 00:00 Tools | |
90266586 | Play | Los Celos Hacen Estrellas: Trompicávalas Amor | 00:00 Tools | |
88590678 | Play | Antorcha Brillante | 00:00 Tools | |
83501199 | Play | Music for Marcel Duchamp (1947) (instrumental, w/ Walter Marchetti) | 00:00 Tools | |
83501194 | Play | Tamaran Pt.2 | 00:00 Tools | |
83501206 | Play | De los ceños del diciembre | 00:00 Tools | |
83501196 | Play | Etude de Stage 1961 | 00:00 Tools | |
83501197 | Play | 1 Tamaran | 00:00 Tools | |
83501198 | Play | Offenes Trio - 1959 | 00:00 Tools | |
83501203 | Play | L.H.O.O.Q. | 00:00 Tools | |
83501225 | Play | En los floridos páramos | 00:00 Tools | |
83501212 | Play | ¿Como ha de saber Belilla? | 00:00 Tools | |
83501210 | Play | En los floridos Paramos (In the flowery surroundings) | 00:00 Tools | |
88590686 | Play | Ay, que me río de Amor | 00:00 Tools | |
90266587 | Play | Tonante dios! | 00:00 Tools | |
83501200 | Play | Luceros y flores | 00:00 Tools | |
88590680 | Play | rrose selavy (trio) | 00:00 Tools | |
83501201 | Play | Radio Music (1956) | 00:00 Tools | |
83501221 | Play | Tono humano: Ay que me río de amor | 00:00 Tools | |
83501229 | Play | El Templo de Palas: Ay, que si, ay que no (Oh yes, Oh no) | 00:00 Tools | |
88590685 | Play | Escuchad Mi Voz | 00:00 Tools | |
83501213 | Play | Dulce ruisenor | 00:00 Tools | |
83501205 | Play | 01. rrose selavy | 00:00 Tools | |
83501217 | Play | Ay de mi dolor (Guerra manuscript) (trans. M. Vilas) | 00:00 Tools | |
83501207 | Play | 03. rrose selavy | 00:00 Tools | |
83501211 | Play | Letrilla | 00:00 Tools | |
90266588 | Play | Noble en Tinacria naciste | 00:00 Tools | |
83501208 | Play | Kuutamo | 00:00 Tools | |
83501209 | Play | Caurga | 00:00 Tools | |
88590687 | Play | Belle helene (duo) | 00:00 Tools | |
88590682 | Play | Al dichoso nacer de mi niño | 00:00 Tools | |
88590684 | Play | Mas, ¡Ay, Piedad! | 00:00 Tools | |
83501227 | Play | Atiénde y da | 00:00 Tools | |
90266589 | Play | Cuydado, pastor | 00:00 Tools | |
90266590 | Play | Music for Marcel Duchamp (1947) (instrumental) | 00:00 Tools | |
90266591 | Play | Quien es Amor? (Guerra manuscript) (trans. M. Vilas for soprano and Spanish baroque harp) | 00:00 Tools | |
83501233 | Play | etude de stage (1961) | 00:00 Tools | |
83501214 | Play | 05. rrose selavy | 00:00 Tools | |
83501215 | Play | 02. belle haleine | 00:00 Tools | |
83501216 | Play | 04. eau de voilette | 00:00 Tools | |
83501218 | Play | 06. l h o o q | 00:00 Tools | |
83501219 | Play | 02 Tamaran | 00:00 Tools | |
83501220 | Play | Osmanthus Fragrans (Homenade Electric Music) | 00:00 Tools | |
83501222 | Play | Palpiti (Latidos) | 00:00 Tools | |
83501224 | Play | Ukanga | 00:00 Tools | |
83501223 | Play | Paynándose estaba un olmo | 00:00 Tools | |
90266592 | Play | ¡Ay, Corazón Amante! | 00:00 Tools | |
90266593 | Play | Cuando el Alba Aplaude Alguno | 00:00 Tools | |
83501226 | Play | Tono humano: Ay que me rio de amor [Iberico] | 00:00 Tools | |
90266594 | Play | Anarda Divina | 00:00 Tools | |
90266595 | Play | Sólo es querer | 00:00 Tools | |
90266596 | Play | Mariposa Incauta | 00:00 Tools | |
88590683 | Play | Zajrit | 00:00 Tools | |
90266597 | Play | De las luces en el mar | 00:00 Tools | |
83501231 | Play | Radio Music (1956) (instrumental, w/ Walter Marchetti) | 00:00 Tools | |
90266598 | Play | Tortolilla que Cantas | 00:00 Tools | |
83501232 | Play | Juan Hidalgo - Tamaran 1974 | 00:00 Tools |
Juan Hidalgo Codorniu (Las Palmas, Canary Islands, October 14, 1927 - Ayacata, Spain, February 26, 2018) was a Spanish contemporary composer. After studying piano and composition in Barcelona and Paris with Nadia Boulanger and Bruno Maderna, he participated in the XII Internationale Ferienkurse Für Neue Musik festival in Darmstadt in 1957 with his work "Ukanga", a serial-structural composition for five chamber ensembles. With this piece, Hidalgo became the first Spanish composer to take part in that festival. In 1958 Juan Hidalgo met the Darmstadt American composers John Cage and David Tudor who were crucial to his musical and career development. In 1964 he founded the ZAJ group along with Walter Marchetti, Ramón Barce, and was later joined by Esther Ferrer and the writer José Luis Castillejo. ZAJ was an exponent of Spanish neodadaism with influences of zen and Marcel Duchamp's vision of the arts. There were said to be similarities in the philosophy and aesthetics of ZAJ and that of the Japanese Gutai and American Fluxus artistic movements. In 1966 he participated alongside Gustav Metzger, Otto Muehl, Wolf Vostell, Hermann Nitsch and others in the Destruction in Art Symposium (DIAS) in London. One of his possibly most interesting collaborations with John Cage took place in 1978 when Cage and fellow composer Walter Marchetti prepared a musical ride on a train, full of microphones, monitors and sounds directed by Cage himself. The people on board would hear the train's very noises enriched by an additional mix of local music and sounds, giving an audio-portrait of each stop. Juan Hidalgo was considered one of the most creative artists of the Spanish avant-garde since the 1960s and had been active in other artistic fields such as poetry, photography, installation art, postcard art, print media, and performances, as well as participating in numerous international exhibitions and festival. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.