Juan Hidalgo

Trackimage Playbut Trackname Playbut Trackname
Music for Marcel Duchamp (1947) - instrumental 00:00 Tools
Tono Humano: Trompicavalas amor 00:00 Tools
Etude de Stage 00:00 Tools
Radio Music (1956) - instrumental 00:00 Tools
Belle haleine (duo) 00:00 Tools
Tamaran, 1974 00:00 Tools
02 Tamaran, 1974 00:00 Tools
Eau de voilette (quartetto) 00:00 Tools
L.H.O.O.Q. (sestetto) 00:00 Tools
Tamaran 00:00 Tools
Rrose Selavy 00:00 Tools
Music for Marcel Duchamp - 1947 00:00 Tools
Esperar, sentir, morir 00:00 Tools
Rrose Sélavy (Solo) 00:00 Tools
Ay que me rio de amor 00:00 Tools
Rrose Sélavy (Trio) 00:00 Tools
Rrose Sélavy (Quintetto) 00:00 Tools
Belle Haleine 00:00 Tools
Music for Amplified Toy Pianos - Music for Amplified Toy Pianos 00:00 Tools
Eau De Voilette 00:00 Tools
Parte prima 00:00 Tools
Radio Music - 1956 00:00 Tools
Parte seconda 00:00 Tools
L H O O Q 00:00 Tools
Cage: Music For Marcel Duchamp 00:00 Tools
Rrose Sèlavy (quintetto) 00:00 Tools
Sixty-two Mesostics Re Merce Cunningham - 1971 00:00 Tools
Tamaran (1974) 00:00 Tools
Rrose Sèlavy (solo) 00:00 Tools
Tamaran 1974 00:00 Tools
Rrose Sélavy 00:00 Tools
De las luces que en el mar 00:00 Tools
Rrose sèlavy (trio) 00:00 Tools
Al dichoso nacer de mi nino 00:00 Tools
Noble en Tinacria naciste (jácara) 00:00 Tools
Rrose Selavy(Trio) 00:00 Tools
A del arrebol luciente 00:00 Tools
Ay Amor, ay ausencia! 00:00 Tools
Con tanto respecto adoran 00:00 Tools
Music For Marcel Duchamp (1947) 00:00 Tools
Ja-u-la 00:00 Tools
Solo es querer 00:00 Tools
Trompicábalas amor 00:00 Tools
La noche tenebrosa 00:00 Tools
Tono Humano: Trompicávalas amor 00:00 Tools
Tono humano: Disfrazado de pastor 00:00 Tools
Ay que si 00:00 Tools
Rrose Selavy(Solo) 00:00 Tools
Offenes trio 00:00 Tools
Belle Haleine(Duo) 00:00 Tools
Ay corazón amante 00:00 Tools
Aulaga 2 00:00 Tools
Eau De Voilette(Quartetto) 00:00 Tools
J'aimerai jouer avec un piano qui aurait un grosse queue (Per pianoforte a quaranta mani) 00:00 Tools
Adversus (Homenade Electric Music) 00:00 Tools
Esperar Sentir Morir 00:00 Tools
A todos miro (recitative) 00:00 Tools
Atiende y da 00:00 Tools
L.H.O.O.Q.(Sestetto) 00:00 Tools
Peynandose Estaba Un Olmo 00:00 Tools
CIU Music quartet 00:00 Tools
Taraman 00:00 Tools
CIU Music Quartet - 1959 00:00 Tools
Rrose Selavy(Quintetto) 00:00 Tools
Tamaran (Excerpt) 00:00 Tools
Milan piano 00:00 Tools
Étude De Stage 00:00 Tools
Tamaran Pt.1 00:00 Tools
¡Ay amor, ay ausencia! 00:00 Tools
Quedito, pasito 00:00 Tools
2 Tamaran 00:00 Tools
Peynándose estaba un olmo 00:00 Tools
Rrose Selavy (Solo) 00:00 Tools
Los Celos Hacen Estrellas: La Noche Tenebrosa 00:00 Tools
¡Venid, Querubines Alados! 00:00 Tools
¡Ay, que si, ay, que no! 00:00 Tools
¡Crédito es de mi decoro! 00:00 Tools
Los Celos Hacen Estrellas: Trompicávalas Amor 00:00 Tools
Antorcha Brillante 00:00 Tools
Music for Marcel Duchamp (1947) (instrumental, w/ Walter Marchetti) 00:00 Tools
Tamaran Pt.2 00:00 Tools
De los ceños del diciembre 00:00 Tools
Etude de Stage 1961 00:00 Tools
1 Tamaran 00:00 Tools
Offenes Trio - 1959 00:00 Tools
L.H.O.O.Q. 00:00 Tools
En los floridos páramos 00:00 Tools
¿Como ha de saber Belilla? 00:00 Tools
En los floridos Paramos (In the flowery surroundings) 00:00 Tools
Ay, que me río de Amor 00:00 Tools
Tonante dios! 00:00 Tools
Luceros y flores 00:00 Tools
rrose selavy (trio) 00:00 Tools
Radio Music (1956) 00:00 Tools
Tono humano: Ay que me río de amor 00:00 Tools
El Templo de Palas: Ay, que si, ay que no (Oh yes, Oh no) 00:00 Tools
Escuchad Mi Voz 00:00 Tools
Dulce ruisenor 00:00 Tools
01. rrose selavy 00:00 Tools
Ay de mi dolor (Guerra manuscript) (trans. M. Vilas) 00:00 Tools
03. rrose selavy 00:00 Tools
Letrilla 00:00 Tools
Noble en Tinacria naciste 00:00 Tools
Kuutamo 00:00 Tools
Caurga 00:00 Tools
Belle helene (duo) 00:00 Tools
Al dichoso nacer de mi niño 00:00 Tools
Mas, ¡Ay, Piedad! 00:00 Tools
Atiénde y da 00:00 Tools
Cuydado, pastor 00:00 Tools
Music for Marcel Duchamp (1947) (instrumental) 00:00 Tools
Quien es Amor? (Guerra manuscript) (trans. M. Vilas for soprano and Spanish baroque harp) 00:00 Tools
etude de stage (1961) 00:00 Tools
05. rrose selavy 00:00 Tools
02. belle haleine 00:00 Tools
04. eau de voilette 00:00 Tools
06. l h o o q 00:00 Tools
02 Tamaran 00:00 Tools
Osmanthus Fragrans (Homenade Electric Music) 00:00 Tools
Palpiti (Latidos) 00:00 Tools
Ukanga 00:00 Tools
Paynándose estaba un olmo 00:00 Tools
¡Ay, Corazón Amante! 00:00 Tools
Cuando el Alba Aplaude Alguno 00:00 Tools
Tono humano: Ay que me rio de amor [Iberico] 00:00 Tools
Anarda Divina 00:00 Tools
Sólo es querer 00:00 Tools
Mariposa Incauta 00:00 Tools
Zajrit 00:00 Tools
De las luces en el mar 00:00 Tools
Radio Music (1956) (instrumental, w/ Walter Marchetti) 00:00 Tools
Tortolilla que Cantas 00:00 Tools
Juan Hidalgo - Tamaran 1974 00:00 Tools
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Juan Hidalgo Codorniu (Las Palmas, Canary Islands, October 14, 1927 - Ayacata, Spain, February 26, 2018) was a Spanish contemporary composer. After studying piano and composition in Barcelona and Paris with Nadia Boulanger and Bruno Maderna, he participated in the XII Internationale Ferienkurse Für Neue Musik festival in Darmstadt in 1957 with his work "Ukanga", a serial-structural composition for five chamber ensembles. With this piece, Hidalgo became the first Spanish composer to take part in that festival. In 1958 Juan Hidalgo met the Darmstadt American composers John Cage and David Tudor who were crucial to his musical and career development. In 1964 he founded the ZAJ group along with Walter Marchetti, Ramón Barce, and was later joined by Esther Ferrer and the writer José Luis Castillejo. ZAJ was an exponent of Spanish neodadaism with influences of zen and Marcel Duchamp's vision of the arts. There were said to be similarities in the philosophy and aesthetics of ZAJ and that of the Japanese Gutai and American Fluxus artistic movements. In 1966 he participated alongside Gustav Metzger, Otto Muehl, Wolf Vostell, Hermann Nitsch and others in the Destruction in Art Symposium (DIAS) in London. One of his possibly most interesting collaborations with John Cage took place in 1978 when Cage and fellow composer Walter Marchetti prepared a musical ride on a train, full of microphones, monitors and sounds directed by Cage himself. The people on board would hear the train's very noises enriched by an additional mix of local music and sounds, giving an audio-portrait of each stop. Juan Hidalgo was considered one of the most creative artists of the Spanish avant-garde since the 1960s and had been active in other artistic fields such as poetry, photography, installation art, postcard art, print media, and performances, as well as participating in numerous international exhibitions and festival. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.