Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
19169575 | Play | Clearing, Dawn, Dance | 10:15 Tools | |
57337634 | Play | City Boy | 06:17 Tools | |
19169571 | Play | A E I O U | 06:17 Tools | |
19169565 | Play | In Teaching Others We Teach Ourselves | 09:57 Tools | |
19169569 | Play | The Night Gatherers | 12:56 Tools | |
57337635 | Play | In Teaching Others We Teach Ourselves (remixed by Son Lux) | 06:17 Tools | |
19169567 | Play | Montmartre | 05:16 Tools | |
87697925 | Play | Four on the Floor | 05:16 Tools | |
19169573 | Play | Run Away | 04:17 Tools | |
19169572 | Play | Change | 13:28 Tools | |
19169566 | Play | Sing Along | 06:08 Tools | |
19169568 | Play | Escape | 14:01 Tools | |
19169570 | Play | Folk Music | 10:16 Tools | |
19169574 | Play | First Ballade | 07:47 Tools | |
89576496 | Play | In Teaching Others We Teach Ourselves (Son Lux remix) | 07:47 Tools | |
57337636 | Play | Be There | 07:47 Tools | |
87697926 | Play | Ill | 14:49 Tools | |
19169601 | Play | At the End of a Really Great Day | 14:49 Tools | |
89576497 | Play | Aeiou | 14:49 Tools | |
57337637 | Play | Boulez Is Alive | 14:49 Tools |
Judd Greenstein was born and raised in the Greenwich Village neighborhood of New York City, where he began his compositional life by writing hip hop beats as a teenager. His concert works reflect those origins, as well as his traditional piano background, combining an urban, beat-oriented sensibility with a late Romantic classical harmonic language. A passionate advocate for the indie classical community in New York, much of Judd's work is written for the virtuosic ensembles and solo performers who make up that community, and is tailored to their specific talents and abilities. Judd has attracted attention through his close collaboration with many of the best young solo musicians in New York and beyond, including violist Nadia Sirota, soprano Anne-Carolyn Bird, percussionist Samuel Solomon, violinist Colin Jacobsen, pianist Michael Mizrahi, flutist Alex Sopp, clarinetist Sara Budde, saxophonists Argeo Ascani and Brian Sacawa, and cellist/vocalist Jody Redhage. He has also received performances by and commissions from a wide array of ensembles around the country, including Present Music, the Seattle Chamber Players, the University of Texas at Austin New Music Ensemble, and the Eugene Contemporary Chamber Ensemble, as well as many prominent ensembles in New York, including Newspeak, the Da Capo Chamber Players, Tactus, the New Millennium Ensemble, the Knights, and the New York Youth Symphony. Judd's work has been heard at festivals such as the Bang on a Can Marathon (both in New York and at Mass MoCA), MATA, the Icebreaker IV Festival, the Carlsbad Music Festival, the Look & Listen Festival, and the Audio Inversions series in Austin, TX. International performances of Judd's music recently took place at the Musiekgebouw in Amsterdam, Holland, by Guitar Quartet Catch; in Rome, by the Williams College Concert Choir; at the Tel Aviv Art Museum in Tel Aviv, Israel, by the Israel Contemporary String Quartet; and in the Kyiv Music Festival in the Ukraine, by the Seattle Chamber Players. He is also the composer-in-residence for Sympho, a collaborative orchestral project conceived and directed by renowned conductor Paul Haas, who recently brought the REWIND concert to San Francisco, California, and Des Moines, Iowa. More at http://www.juddgreenstein.com/who.html Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.