Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
24065576 | Play | Curtsy | 05:53 Tools | |
24065577 | Play | Reflections | 05:39 Tools | |
24065574 | Play | Say What | 05:07 Tools | |
24065578 | Play | Arisin' | 10:09 Tools | |
24065582 | Play | Permanentity | 06:15 Tools | |
24065581 | Play | Laura | 03:28 Tools | |
24065584 | Play | Kaijee | 03:23 Tools | |
24065585 | Play | Turbospacey | 10:36 Tools | |
24065600 | Play | Naomi | 07:22 Tools | |
24065573 | Play | Lautir | 04:05 Tools | |
24065586 | Play | Someday | 00:00 Tools | |
24065580 | Play | Geo's Tune | 07:14 Tools | |
24065575 | Play | They All Laughed | 05:08 Tools | |
24065596 | Play | Bootsie | 07:08 Tools | |
24065583 | Play | Head Shakin' | 10:48 Tools | |
24065589 | Play | Mercedes | 05:03 Tools | |
24065602 | Play | Cosmos | 05:26 Tools | |
24065579 | Play | Dianna | 09:09 Tools | |
24065603 | Play | Chittlin's and Cavyah | 05:04 Tools | |
24065610 | Play | 96.5 | 04:21 Tools | |
24065630 | Play | Speak Low | 05:59 Tools | |
24065616 | Play | Tip Top | 04:50 Tools | |
61729412 | Play | Miss Ann | 09:09 Tools | |
24065620 | Play | New Time | 07:46 Tools | |
61729413 | Play | Lois Marie | 09:09 Tools | |
24065593 | Play | New Times | 07:48 Tools | |
24065594 | Play | Stone Blues | 11:45 Tools | |
24065591 | Play | Undulation | 03:46 Tools | |
24065588 | Play | Mellifluous | 07:14 Tools | |
24065597 | Play | Cornballs | 04:21 Tools | |
24065587 | Play | Blanche | 06:01 Tools | |
24065595 | Play | Smax | 05:07 Tools | |
24065601 | Play | I'll Close My Eyes | 05:21 Tools | |
24065607 | Play | Lush Life | 03:21 Tools | |
61729414 | Play | Sendai | 04:39 Tools | |
24065590 | Play | Charshee | 04:39 Tools | |
24065592 | Play | Naima | 04:55 Tools | |
24065606 | Play | Airebil | 08:05 Tools | |
24065599 | Play | Body and Soul | 09:10 Tools | |
24065608 | Play | Amy | 02:59 Tools | |
24065604 | Play | Jamaican Sunset | 00:30 Tools | |
24065598 | Play | Cousin Elma | 03:29 Tools | |
24065613 | Play | Charlotte | 06:43 Tools | |
24065605 | Play | Home | 02:40 Tools | |
24065619 | Play | Sea Train | 00:30 Tools | |
24065617 | Play | Kheil | 03:01 Tools | |
24065612 | Play | Corner Time | 06:21 Tools | |
24065609 | Play | Peas 'N' Rice | 03:10 Tools | |
24065611 | Play | 'Round About Midnight | 07:50 Tools | |
24065633 | Play | Sunny Moon for Two | 04:46 Tools | |
61729415 | Play | Premanentity | 04:46 Tools | |
24065628 | Play | Sunnymoon for Two | 04:46 Tools | |
24065621 | Play | Chasing The Sun | 03:47 Tools | |
61729416 | Play | Sister Precious | 03:47 Tools | |
61729418 | Play | Daybreak | 03:47 Tools | |
24065632 | Play | Round About Midnight | 07:50 Tools | |
24065624 | Play | Puunti | 03:38 Tools | |
24065623 | Play | Open Horizon | 04:18 Tools | |
24065627 | Play | Body and Soul [#] | 07:26 Tools | |
61729419 | Play | Coconut Bread | 06:02 Tools | |
61729417 | Play | I Close My Eyes | 03:47 Tools | |
24065635 | Play | Charsee | 04:41 Tools | |
24065615 | Play | El Hajj Malik | 05:35 Tools | |
24065618 | Play | Puddin' | 06:02 Tools | |
61729421 | Play | Eileen | 04:23 Tools | |
89693360 | Play | Head Shakin | 04:23 Tools | |
61729425 | Play | Theme | 04:41 Tools | |
24065634 | Play | Bee Pod | 07:56 Tools | |
24065614 | Play | High Noon | 04:23 Tools | |
61729422 | Play | Don't I | 04:23 Tools | |
61729423 | Play | Shortie | 04:41 Tools | |
61729420 | Play | Got My Mind Set On Freedom | 04:23 Tools | |
87867014 | Play | Clear Eyes | 06:08 Tools | |
24065622 | Play | Jawne | 06:08 Tools | |
61729424 | Play | Arising | 04:41 Tools | |
61729427 | Play | Now Is the Time | 06:08 Tools | |
87867016 | Play | 96 5 | 04:46 Tools | |
87867015 | Play | Miss Priss | 06:08 Tools | |
24065626 | Play | Sonnymoon for Two | 04:46 Tools | |
61729426 | Play | Geo.'s Tune | 06:08 Tools | |
89693361 | Play | Witch's Brew | 06:08 Tools |
Makanda Ken McIntyre (born Kenneth Arthur McIntyre; also known as Ken McIntyre) (September 7, 1931 – June 13, 2001) was an American jazz musician and composer. McIntyre was born in Boston, Massachusetts. In addition to his primary instrument, the alto saxophone, he also played flute, bass clarinet, oboe, bassoon, and many other woodwind instruments, as well as double bass, drum set, and piano. He recorded thirteen albums, one of which was released posthumously. He composed well over 400 compositions, and wrote about 200 arrangements, reflecting the culture of his Caribbean and African American roots, including blues, jazz, and calypso. His very first album entitled Stone Blues was recorded in 1960, accompanied by local Boston musicians with whom he had been rehearsing for several years. Over the course of his career, McIntyre performed or recorded with: Nat Adderley, Jaki Byard, Ron Carter, Eric Dolphy, Charlie Haden, Daoud A. Haroon, Richard Harper, David Murray, and Reggie Workman, among others, and was a member of the innovative group Beaver Harris and the 360 Degree Ensemble. After serving two years in the U.S. Army, McIntyre earned a bachelor's degree in music composition from the Boston Conservatory in 1958, with a certificate in flute performance, and a master's degree in music composition from the Boston Conservatory in 1959. He also went on to earn a doctorate (Ed.D.) in curriculum design from the University of Massachusetts Amherst in 1975. In 1971 he founded the first African American Music program in the country at the State University of New York College at Old Westbury, teaching there for 24 years.[1] He also taught at Wesleyan University (where he recorded with Richard Harper and collaborated with Daoud A. Haroon), Smith College, Central State University, and the The New School for Jazz and Contemporary Music. In the early 1990s he changed his name to Makanda Ken McIntyre. While performing in Zimbabwe, a stranger handed him a piece of paper with the word "Makanda" written on it; the word means "many skins" in the Ndebele language and "many heads" in Shona.[2] McIntyre died in New York City at the age of 70. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.