Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
82595091 | Play | Kitchen | 00:00 Tools | |
82595092 | Play | Front Door | 00:00 Tools | |
82595093 | Play | Toilet | 00:00 Tools | |
82595094 | Play | Hall | 00:00 Tools | |
82595095 | Play | living room | 00:00 Tools | |
82595096 | Play | Bedroom | 00:00 Tools | |
82595098 | Play | the way out | 00:00 Tools | |
82595099 | Play | Franco's Prayer | 00:00 Tools | |
82595100 | Play | The Lengthy Pause | 00:00 Tools | |
82595097 | Play | According to Freud | 00:00 Tools | |
82595101 | Play | Helping the Police With Their Enquiries | 00:00 Tools | |
82595103 | Play | The Raw End (Of The Tits, Bum & Challenge Deal) | 00:00 Tools | |
82595102 | Play | Boxing and Sparring (with the Third Dimension) | 00:00 Tools | |
82595108 | Play | Planning - Budgeting - Shopping | 00:00 Tools | |
82595104 | Play | The Monumental | 00:00 Tools | |
82595106 | Play | The Tuned Knife and Fork Toned Down to a Light Lunch | 00:00 Tools | |
82595107 | Play | Your Own Hair - Your Own Chance | 00:00 Tools | |
82595105 | Play | El Cada Dia Del Gente Comun | 00:00 Tools | |
82595110 | Play | Has Durability Been Sacrificed To Good Looks? | 00:00 Tools | |
82595109 | Play | The Goalkeeper's Fear Of The Piss-Up | 00:00 Tools | |
82595111 | Play | Beauty Spreads | 00:00 Tools | |
82595113 | Play | What Architects Dream Of | 00:00 Tools | |
82595112 | Play | Kiss Wiv' Venom | 00:00 Tools | |
82595114 | Play | We Dress Up Our Ideas to Make Them Seem Greater Than They Really Are | 00:00 Tools | |
82595115 | Play | Eigenwerkuss (Ich Kann Nicht Hexen) | 00:00 Tools | |
82595116 | Play | Let's Go (to the end of the party world) | 00:00 Tools | |
82595117 | Play | Let's Go | 00:00 Tools | |
82595121 | Play | the goalkeepers fear of the piss-up | 00:00 Tools | |
82595122 | Play | El Cada Dia Del Genté Comun | 00:00 Tools | |
82595139 | Play | Your Own Hair – Your Own Chance | 00:00 Tools | |
82595127 | Play | According to Freud (Bonus Track) | 00:00 Tools | |
82595126 | Play | Beauty Spreads (Bonus Track) | 00:00 Tools | |
90236359 | Play | We Dress up Our Ideas (Bonus Track) | 00:00 Tools | |
82595118 | Play | planning-budgeting-shopping | 00:00 Tools | |
82595119 | Play | the raw end | 00:00 Tools | |
82595120 | Play | Your Own Hair | 00:00 Tools | |
82595125 | Play | We Dress Up Our Ideas To Make Them Seem Better Than They Really Are | 00:00 Tools | |
82595123 | Play | Boxing And Sparring | 00:00 Tools | |
88565506 | Play | The Tuned Knife And Fork | 00:00 Tools | |
82595128 | Play | Helping The Police With... | 00:00 Tools | |
82595132 | Play | Eigenwekuss (Ich Kann Nicht Hexen) | 00:00 Tools | |
88565508 | Play | the lenghty pauze | 00:00 Tools | |
82595131 | Play | Fingertrack 217 | 00:00 Tools | |
82595136 | Play | The Lengthy's Pause | 00:00 Tools | |
88565509 | Play | Has Durability been sacrificed to good looks | 00:00 Tools | |
82595134 | Play | The Raw End (of the Tits, Bum & Callenge Deal) | 00:00 Tools | |
82595135 | Play | Your Own Hair, Your Own Chance | 00:00 Tools | |
82595138 | Play | Let's Go (to the End ot the Party World) | 00:00 Tools | |
82595137 | Play | The Lengthy Pauze | 00:00 Tools | |
90236360 | Play | El cada día del gente común | 00:00 Tools |
L. Voag (real name Jim Welton) was the bass player of post-punk, DIY group The Homosexuals. After leaving the band in 1979 he released the solo album 'The Way Out' (recorded in the downtime between Homosexuals recording sessions) which was the first of a slew of solo and collaborative releases utilising a dizzying array of pseudonyms (including Amos, Xentos Jones, Narky Brillans, Vic Serf) which were released between 1979 - 1984 on his label It's War Boys. Playing almost of the instruments himself, 'The Way Out' featured many sampled sounds and humming and buzzing. The L is meant to be the mathematical symbol for a right angle and not the letter 'L'. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.