Luboš Fišer

Trackimage Playbut Trackname Playbut Trackname
The Magic Yard 05:46 Tools
The Sermon 02:56 Tools
The Letter 01:08 Tools
Losing the Way 01:08 Tools
Talk with Grandmother 01:08 Tools
Disquiet 01:37 Tools
The Work Of Death 01:37 Tools
Dense Smoke 01:38 Tools
The Visit 02:13 Tools
Brother And Sister 01:38 Tools
Awakening 00:59 Tools
Dinner 01:09 Tools
The Punishment 01:09 Tools
Sacrifice 02:16 Tools
The Contract / The Wedding 01:49 Tools
And The Last 05:07 Tools
In Flames 01:23 Tools
The Letter 2 / Friends 01:52 Tools
Homeless 01:26 Tools
Forgiveness 00:40 Tools
Questions and Answers 00:40 Tools
Puppets 01:41 Tools
Confession 00:51 Tools
Valerie a týden divu (Main Theme Edit) 02:05 Tools
Matching Mirrors/Morgiana's Prowl 02:16 Tools
Dust To Dust 00:57 Tools
Prospective Suitor Marek 01:30 Tools
Brother and Sister (Orlic's Song) 02:05 Tools
I Don't Want Any Flowers 00:48 Tools
Viktorie's Darkest Moment 01:51 Tools
Swan Steps 02:21 Tools
The Sermon (Alternate Version) 02:05 Tools
The Cards 02:12 Tools
Disquiet (Alternate Version) 03:52 Tools
Quinine 01:11 Tools
Klara's Thirst 01:17 Tools
Message From Marek 00:50 Tools
The Letter (Alternate Version) 02:05 Tools
The Work of Death (Alternate Version) 02:05 Tools
Morgiana (Opening Titles) 02:53 Tools
Crimson Elixir 01:07 Tools
Sapphires at the Green Flute 01:29 Tools
Dust Settles 00:36 Tools
Work Of Death 01:02 Tools
Awakening (Alternate Version) 01:10 Tools
Blood Red Roses 00:36 Tools
Kucera Steps 00:36 Tools
Amoroso 01:55 Tools
Alžbeta Behind The Curtain 02:13 Tools
The Contract 01:55 Tools
Behind the Curtain 02:13 Tools
Magic Yard 05:47 Tools
Valerie a týden divů 00:30 Tools
Sermon 02:56 Tools
Letter 01:08 Tools
Visit 02:13 Tools
Punishment 01:09 Tools
Kučera Steps 02:05 Tools
The Wedding , The Contract 05:24 Tools
Friends , The Letter 2 05:24 Tools
Contract / The Wedding 01:49 Tools
Sonata for Piano No. VIII 05:24 Tools
Morgiana 03:52 Tools
Piano Sonata No. 1: I. Allegro energico 01:52 Tools
Morgiana OST 02:05 Tools
Losing The Way (Valerie And Her Week Of Wonders) 02:05 Tools
Blood Red Rose 01:10 Tools
Piano Sonata No. 1: III. Presto 01:52 Tools
Piano Sonata No. 1: II. Andante 01:52 Tools
Piano Sonata No. 4 04:20 Tools
Piano Sonata No. 8 08:45 Tools
String Quartet 10:21 Tools
The Letter 2 10:21 Tools
Meddley 01:14 Tools
Tajemstvi Hradu V Karpatech 01:10 Tools
Piano Sonata No. 5 01:10 Tools
Alzbeta Behind The Curtain 02:25 Tools
Crux for Violin, Kettle-Drums and Bells 02:25 Tools
Piano Sonata No. 3: I. Grave - Vivace 02:25 Tools
19. Homeless (OST Valerie And Her Week of Wonders) 01:10 Tools
Dotek Motýla 01:14 Tools
Requiem: Lux aeterna 01:14 Tools
Crux for Violin, Timpani and Bells 01:14 Tools
Matching Mirrors / Morgiana's Prowl 01:14 Tools
Piano Sonata No. 3: II. Adagio 01:14 Tools
Lament over the Ruined Town of Ur for solo soprano and baritone, three speakers, two mixed choruses, seven kettle-drums, bells and two conductors on Sumerian text 02:26 Tools
Morgiana OST (1972) 01:10 Tools
Klara & Viktorie 01:14 Tools
Double for Orchestra 02:26 Tools
Piano Sonata No. 7 02:26 Tools
Sonata for Chorus, Piano and Orchestra 02:26 Tools
Requiem: Libera eas II. 02:25 Tools
Requiem: Libera animas 02:38 Tools
Requiem: Libera eas 04:20 Tools
Tajemství hradu v Karpatech 02:25 Tools
Babička Autumn 01:14 Tools
Piano Sonata No. 6 "Fras" 01:14 Tools
Morgiana (Main Theme) 01:14 Tools
Requiem: Libera eas III. 03:18 Tools
Lost In The Tavern 01:14 Tools
Krtek a tranzistor (The mole and the radio) 04:20 Tools
Letter 2 / Friends 01:52 Tools
Requiem: Requiem aeternam 04:39 Tools
The Contract, The Wedding 02:25 Tools
Requiem: Requiem aeternam II. 02:26 Tools
Disquiet (Valerie And Her Week Of Wonders OST) 00:00 Tools
The Letter 2, Friends 02:26 Tools
Istanu for Speaker, Percussion and Flute 08:45 Tools
Red Ghost 04:20 Tools
Jaromil Jires - VALERIE AND HER WEEK OF WONDERS 04:20 Tools
Friends 01:52 Tools
Viktorie's Darkest Moment (Morgiana OST) 01:52 Tools
Sonata No. 1 for Piano: I. Allegro energico 08:45 Tools
I Don't Want Any Flowers & Viktorie's Darkest Moment 04:20 Tools
Sapphires at the Green Flute (CD Only) 08:45 Tools
A jdeme do prace 08:45 Tools
O-vor, nevo-lok 08:45 Tools
Chopte se ho! 08:45 Tools
Czech Christmas Carols: Gloria in excelsis Deo 02:26 Tools
Eleutherie mne rozptyluje hrou 08:45 Tools
Modlete se 02:26 Tools
Oratorium 02:26 Tools
Valerie And Her Week Of Wonders 02:26 Tools
Brother and Sister (Orlic’s Song) 01:52 Tools
Double 08:45 Tools
Istanu 08:45 Tools
Hle, jizdni garda Gdanska 08:45 Tools
Sach, velicenstvo 08:45 Tools
Kde je Eleutherie a Hromoslav? 08:45 Tools
Tango matky Ubu 08:45 Tools
Czech Christmas Carols: Z nebe posel vychází 08:45 Tools
Kristova noho, zhyneme! 08:45 Tools
Nymfa Pericoloso Sporgersi 08:45 Tools
Vivat Hromoslav! 08:45 Tools
Do diry! 08:45 Tools
Tumas - sycaku jeden 08:45 Tools
Konec tveho panovani 08:45 Tools
Adéla ještě nevečeřela 08:47 Tools
Lament Over the Ruined Town of Ur, for Soloists, Choirs & Percussion (1970) 08:45 Tools
Sonata per Leonardo for Guitar and Strings (Sonata per Leonardo per chitarra solo ed orchestra d'archi) 06:53 Tools
Sonata No. 1 for Piano: II. Andante 08:45 Tools
Deti asi nosi cap 08:45 Tools
Sonata 08:45 Tools
Laska v klaviru 08:45 Tools
Dotek Motýla (Opening) 08:45 Tools
Czech Christmas Carols: Dej Bůh štěstí 08:45 Tools
Czech Christmas Carols: Poslyšte s radostí 08:45 Tools
O, hmat take neni spatny 08:45 Tools
Zhyneme, nebot mame hlad! 08:45 Tools
Zaverecne titulky 08:45 Tools
Czech Christmas Carols: Vzhůru, bratři milí 08:45 Tools
A poklad je muj! 08:45 Tools
Czech Christmas Carols: Z trůnu otce svého 08:45 Tools
Valerie A Tisíc Divu 08:45 Tools
The Contract - The Wedding 08:45 Tools
The Letter 2 - Friends 08:45 Tools
Crux, for Violin, Timpani & Bells (1970) 08:45 Tools
Double, for Orchestra (1969) 08:45 Tools
The Magic Yard / Talk With Grandmother / The Letter 08:45 Tools
I Don't Want Any Flowers (Morgiana OST) 08:45 Tools
Sonata for Chorus, Piano & Orchestra (1981) 08:45 Tools
Istanu, for Speaker, Alto Flute & 4 Percussionists (1980) 08:45 Tools
Sonata No. 1 for Piano: III. Presto 08:45 Tools
Czech Christmas Carols: Gloria in excelsis Deo... ...Copak se to děje nového 08:45 Tools
01 08:45 Tools
Czech Christmas Carols: Nebeské výsosti 08:45 Tools
Czech Christmas Carols: Kristus, Boží syn 08:45 Tools
Czech Christmas Carols: Nastal nám den veselý 08:45 Tools
Czech Christmas Carols: Slyšeli jsme v Betlémě 08:45 Tools
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Luboš Fišer (born on September 30th 1935, died on June 22nd 1999 in Prague, Czechoslovakia), studied composition with Emil Hlobil both at the Prague Conservatory (1952-56) and at the Academy of Performing Arts (graduated 1960). His graduation work, the one-act opera Lancelot, has already featured the substance of his musical expression - it is based on a melody supporting themes, formulated often in a very lapidary way which is then developed with complex and non-traditional way of compositional thinking. The effect of his music is both simple and complex at the same time as though to be chiselled from stone. He started off from the post-romantic music tradition (two symphonies, Suite for orchestra, Sonnets to texts by Michelangelo, and other works composed at the end of the fifties), and his own opinion and style prevails in the early sixties. Key works of that period are Fifteen Prints after Durer's Apocalypse and choral Caprichos, inspired by Goya's cycle of paintings. These compositions had considerable international response. The Fifteen Prints won the first prize in a UNESCO international composer's tribune held in Paris in 1967. Both these works have a tendency towards new expressional and compositional means, in particular the use of the relaxed structure of aleatoric technique. Although that method accentuates sonic component of musical structure, Fišer maintains his own approach. The key melodic theme, its repetition and transformation, continues to be the backbone of his works. Since the early seventies the author has returned to exact musical notation of his ideas which provides his music with a seal of definitivenes. His style has developed to a brilliant perfection. Fišer has achieved maximum concentration within his his musical form which remains always very compact and condensed. The effect of his music is not onlz in distinctly shaped thematic material, but also in contrast. The author likes to concentrate a number of clean-cut contrasts on a small space. This principle is best apparent in Fišer's one-movement sonatas. The horizon of Fišer's intellectual world, as reflected in his compositions, is extensive. It is delineated by broad borders of his cultural knowledge and interests. The composer prefered to reach back to old monuments of culture such as Summerian texts (Lament Over the Destruction of the Town of Ur, Istanu), he found inspiration in the Middle Ages (Songs for the Blind King John of Luxemburg), Renaissance (The Rose), great works of old art (Durer, Goya), great thinkers (Galileo, Einstein). Naturally he understood the excursions into the past only in relation with the present. To look back is not an escape for him, but confrontation with the eternal principles of life. His compositions have often both the mood of celebration, and warning as well. This makes his music very attractive and impressive. It is no coincidence that many works by Fišer were premiered at important concert halls abroad (Salzburg: Serenades for Salzburg, Songs for the Blind King John of Luxemburg; Munich: some chamber works, e.g. Istanu; New York: Report, etc.). Fišer's contribution to contemporary musical culture is considerable, his compositions often grasp the dynamic lifestyle of our modern era which he managed to express in a lapidary form of almost atomic energy. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.