Trackimage | Playbut | Trackname | Playbut | Trackname |
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22986290 | Play | Something More Than This | 05:42 Tools | |
22986291 | Play | The Rain Comes Down | 03:28 Tools | |
22986292 | Play | Megan G. | 03:03 Tools | |
22986301 | Play | Conversation | 07:09 Tools | |
22986295 | Play | No Limit | 04:25 Tools | |
22986294 | Play | New Communication | 10:27 Tools | |
22986306 | Play | Paradigm Shift | 06:08 Tools | |
22986293 | Play | Future Secret Societies | 00:59 Tools | |
22986312 | Play | Horizon | 03:31 Tools | |
22986315 | Play | Singular Joy | 03:11 Tools | |
22986307 | Play | Enlightenment | 04:33 Tools | |
22986318 | Play | Patterns | 16:19 Tools | |
22986303 | Play | Dirt & Disease | 02:54 Tools | |
22986299 | Play | Song Of Friends | 03:04 Tools | |
22986304 | Play | Bestiary | 03:49 Tools | |
60656531 | Play | The Reunion Concert | 03:49 Tools | |
22986326 | Play | Mind's Little Infinite | 09:54 Tools | |
22986296 | Play | All Gonna Go | 02:50 Tools | |
22986308 | Play | Vivian Line | 05:13 Tools | |
22986310 | Play | Independence Day | 03:41 Tools | |
22986297 | Play | Solitude | 04:29 Tools | |
22986333 | Play | Lady Divine | 03:15 Tools | |
22986305 | Play | Lost At Home | 06:52 Tools | |
22986298 | Play | The Other Side | 01:08 Tools | |
22986317 | Play | Dance To The Sky | 05:49 Tools | |
22986311 | Play | Yestergest | 03:41 Tools | |
22986328 | Play | One Last Crush | 04:00 Tools | |
22986309 | Play | Lollipop Virgin | 05:22 Tools | |
22986314 | Play | Maudlin You Liar | 04:08 Tools | |
22986302 | Play | Spinning | 09:44 Tools | |
22986319 | Play | Dear Old Mr. Hand | 03:31 Tools | |
22986316 | Play | Networking | 03:07 Tools | |
22986331 | Play | Imperfections | 03:07 Tools | |
22986313 | Play | Leather | 04:02 Tools | |
22986300 | Play | Walking With George | 02:44 Tools | |
60656532 | Play | Looks Like Jennifer | 02:44 Tools | |
60656535 | Play | Turn Signal in the Trees | 02:44 Tools | |
60656533 | Play | Sinner's Lament | 02:44 Tools | |
60656534 | Play | Made of the Time | 02:44 Tools | |
60656536 | Play | Knife Thrower | 02:44 Tools | |
60656537 | Play | Theme from "Night Sweats" | 02:44 Tools | |
60656538 | Play | Wells Had It Right | 02:44 Tools | |
60656539 | Play | False Voices | 02:44 Tools | |
60656540 | Play | Dreaming Interlude | 02:44 Tools | |
60656541 | Play | Boombox Fanfare | 02:44 Tools | |
60656542 | Play | Days | 02:44 Tools | |
60656543 | Play | Vanishing Phase | 02:44 Tools | |
60656544 | Play | Hours Epilogue | 02:44 Tools |
Mystics Anonymous is the name of singer/songwriter Jeff Steblea's musical project, best defined as eclectic independent rock. "With Mystics," says Steblea, "the whole point was to establish a project where nothing is off-limits." From rootsy acoustic material with jazz elements to harder alternative rock to more experimental, ambient, and score music, Mystics Anonymous has been defined by its fierce independence and adventurous eclecticism. http://mysticsanonymous.com/ While Mystics Anonymous draws from an impressive range of influences, Jeff's distinctive voice and songwriting skill are the glue that holds Mystics together and keeps its sound unique. Jeff's expressive, award-winning baritone and impressive vocal range have drawn comparisons to singers such as David Bowie, Jim Morrison, Nick Cave, and Mike Patton. Jeff Steblea, former lead singer for alternative band Go Figure, began the Mystics project in 1995 as a way to focus on artistic freedom and break free of the constraints of popular music expectations. Jeff recorded the eponymous debut Mystics Anonymous CD while traveling the United States, and he enlisted many talented friends to perform on the CD. The CD focused on a '70s-inspired rootsy alternative sound with poetic, confessional lyrics, and has been compared to artists such as Wilco, early R.E.M., and the Dave Matthews Band. The CD was released in October of 1998 and garnered radio airplay in the United States and abroad. After the release of the CD, Jeff spent several months assembling and rehearsing with a live band to tour behind the release. Unfortunately, the band lineup never became stable, and Jeff was rethinking his approach when he was asked to contribute original score to some independent film and television projects. In order to record his original scores, Jeff began the slow process of building his Gondwanaland studio. During this period, he decided to abandon any plans of forming a live band and instead focus on Mystics Anonymous as a recording project. Jeff released a limited edition mail-order CD of seven new songs, The Brutality of Beauty, in the summer of 2003. The first Mystics CD consisting of Gondwanaland material, it showed a move toward lo-fi experimentation and greater eclecticism from the now-restless songwriter. During this time, Jeff also composed and recorded an instrumental score, Middle Distance, for the 2003 art exhibition Of the Earth at Artworks Gallery in Connecticut. The installation focused on the American southwest, and the Mystics Anonymous score offered an intoxicating blend of sound manipulation, drumming/percussion, and groove rhythms evocative of the southwestern landscape. A CD of the score was released in October 2003, and showed marked growth in studio experimentation. Mystics Anonymous quietly released its most recent full-length, Winsted in the Space Room, in 2004. The CD features 14 original songs that are simultaneously experimental and accessible. Myriad musical styles are represented in the release, and its lo-fi studio experimentation steeps the compositions in a pleasing indie aesthetic reminiscent of artists such as Guided by Voices, Sebadoh, and The Minders. In addition to Mystics Anonymous, Jeff continues to play in other outfits in the western Massachusetts music scene, most notably as a member of Fiesta Brava. Occasionally, one can find Jeff playing a show as Mystics Anonymous with talented collaborators. After a few years focusing on other projects, he has begun work on the next Mystics Anonymous release, tentatively titled Dreaming For Hours and scheduled for a 2013 release. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.