Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
29872620 | Play | Raga Durga: Tana Derena Dere Dere - tarana, drut Tintal | 04:21 Tools | |
29872627 | Play | Raga Bihag: Kaise Sukha Sove - khyal, vilambit Ektal | 20:43 Tools | |
29872639 | Play | Raga Bhoop | 16:20 Tools | |
29872628 | Play | Raga Basant: Derna Derna Tana Dere Na - tarana, drut Tintal | 05:58 Tools | |
29872632 | Play | Raga Basant: Phagavaa Brija Dekhana Ko - khyal, drut Tintal | 09:36 Tools | |
29872631 | Play | Raga Durga: Sahki Mori Ramajhuma - khyal, madhyalaya Jhaptal | 12:46 Tools | |
29872634 | Play | Raga Nawakauns | 12:14 Tools | |
29872625 | Play | Raga Kedar Khayal (Vocal) | 15:21 Tools | |
29872623 | Play | Raga Gaud Sarang (Vocal) | 14:53 Tools | |
29872626 | Play | Raga Jaunpuri (Vocal) | 30:03 Tools | |
29872622 | Play | Raga Hamir (Vocal) | 15:10 Tools | |
29872629 | Play | Raga Bhairavi (Vocal) | 15:13 Tools | |
29872624 | Play | Raga Adana | 11:48 Tools | |
68518509 | Play | Raga Lalit | 15:13 Tools | |
68518510 | Play | Raga Des | 11:48 Tools | |
29872621 | Play | Raga Shuddh Kalyan (Vocal) | 28:58 Tools | |
29872643 | Play | Raga Bihag: Re Moraa Re - khyal, drut Tintal | 06:46 Tools | |
29872642 | Play | Dadra: Koyaliyaa Mata Kar Pukaara | 12:33 Tools | |
29872630 | Play | Raga Gaud Sarang | 14:53 Tools | |
68518520 | Play | Raga Kedar - Raga Kedar - Jhap Taal | 28:58 Tools | |
29872635 | Play | Raga Kedar | 15:21 Tools | |
77238612 | Play | Raga Durga: Tana Derena Dere Dere | 28:58 Tools | |
68518511 | Play | Raga Jaunpuri | 15:21 Tools | |
68518512 | Play | Raga Hamir | 15:21 Tools | |
29872633 | Play | Raga Shuddh Kalyan | 28:58 Tools | |
68518513 | Play | Gaud Sarang | 15:21 Tools | |
68518516 | Play | Bhairavi | 28:58 Tools | |
68518514 | Play | Kedar | 15:21 Tools | |
68518515 | Play | Raga Bhairavi | 28:58 Tools | |
68518517 | Play | Jaunpuri | 28:58 Tools | |
68518518 | Play | Hamir | 28:58 Tools | |
68518519 | Play | Shuddh Kalyan | 28:58 Tools | |
68518521 | Play | Raga Desh | 28:58 Tools | |
88005579 | Play | Aum Pam Padmavatyayi Mantra | 28:58 Tools | |
89787419 | Play | Raga Bihag: Re Moraa Re | 28:58 Tools | |
88005580 | Play | Dadra - Koyaliyaa Mata Kar Pukaara | 28:58 Tools |
Padma Talwalkar has acquired training in Khayal Gayaki in three main styles or Gharanas, Gwalior, Kirana and Jaipur. Today she leads a new generation of vocalists in an era when the distinction between Gharanas is not as marked as in earlier years because of an environment that fosters the cross-fertilization of ideas from different Gharanas. Her music represents a unique blend of the best of various Gharanas, embellished with her own touch. Padma Talwalkar was initiated into Hindustani classical music by Pandit Gangadhar Pimpalkhare, followed by some years of careful training with Moghubai Kurdikar, the celebrated doyen of the Jaipur Gharana. During this period, Moghubai's illustrious daughter, Kishori Amonkar, contributed in no small measure toward Padma Talwalkar's artistic development. Then came years of guidance and learning under the guidance of Pandit Gajananrao Joshi, an acknowledged master of the Agra, Jaipur and Gwalior gharanas. In the course of shaping her early musical career, Padma Talwalkar has been a recipient of two prestigious honors. One, a five year scholarship from the Bhulabhai Memorial Trust and the other, a two year fellowship from the National Center for the Performing Arts, issued in memory of the late Kesarbai Kerkar. As a performing artist, Padma is well known all over India and her tours abroad have brought her recognition as one of the premier female vocalists of India. She has recorded several CDs. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.