Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
84546934 | Play | L'ivresse de la vitesse | 00:00 Tools | |
84546935 | Play | dancing on the walls of jericho | 00:00 Tools | |
84546936 | Play | Veils (excerpt) | 00:00 Tools | |
84546937 | Play | Beyond the walls of Jericho | 00:00 Tools | |
84546939 | Play | Below the Walls of Jericho | 00:00 Tools | |
84546938 | Play | Revenge of the Repressed. Resonance #2 | 00:00 Tools | |
84546940 | Play | Physics of Seduction. Invocation #3 | 00:00 Tools | |
84546941 | Play | Physics of Seduction. Invocation #1 | 00:00 Tools | |
84546942 | Play | Physics of Seduction. Invocation #2 | 00:00 Tools | |
84546943 | Play | Veils: Introduction | 00:00 Tools | |
84546944 | Play | In a Bed Where the Moon Was Sweating. Resonance #1 | 00:00 Tools | |
84546945 | Play | In the Natural Doorway I Crouch | 00:00 Tools | |
84546946 | Play | Caught in an Octagon of Unaccustomed Light | 00:00 Tools | |
84546949 | Play | Section B | 00:00 Tools | |
84546948 | Play | Section A | 00:00 Tools | |
84546951 | Play | In A Bed Where The Moon Was Sweating Resonance No. | 00:00 Tools | |
84546947 | Play | Revenge Of The Repressed - Resonance #2 | 00:00 Tools | |
84546950 | Play | Who Has the Biggest Noise? | 00:00 Tools | |
84546952 | Play | The Melting Voice Through Mazes Running | 00:00 Tools | |
84546954 | Play | Who Has the Dreamiest Melodies? | 00:00 Tools | |
84546955 | Play | Who Has the Nicest Melodies? | 00:00 Tools | |
84546953 | Play | Veils: Section A | 00:00 Tools | |
84546956 | Play | Veils: Section B | 00:00 Tools | |
84546959 | Play | Who Has the Biggest Sound?: The Village Choir Asks the Important Questions of the Day | 00:00 Tools | |
84546966 | Play | Who Has the Biggest Sound?: The Village Wind Orchestra: The Answer Is Blowing in the Winds | 00:00 Tools | |
84546960 | Play | The Un-tempered Orchestra: Orchestra 4 | 00:00 Tools | |
84546958 | Play | Physics of seduction, invocation #3 | 00:00 Tools | |
84546967 | Play | Who Has the Biggest Sound?: The Village Orchestra Poses the Main themes of this Musical Quest | 00:00 Tools | |
84546957 | Play | Veils - Section A | 00:00 Tools | |
84546961 | Play | The Un-tempered Orchestra: Orchestra 2 | 00:00 Tools | |
84546962 | Play | The Un-tempered Orchestra: Orchestra 1 | 00:00 Tools | |
84546963 | Play | The Un-tempered Orchestra: Orchestra 5 | 00:00 Tools | |
84546964 | Play | The Un-tempered Orchestra: Orchestra 3 | 00:00 Tools | |
84546965 | Play | The Un-tempered Orchestra: Orchestra 6 | 00:00 Tools | |
84546970 | Play | The Village Wind Orchestra: The Answer Is Blowing in the Winds | 00:00 Tools | |
84546975 | Play | Who Has the Biggest Sound?: Who Can Play the Fastest? | 00:00 Tools | |
84546971 | Play | The Village Orchestra Poses the Main themes of this Musical Quest | 00:00 Tools | |
84546973 | Play | The Village Choir Asks the Important Questions of the Day | 00:00 Tools | |
84546968 | Play | Veils - Section B | 00:00 Tools | |
84546969 | Play | Veils | 00:00 Tools | |
84546980 | Play | Who Has the Biggest Sound?: The Saddle Song | 00:00 Tools | |
84546982 | Play | Who Has the Biggest Sound?: To Play or Not to Play? | 00:00 Tools | |
84546977 | Play | The Saddle Song | 00:00 Tools | |
84546976 | Play | To Play or Not to Play? | 00:00 Tools | |
84546974 | Play | Veils - Introduction | 00:00 Tools | |
84546972 | Play | Physics of seduction, invocation #2 | 00:00 Tools | |
84546979 | Play | Who Can Play the Fastest? | 00:00 Tools | |
84546986 | Play | Who Has the Biggest Sound?: My Hound Is Out of Harmony | 00:00 Tools | |
84546985 | Play | Who Has the Biggest Sound?: Who can talk faster: Crickets or Man? | 00:00 Tools | |
84546978 | Play | Caught In An Octagon Of Unaccustomed Light (1987-88) | 00:00 Tools | |
84546981 | Play | L' Ivresse de la Vitesse | 00:00 Tools | |
84546990 | Play | Who Has the Biggest Sound?: The Village Orchestra: Tonic Tango | 00:00 Tools | |
84546983 | Play | Physics of seduction, invocation #1 | 00:00 Tools | |
84546989 | Play | The Village Orchestra: Tonic Tango | 00:00 Tools | |
84546984 | Play | Who Has the Biggest Sound? : My Hound Is Out of Harmony | 00:00 Tools | |
88628224 | Play | Marsyas’ Melodies | 00:00 Tools | |
84546992 | Play | Who Has the Biggest Sound?: The Village Wind Orchestra: More Blowing in the Wind | 00:00 Tools | |
84546997 | Play | Who Has the Biggest Sound?: The Village Percussion Orchestra: Cha-Cha | 00:00 Tools | |
84546987 | Play | In The Natural Doorway I Crouch (1986-87) | 00:00 Tools | |
84546988 | Play | Veils [Excerpt] | 00:00 Tools | |
84546991 | Play | Who can talk faster: Crickets or Man? | 00:00 Tools | |
84546993 | Play | More Unanswered Questions | 00:00 Tools | |
84546994 | Play | The Village Percussion Orchestra: Cha-Cha | 00:00 Tools | |
84546995 | Play | The Village Wind Orchestra: More Blowing in the Wind | 00:00 Tools | |
84546999 | Play | Who Has the Biggest Sound?: More Unanswered Questions | 00:00 Tools | |
88628225 | Play | Shango’s Funkiness | 00:00 Tools | |
84546996 | Play | The Melting Voice Through Mazes Runing | 00:00 Tools | |
88628227 | Play | Entr’acte | 00:00 Tools | |
88628226 | Play | Air of The Rainbow Robe and Feathered Skirt | 00:00 Tools | |
84547000 | Play | Saught In An Octogon Of Unaccustomed Light | 00:00 Tools | |
84546998 | Play | Physics Of Seduction - Invocation #3 | 00:00 Tools | |
84547001 | Play | The Vertigo of Ritualized Frenzy. Resonance #4 | 00:00 Tools | |
88628228 | Play | The Cosmic Circle Dance | 00:00 Tools | |
88628229 | Play | BeBop Baghdad | 00:00 Tools | |
84547004 | Play | Gravity's Stillness. Resonance #6 | 00:00 Tools | |
84547002 | Play | Physics of Seduction: Invocation #3 | 00:00 Tools | |
84547003 | Play | Section A (Part 9) | 00:00 Tools | |
88628230 | Play | Show Tunes in Samarian Starlight | 00:00 Tools | |
84547005 | Play | Dancing Of The Walls Of Jericho | 00:00 Tools | |
84547006 | Play | Gravity's Stillness, Resonance #6 | 00:00 Tools | |
84547007 | Play | The Vertigo Of Ritualized Frenzy, Resonance #4 | 00:00 Tools | |
84547008 | Play | Caught In An Octagon Of Unnaccustomed Light | 00:00 Tools | |
84547009 | Play | Dancing on the walls of Jerich | 00:00 Tools | |
84547010 | Play | Physics of seduction, invocati | 00:00 Tools | |
84547018 | Play | Gravity's Stillness - Resonance #6 | 00:00 Tools | |
84547011 | Play | Physics Of Seduction - Invocation #2 | 00:00 Tools | |
84547012 | Play | The Heart Tears Itself Apart with the Power of Its Own Muscle, Resonance #3 | 00:00 Tools | |
88628231 | Play | My Hound Is Out of Harmony | 00:00 Tools | |
84547013 | Play | Gravity's Stillness. Resonance #6 (1996) | 00:00 Tools | |
84547014 | Play | Twilight's Ritual Incantations | 00:00 Tools | |
90310906 | Play | The Vertigo of Ritualized Frenzy. Resonance no.4 | 00:00 Tools | |
90310907 | Play | Gravity's Stillness. Resonance no.6 | 00:00 Tools | |
84547015 | Play | -veils (excerpt) | 00:00 Tools | |
84547016 | Play | The Gravity Of Silence, Resonance #5 | 00:00 Tools | |
84547017 | Play | The Vertigo Of Ritualized Frenzy. Resonance #4 (1996) | 00:00 Tools | |
90310908 | Play | Veils: Intro | 00:00 Tools | |
84547019 | Play | The Gravity of Silence. Resonance #5 | 00:00 Tools | |
84547020 | Play | Revenge of the repressed, reso | 00:00 Tools | |
84547021 | Play | Entropic Twilights--Twilight's Nomadic Desire Pt1 | 00:00 Tools |
Paul Dolden begins his career at age 16 as a professional electric guitarist, violinist and cellist. Excited by the possibilities offered by recording technologies, Paul Dolden turns to contemporary modes of production and dissemination in the creation of his music. At age 29, he wins the first of a string of European awards that establish him as a composer. Now the winner of over twenty international awards, Paul Dolden’s music is performed in Europe and North America to wildly enthusiastic audiences. In a career spanning over twenty five years, Paul Dolden has perfected his unique approach to audio technology, using it as a platform from which to launch or capture otherwise impossible musical performances. In this way, he makes his computer behave like a new, virtual orchestra and manipulates it with as much sensitivity as he would a traditional one. His compositions are characterised by a maximalist aesthetic in which hundreds of digitally recorded instrumental and vocal performances are combined in multiple layers. Paul Dolden’s music has been described as the “missing link” between jazz and rock and the high-brow concert tradition. Critics have called it “music for the information age, enlisting noise, complexity and beauty in its quest for excess,” and characterised it as “apocalyptic hyper-modernism.” The early works employ a unified approach to timbral and harmonic variation. Under the influence of post-modernism, Paul Dolden’s concerns have shifted to include the juxtaposition and superimposition of disparate musical styles evident throughout the Resonance Cycle of works (1992-96). Always working to surpass himself, with the Twilight Cycle of recent years Paul Dolden boldly investigates the forbidden fruit of contemporary new music—melody and dance rhythms. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.