Postdata

Trackimage Playbut Trackname Playbut Trackname
Tobias Grey 00:00 Tools
The Coroner 00:00 Tools
In Chemicals 00:00 Tools
Lazarus 00:00 Tools
Warning 00:00 Tools
Paranoid Clusters 00:00 Tools
Tracers 00:00 Tools
Drift 00:00 Tools
Eclipse 00:00 Tools
Black Cloud 00:00 Tools
Evil 00:00 Tools
Wilderness 00:00 Tools
Gravity 00:00 Tools
Erase Your Heart 00:00 Tools
Pasture 00:00 Tools
Ithaca 00:00 Tools
Cling to Me 00:00 Tools
Fields and Valleys 00:00 Tools
Window 00:00 Tools
Ingrato amor 00:00 Tools
Blood Black 00:00 Tools
Ven Que Me Matas 00:00 Tools
Easter 00:00 Tools
Viva El Amor Viva La Paz 00:00 Tools
River Run 00:00 Tools
Blood Black (Bonus Track) 00:00 Tools
Warning (Explicit) 00:00 Tools
Viva El Amor, Viva La Paz 00:00 Tools
Postdata 00:00 Tools
Puntos Suspensivos 00:00 Tools
Hoy 00:00 Tools
10 años despues 00:00 Tools
Antes de Caer 00:00 Tools
Lloviendo 00:00 Tools
Suma de Dos 00:00 Tools
Una vida en la estación 00:00 Tools
Punch 00:00 Tools
De vos 00:00 Tools
Post Data 00:00 Tools
Fantasma 00:00 Tools
Todo lo que quieras 00:00 Tools
El Hijo Del Arreglador De Paraguas 00:00 Tools
Eso 00:00 Tools
El Ciruja 00:00 Tools
Renacer 00:00 Tools
No Estás 00:00 Tools
Un Cambio De Estacion 00:00 Tools
Yo, Mi Muerte y el Dia Que Te Conoci 00:00 Tools
Tu Razón 00:00 Tools
Buenos Aires un tango 00:00 Tools
Choco Choco 00:00 Tools
Blood Bank 00:00 Tools
Después del silencio 00:00 Tools
Viva el Amor, Viva la Paz [*] 00:00 Tools
Ven Que Me Matas Post Data 00:00 Tools
Buenos Aires, Un tango 00:00 Tools
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Postdata is the solo project of Paul Murphy of Wintersleep. Info from his website: These are my grandparents. They passed away two years ago and left me thirty or forty pieces of songs in a series of dreams, not Coleridge-esque opium dreams though unfortunately, just regular dreams. Kinda sad dreams. This is for them. This is their daughter, my mother. I call her mom though, not mother. This is for her. This is my father. Sometimes he feels left out. This is for you too dad. This is my stomach. This is me. I started working on this record a couple of years ago at my parents' house in Yarmouth, Nova Scotia with my brother Michael. This is Michael. We had a little too much time on our hands. Some scotch too. We wanted to make a present for mom. She'd had a tough year. With little preparation (a laptop, no microphones, click tracks, or even tuners come to think of it), we recorded about 12 ideas and we went our separate ways. Eight months later we found a free weekend in Halifax and tried the same thing, reworking a cluster of songs from the first session and adding four extra songs to the workload. We used the same laptop, but this time we rented actual, real microphones and we used click tracks for a few songs and tuners for the most part. We think. Maybe a little less scotch this time around. Some of the songs turned out to be fuller and more mature after a second take, better than expected. Other songs maybe didn't quite hit the mark. But the recording as a whole, the half-finished, early conception somewhat fragmented material, seems to do something quite nice. Hope you like it. These are the words of Paul Murphy. You may know him from Wintersleep and you may feel drawn to the haunted melodies of Postdata as you are drawn to the puzzling pieces of your own dreams. With questions like “Are you in outer space” and musings about “fallen stars in the big black belly of the Universe” Postdata floats above the terra firma where “expired antibiotics” and “empty spray cans” inhabit the planet. From this vantage point of dream flight an otherworldly vision of what ties us to our own gravity emerges. In Chemicals asks if we can be “disinfected” and “resurrected”, Tracers is “ten thousand pages in the wind”, “trading eyes for rocks and sand”, and Tobias Grey is “post it notes randomly placed”. Drift talks about names written in the concrete that were “meant to be read” and just as the waking world starts to creep back in The Coroner seems to want the listener to stay safe in reverie as the words “lie down with me” repeat. Sometimes we have to close our eyes to see. Times like these. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.