Raksha Mancham

Trackimage Playbut Trackname Playbut Trackname
In a Sacred Manner We Live 00:00 Tools
Crying to the Spirits 00:00 Tools
Before The White Men Came 00:00 Tools
Fight 00:00 Tools
Aborigenee 00:00 Tools
Nymphs of the Desert 00:00 Tools
Mahabad 00:00 Tools
Bedun 00:00 Tools
Tribal War (Armenian Nightmare) 00:00 Tools
The Last Days Of Khay Wangdi 00:00 Tools
Abd er Rahman 00:00 Tools
In the Land of the War Canoes 00:00 Tools
In the Land of the Head Hunters 00:00 Tools
The Undying Flame 00:00 Tools
Reguibat Illa Tinduf (Exile) 00:00 Tools
Konya Dans 00:00 Tools
Portrait In Black (To The Very End Of Dead Oceans) (Extract) 00:00 Tools
Waiting for Someone Who's Already Gone Away (Bön version) 00:00 Tools
Danakil 00:00 Tools
Nostalgia 00:00 Tools
Karma (Aphrodite & Lung-Ta) 00:00 Tools
Chams 00:00 Tools
Hâmilu Al-Hawa 00:00 Tools
Ouled-Naïl (Initiation To Seduction) 00:00 Tools
Ngenko 00:00 Tools
Fiddayyin 00:00 Tools
The Prisoner (Geshe Lobsang Wangchuk) 00:00 Tools
Kepulauan (Timor & Papua) 00:00 Tools
The Way To The Abyss 00:00 Tools
Chu-Shi Khang-Druk 00:00 Tools
Arabiya Fahrana 00:00 Tools
Al-Khawf 00:00 Tools
Kepulauan (Chakmas) 00:00 Tools
Al-Shams Damaha Al-Qabr 00:00 Tools
Peshmerga 00:00 Tools
Raqasât Al-Hisâd 00:00 Tools
Portrait in Black 00:00 Tools
Wounded Knee (28.12.1890) 00:00 Tools
Durdag (Gyaltsen) 00:00 Tools
Fight (Deir Yasin - The Rape Of Palestin) 00:00 Tools
Jâriya Fil Ashâr 00:00 Tools
The Last Human - The Last Indian 00:00 Tools
Tchin-Tabaraden - The Valley Of The Beautifull Girls 00:00 Tools
Qabail Zawaj 00:00 Tools
The Pornography Of Despair...Red Star Over Tibet 00:00 Tools
Funeral Orations 00:00 Tools
The Pornography Of Despair... Red Star Over Tibet 00:00 Tools
Tubu Ghzali Illa Bardai 00:00 Tools
Asleep Behind The Death 00:00 Tools
Kalimât Li Samra Al-Ûla 00:00 Tools
Nostalghia 04:09 Tools
The Last Indian 00:00 Tools
Wounded Knee 00:00 Tools
The Prisoner 00:00 Tools
Armenian Nightmare (Tribal War) 00:00 Tools
Armenian Nightmare 00:00 Tools
Kalimat Li Samra Al-Ula 00:00 Tools
Sturm Und Drang 00:00 Tools
The Vanishing Race/Survival/Perenniality 00:00 Tools
kepulauan 00:00 Tools
The Prisoner (Benjamin Moloise) 00:00 Tools
Dakn 00:00 Tools
Bardo Thödol 00:00 Tools
Dakne 00:00 Tools
The Vanishing Race / Survival / Perenniality 00:00 Tools
Cafe Sonja 00:00 Tools
Mortified Prayers 00:00 Tools
Shouts Of Funerals II 00:00 Tools
Culturcide (Initial Part) 00:00 Tools
Humla.Ting dKar 00:00 Tools
dakné 00:00 Tools
Untitled 00:00 Tools
Shouts Of Funerals III 00:00 Tools
Kurdistan 00:00 Tools
Ritual 00:00 Tools
The Bottom Of Oblivion 00:00 Tools
Shaman 00:00 Tools
Waiting for Someone Who's Already Gone Away 00:00 Tools
Selbstmord 00:00 Tools
Gyaltsen 00:00 Tools
Kirghiz In THe Wakhan 00:00 Tools
Nuba 00:00 Tools
Combat Of Faith 00:00 Tools
Untitled 03 00:00 Tools
Thoughts (To Drolma And Tara) 00:00 Tools
Culturicide 00:00 Tools
Untitled 02 00:00 Tools
Bedun (Madaen Saleh Version) 00:00 Tools
Untitled 01 00:00 Tools
Untitled 04 00:00 Tools
qabaïl zawaj 00:00 Tools
The Way Of The Abyss 00:00 Tools
Fetish 00:00 Tools
Untitled 06 00:00 Tools
Untitled 07 00:00 Tools
Untitled 05 00:00 Tools
Tasaday 00:00 Tools
tubu ghzali illa bardaï 00:00 Tools
The Sacrifice 00:00 Tools
Tribal War 00:00 Tools
Culturcide (Final Part) 00:00 Tools
Savage Noise 00:00 Tools
Lost Horizons 00:00 Tools
Asleep Behind The Dead 00:00 Tools
Emotion Of Life 00:00 Tools
The Lion Of Panjshir 00:41 Tools
Erythrea 00:00 Tools
Untitled 10 00:00 Tools
Untitled 09 00:00 Tools
Tchin-Tabaraden - The Valley Of The Beautiful Girls 00:00 Tools
The Last Human / The Last Indian 00:00 Tools
Death Tribe 00:00 Tools
Cry Before The Death 00:00 Tools
Untitled 12 00:00 Tools
Untitled 11 00:00 Tools
Untitled 08 00:00 Tools
The Way Of Dead Indians 00:00 Tools
Chu-Shi Khang-Druk (Part I) 00:00 Tools
ouled-nail 00:00 Tools
Dances Of The Harvest 00:00 Tools
Chu-Shi Khang-Druk (Part II) 00:00 Tools
hulma.ting dkar 00:00 Tools
Karma (Aphrodite And Lungta) 00:00 Tools
Dead Indians Part II 00:00 Tools
The Pornography of Despair... 00:00 Tools
Ngweko 00:00 Tools
The Vanishing Race 00:00 Tools
Ouled-Naïl 00:00 Tools
Fight (Deir Yasin - The Rape Of Palestine) 00:00 Tools
Hulma. Ting Dkar 00:00 Tools
Chu-Shi Khang-Druk (1) 00:00 Tools
Kalimat Li Samra Al Ula 00:00 Tools
Chu-Shi Khang-Druk (2) 00:00 Tools
Karma (Aphrodite) 00:00 Tools
The Vanishing Race ... survival ... perenniality 00:00 Tools
Portrait in Black (To The Very End Of Dead Oceans) 00:00 Tools
qabaďl zawaj 00:00 Tools
Kalimât Li Samra Al-Űla 00:00 Tools
Before The White Men Came (Live Version) 00:00 Tools
tubu ghzali illa bardaď 00:00 Tools
Waiting for Someone Who's Already Gone Away (Bцn version) 00:00 Tools
Red Star Over Tibet 00:00 Tools
Shouts Of Funerals I 00:00 Tools
Hвmilu Al-Hawa 00:00 Tools
Kalimвt Li Samra Al-Ыla 00:00 Tools
Dead Indians Part I 00:00 Tools
Arabiya Fabrana 00:00 Tools
Ouled-Na L 00:00 Tools
Humla ting dkar 00:00 Tools
Jвriya Fil Ashвr 00:00 Tools
Before The White Men Came (Live) 00:00 Tools
Qaba L Zawaj 00:00 Tools
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Raksha Mancham is a musical project of Eric Fabry (see also 1 200 000 Dead Tibetans, Bardo Thödöl, Yarin Son Gündür) from Belgium influenced by the music of indigenous peoples worldwide, and whose music is played on native instruments from Tibet, Egypt, Brazil, Morocco, Mali, Nepal and the Cameroon, along with many other acoustic percussion, wind and string instruments. RAKSHA MANCHAM (The Dance Of The Judgement Of The Dead) is an old Tibetan Buddhist ceremony of dance. It describes what happens after death, the importance of 'good' and 'bad' acts, and the judgement of the dead men, as an answer for what they did in their lives. In that way, RAKSHA MANCHAM denounces human beings, social groups, communities, people, nations, humanity and especially inhumanity... for what they did: 'bad' or 'wrong'. RAKSHA MANCHAM's approach is political. It intends to make people think by themselves presenting the side effects of the industrial society and the criticizable facts in human history. No-one is protected as too many things are an object of judgement: genocides, ethnocides or culturcides *; torture, xenophobia, racism, political imprisonment, environmental destruction.. The music of RAKSHA MANCHAM is violent, aggressive. In fact, it is a view of the world, of life on Earth in the late XXth century in a nearly dead world. The music is based on a post-industrial dark view of life. The structure is tribal, the rythm is primitive because we must find primal rythms that exist in each person, deeply hidden by commercializating plans. And we use drums as a central element in our project because in numerous traditional cultures, drums are priviledged bound between man and the Spiritual or Sacred. Dta -Wa-E, 1987 * Red Indians by Americans during XVIIIth, XIXth and XXth centuries, Tibetans by Chineses since the XVIIIth century and it still continues, Armenians by Turkishs in the late XIXth and the early XXth century, Kurds by Irakis, Iranians, Russians, Syrians, Turkishs for more than a hundred years, Palestinians by Israelians since 1948, Afghans by Russians 1979, Kafirs by Afghans in the late XIXth century, Chakmas by Bengalis since 1975, Karens by Burmeses since the Second World War, inhabitants of Timor by Indonesians since 1975, Papuans by Indonesians since 1965, Indians of Amazonia by Brasilians since the beginning of the century, Anyanyas by Sudaneses since 1955, Erythreans by Ethiopians since 1952, Tuaregs, Tsiganes... Concerning the conclusion of this subject, Raksha Mancham can only reinforce the Red Indian 'Prophecies' written by famous Red Indian leaders one or two centuries a Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.