Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
83220763 | Play | In a Sacred Manner We Live | 00:00 Tools | |
83220764 | Play | Crying to the Spirits | 00:00 Tools | |
83220765 | Play | Before The White Men Came | 00:00 Tools | |
83220766 | Play | Fight | 00:00 Tools | |
83220767 | Play | Aborigenee | 00:00 Tools | |
83220769 | Play | Nymphs of the Desert | 00:00 Tools | |
83220768 | Play | Mahabad | 00:00 Tools | |
83220771 | Play | Bedun | 00:00 Tools | |
83220770 | Play | Tribal War (Armenian Nightmare) | 00:00 Tools | |
83220773 | Play | The Last Days Of Khay Wangdi | 00:00 Tools | |
83220772 | Play | Abd er Rahman | 00:00 Tools | |
83220774 | Play | In the Land of the War Canoes | 00:00 Tools | |
83220775 | Play | In the Land of the Head Hunters | 00:00 Tools | |
83220776 | Play | The Undying Flame | 00:00 Tools | |
83220777 | Play | Reguibat Illa Tinduf (Exile) | 00:00 Tools | |
83220779 | Play | Konya Dans | 00:00 Tools | |
83220778 | Play | Portrait In Black (To The Very End Of Dead Oceans) (Extract) | 00:00 Tools | |
83220780 | Play | Waiting for Someone Who's Already Gone Away (Bön version) | 00:00 Tools | |
83220782 | Play | Danakil | 00:00 Tools | |
83220781 | Play | Nostalgia | 00:00 Tools | |
83220783 | Play | Karma (Aphrodite & Lung-Ta) | 00:00 Tools | |
83220784 | Play | Chams | 00:00 Tools | |
83220785 | Play | Hâmilu Al-Hawa | 00:00 Tools | |
83220787 | Play | Ouled-Naïl (Initiation To Seduction) | 00:00 Tools | |
83220786 | Play | Ngenko | 00:00 Tools | |
83220788 | Play | Fiddayyin | 00:00 Tools | |
83220789 | Play | The Prisoner (Geshe Lobsang Wangchuk) | 00:00 Tools | |
83220790 | Play | Kepulauan (Timor & Papua) | 00:00 Tools | |
83220792 | Play | The Way To The Abyss | 00:00 Tools | |
83220791 | Play | Chu-Shi Khang-Druk | 00:00 Tools | |
83220794 | Play | Arabiya Fahrana | 00:00 Tools | |
83220793 | Play | Al-Khawf | 00:00 Tools | |
83220796 | Play | Kepulauan (Chakmas) | 00:00 Tools | |
83220795 | Play | Al-Shams Damaha Al-Qabr | 00:00 Tools | |
83220797 | Play | Peshmerga | 00:00 Tools | |
83220798 | Play | Raqasât Al-Hisâd | 00:00 Tools | |
83220803 | Play | Portrait in Black | 00:00 Tools | |
83220799 | Play | Wounded Knee (28.12.1890) | 00:00 Tools | |
83220800 | Play | Durdag (Gyaltsen) | 00:00 Tools | |
83220801 | Play | Fight (Deir Yasin - The Rape Of Palestin) | 00:00 Tools | |
83220802 | Play | Jâriya Fil Ashâr | 00:00 Tools | |
83220804 | Play | The Last Human - The Last Indian | 00:00 Tools | |
83220805 | Play | Tchin-Tabaraden - The Valley Of The Beautifull Girls | 00:00 Tools | |
83220806 | Play | Qabail Zawaj | 00:00 Tools | |
83220809 | Play | The Pornography Of Despair...Red Star Over Tibet | 00:00 Tools | |
83220810 | Play | Funeral Orations | 00:00 Tools | |
83220807 | Play | The Pornography Of Despair... Red Star Over Tibet | 00:00 Tools | |
83220808 | Play | Tubu Ghzali Illa Bardai | 00:00 Tools | |
83220812 | Play | Asleep Behind The Death | 00:00 Tools | |
83220811 | Play | Kalimât Li Samra Al-Ûla | 00:00 Tools | |
83220813 | Play | Nostalghia | 04:09 Tools | |
83220815 | Play | The Last Indian | 00:00 Tools | |
83220814 | Play | Wounded Knee | 00:00 Tools | |
83220817 | Play | The Prisoner | 00:00 Tools | |
83220820 | Play | Armenian Nightmare (Tribal War) | 00:00 Tools | |
83220819 | Play | Armenian Nightmare | 00:00 Tools | |
83220818 | Play | Kalimat Li Samra Al-Ula | 00:00 Tools | |
83220821 | Play | Sturm Und Drang | 00:00 Tools | |
83220816 | Play | The Vanishing Race/Survival/Perenniality | 00:00 Tools | |
83220823 | Play | kepulauan | 00:00 Tools | |
83220824 | Play | The Prisoner (Benjamin Moloise) | 00:00 Tools | |
83220822 | Play | Dakn | 00:00 Tools | |
83220825 | Play | Bardo Thödol | 00:00 Tools | |
83220826 | Play | Dakne | 00:00 Tools | |
83220828 | Play | The Vanishing Race / Survival / Perenniality | 00:00 Tools | |
83220827 | Play | Cafe Sonja | 00:00 Tools | |
83220832 | Play | Mortified Prayers | 00:00 Tools | |
83220833 | Play | Shouts Of Funerals II | 00:00 Tools | |
83220830 | Play | Culturcide (Initial Part) | 00:00 Tools | |
83220829 | Play | Humla.Ting dKar | 00:00 Tools | |
83220831 | Play | dakné | 00:00 Tools | |
83220834 | Play | Untitled | 00:00 Tools | |
83220835 | Play | Shouts Of Funerals III | 00:00 Tools | |
83220845 | Play | Kurdistan | 00:00 Tools | |
83220851 | Play | Ritual | 00:00 Tools | |
83220844 | Play | The Bottom Of Oblivion | 00:00 Tools | |
83220856 | Play | Shaman | 00:00 Tools | |
83220837 | Play | Waiting for Someone Who's Already Gone Away | 00:00 Tools | |
83220854 | Play | Selbstmord | 00:00 Tools | |
83220836 | Play | Gyaltsen | 00:00 Tools | |
83220853 | Play | Kirghiz In THe Wakhan | 00:00 Tools | |
83220863 | Play | Nuba | 00:00 Tools | |
83220839 | Play | Combat Of Faith | 00:00 Tools | |
83220838 | Play | Untitled 03 | 00:00 Tools | |
83220846 | Play | Thoughts (To Drolma And Tara) | 00:00 Tools | |
83220862 | Play | Culturicide | 00:00 Tools | |
83220840 | Play | Untitled 02 | 00:00 Tools | |
83220848 | Play | Bedun (Madaen Saleh Version) | 00:00 Tools | |
83220841 | Play | Untitled 01 | 00:00 Tools | |
83220843 | Play | Untitled 04 | 00:00 Tools | |
83220852 | Play | qabaïl zawaj | 00:00 Tools | |
83220842 | Play | The Way Of The Abyss | 00:00 Tools | |
83220866 | Play | Fetish | 00:00 Tools | |
83220847 | Play | Untitled 06 | 00:00 Tools | |
83220849 | Play | Untitled 07 | 00:00 Tools | |
83220850 | Play | Untitled 05 | 00:00 Tools | |
83220871 | Play | Tasaday | 00:00 Tools | |
83220859 | Play | tubu ghzali illa bardaï | 00:00 Tools | |
83220876 | Play | The Sacrifice | 00:00 Tools | |
83220873 | Play | Tribal War | 00:00 Tools | |
83220858 | Play | Culturcide (Final Part) | 00:00 Tools | |
83220880 | Play | Savage Noise | 00:00 Tools | |
83220875 | Play | Lost Horizons | 00:00 Tools | |
83220881 | Play | Asleep Behind The Dead | 00:00 Tools | |
83220874 | Play | Emotion Of Life | 00:00 Tools | |
83220879 | Play | The Lion Of Panjshir | 00:41 Tools | |
83220884 | Play | Erythrea | 00:00 Tools | |
83220855 | Play | Untitled 10 | 00:00 Tools | |
83220857 | Play | Untitled 09 | 00:00 Tools | |
83220867 | Play | Tchin-Tabaraden - The Valley Of The Beautiful Girls | 00:00 Tools | |
83220878 | Play | The Last Human / The Last Indian | 00:00 Tools | |
83220883 | Play | Death Tribe | 00:00 Tools | |
83220885 | Play | Cry Before The Death | 00:00 Tools | |
83220860 | Play | Untitled 12 | 00:00 Tools | |
83220861 | Play | Untitled 11 | 00:00 Tools | |
83220864 | Play | Untitled 08 | 00:00 Tools | |
83220886 | Play | The Way Of Dead Indians | 00:00 Tools | |
83220865 | Play | Chu-Shi Khang-Druk (Part I) | 00:00 Tools | |
83220868 | Play | ouled-nail | 00:00 Tools | |
83220882 | Play | Dances Of The Harvest | 00:00 Tools | |
83220870 | Play | Chu-Shi Khang-Druk (Part II) | 00:00 Tools | |
83220869 | Play | hulma.ting dkar | 00:00 Tools | |
83220872 | Play | Karma (Aphrodite And Lungta) | 00:00 Tools | |
83220887 | Play | Dead Indians Part II | 00:00 Tools | |
83220877 | Play | The Pornography of Despair... | 00:00 Tools | |
83220888 | Play | Ngweko | 00:00 Tools | |
83220890 | Play | The Vanishing Race | 00:00 Tools | |
83220889 | Play | Ouled-Naïl | 00:00 Tools | |
83220892 | Play | Fight (Deir Yasin - The Rape Of Palestine) | 00:00 Tools | |
83220891 | Play | Hulma. Ting Dkar | 00:00 Tools | |
83220894 | Play | Chu-Shi Khang-Druk (1) | 00:00 Tools | |
83220893 | Play | Kalimat Li Samra Al Ula | 00:00 Tools | |
83220895 | Play | Chu-Shi Khang-Druk (2) | 00:00 Tools | |
83220898 | Play | Karma (Aphrodite) | 00:00 Tools | |
83220896 | Play | The Vanishing Race ... survival ... perenniality | 00:00 Tools | |
83220897 | Play | Portrait in Black (To The Very End Of Dead Oceans) | 00:00 Tools | |
83220899 | Play | qabaďl zawaj | 00:00 Tools | |
83220900 | Play | Kalimât Li Samra Al-Űla | 00:00 Tools | |
83220902 | Play | Before The White Men Came (Live Version) | 00:00 Tools | |
83220901 | Play | tubu ghzali illa bardaď | 00:00 Tools | |
83220903 | Play | Waiting for Someone Who's Already Gone Away (Bцn version) | 00:00 Tools | |
83220904 | Play | Red Star Over Tibet | 00:00 Tools | |
90256360 | Play | Shouts Of Funerals I | 00:00 Tools | |
83220905 | Play | Hвmilu Al-Hawa | 00:00 Tools | |
83220906 | Play | Kalimвt Li Samra Al-Ыla | 00:00 Tools | |
90256361 | Play | Dead Indians Part I | 00:00 Tools | |
83220907 | Play | Arabiya Fabrana | 00:00 Tools | |
83220908 | Play | Ouled-Na L | 00:00 Tools | |
83220911 | Play | Humla ting dkar | 00:00 Tools | |
83220909 | Play | Jвriya Fil Ashвr | 00:00 Tools | |
83220910 | Play | Before The White Men Came (Live) | 00:00 Tools | |
83220912 | Play | Qaba L Zawaj | 00:00 Tools |
Raksha Mancham is a musical project of Eric Fabry (see also 1 200 000 Dead Tibetans, Bardo Thödöl, Yarin Son Gündür) from Belgium influenced by the music of indigenous peoples worldwide, and whose music is played on native instruments from Tibet, Egypt, Brazil, Morocco, Mali, Nepal and the Cameroon, along with many other acoustic percussion, wind and string instruments. RAKSHA MANCHAM (The Dance Of The Judgement Of The Dead) is an old Tibetan Buddhist ceremony of dance. It describes what happens after death, the importance of 'good' and 'bad' acts, and the judgement of the dead men, as an answer for what they did in their lives. In that way, RAKSHA MANCHAM denounces human beings, social groups, communities, people, nations, humanity and especially inhumanity... for what they did: 'bad' or 'wrong'. RAKSHA MANCHAM's approach is political. It intends to make people think by themselves presenting the side effects of the industrial society and the criticizable facts in human history. No-one is protected as too many things are an object of judgement: genocides, ethnocides or culturcides *; torture, xenophobia, racism, political imprisonment, environmental destruction.. The music of RAKSHA MANCHAM is violent, aggressive. In fact, it is a view of the world, of life on Earth in the late XXth century in a nearly dead world. The music is based on a post-industrial dark view of life. The structure is tribal, the rythm is primitive because we must find primal rythms that exist in each person, deeply hidden by commercializating plans. And we use drums as a central element in our project because in numerous traditional cultures, drums are priviledged bound between man and the Spiritual or Sacred. Dta -Wa-E, 1987 * Red Indians by Americans during XVIIIth, XIXth and XXth centuries, Tibetans by Chineses since the XVIIIth century and it still continues, Armenians by Turkishs in the late XIXth and the early XXth century, Kurds by Irakis, Iranians, Russians, Syrians, Turkishs for more than a hundred years, Palestinians by Israelians since 1948, Afghans by Russians 1979, Kafirs by Afghans in the late XIXth century, Chakmas by Bengalis since 1975, Karens by Burmeses since the Second World War, inhabitants of Timor by Indonesians since 1975, Papuans by Indonesians since 1965, Indians of Amazonia by Brasilians since the beginning of the century, Anyanyas by Sudaneses since 1955, Erythreans by Ethiopians since 1952, Tuaregs, Tsiganes... Concerning the conclusion of this subject, Raksha Mancham can only reinforce the Red Indian 'Prophecies' written by famous Red Indian leaders one or two centuries a Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.