Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
16056243 | Play | Everyone has a horse head | 04:05 Tools | |
16056246 | Play | No Martini, no party | 03:45 Tools | |
16056245 | Play | Good analogy is like a diagonal frog | 02:20 Tools | |
16056244 | Play | Crunch!Punch!FireBall! | 03:25 Tools | |
16056248 | Play | Across the glade | 03:35 Tools | |
16056247 | Play | Thin Nose | 02:49 Tools | |
16056249 | Play | And so i took it from Jafar | 03:51 Tools | |
16056250 | Play | Intro | 01:29 Tools | |
16056251 | Play | Outro | 00:32 Tools | |
16056253 | Play | Those arctic noises | 03:32 Tools | |
16056252 | Play | Frozen eyes of The Polar Force and The Yellow Dunes tear drops | 03:06 Tools | |
16056255 | Play | T-800 prefer Tech Noir | 04:28 Tools | |
16056254 | Play | Shh...quiet...light the map! | 04:39 Tools | |
16056256 | Play | Pol Libertine has tart beard by his patriline (demo) | 03:26 Tools | |
16056258 | Play | Pol Libertine has tart beard b | 03:27 Tools | |
16056259 | Play | 2011 | 04:57 Tools | |
16056261 | Play | Crunch! Punch! Fireball! | 03:26 Tools | |
16056260 | Play | 5. No Martini, no party | 03:45 Tools | |
16056269 | Play | Everyone has a horse head (Курган) | 04:06 Tools | |
16056265 | Play | Shh... Quiet... Light the Map! | 04:39 Tools | |
55133121 | Play | 6. across the glade | 03:45 Tools | |
55133122 | Play | 8. and so i took it from jafar | 03:45 Tools | |
87535117 | Play | 4. Crunch!Punch!Fireball! | 03:45 Tools | |
55133124 | Play | 3. Good analogy is like a diagonal frog | 00:00 Tools | |
55133123 | Play | T-800 perfer Tech Noir | 03:45 Tools | |
87535118 | Play | 7. thin nose | 00:00 Tools | |
16056262 | Play | Frozen eyes of The Polar Force ... | 00:00 Tools | |
16056267 | Play | Frozen eyes of The Polar Force and The Yellow Dunes' tear drops | 03:06 Tools | |
87535119 | Play | No Martini no party | 03:06 Tools |
Riding the Diplodoc - instrumental, math-rock band from Kurgan (Russia), the compositions of which are based on seemingly incompatible mixture of genres. Their music is on the verge between hysterical atonal mathematical constructs, dance rhythms and smooth post-rock melodies. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.