Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
85075923 | Play | You Could Be More As You Are | 00:00 Tools | |
85075925 | Play | More Women | 00:00 Tools | |
85075924 | Play | Invitation | 00:00 Tools | |
85075926 | Play | Little Sister | 00:00 Tools | |
85075928 | Play | Heart Over Head | 00:00 Tools | |
85075927 | Play | I am So Curious | 00:00 Tools | |
85075931 | Play | Shut The Door | 00:00 Tools | |
85075930 | Play | The Facts | 00:00 Tools | |
85075929 | Play | Second Face | 00:00 Tools | |
85075932 | Play | Your Touch | 00:00 Tools | |
85075933 | Play | Give Me A Call | 00:00 Tools | |
85075934 | Play | Wake Up City | 00:00 Tools | |
85075935 | Play | Joanna | 00:00 Tools | |
86769815 | Play | You Could Be More As You Are - 1982 Version | 00:00 Tools | |
86769816 | Play | More Women - 1983 Version | 00:00 Tools | |
86769817 | Play | Invitation - 1982 Version | 00:00 Tools | |
86769818 | Play | Shut the Door - 1983 Version | 00:00 Tools | |
86769819 | Play | Little Sister - 1983 Version | 00:00 Tools | |
86769820 | Play | Your Touch - 1986 Version | 00:00 Tools | |
86769821 | Play | Heart Over Head - 1983 Version | 00:00 Tools | |
86769822 | Play | I am So Curious - 1983 Version | 00:00 Tools | |
86769823 | Play | The Facts - 1984 Version | 00:00 Tools | |
86769824 | Play | Second Face - 1983 Versio | 00:00 Tools | |
85075936 | Play | Funky Way | 00:00 Tools | |
85075937 | Play | Invitation (Full Length Version) | 00:00 Tools | |
86769825 | Play | Give Me A Call - 1984 Version | 00:00 Tools | |
86769826 | Play | Wake Up City - 1984 Version | 00:00 Tools | |
86769827 | Play | Joanna - 1986 Version | 00:00 Tools | |
85075939 | Play | This Is a Man's Man's World | 00:00 Tools | |
85075940 | Play | Everybody Loves Somebody | 00:00 Tools | |
86769828 | Play | So Many Dreams - 1995 Version | 00:00 Tools | |
85075938 | Play | You Touch | 00:00 Tools | |
85075947 | Play | more women, 1984 | 00:00 Tools | |
85075941 | Play | So Many Dreams | 00:00 Tools | |
85075943 | Play | Young Boy | 00:00 Tools | |
85075944 | Play | Princess of the Streets | 00:00 Tools | |
85075942 | Play | This Is A Man's, Man's World | 00:00 Tools | |
85075945 | Play | Give Me a Call (Stereovoodoo #78) | 00:00 Tools | |
85075946 | Play | Funky Way (1984) | 00:00 Tools | |
85075948 | Play | The Facts (Pharaohs Edit) | 00:00 Tools | |
85075951 | Play | '' So Many Dreams '' | 00:00 Tools | |
85075949 | Play | you could be more as you are - 12 inch germany 1988 | 00:00 Tools | |
85075950 | Play | More Women (Bobby's Balearic) | 00:00 Tools | |
85075952 | Play | 01 - You Could Be More As You Are | 00:00 Tools | |
86769829 | Play | You Could Be More as You Are (1982 Version) | 00:00 Tools | |
86769830 | Play | More Women (1983 Version) | 00:00 Tools | |
85075954 | Play | You Could Be More Than You Are | 00:00 Tools | |
85075957 | Play | More Women (zaycev.net) | 00:00 Tools | |
85075953 | Play | it´s a mans mans world | 00:00 Tools | |
85075955 | Play | In A Funky Way | 00:00 Tools | |
85075956 | Play | You Could Be More As You Are (Jack Priest's Passion For Fashion 12" Rework) | 00:00 Tools | |
86769831 | Play | Second Face (1983 Versio) | 00:00 Tools |
Saâda Bonaire is the fantastic disco/world music project duo out of Bremen, Germany that was never meant to be. Formed by Bremen DJ Ralf Behrendt in 1982, Saâda Bonaire was a unique concept band centered around two sultry female vocalists (Stefanie Lange and Claudia Hossfeld) who would be joined by dozens of Kurdish musicians recruited from the local immigration centre. Originally signed to EMI in 1982, their first and only single, “You Could Be More As You Are” was produced in Kraftwerk’s studio by legendary Matumbi, Slits and Pop Group producer Dennis Bovell. There they were joined by jazz icon Charlie Mariano (previous collaborations include Gong, Stan Kenton and Charles Mingus) who lent his talents on saxophone. The resulting sound was a unique fusion of husky female vocals, Eastern instruments, dub and African music aesthetics, drum computers and synthesizers. 1984. Just as the “would-be” hit single was due for release, a scandal struck at the EMI office. Saâda Bonaire’s A&R man, notoriously famous for exceeding his budget, was in a constant tug of war with the EMI finance department. He had previously exceeded his budget 5 times over on Tina Turner’s “Private Dancer” and was more than 3 times over budget for Saâda Bonaire; this was the last straw. Fed up, EMI released “You Could Be More As You Are”, but pulled the plug on all further promotional support for Saâda Bonaire. The group disappeared from public eye soon after. November 2013 saw the release of an eponymous compilation album, featuring tracks from the 1984 single and previously unreleased material. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.