Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
84085658 | Play | And I Grew into Ribbons | 00:00 Tools | |
84085659 | Play | Copper in the Slots | 00:00 Tools | |
84085668 | Play | Blacken The Other Eye | 00:00 Tools | |
84085660 | Play | Featherweight Hate | 00:00 Tools | |
88614639 | Play | In Defense of Resentment | 00:00 Tools | |
84085662 | Play | Our Lesions | 00:00 Tools | |
88614640 | Play | If This is What Passes for Living | 00:00 Tools | |
84085664 | Play | Victims of Nostalgia | 00:00 Tools | |
84085665 | Play | Black Din | 00:00 Tools | |
84085666 | Play | Feigning Familiarity | 00:00 Tools | |
84085667 | Play | Collared, Kept | 00:00 Tools | |
88614648 | Play | 269 Soulmates | 00:00 Tools | |
88614642 | Play | In for a World of Hurt | 00:00 Tools | |
88614649 | Play | Birch Meadows, 1991 | 00:00 Tools | |
84085669 | Play | In Prison, At Least I Had You | 00:00 Tools | |
88614650 | Play | Chasing the Vig | 00:00 Tools | |
90293426 | Play | Goodbye Recidivist Road | 00:00 Tools | |
88614645 | Play | Still Between Lovers | 00:00 Tools | |
84085670 | Play | Total Immunity | 00:00 Tools | |
88614655 | Play | The Drifter | 00:00 Tools | |
90293427 | Play | Suicide by Cop | 00:00 Tools | |
88614653 | Play | Everyone's at Home Eventually | 00:00 Tools | |
84085673 | Play | Early Release | 00:00 Tools | |
88614652 | Play | Dial Down the Neon | 00:00 Tools | |
90293428 | Play | Before It Was Worn | 00:00 Tools | |
88614641 | Play | Things Will Be Better in Hell | 00:00 Tools | |
90293429 | Play | Fourteen Frames | 00:00 Tools | |
88614643 | Play | In Contempt | 00:00 Tools | |
90293430 | Play | Tomorrow is a Trap | 00:00 Tools | |
84085672 | Play | Bliss | 00:00 Tools | |
84085671 | Play | Gash Addict | 00:00 Tools | |
88614644 | Play | Bite Down Hard | 00:00 Tools | |
84085675 | Play | Fate On Her Knees | 00:00 Tools | |
84085674 | Play | Disappearing Infamy | 00:00 Tools | |
90293431 | Play | Boxcars | 00:00 Tools | |
90293432 | Play | If Life Is a Gift, It's in Very Poor Taste | 00:00 Tools | |
90293433 | Play | Somebody Has to Win | 00:00 Tools | |
84085676 | Play | Public School No. 4 | 00:00 Tools | |
88614647 | Play | Anniversary | 00:00 Tools | |
90293434 | Play | Suicide By Cop (Mike Mare / Dälek Remix) | 00:00 Tools | |
84085677 | Play | We Live | 00:00 Tools | |
84085678 | Play | Lifting Your Life's Work | 00:00 Tools | |
84085679 | Play | Things Will Be Better in California | 00:00 Tools | |
90293435 | Play | Fourteen Frames (feat. Nick Sadler & Lingua Ignota) | 00:00 Tools | |
84085682 | Play | Low Control | 00:00 Tools | |
84085680 | Play | We Live (digital only bonus track) | 00:00 Tools | |
84085683 | Play | End Position | 00:00 Tools | |
84085681 | Play | Public School No. 4 (digital only bonus track) | 00:00 Tools | |
88614656 | Play | The Nihilist | 00:00 Tools | |
90293436 | Play | Here Come the Years | 00:00 Tools | |
84085685 | Play | Collared Kept | 00:00 Tools | |
84085684 | Play | I Was Alone | 00:00 Tools | |
88614657 | Play | Beneath the Wheels, Beneath the Waves (From Breastmilk to Breastmeat) | 00:00 Tools | |
90293437 | Play | Like Rats | 00:00 Tools | |
88614658 | Play | Deathdealer | 00:00 Tools | |
84085686 | Play | Sonja | 00:00 Tools | |
90293438 | Play | End Position ALBUM REVIEW | 00:00 Tools | |
84085687 | Play | In Prison At Least I Had You | 00:00 Tools | |
90293439 | Play | Suicide by Cop (Mike Mare of dälek Remix) | 00:00 Tools | |
88614660 | Play | Rat Jacket | 00:00 Tools | |
90293440 | Play | On Pain Of Matrimony | 00:00 Tools | |
88614659 | Play | 02 Total Immunity | 00:00 Tools | |
88614661 | Play | At Least in Prison I Had You | 00:00 Tools |
Street Sects is an American experimental music duo from Austin, Texas formed in 2013, composed of vocalist Leo Ashline and multi-instrumentalist Shaun Ringsmuth. Their style is extremely abrasive, characterised by industrial rhythms, use of screamed vocals, samples of both noise and synthesizers, and nihilistic lyrics. Following two EPs released in 2014, the duo's debut album End Position came out on September 16, 2016, on The Flenser to generally positive reviews. In 2013, in the wake of struggling with addiction for thirteen years, vocalist Leo Ashline formed Street Sects with his friend, multi-instrumentalist Shaun Ringsmuth, in order to produce extreme, experimental music addressing the negative aspects of life. In 2014, they self-released the first two EPs for the planned Gentrification: A Serial Album pentalogy: The Morning After the Night We Raped Death (February 4) and Broken Windows, Sunken Ceilings (July 15). On November 18 they also released the song "Things Will Be Better in California" which is a composition built from Spill/Fill, a collection of samples by Wreck and Reference from their 2014 album Want. All of these works were produced by the duo, mastered by James Plotkin, and illustrated by A.J. Garces Bohmer based on concepts by Ashline. Street Sects' debut studio album End Position was released on September 16, 2016, through The Flenser to generally positive reviews. It was mixed and mastered by Machines with Magnets in Providence, Rhode Island.[1] The album's title is based on a lyric from I See a Darkness by Will Oldham. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.