Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
15948334 | Play | The Golden Hour, Part I | 02:30 Tools | |
15948338 | Play | The Golden Hour, Part III | 03:55 Tools | |
15948340 | Play | The Golden Hour, Part II | 03:15 Tools | |
15948337 | Play | Love Will Find A Way, Part I | 02:57 Tools | |
15948339 | Play | The Golden Hour, Part IV | 07:05 Tools | |
15948335 | Play | Love Will Find A Way, Part II | 07:05 Tools | |
15948336 | Play | Love Will Find A Way, Part III | 05:39 Tools | |
55005568 | Play | The Golden Hill Part I | 03:55 Tools | |
55005569 | Play | 1970 - The Golden Hour Part III | 03:55 Tools | |
87521408 | Play | The Golden Hill Part III | 03:55 Tools | |
87521407 | Play | The Golden Hill Part IV | 03:55 Tools | |
15948343 | Play | The Golden Hour Part.III | 03:55 Tools | |
89453512 | Play | The Golden Hill Part II | 03:55 Tools | |
87521409 | Play | Love Will Find A Way | 03:55 Tools | |
89453513 | Play | Love Will Find A Way (part 3) | 03:55 Tools |
Reissue of the extremely obscure 2nd Radish label album, originally issued in 1970. "Raw, noisy, droning and completely mesmerizing album recorded by Phil Pearlman between the first Beat of the Earth album and Relatively Clean Rivers. Pearlman assembled The Electronic Hole in 1969 strictly for personal use -- to audition musicians for his new band. To do this, and to add to his own collection of demos, he used local studios in off-hours thanks to his friendship with album engineer Joe Sidore. The result is entirely different from Beat of the Earth, as it abandons a freeform improvisational approach in favor of 'compositions', including a wild cover of Frank Zappa's 'Trouble Every Day'. Pearlman plays sitar to great effect on the album, and another track has the thickest wall of fuzz guitars imaginable -- an effect he achieved by running his Fender amplifier out of a child's chord organ ('sounded great for about two weeks, then it blew up!'). Few albums have such an eclectic yet appealing sound." Info found on MusicInfo.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.