The Pazant Brothers

Trackimage Playbut Trackname Playbut Trackname
Skunk Juice 02:15 Tools
A Gritty Nitty 02:54 Tools
Chick a Boom 02:15 Tools
New Orleans 03:32 Tools
Loose And Juicy 05:15 Tools
Work Song 02:41 Tools
Toe Jam 02:22 Tools
You've Got To Do Your Best 05:32 Tools
Juicy Lucy 03:09 Tools
Fever 02:47 Tools
Groovin' 02:27 Tools
We Got More Soul 04:57 Tools
Chic-A-Boom 00:54 Tools
Clabber Biscuits 06:19 Tools
Back To Beaufort 04:04 Tools
Fly Vines 04:41 Tools
Spooky 05:05 Tools
Chicken Scratch 02:42 Tools
Greasy Greens 03:43 Tools
chicaboom 02:42 Tools
Chick-a-Boom 03:04 Tools
You´ve Got To Do Your Best 00:00 Tools
P Soul 03:04 Tools
The Pazant Brothers & The Beaufort Express - Chick A Boom 03:04 Tools
Chick A Boom (Used On Looking At The Front Door) 03:04 Tools
Dancing in the Streets 08:34 Tools
Momma Momma 08:34 Tools
The Pazant Bros - A Gritty Nitty 08:34 Tools
Beaufort Blues 08:34 Tools
Why I Sing The Blues 08:34 Tools
Jucy Lucy 08:34 Tools
Dixie Chaser 02:09 Tools
Hi Heel Sneakers 03:32 Tools
Work Song [Album Version] 03:32 Tools
Gritty Nitty, a 02:53 Tools
[Break 1] 02:53 Tools
The Chilli Peppers - Chicken Scratch 02:53 Tools
The Chilli Peppers - Fly Vines 02:52 Tools
Mboga-Chakula (Greasy Greens) 03:42 Tools
Gritty Nitty, a (75) 02:52 Tools
Why I Sing the Blues - Live 02:52 Tools
We Got More Soul - Live 02:52 Tools
A Nitty Gritty 02:52 Tools
The Pazant Brothers & The Beaufort Express - Greasy Greens 02:52 Tools
Gritty Nitty 02:52 Tools
Chick A Boom (Oneman Edit) 02:52 Tools
Groovin’ 03:07 Tools
The Chicken Scratch 02:42 Tools
You´ve Got To Do Your Best 03:07 Tools
01 - Skunk Juice 02:15 Tools
A Gritty Nitty [Album Version] 02:15 Tools
The Fly Vines 04:40 Tools
04 - Fever 02:42 Tools
chick a boom - 02:42 Tools
06 - Juicy Lucy 04:40 Tools
12 - Greasy Greens 04:40 Tools
05 - Work Song 04:40 Tools
02 - Toe Jam 04:40 Tools
08 - The Fly Vines 04:40 Tools
07 - The Chicken Scratch 04:40 Tools
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Led by the world-renown musical tandem Edward and Alvin Pazant, the Pazant Brothers Orchestra is comprised of veterans who bring hundreds of years of combined experience to the stage, culled from playing with the likes of heavyweights such as Lionel Hampton, Dizzy Gillespie, Count Basie and Art Blakey. Ed and Al Pazant’s musical heritage runs long and deep. Growing up in the musically rich southern town of Beaufort, South Carolina, the brothers were immersed from a very young age. “Our grandparents played everything—drums, horns, piano--our father had a quartet and my mother played the most soulful ballads you could imagine,” Ed recounts. One of his earliest childhood memories is trying to stand on his tip-toes to “look over the top of the piano keys.” A few years older than Al, Ed first learned the piano, but was quickly drawn to the power of the horns. “See, every year the local Marine marching band would play for the parades, and all those shiny horns got me hooked.” By the age of ten he had mastered the clarinet, then moved onto sax, flute and oboe, along the way leading his own band, The Harlem Knights. Alvin likewise was stimulated by all of the musical activity around him, both within the family and out on the streets. “See, you’d hear brass bands, military bands, jazz groups, rock n’ roll outfits, blues singers everywhere.” Al remembers. But it was hearing Louis Armstrong on wax that really pushed him to make the trumpet his instrument of choice. “It was a done deal after that,” he says. The brothers would go onto study music at university. Ed became a “woodwind specialist” and got his lucky break when none other than Lionel Hampton took notice of Ed’s skills and hired him for his orchestra, a gig that would last fourteen years. “That was when the real education started. My first show for Hamp was with Billie Holiday in Central Park of all places.” Ed says. Al also joined the Hampton school of swing upon finishing college, reuniting with his brother. This was the beginning of many years of professional collaboration for the two siblings, who formed their own band, The Pazant Brothers in 1964. The band began playing at the legendary Small’s Paradise, and immediately became a hit around New York City, particularly Harlem, where there was a plethora of clubs and musicians. “Competition was always tight, so you had to be at the top of your game, constantly,” Al recalls. The Pazant brothers became known for their versatility and their ability to swing. In 1966, the duo was hired by Pucho and the Latin Soul Brothers to record Pucho’s debut on Prestige records. This relationship has carried through on a dozen classic albums and lasts until this very day. “The Pazants can do it all,” Pucho says, “the big band swing, the funk bag, the latin bag, you name it.” The list of notable artists that either one or both of the Pazants have recorded and/or performed with over the last forty years is a lengthy one, including Lionel Hampton, Frank Foster, Illinois Jacquet, Dizzy Gillespie, Pucho, Bernard Purdie, Sonny Phillips, Phil Upchurch, Kool & the Gang, James Brown, the Dells, the Manhattans, Country Joe & the Fish, the Doors, Roberta Flack, Melba Moore, Jo Thompson, Della Reese, Mighty Sparrow, Reuben Wilson, Melvin Sparks, Eddie Floyd, Eartha Kitt, Sun Ra, George Gee, the Boston Pops Symphony, the New Orleans Symphony and, of course, the Cotton Club All-stars, which the Pazant brothers have led since 1978. In addition, they have recorded under their own name since the late ‘60s, for labels such as Priscilla, De-Lite, Vanguard, Lexington, and Ace records, and have dazzled audiences across the world, from Spain to Japan, Italy to France, Nigeria to England. Moreover, they’ve played for three U.S. presidents, Gerald Ford, George Bush, Sr. and Bill Clinton. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.