Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
89183888 | Play | Snow Globe | 00:00 Tools | |
89183889 | Play | Colette | 00:00 Tools | |
87133815 | Play | Polaris "Voyage for Orchestra" | 00:00 Tools | |
8099374 | Play | Traced overhead Op. 15 (1990): Sursum | 00:00 Tools | |
8099260 | Play | Darknesse visible | 00:00 Tools | |
50864899 | Play | The Four Quarters: I. Nightfalls | 00:00 Tools | |
8099277 | Play | 15 Moravian Folk Songs (Piano): 11. Bezi voda, bezi | 00:00 Tools | |
8099263 | Play | Tevot | 00:00 Tools | |
50864943 | Play | Polaris | 00:00 Tools | |
89183890 | Play | Arcadiana, Op. 12: 6. O Albion (Arr. Clements) | 00:00 Tools | |
50864918 | Play | Arcadiana: VI. O Albion | 00:00 Tools | |
8099752 | Play | Posthumous Piano Pieces: Moderato | 00:00 Tools | |
50864903 | Play | The Fayrfax Carol | 00:00 Tools | |
50864900 | Play | Posthumous Piano Pieces: Narodil se Kristus Pán | 00:00 Tools | |
50864902 | Play | Violin Concerto, Op. 23, "Concentric Paths": I. Rings | 00:00 Tools | |
50864901 | Play | Sonata No. 2: I. Fuga | 00:00 Tools | |
50864980 | Play | The Fayrax Carol | 00:00 Tools | |
87133816 | Play | Asyla, Op. 17: IV. Fourth Movement | 00:00 Tools | |
50864950 | Play | Arcadiana, Op.12 (1994): VI. O Albion | 00:00 Tools | |
50864949 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 5: Nineteen Fifty-Three: Is Daddy Squiffy? | 00:00 Tools | |
8099591 | Play | 15 Moravian Folk Songs (Piano): 13. Na cernej hore sedlácek ore | 00:00 Tools | |
87133819 | Play | Adès: The Fayrfax Carol | 00:00 Tools | |
50864910 | Play | In Seven Days: Fugue. v. Creatures of the Sea and Sky | 00:00 Tools | |
8099262 | Play | Concert Paraphrase on Powder Her Face: I | 00:00 Tools | |
8099264 | Play | These Premises Are Alarmed | 00:00 Tools | |
50864909 | Play | Under Hamelin Hill Op. 6: Fuga (2-6 hands) | 00:00 Tools | |
8099344 | Play | The Tempest, Act 1: Scene I: Hell is empty | 00:00 Tools | |
50864907 | Play | Piano Quintet: I | 00:00 Tools | |
50864904 | Play | Posthumous Piano Pieces: Malostranský palác | 00:00 Tools | |
50864915 | Play | In Seven Days: i. Chaos – Light – Dark | 00:00 Tools | |
8099261 | Play | Concert Paraphrase on Powder Her Face: II | 00:00 Tools | |
8099266 | Play | Mazurkas for Piano, Op.27: First Mazurka | 00:00 Tools | |
8099318 | Play | Still sorrowing Op. 7 | 00:00 Tools | |
87133817 | Play | Asyla, Op. 17: I. First Movement | 00:00 Tools | |
8099617 | Play | Asyla: I | 00:00 Tools | |
8099326 | Play | Arcadiana, Op. 12: VI. O Albion | 00:00 Tools | |
50864905 | Play | Vzpomínka (piano) | 00:00 Tools | |
50864906 | Play | 3 Studies from Couperin: No. 1. Les Amusemens | 00:00 Tools | |
8099269 | Play | Mazurkas for Piano, Op.27: Second Mazurka | 00:00 Tools | |
89183891 | Play | Valse Du Salon | 00:00 Tools | |
87133818 | Play | Asyla, Op. 17: II. Second Movement | 00:00 Tools | |
89183892 | Play | The Lake | 00:00 Tools | |
50864970 | Play | Five Eliot Landscapes Op. 1: I. New Hampshire | 00:00 Tools | |
8099270 | Play | Concert Paraphrase on Powder Her Face: III | 00:00 Tools | |
87133820 | Play | Asyla, III: Ecstasio | 00:00 Tools | |
8099367 | Play | Mazurkas for Piano, Op.27: Third Mazurka | 00:00 Tools | |
89183893 | Play | Willy’s Arrival | 00:00 Tools | |
8099291 | Play | Catch, Op. 4 | 00:00 Tools | |
8099292 | Play | Concert Paraphrase on Powder Her Face: IV | 00:00 Tools | |
89183894 | Play | Etching Montage | 00:00 Tools | |
50864913 | Play | Chamber Symphony, Op.2: I | 00:00 Tools | |
8099592 | Play | Arcadiana, Op. 12: I. Venezia notturna | 00:00 Tools | |
8099267 | Play | Tussebrureferda pa Vossevangen. Gangar Op. 72 No. 14 | 00:00 Tools | |
8099365 | Play | The Tempest, Act 1, Scene II: Oh Father | 00:00 Tools | |
50864921 | Play | Arcadiana: II. Das klinget so herrlich, das klinget so schön | 00:00 Tools | |
50864925 | Play | Arcadiana: I. Venezia notturno | 00:00 Tools | |
89183895 | Play | Claudine A Paris | 00:00 Tools | |
50864908 | Play | 15 Moravian Folk Songs (Piano): 2. Ked' si já zazpívám | 00:00 Tools | |
89183896 | Play | Willy Finds the Manuscripts | 00:00 Tools | |
89183897 | Play | Colette’s Journey | 00:00 Tools | |
89183898 | Play | These are the Copses | 00:00 Tools | |
50864920 | Play | Arcadiana: III. Auf dem Wasser zu singen | 00:00 Tools | |
50864914 | Play | Traced overhead Op. 15 (1990): Aetheria | 00:00 Tools | |
50864923 | Play | Piano Quintet: II | 00:00 Tools | |
8099268 | Play | Skulkalsbrura. Gangar Op. 72 No. 15 | 00:00 Tools | |
50864928 | Play | Arcadiana: VII. Lethe | 00:00 Tools | |
50864926 | Play | The Four Quarters: II. Serenade - Morning Dew | 00:00 Tools | |
87133821 | Play | Adès: Violin Concerto, "Concentric Paths": I. Rings | 00:00 Tools | |
50864932 | Play | The Four Quarters: III. Days | 00:00 Tools | |
50864911 | Play | Posthumous Piano Pieces: Cekam Te! | 00:00 Tools | |
50864930 | Play | Piano Quintet: III | 00:00 Tools | |
89183899 | Play | Claudine A L’Ecole Print | 00:00 Tools | |
50864922 | Play | Arcadiana: V. L'Embarquement | 00:00 Tools | |
89183900 | Play | Septet in E Flat Major Op65 IV (Saint Saens) | 00:00 Tools | |
50864916 | Play | ...but all shall be well | 00:00 Tools | |
50864917 | Play | Traced overhead Op. 15 (1990): Chori | 00:00 Tools | |
50864912 | Play | 15 Moravian Folk Songs (Piano): 15. V tem hruseckém cirém poli | 00:00 Tools | |
89183901 | Play | Arabesque (Debussy) | 00:00 Tools | |
89183902 | Play | Arrival at the Theatre | 00:00 Tools | |
50864933 | Play | The Four Quarters: IV. The Twenty-Fifth Hour | 00:00 Tools | |
50864919 | Play | Chamber Symphony, Op.2: II | 00:00 Tools | |
50864953 | Play | Asyla: III Ecstasio | 00:00 Tools | |
89183903 | Play | Gnossienne No 1 Lent (Satie) | 00:00 Tools | |
89183904 | Play | Lost Your Touch | 00:00 Tools | |
8099650 | Play | In Seven Days: vii. Contemplation | 00:00 Tools | |
89183905 | Play | Polaire’s Arrival | 00:00 Tools | |
50864941 | Play | Arcadiana, Op.12 (1994): I. Venezia notturna | 00:00 Tools | |
89183906 | Play | Anger by the Seine | 00:00 Tools | |
8099391 | Play | Violin Concerto: Rings | 00:00 Tools | |
89183907 | Play | Jules Colette Burial | 00:00 Tools | |
50864936 | Play | Arcadiana: IV. Et... (Tango mortale) | 00:00 Tools | |
89183908 | Play | Still Need Your Headmaster | 00:00 Tools | |
8099352 | Play | The Tempest, Act 1, Scene II: Miranda - you are my care | 00:00 Tools | |
89183909 | Play | Missy and Colette | 00:00 Tools | |
50864924 | Play | Chamber Symphony, Op.2: IV | 00:00 Tools | |
89183910 | Play | Dream of Egypt | 00:00 Tools | |
89183911 | Play | La Vagabonde | 00:00 Tools | |
89183912 | Play | Claudines Are Everywhere | 00:00 Tools | |
8099265 | Play | In Seven Days: ii. Separation of the waters into sea and sky | 00:00 Tools | |
89183913 | Play | Colette Is Free | 00:00 Tools | |
8099522 | Play | Nancarrow Studies: Study No. 6 | 00:00 Tools | |
89183914 | Play | Flesh | 00:00 Tools | |
50864934 | Play | Concerto Conciso: I | 00:00 Tools | |
50864961 | Play | Traced Overhead 1: Sursum | 00:00 Tools | |
50864931 | Play | Violin Concerto, Op. 23, "Concentric Paths": II. Paths | 00:00 Tools | |
8099311 | Play | Piano Quintet: 1 | 00:00 Tools | |
50864945 | Play | The Tempest, Act 1, Scene II: What you hvae told me | 00:00 Tools | |
50864951 | Play | America: Part I Oh my nation prepare... | 00:00 Tools | |
8099306 | Play | The Tempest, Act 1: Scene III: Fear. Fear to the sinner | 00:00 Tools | |
50864946 | Play | In Seven Days: iii. Land – Grass – Trees | 00:00 Tools | |
50864929 | Play | Les Baricades mistérieuses | 00:00 Tools | |
8099316 | Play | The Tempest, Act 1, Scene V: Five Fathoms deep | 00:00 Tools | |
50864964 | Play | In Seven Days: iv. Stars – Sun – Moon | 00:00 Tools | |
8099606 | Play | Violin Concerto: Paths | 00:00 Tools | |
8099497 | Play | Three Canons for Ursula: Canon 5/7 | 00:00 Tools | |
50864940 | Play | Chamber Symphony, Op.2: III | 00:00 Tools | |
8099312 | Play | Arcadiana, Op. 12: III. Auf dem Wasser zu singen | 00:00 Tools | |
8099305 | Play | The Tempest, Act 1: Scene IV: Sorcerer die | 00:00 Tools | |
50864935 | Play | Violin Concerto, Op. 23, "Concentric Paths": III. Rounds | 00:00 Tools | |
87133823 | Play | Brahms, Op. 21 | 00:00 Tools | |
8099355 | Play | Arcadiana, Op. 12: II. Das klinget so herrlich, das klinget so schön | 00:00 Tools | |
50864927 | Play | 15 Moravian Folk Songs (Piano): 4. Marys, moja Marys | 00:00 Tools | |
8099333 | Play | Violin Concerto: Rounds | 00:00 Tools | |
8099447 | Play | 15 Moravian Folk Songs (Piano): 14. Na Javorine | 00:00 Tools | |
8099448 | Play | The Tempest, Act 1: Scene VI: As i sat weeping | 00:00 Tools | |
50864994 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I: Overture (Orchestra) | 00:00 Tools | |
87133822 | Play | Arcadiana, Op. 12 (1994): VI. O Albion | 00:00 Tools | |
50864973 | Play | Living Toys, Op.9 (1993): I. Angels - | 00:00 Tools | |
50864963 | Play | Arcadiana, Op.12 (1994): VII. Lethe | 00:00 Tools | |
50864966 | Play | Arcadiana, Op.12 (1994): III. Auf dem Wasser zu singen | 00:00 Tools | |
50864972 | Play | Arcadiana, Op.12 (1994): II. Das klinget so herrlich, das Iklinget so schön | 00:00 Tools | |
8099506 | Play | Asyla: II | 00:00 Tools | |
50864947 | Play | 3 Studies from Couperin: No. 3. L'Ame-en-peine | 00:00 Tools | |
50864978 | Play | Traced Overhead 2: Aetheria | 00:00 Tools | |
50864962 | Play | Arcadiana, Op.12 (1994): IV. Et....(tango mortale) | 00:00 Tools | |
8099368 | Play | The Tempest, Act 1, Scene V: Sir? Have you recovered them? | 00:00 Tools | |
50864955 | Play | Concerto Conciso: II - | 00:00 Tools | |
50864992 | Play | Catch Op. 4 | 00:00 Tools | |
8099703 | Play | Three Studies from Couperin: Les Amusemens | 00:00 Tools | |
89183915 | Play | The Fayrfax Carol [1997 – Premiere] | 00:00 Tools | |
8099317 | Play | Piano Quintet: 2 | 00:00 Tools | |
8099335 | Play | Dances from Powder Her Face: Overture | 00:00 Tools | |
8099806 | Play | Arcadiana, Op. 12: VII. Lethe | 00:00 Tools | |
87133824 | Play | Adès: Asyla, Op. 17: IV. (without title) | 00:00 Tools | |
50864957 | Play | Concerto Conciso: [dotted crotchet = 116] | 00:00 Tools | |
8099754 | Play | Come io passo l'estate: I. Arrivo a Tires | 00:00 Tools | |
8099748 | Play | In Seven Days: Fugue. vi. Creatures of the Land | 00:00 Tools | |
50864976 | Play | Arcadiana, Op.12 (1994): V. L'Embarquement - | 00:00 Tools | |
50864938 | Play | Cardiac Arrest | 00:00 Tools | |
50865009 | Play | First Mazurka | 00:00 Tools | |
50864937 | Play | Posthumous Piano Pieces: Na památku | 00:00 Tools | |
50864939 | Play | Knut Lurasens halling I Op. 72 No. 10 | 00:00 Tools | |
87133825 | Play | Adès: Violin Concerto, "Concentric Paths": III. Rounds | 00:00 Tools | |
8099337 | Play | Piano Quintet: 3 | 00:00 Tools | |
8099294 | Play | Asyla 1 | 00:00 Tools | |
50864985 | Play | Life story Op. 8b (1990) | 00:00 Tools | |
50864944 | Play | Three Canons for Ursula: Canon 2/3 | 00:00 Tools | |
50864954 | Play | 3 Studies from Couperin: No. 2. Les Tours de passe-passe | 00:00 Tools | |
87133826 | Play | Adès: Violin Concerto, "Concentric Paths": II. Paths | 00:00 Tools | |
8099470 | Play | Arcadiana, Op. 12: V. L'Embarquement | 00:00 Tools | |
50864967 | Play | Polaris: Voyage for Orchestra | 00:00 Tools | |
50865014 | Play | Second Mazurka | 00:00 Tools | |
50865001 | Play | Traced Overhead 3: Chori | 00:00 Tools | |
8099545 | Play | Knut Lurasens halling I Op. 72 No. 10 | 00:00 Tools | |
8099488 | Play | Tears | 00:00 Tools | |
50864942 | Play | 15 Moravian Folk Songs (Piano): 3. Ach, ty Jurko, Jurenko | 00:00 Tools | |
50864982 | Play | Still Sorrowing | 00:00 Tools | |
8099626 | Play | The Tempest, Act 2, Scene I: Alive, awake | 00:00 Tools | |
8099637 | Play | Three Studies from Couperin: Les Tours de passe-passe | 00:00 Tools | |
50864948 | Play | Violin Concerto 'Concentric Paths' - I. Rings | 00:00 Tools | |
50865012 | Play | Third Mazurka | 00:00 Tools | |
50865015 | Play | Thrift, mazurka-cortège | 00:00 Tools | |
50865111 | Play | Violin Concerto, "Concentric Paths": I. Rings | 00:00 Tools | |
8099526 | Play | Asyla | 00:00 Tools | |
50864952 | Play | Canon A 4 Voci (Andante Sostenuto) | 00:00 Tools | |
87133829 | Play | Arcadiana, Op. 12: IV. Et… (tango mortale) | 00:00 Tools | |
50864999 | Play | The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo | 00:00 Tools | |
50864983 | Play | The Tempest, Act 2: Scene IV: What was before | 00:00 Tools | |
50864979 | Play | The Tempest, Act 3, Scene I: (Orchestral) | 00:00 Tools | |
8099503 | Play | The Tempest, Act 2, Scene II: A monster! | 00:00 Tools | |
50864956 | Play | Three Canons for Ursula: Canon 6/4/10/15 | 00:00 Tools | |
8099709 | Play | Come io passo l'estate: II. La Fossa del Lupo | 00:00 Tools | |
50864995 | Play | Nancarrow Studies: Study No. 7 | 00:00 Tools | |
50864987 | Play | Sonata da Caccia, Op.11 (1993): I. Gravement - | 00:00 Tools | |
50865026 | Play | America: Part II Burn, burn, burn | 00:00 Tools | |
8099449 | Play | Violin Concerto 'Concentric Paths' - II. Paths | 00:00 Tools | |
8099490 | Play | Three Studies from Couperin: L'Âme-en-peine | 00:00 Tools | |
8099538 | Play | The Tempest, Act 2, Scene I: I had the notion I flew | 00:00 Tools | |
8099547 | Play | The Tempest, Act 2, Scene II: Friends don't fear... | 00:00 Tools | |
50864991 | Play | The Tempest, Act 2: Scene III: They won't find him | 00:00 Tools | |
8099699 | Play | The Tempest, Act 3: Scene V: Who was here | 00:00 Tools | |
8099755 | Play | Violin Concerto 'Concentric Paths' - III. Rounds | 00:00 Tools | |
8099351 | Play | Asyla 4 | 00:00 Tools | |
8099511 | Play | The Tempest, Act 3, Scene I: This way | 00:00 Tools | |
50864990 | Play | The Tempest, Act 2, Scene II: We'll find the prince | 00:00 Tools | |
50864958 | Play | 15 Moravian Folk Songs (Piano): 1. Ty hodiny vívanské | 00:00 Tools | |
50865028 | Play | Concert Paraphrase on Powder her Face II | 00:00 Tools | |
50864959 | Play | Come io passo l'estate: III. Andiamo al rifugia Bergamo | 00:00 Tools | |
50864960 | Play | Three Studies from Couperin - I. Les Amusemens | 00:00 Tools | |
8099524 | Play | The Tempest, Act 3, Scene III: Father | 00:00 Tools | |
89183916 | Play | Concert Paraphrase on Powder her Face I | 00:00 Tools | |
8099309 | Play | Catch, Op.4 | 00:00 Tools | |
50865013 | Play | January Writ | 00:00 Tools | |
8099808 | Play | The Tempest, Act 3, Scene II: Spirit must I right | 00:00 Tools | |
50865087 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 1: Nineteen Ninety: Oo, Aa! Ha Ha Ha Ha Ha (Maid/Electrician) | 00:00 Tools | |
8099282 | Play | Asyla 2 | 00:00 Tools | |
8099704 | Play | The Tempest, Act 3, Scene IV: How good they are | 00:00 Tools | |
50865036 | Play | Living Toys, Op.9 (1993): II. Aurochs - | 00:00 Tools | |
50864968 | Play | Come Io Passo L'estate: I. Arrivo a Tires | 00:00 Tools | |
50864971 | Play | Piano-Rag Music | 00:00 Tools | |
8099275 | Play | Asyla 3 | 00:00 Tools | |
8099383 | Play | Three Studies from Couperin - II. Les Tours de passe-passe | 00:00 Tools | |
50865047 | Play | Living Toys, Op.9 (1993): BALETT - | 00:00 Tools | |
50865037 | Play | Living Toys, Op.9 (1993): III Militiamen - | 00:00 Tools | |
50865038 | Play | Concert Paraphrase on Powder her Face III | 00:00 Tools | |
50864965 | Play | Come io passo l'estate: IV. La Valle del Ciamin | 00:00 Tools | |
8099322 | Play | Dances from Powder Her Face: Waltz | 00:00 Tools | |
50865333 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 7: Nineteen Seventy: Interlude Fifty-Eight, Seventy-Nine (Duchess) | 00:00 Tools | |
8099598 | Play | The Tempest, Act 3, Scene II: Fool. You've tired us out | 00:00 Tools | |
8099378 | Play | The Tempest, Act 3, Scene II: Help us! | 00:00 Tools | |
8099426 | Play | Old Nan's Stories | 00:00 Tools | |
50865054 | Play | Concert Paraphrase on Powder her Face IV | 00:00 Tools | |
8099795 | Play | The Tempest, Act 3, Scene II: Murder! | 00:00 Tools | |
50864969 | Play | Come io passo l'estate: V. Il buco dell'Orso | 00:00 Tools | |
8099283 | Play | Still Sorrowing, Op.7 | 00:00 Tools | |
50864977 | Play | A Megvadult Lenhajú Láng | 00:00 Tools | |
50864988 | Play | Valse pour les enfants | 00:00 Tools | |
50864986 | Play | Souvenir d'une marche boche | 00:00 Tools | |
50864974 | Play | 15 Moravian Folk Songs (Piano): 8. Cí to pachole v noci chodí | 00:00 Tools | |
50864975 | Play | Three Studies from Couperin - III. L'Âme-en-peine | 00:00 Tools | |
87133827 | Play | Les Adieux In Janáceks Manier | 00:00 Tools | |
87133828 | Play | Hommage à Csajkovszkij | 00:00 Tools | |
50865068 | Play | Living Toys, Op.9 (1993): TABLET | 00:00 Tools | |
8099361 | Play | Dances from Powder Her Face: Finale | 00:00 Tools | |
50865060 | Play | Living Toys, Op.9 (1993): IV. H.A.L.'s Death - | 00:00 Tools | |
50865080 | Play | Living Toys, Op.9 (1993): V. Playing Funerals - | 00:00 Tools | |
50865064 | Play | Living Toys, Op.9 (1993): BATTLE - | 00:00 Tools | |
50865088 | Play | Under Hamelin Hill Op. 6: Preambulum (2 hands) | 00:00 Tools | |
50865074 | Play | Adès: The Fayrax Carol | 00:00 Tools | |
8099666 | Play | Sonatina ad usum infantis (Sonatina 3) (1916): Molto tranquillo | 00:00 Tools | |
8099416 | Play | Overture, Waltz, and Finale from Powder Her Face - I. Overture | 00:00 Tools | |
8099705 | Play | The Tempest, Act 3, Scene III: Murder this man | 00:00 Tools | |
8099273 | Play | Come io passo l'estate (How I Spend the Summer) (1983): 05- Il buco dell'orso (The Bear's Den) | 00:00 Tools | |
50864993 | Play | Preludium e Koral: Koral | 00:00 Tools | |
8099300 | Play | Asyla - III Ecstasio | 00:00 Tools | |
8099446 | Play | Overture, Waltz, and Finale from Powder Her Face - III. Finale | 00:00 Tools | |
50865041 | Play | Life Story | 00:00 Tools | |
50865140 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 1: Nineteen Ninety: I See. This Is What It Has Come To | 00:00 Tools | |
50864989 | Play | Overture, Waltz, and Finale from Powder Her Face - II. Waltz | 00:00 Tools | |
50865005 | Play | Eekám Te! (I Am Waiting for You!) From Intimate Sketches | 00:00 Tools | |
50865010 | Play | Come Io Passo L'estate: II. la Fossa del Lupo | 00:00 Tools | |
8099826 | Play | The Tempest, Act 3, Scene IV: Quietness | 00:00 Tools | |
50865065 | Play | Chamber Symphony, Op. 2: I. — | 00:00 Tools | |
50865006 | Play | Preludium e Koral: Preludium | 00:00 Tools | |
50864996 | Play | Sonata No. 2: I. Fuga | 00:00 Tools | |
89183917 | Play | VI. O Albion | 00:00 Tools | |
50865008 | Play | Keringö | 00:00 Tools | |
50864997 | Play | 15 Moravian Folk Songs (Piano): 10. Dyz ja budu lezat v cerném lesi | 00:00 Tools | |
8099286 | Play | Living Toys, Op. 9: I. Angels | 00:00 Tools | |
50864998 | Play | Concerto Conciso (for Piano and Chamber Ensemble): I | 00:00 Tools | |
8099314 | Play | Come io passo l'estate (How I Spend the Summer) (1983): 02- La fossa del Lupo (The Wolf's Lair) | 00:00 Tools | |
50865002 | Play | Sonatina ad usum infantis (Sonatina 3) (1916): Polonaise (un poco cerimonioso) | 00:00 Tools | |
50865003 | Play | Come io passo l'estate: VII. Ghiaccio sul Rosengarten | 00:00 Tools | |
87133848 | Play | I. Venezia notturna | 00:00 Tools | |
50865016 | Play | Egy Igaz Ember Emlérkére | 00:00 Tools | |
50865000 | Play | Sonatina ad usum infantis (Sonatina 3) (1916): Vivace (alla Marcia) | 00:00 Tools | |
50865031 | Play | Arcadiana: I. Venezia notturna | 00:00 Tools | |
50865019 | Play | Five Eliot Landscapes, Op.1 (I) | 00:00 Tools | |
50865158 | Play | Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiff | 00:00 Tools | |
50865021 | Play | Chamber Symphony - 1 | 00:00 Tools | |
50865007 | Play | Life Story, Op.8b | 00:00 Tools | |
8099716 | Play | Concerto Conciso 1 | 00:00 Tools | |
8099747 | Play | Catch | 00:00 Tools | |
50865004 | Play | Sonatina ad usum infantis (Sonatina 3) (1916): Andantino melancolico | 00:00 Tools | |
50865011 | Play | Asyla, op. 17 - III Ecstasio | 00:00 Tools | |
50865020 | Play | Five Eliot Landscapes, Op.1 (II) | 00:00 Tools | |
50865228 | Play | Violin Concerto, "Concentric Paths": II. Paths | 00:00 Tools | |
50865112 | Play | Under Hamelin Hill Op. 6: Arietta (2 hands) | 00:00 Tools | |
8099733 | Play | Still Sorrowing, Op. 7 | 00:00 Tools | |
8099710 | Play | Piano-rag-music | 00:00 Tools | |
50865017 | Play | 15 Moravian Folk Songs (Piano): 5. Uz sa mne muj milý pryc ubirá | 00:00 Tools | |
50865018 | Play | Come io passo l'estate: VIII. Antonio Ballista dorme in Casa dei Carabinieri | 00:00 Tools | |
50865024 | Play | Five Eliot Landscapes, Op.1 (III) | 00:00 Tools | |
50865174 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 1: Nineteen Ninety: Take It From Me (Duchess/Electrician/Maid) | 00:00 Tools | |
8099285 | Play | Asyla - I | 00:00 Tools | |
8099280 | Play | Asyla - III. Ecstasio | 00:00 Tools | |
50865027 | Play | Under Hamelin Hill, Op.6 (II) | 00:00 Tools | |
50865022 | Play | Come io passo l'estate: IX. Fantasma del Castello di Presule | 00:00 Tools | |
50865023 | Play | Come io passo l'estate: X. Canzone per il mio compleanno | 00:00 Tools | |
8099295 | Play | In Seven Days | 00:00 Tools | |
87133831 | Play | BRAHMS | 00:00 Tools | |
50865208 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 2: Nineteen Thirty-Four: Of Course She's Done Well | 00:00 Tools | |
50865157 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 2: Nineteen Thirty-Four: I Could Never Grow Bored Of Dukedoms (Confidante/Lounge Lizard/Duchess) | 00:00 Tools | |
50865209 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 1: Nineteen Ninety: Interlude (Orchestra) | 00:00 Tools | |
8099738 | Play | Concerto Conciso 2 | 00:00 Tools | |
8099329 | Play | Concerto Conciso 3 | 00:00 Tools | |
8099451 | Play | The Tempest, Act 3, Scene IV: How these things | 00:00 Tools | |
8099400 | Play | Asyla - I. | 00:00 Tools | |
8099625 | Play | Norwegian Peasant Dance No. 15, Op. 72 (1902-03): The Bride of Skuldal | 00:00 Tools | |
50865030 | Play | Canon à 4 voci: Andante sostenuto | 00:00 Tools | |
50865032 | Play | Five Eliot Landscapes, Op.1 (V) | 00:00 Tools | |
50865210 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 2: Nineteen Thirty-Four: Interlude (Orchestra) | 00:00 Tools | |
50865211 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 2: Nineteen Thirty-Four: I Hear Him Coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke) | 00:00 Tools | |
50865178 | Play | Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe | 00:00 Tools | |
87133835 | Play | Fool's Rhymes: Supernat'ral Light... | 00:00 Tools | |
50865034 | Play | Concerto Conciso - I | 00:00 Tools | |
8099751 | Play | Under Hamelin Hill, Op.6 (I) | 00:00 Tools | |
8099353 | Play | Come io passo l'estate (How I Spend the Summer) (1983): 04- La valle del Ciamin (The Valley of Ciamon) | 00:00 Tools | |
8099778 | Play | Norwegian Peasant Dance No. 14, Op. 72 (1902-03): The Goblins' Bridal Procession at Vossevangen | 00:00 Tools | |
50865029 | Play | Sonatina No. 3 'ad usum infantis': I. Molto tranquillo | 00:00 Tools | |
50865035 | Play | Traced Overhead, Op.15 (I) | 00:00 Tools | |
50865161 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 3: Nineteen Thirty-Six: Interlude - Scene 4: Nineteen Fifty-Three ...MM...Ah!...How May I Help You? (Duchess/Laundryman/Other Guest) | 00:00 Tools | |
8099272 | Play | Asyla - II | 00:00 Tools | |
50865051 | Play | Come Io Passo L'estate: III. Andiamo Al Rifugia Bergamo | 00:00 Tools | |
50865307 | Play | Five Eliot Landscapes Op. 1: V. Cape Ann | 00:00 Tools | |
8099271 | Play | Asyla - II. | 00:00 Tools | |
50865095 | Play | Chamber Symphony, Op. 2: II. — | 00:00 Tools | |
50865044 | Play | Interlude | 00:00 Tools | |
50865043 | Play | Traced Overhead, Op.15 (II) | 00:00 Tools | |
50865033 | Play | Asyla, op. 17 - II | 00:00 Tools | |
8099341 | Play | Chamber Symphony 2 | 00:00 Tools | |
87133832 | Play | The Lover in Winter: Iam nocet frigus teneris | 00:00 Tools | |
87133830 | Play | The Lover in Winter: Modo frigescit quidquid est | 00:00 Tools | |
50865254 | Play | Five Eliot Landscapes Op. 1: II. Virginia | 00:00 Tools | |
50865253 | Play | Five Eliot Landscapes Op. 1: III. Usk | 00:00 Tools | |
87133836 | Play | Fool's Rhymes: We're All in the Dumps... | 00:00 Tools | |
50865039 | Play | Piano Sonata No. 2 in G Minor: 2- Presto | 00:00 Tools | |
50865096 | Play | Chamber Symphony, Op. 2: III. — | 00:00 Tools | |
50865040 | Play | Piano Sonata No. 2 in G Minor: 1- Fuga: Lento espressivo | 00:00 Tools | |
8099612 | Play | Traced Overhead | 00:00 Tools | |
8099304 | Play | Concerto conciso - II | 00:00 Tools | |
50865048 | Play | Norwegian Peasant Dance No. 10, Op. 72 (1902-03): Knut Luråsen's Halling, No. 1 | 00:00 Tools | |
8099686 | Play | Jatékók (Playing Games): A megvadult lenhajó láng (The Mad Girl with the Flaxen Hair) | 00:00 Tools | |
50865042 | Play | Sonatina No. 3 'ad usum infantis': III. Vivace (alla Marcia) | 00:00 Tools | |
50865049 | Play | Five Eliot Landscapes, Op.1 (IV) | 00:00 Tools | |
50865206 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 3: Nineteen Thirty-Six: Fancy, Fancy Being Rich (Waitress) | 00:00 Tools | |
50865050 | Play | Traced Overhead, Op.15 (III) | 00:00 Tools | |
8099799 | Play | These Premises Are Alarmed, op. 16 | 00:00 Tools | |
87133833 | Play | The Lover in Winter: Nec limpha caret alveus | 00:00 Tools | |
50865143 | Play | Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: What have you got there? | 00:00 Tools | |
50865266 | Play | Violin Concerto, "Concentric Paths": III. Rounds | 00:00 Tools | |
50865045 | Play | The Origin of the Harp: I. Dolcissimo ed espressivo | 00:00 Tools | |
8099281 | Play | Chamber Symphony 4 | 00:00 Tools | |
87133834 | Play | The Lover in Winter: Nutritur Ignis Osculo | 00:00 Tools | |
8099288 | Play | Asyla - IV | 00:00 Tools | |
50865046 | Play | The Origin of the Harp: II. Largo con moto | 00:00 Tools | |
50865098 | Play | Sonata da Caccia, Op.11 (1993): II. Gayëment - | 00:00 Tools | |
8099356 | Play | Come io passo l'estate (How I Spend the Summer) (1983): 03- Andiamo al rifugio Bergamo (We get away to Bergamo) | 00:00 Tools | |
50865103 | Play | Chamber Symphony, Op. 2: IV. — | 00:00 Tools | |
8099297 | Play | Chamber Symphony - I | 00:00 Tools | |
8099531 | Play | Come io passo l'estate (How I Spend the Summer) (1983): 07- Ghiaccio sul Rosengarten (Ice on the Rosengarten) | 00:00 Tools | |
8099289 | Play | Chamber Symphony - IV | 00:00 Tools | |
8099301 | Play | Chamber Symphony - III | 00:00 Tools | |
8099287 | Play | Chamber Symphony - II | 00:00 Tools | |
50865216 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 3: Nineteen Thirty-Six: ...MM..Ah!...Room Service? | 00:00 Tools | |
50865165 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Ghost Epilogue: Enough...Or Too Much! (Maid/Electrician) | 00:00 Tools | |
50865067 | Play | Come Io Passo L'estate: IV. la Valle del Ciamin | 00:00 Tools | |
50865144 | Play | O Thou Who Didst With Pitfall and With Gin | 00:00 Tools | |
8099302 | Play | Chamber Symphony 3 | 00:00 Tools | |
8099819 | Play | Asyla - IV. | 00:00 Tools | |
50865063 | Play | Under Hamelin Hill, Op.6 (III) | 00:00 Tools | |
50865052 | Play | The Origin of the Harp: III. Spettrale | 00:00 Tools | |
50865053 | Play | The Origin of the Harp: IV. [untitled] | 00:00 Tools | |
50865055 | Play | Jatékók (Playing Games): Les Adieux in Janáček's Manier | 00:00 Tools | |
8099735 | Play | Come io passo l'estate (How I Spend the Summer) (1983): 10- Canzone per il mio compleanno (Song for my Birthday) | 00:00 Tools | |
50865056 | Play | Sonatina No. 3 'ad usum infantis': IV. Molto tranquillo | 00:00 Tools | |
50865057 | Play | Sonatina No. 3 'ad usum infantis': II. Andantino melancolico | 00:00 Tools | |
8099276 | Play | Gefriolsae me, Op. 3b | 00:00 Tools | |
50865214 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 6: Nineteen Fifty-Five: Order. Silence | 00:00 Tools | |
50865077 | Play | Come Io Passo L'estate: VIII. Antonio Ballista Dorme In Casa Dei Carabinieri | 00:00 Tools | |
50865075 | Play | Come Io Passo L'estate: V. Il Buco Dell'Orso | 00:00 Tools | |
50865313 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 5: Nineteen Fifty-Three: Ha Ha Ha Ha...(Paper Chase) (Mistress/Duke) | 00:00 Tools | |
50865114 | Play | Sonata da Caccia, Op.11 (1993): IV. Galament | 00:00 Tools | |
89183918 | Play | III. Auf dem Wasser zu singen | 00:00 Tools | |
89183919 | Play | II. Das klinget so herrlich, das klinget so schön | 00:00 Tools | |
50865058 | Play | Concerto Conciso (for Piano and Chamber Ensemble): [dotted crotchet = 116] | 00:00 Tools | |
50865059 | Play | Jatékók (Playing Games): Keringő: Allegretto grazioso | 00:00 Tools | |
50865061 | Play | Souvenir d'une marche boche (1914) (Recollection of a German March) | 00:00 Tools | |
8099618 | Play | Arcadiana, Op. 12: IV. Et... (tango mortale) | 00:00 Tools | |
8099514 | Play | Gefriolsae Me, op.3b (1990) | 00:00 Tools | |
50865062 | Play | Asyla, op. 17 - IV | 00:00 Tools | |
8099771 | Play | Three Studies after Couperin: Les Tours de passe-passe | 00:00 Tools | |
8099640 | Play | Preludium: Molto agitato | 00:00 Tools | |
8099798 | Play | Egy igaz ember emlékére (In Memory of a Just Person) | 00:00 Tools | |
50865066 | Play | Come io passo l'estate: VI. La Fontanella di Ganna | 00:00 Tools | |
87133838 | Play | O Albion | 00:00 Tools | |
50865086 | Play | Come Io Passo L'estate: VII. Ghiaccio Sul Rosengarten | 00:00 Tools | |
50865085 | Play | Come Io Passo L'estate: IX. Fantasma del Castello Di Presule | 00:00 Tools | |
89183920 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 3: Nineteen Thirty-Six: Interlude (Orchestra) | 00:00 Tools | |
50865084 | Play | Come Io Passo L'estate: X. Canzone Per Il Mio Compleanno | 00:00 Tools | |
50865265 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 3: Nineteen Thirty-Six: Come Here (Duchess/Waiter) | 00:00 Tools | |
50865134 | Play | Sonata da Caccia, Op.11 (1993): III. Naïvement | 00:00 Tools | |
50865069 | Play | Sonatina No. 3, Sonatina ad usum infantis, K 268 (c1916): 3- Vivace alla marcia | 00:00 Tools | |
8099753 | Play | Sonatina No. 3, Sonatina ad usum infantis, K 268 (c1916): 5- Polonaise un poco cerimonioso | 00:00 Tools | |
8099664 | Play | Korál: Dolce, sostenuto, quasi legato | 00:00 Tools | |
8099296 | Play | Concerto Conciso - J.=116 | 00:00 Tools | |
50865070 | Play | Concerto Conciso (for Piano and Chamber Ensemble): II - | 00:00 Tools | |
50865071 | Play | Sonata No. 2: II. Presto | 00:00 Tools | |
50865072 | Play | Cekam Te! (I wait for you) | 00:00 Tools | |
50865073 | Play | Sonatina No. 3 'ad usum infantis': V. Polonaise (un poco ceremonioso) | 00:00 Tools | |
50865093 | Play | Sonata No. 2: II. Presto | 00:00 Tools | |
8099677 | Play | Three Studies after Couperin: L'Âme-en-peine | 00:00 Tools | |
50865215 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 6: Nineteen Fifty-Five: DID She?...Of Course She DID (Rubberneckers) | 00:00 Tools | |
87133849 | Play | V. L'Embarquement | 00:00 Tools | |
50865264 | Play | Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did you hear - What he said? (Rubberneckers) | 00:00 Tools | |
50865076 | Play | Narodil Se Kristus Pán (Christ the Lord Is Born) | 00:00 Tools | |
50865078 | Play | These Premises Are Alarmed (for large orchestra) | 00:00 Tools | |
50865079 | Play | Sonatina No. 3, Sonatina ad usum infantis, K 268 (c1916): 4- Molto tranquilo | 00:00 Tools | |
50865231 | Play | Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: That will do. You may go (Duchess) | 00:00 Tools | |
8099440 | Play | But All Shall Be Well | 00:00 Tools | |
50865081 | Play | Jatékók (Playing Games): Hommage à Csajkovszkij (Tchaikovsky) | 00:00 Tools | |
50865082 | Play | Sonatina No. 3, Sonatina ad usum infantis, K 268 (c1916): 2- Andantino melancolico | 00:00 Tools | |
50865083 | Play | Valse pour les enfants (1917) | 00:00 Tools | |
50865089 | Play | Ades - Piano Quintet 1 | 00:00 Tools | |
50865260 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act I, Scene 5: Nineteen Fifty-Three: Are You Saying The Duchess Is A Whore? | 00:00 Tools | |
8099773 | Play | Living Toys: I. Angels | 00:00 Tools | |
50865220 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 6: Nineteen Fifty-Five: Interlude (Orchestra) | 00:00 Tools | |
50865221 | Play | Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: I'd like to make one thing entirely clear | 00:00 Tools | |
50865261 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 6: Nineteen Fifty-Five: So That Is All (Duchess/Rubberneckers) | 00:00 Tools | |
8099532 | Play | Living Toys, Op. 9: II. Aurochs | 00:00 Tools | |
50865090 | Play | Intimni skici (Intimate Sketches): 8- Čekám Tĕ! (I Await You!) | 00:00 Tools | |
50865091 | Play | Vzpomínka (piano) (A Reminiscence) | 00:00 Tools | |
8099634 | Play | Gefriolsae Me | 00:00 Tools | |
87133837 | Play | Three Studies After Couperin: Les Amusemens | 00:00 Tools | |
50865325 | Play | The Origin of the Harp, Op.13 (1994): II. Largo con moto | 00:00 Tools | |
89183921 | Play | VII. Lethe | 00:00 Tools | |
50865322 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 6: Nineteen Fifty-Five: But Now I Have Heard Something New (Judge) | 00:00 Tools | |
50865387 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 8: Nineteen Ninety: Agh - Who Are You? (Duchess/Hotel Manager) | 00:00 Tools | |
50865164 | Play | Three Studies from Couperin | 00:00 Tools | |
8099493 | Play | Living Toys, Op. 9: IV. H.A.L.'s Death | 00:00 Tools | |
89183922 | Play | IV. Et… (tango mortale) | 00:00 Tools | |
8099732 | Play | Living Toys, Op. 9: III. Militiamen | 00:00 Tools | |
8099807 | Play | Sonata da Caccia, Op. 11: I. Gravement | 00:00 Tools | |
8099837 | Play | Living Toys, Op. 9: V. Playing Funerals | 00:00 Tools | |
50865097 | Play | Three canons for Ursula (1988): 3- Canon 2/3 | 00:00 Tools | |
8099345 | Play | Violin Concerto: I. Rings | 00:00 Tools | |
50865099 | Play | Asyla, op. 17 - I | 00:00 Tools | |
50865329 | Play | The Origin of the Harp, Op.13 (1994): III. Spettrale | 00:00 Tools | |
50865100 | Play | Living Toys: II. Aurochs | 00:00 Tools | |
50865331 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 8: Nineteen Ninety: Broken. It's Broken (Duchess/Hotel Manager) | 00:00 Tools | |
50865327 | Play | Powder Her Face (An Opera In Two Acts) Op.14, Act II, Scene 7: Nineteen Seventy: Ah! None Left (Duchess/Society Journalist/Delivery Boy) | 00:00 Tools | |
50865101 | Play | Sonatina No. 3, Sonatina ad usum infantis, K 268 (c1916): 1- Molto tranquillo | 00:00 Tools | |
50865105 | Play | Asyla (For Orchestra): IV | 00:00 Tools | |
8099648 | Play | Sonata da Caccia: I. Gravement | 00:00 Tools | |
50865094 | Play | Come Io Passo L'estate: VI. la Fontanella Di Ganna | 00:00 Tools | |
8099848 | Play | Living Toys, Op. 9: II. BALETT | 00:00 Tools | |
50865109 | Play | Adès: The Origin Of The Harp - 1. Dolcissimo Ed Espressivo | 00:00 Tools | |
8099371 | Play | Living Toys, Op. 9: V. TABLET | 00:00 Tools | |
50865113 | Play | Three canons for Ursula (1988): 2- Canon 6/9/10/15 | 00:00 Tools | |
50865125 | Play | Arcadiana: IV. Et… (tango mortale) | 00:00 Tools | |
50865137 | Play | Violin Concerto 'Concentric Paths': I. Rings | 00:00 Tools | |
50865129 | Play | ...but all shall be well, op. 10 | 00:00 Tools | |
50865104 | Play | Living Toys: III. Militiamen | 00:00 Tools | |
8099736 | Play | Living Toys: IV. H.A.L.'s Death | 00:00 Tools | |
50865138 | Play | Sonatina No. 3 'ad Usum Infantis': I. Molto Tranquillo | 00:00 Tools | |
50865139 | Play | Sonatina No. 3 'ad Usum Infantis': V. Polonaise (un Poco Ceremonioso) | 00:00 Tools | |
50865108 | Play | Castiglioni / How I spend the summer - 1 Arrival at Tires | 00:00 Tools | |
8099636 | Play | Living Toys, Op. 9: IV. BATTLE | 00:00 Tools | |
50865119 | Play | Ades - Piano Quintet 3 | 00:00 Tools | |
50865330 | Play | The Origin of the Harp, Op.13 (1994): IV. [untitled] | 00:00 Tools | |
50865116 | Play | Living Toys: Tablet | 00:00 Tools | |
50865117 | Play | Living Toys: Ballet | 00:00 Tools | |
50865151 | Play | Sonatina No. 3 'ad Usum Infantis': II. Andantino Melancolico | 00:00 Tools | |
50865152 | Play | Sonatina No. 3 'ad Usum Infantis': IV. Molto Tranquillo | 00:00 Tools | |
8099390 | Play | Sonata da Caccia: II. Gayëment | 00:00 Tools | |
8099453 | Play | Adès: Darknesse Visible | 00:00 Tools | |
8099770 | Play | Adès: The Tempest - Act 1, Sc. 1: Hell Is Empty | 00:00 Tools | |
8099730 | Play | Sonata da Caccia, Op. 11: III. Naïvement | 00:00 Tools | |
87133839 | Play | Take it from me | 00:00 Tools | |
8099627 | Play | Piano Sonata No. 2: II. Tempo Di Srabande | 00:00 Tools | |
50865132 | Play | Ades - Piano Quintet 2 | 00:00 Tools | |
50865118 | Play | Na Památku (In Memorium) | 00:00 Tools | |
50865120 | Play | Three canons for Ursula (1988): 1- Canon 5/7 | 00:00 Tools | |
50865121 | Play | Chamber Symphony Op.2 (for fifteen players): I | 00:00 Tools | |
50865122 | Play | Chamber Symphony Op.2 (for fifteen players): II | 00:00 Tools | |
50865123 | Play | Five Eliot Landscapes Op. 1: I. New Hampshire | 00:00 Tools | |
50865124 | Play | Five Eliot Landscapes Op. 1: II. Virginia | 00:00 Tools | |
50865126 | Play | Concerto Conciso, op. 18 - I | 00:00 Tools | |
8099372 | Play | Violin Concerto: II. Paths | 00:00 Tools | |
50865127 | Play | Living Toys: Battle | 00:00 Tools | |
8099336 | Play | Violin Concerto: III. Rounds | 00:00 Tools | |
50865115 | Play | Concerto Conciso, op. 18 - II | 00:00 Tools | |
50865128 | Play | Living Toys: V. Playing Funerals | 00:00 Tools | |
50865172 | Play | Sonatina No. 3 'ad Usum Infantis': III. Vivace (alla Marcia) | 00:00 Tools | |
50865153 | Play | Violin Concerto 'Concentric Paths': II. Paths | 00:00 Tools | |
50865130 | Play | ...but all shall be well (for orchestra) | 00:00 Tools | |
50865155 | Play | Darkness Visible | 00:00 Tools | |
50865142 | Play | Adès: The Origin Of The Harp - 2. Largo Con Moto | 00:00 Tools | |
50865337 | Play | Asyla Op. 17, III. Ecstasio | 00:00 Tools | |
8099781 | Play | Sonata da Caccia, Op. 11: II. Gayëment | 00:00 Tools | |
8099696 | Play | Concerto Conciso | 00:00 Tools | |
8099549 | Play | Act One - Overture | 00:00 Tools | |
50865136 | Play | Brahms Op. 21 | 00:00 Tools | |
8099593 | Play | Asyla: III. Ecstasio | 00:00 Tools | |
50865171 | Play | Violin Concerto 'Concentric Paths': III. Rounds | 00:00 Tools | |
8099348 | Play | The Origin of the Harp, Op. 13: I. Dolcissimo ed espressivo | 00:00 Tools | |
50865159 | Play | I could never grow bored of dukedoms | 00:00 Tools | |
8099379 | Play | Life Story, op. 8b | 00:00 Tools | |
50865160 | Play | Adès: The Origin Of The Harp - 4. [Untitled] | 00:00 Tools | |
8099741 | Play | Adès: The Tempest - Act 1, Sc. 2: Miranda, You Are My Care | 00:00 Tools | |
89183923 | Play | In Seven Days VII Contemplation | 00:00 Tools | |
50865163 | Play | Scene 1 - Nineteen ninety - Oo aa! ha ha ha ha ha | 00:00 Tools | |
50865146 | Play | Come io passo l'estate (How I Spend the Summer) (1983): 09- Il fantasma del castello di Presule (The Ghost at Persule Castle) | 00:00 Tools | |
50865135 | Play | Piano Sonata No. 2: I. Vivace e Ritmico | 00:00 Tools | |
8099520 | Play | Malostranský palác (Andante) | 00:00 Tools | |
50865147 | Play | Chamber Symphony Op.2 (for fifteen players): IV | 00:00 Tools | |
50865169 | Play | Order, Silence | 00:00 Tools | |
50865148 | Play | Piano Quintet in A major D667 (Trout): Variation I | 00:00 Tools | |
50865149 | Play | Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I: Overture (Orchestra) | 00:00 Tools | |
8099607 | Play | Adès: The Tempest - Act 1, Sc. 3: Fear The Sinner | 00:00 Tools | |
89183924 | Play | Les Baricades Misterieuses - Thomas Ades | 00:00 Tools | |
8099707 | Play | Asyla (For Orchestra): III. Ecstasio | 00:00 Tools | |
89183925 | Play | Totentanz | 00:00 Tools | |
8099536 | Play | Chamber Symphony, op. 2 - I | 00:00 Tools | |
8099580 | Play | Chamber Symphony, op. 2 - III | 00:00 Tools | |
8099567 | Play | Chamber Symphony, op. 2 - IV | 00:00 Tools | |
8099750 | Play | Overture | 00:00 Tools | |
8099338 | Play | The Origin of the Harp, Op. 13: II. Largo con moto | 00:00 Tools | |
8099392 | Play | I hear him coming (Pantomime) | 00:00 Tools | |
8099509 | Play | Three Studies from Couperin: II. Les Tours de passe-passe | 00:00 Tools | |
8099358 | Play | Adès: Still Sorrowing, Op. 7 | 00:00 Tools | |
8099676 | Play | Sonata da Caccia op.11: IV. Galament | 00:00 Tools | |
50865154 | Play | 15 Moravian Folk Songs (Piano): 2. Ked' si já zazpívám | 00:00 Tools | |
50865156 | Play | Adès: Traced Overhead, Op. 15 - 2. Aetheria | 00:00 Tools | |
87133845 | Play | Asyla (World Première) | 00:00 Tools | |
8099403 | Play | Three Studies from Couperin: I. Les Amusemens | 00:00 Tools | |
8099695 | Play | Adès: Traced Overhead, Op. 15 - 1. Sursum | 00:00 Tools | |
50865181 | Play | Scene 2 - Nineteen thirty-four - Of course she's done well | 00:00 Tools | |
50865179 | Play | Three Studies from Couperin: III. L'Âme-en-peine | 00:00 Tools | |
50865162 | Play | Powder Her Face (Suite): Finale | 00:00 Tools | |
50865182 | Play | Adès: The Origin Of The Harp - 3. Spettrale | 00:00 Tools | |
8099290 | Play | Arcadiana, Op. 12 - II. Das klinget so herrlich, das klinget so schön | 00:00 Tools | |
8099303 | Play | Arcadiana, Op. 12 - VI. O Albion | 00:00 Tools | |
8099614 | Play | Adès: The Tempest - Act 1, Sc. 4: Sorcerer, Die | 00:00 Tools | |
50865166 | Play | The Fayrfax - Hugh Webb | 00:00 Tools | |
50865188 | Play | Schubert. 'Trout' Quintet - Thema (Andantino) | 00:00 Tools | |
50865168 | Play | Chamber Symphony Op.2 (for fifteen players): III | 00:00 Tools | |
50865170 | Play | Five Eliot Landscapes Op. 1: III. Usk | 00:00 Tools | |
89183926 | Play | Arcadiana (O Albion) | 00:00 Tools | |
87133841 | Play | Asyla, Op. 17: I. | 00:00 Tools | |
50865150 | Play | Concerto Conciso, op. 18 - III [♩= 116] | 00:00 Tools | |
8099573 | Play | Sonata da Caccia: IV. Galament | 00:00 Tools | |
50865173 | Play | Asyla (For Orchestra): I | 00:00 Tools | |
87133844 | Play | Arcadiana, Op. 12: V. L'Embarquement - | 00:00 Tools | |
50865204 | Play | Adès: Asyla - Mvt. 1 | 00:00 Tools | |
50865177 | Play | Dances from Powder Her Face - III. Finale | 00:00 Tools | |
8099330 | Play | The Origin of the Harp, Op. 13: III. Spettrale | 00:00 Tools | |
50865175 | Play | Sonata da Caccia: III. Naïvement | 00:00 Tools | |
50865213 | Play | Powder Her Face (Suite): Overture | 00:00 Tools | |
50865218 | Play | I see. This is what is has come to | 00:00 Tools | |
8099742 | Play | Adès: Traced Overhead, Op. 15 - 3. Chori | 00:00 Tools | |
50865222 | Play | Adès: The Tempest - Act 1, Sc. 2: What You Have Told Me | 00:00 Tools | |
50865225 | Play | Adès: The Tempest - Act 1, Sc. 6: As I Sat Weeping | 00:00 Tools | |
8099310 | Play | Living Toys, Op. 9 - II. Aurochs - | 00:00 Tools | |
8099299 | Play | Arcadiana, Op. 12 - III. Auf dem Wasser zu singen | 00:00 Tools | |
50865226 | Play | Adès: The Tempest - Act 2, Sc. 1: Alive, Awake | 00:00 Tools | |
8099319 | Play | Living Toys, Op. 9 - III. Militiamen | 00:00 Tools | |
50865229 | Play | Adès: The Tempest - Act 1, Sc. 5: Sir?...Have You Recovered Them? | 00:00 Tools | |
8099279 | Play | Arcadiana, Op. 12 - IV. Et... (tango mortale) | 00:00 Tools | |
50865180 | Play | Under Hamelin Hill, op. 6: Preambulum | 00:00 Tools | |
50865183 | Play | Come io passo l'estate (How I Spend the Summer) (1983): 01- Arrivo a Tires (Arrival at Tires) Castiglioni, Niccolò (b. 1932), composer | 00:00 Tools | |
50865184 | Play | Powder Her Face (Suite): Waltz | 00:00 Tools | |
8099343 | Play | Living Toys, Op. 9 - IV. H.A.L.'s Death - | 00:00 Tools | |
8099797 | Play | Come Here | 00:00 Tools | |
50865167 | Play | Chamber symphony | 00:00 Tools | |
50865185 | Play | Come io passo l'estate (How I Spend the Summer) (1983): 08- Antonio Ballista dorme in casa dei carabinieri (Antonio Ballista sleeps in the Police Station) | 00:00 Tools | |
50865186 | Play | 15 Moravian Folk Songs (Piano): 10. Dyz ja budu lezat v cerném lesi | 00:00 Tools | |
50865237 | Play | Adès: The Tempest - Act 2, Sc. 2: A Monster! | 00:00 Tools | |
50865232 | Play | Part I - City Of Birmingham Symphony Chorus | 00:00 Tools | |
50865187 | Play | January Writ - Christopher Bowers-Broadbent | 00:00 Tools | |
50865189 | Play | Piano Quintet in A major D667 (Trout): Allegretto | 00:00 Tools | |
50865190 | Play | Piano Quintet in A major D667 (Trout): Variation III | 00:00 Tools | |
50865191 | Play | Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 1: Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician) | 00:00 Tools | |
50865192 | Play | Living Toys, Op. 9 | 00:00 Tools | |
50865193 | Play | Act 1, Scene 5: 'Five fathoms deep' | 00:00 Tools | |
50865194 | Play | Come io passo l'estate (How I Spend the Summer), suite for piano | 00:00 Tools | |
8099485 | Play | Arcadiana, op.12 (1994) - 6. O Albion | 00:00 Tools | |
8099357 | Play | Arcadiana, op.12 (1994) - 1. Venezia notturna | 00:00 Tools | |
50865195 | Play | Asyla for orchestra | 00:00 Tools | |
8099711 | Play | Sonata da Caccia, op.11 (1993) - 4. Galament | 00:00 Tools | |
50865196 | Play | Act 1, Scene 1: 'Hell is empty' | 00:00 Tools | |
8099340 | Play | Sonata da Caccia, op.11 (1993) - 3. Naïvement | 00:00 Tools | |
50865197 | Play | Act 1, Scene 2: 'What you have told me' | 00:00 Tools | |
50865198 | Play | Act 1, Scene 4: 'Sorcerer, die' | 00:00 Tools | |
50865199 | Play | Act 1, Scene 2: 'Oh father...' | 00:00 Tools | |
50865201 | Play | Act 1, Scene 2: 'Miranda - you are my care' | 00:00 Tools | |
8099743 | Play | Adès: Asyla - 3. Ecstasio | 00:00 Tools | |
50865200 | Play | Act 1, Scene 6: 'As I sat weeping...' | 00:00 Tools | |
50865202 | Play | Adès: These Premises Are Alarmed | 00:00 Tools | |
8099407 | Play | Adès: Asyla - Mvt. 2 | 00:00 Tools | |
8099610 | Play | Chamber Symphony, op. 2 - II | 00:00 Tools | |
8099827 | Play | Adès: Asyla - Mvt. 4 | 00:00 Tools | |
50865219 | Play | Adès: Chamber Symphony, Op. 2 - Mvt. 1 | 00:00 Tools | |
89183927 | Play | Arcadiana, For String Quartet, Op. 12 | 00:00 Tools | |
50865207 | Play | Act 2, Scene 2: 'Friends don't fear...' | 00:00 Tools | |
8099483 | Play | The Origin of the Harp, Op. 13: IV. [untitled] | 00:00 Tools | |
50865212 | Play | Act 2, Scene 2: 'A monster!' | 00:00 Tools | |
87133842 | Play | Totentanz (World Premiere Proms 2013) | 00:00 Tools | |
8099693 | Play | Adès: But All Shall Be Well | 00:00 Tools | |
50865217 | Play | Act 2, Scene 4: 'What was before...' | 00:00 Tools | |
8099804 | Play | Adès: Under Hamelin Hill, Op. 6 - 3. Arietta | 00:00 Tools | |
8099293 | Play | Arcadiana, Op. 12 - V. L'Embarquement | 00:00 Tools | |
50865272 | Play | Adès: The Tempest - Act 1, Sc. 5: 5 Fathoms Deep | 00:00 Tools | |
8099769 | Play | Ha ha ha ha... (Paper chase) | 00:00 Tools | |
50865223 | Play | Act 2, Scene 3: 'They won't find him' | 00:00 Tools | |
50865326 | Play | Violin Concerto "Concentric Paths", op. 24 | 00:00 Tools | |
50865224 | Play | Asyla II | 00:00 Tools | |
50865269 | Play | Adès: The Tempest - Act 3, Sc. 4: How Good They Are | 00:00 Tools | |
50865270 | Play | Adès: The Tempest - Act 3, Sc. 1: This Way | 00:00 Tools | |
50865271 | Play | Scene 3 - Nineteen thirty-six - Fancy, fancy being rich | 00:00 Tools | |
8099298 | Play | Arcadiana, Op. 12 - VII. Lethe | 00:00 Tools | |
50865227 | Play | 15 Moravian Folk Songs (Piano): 4. Marys, moja Marys | 00:00 Tools | |
50865274 | Play | Part I | 00:00 Tools | |
50865275 | Play | Adès: The Tempest - Act 3, Sc. 4: Quietness | 00:00 Tools | |
50865276 | Play | Adès: The Tempest - Act 3, Sc. 2: Help Us! | 00:00 Tools | |
50865230 | Play | Scene VI: As i sat weeping | 00:00 Tools | |
50865277 | Play | Adès: The Tempest - Act 3, Sc. 4: How These Things | 00:00 Tools | |
8099756 | Play | Adès: The Tempest - Act 3, Sc. 2: Murder! | 00:00 Tools | |
50865278 | Play | Adès: The Tempest - Act 3, Sc. 1 | 00:00 Tools | |
8099395 | Play | So that is all | 00:00 Tools | |
50865293 | Play | Adès: The Tempest - Act 2, Sc. 1: I Had The Notion I Flew | 00:00 Tools | |
8099384 | Play | Adès: The Tempest - Act 2, Sc. 2: We'll Find The Prince | 00:00 Tools | |
50865283 | Play | Adès: The Tempest - Act 3, Sc. 5: Who Was Here | 00:00 Tools | |
50865284 | Play | Adès: The Tempest - Act 3, Sc. 2: Spirit Must I Right | 00:00 Tools | |
50865281 | Play | Adès: The Tempest - Act 3, Sc. 3: Murder This Man | 00:00 Tools | |
50865282 | Play | Adès: The Tempest - Act 3, Sc. 3: Father | 00:00 Tools | |
8099568 | Play | The Origin of the Harp, Op. 13 - II: Largo con moto - | 00:00 Tools | |
50865233 | Play | Cardiac Arrest - Thomas Ades | 00:00 Tools | |
50865234 | Play | I had the notion I flew | 00:00 Tools | |
50865291 | Play | Adès: The Tempest - Act 2, Sc. 4: What Was Before | 00:00 Tools | |
50865235 | Play | Concerto Conciso for piano & orchestra, Op. 18: Movement 1 | 00:00 Tools | |
50865292 | Play | But now I have heard something new | 00:00 Tools | |
50865236 | Play | Schubert. 'Trout' Quintet - Variation IV | 00:00 Tools | |
50865238 | Play | Living Toys op.9: BALETT - | 00:00 Tools | |
50865239 | Play | The Origin of the Harp Op 13 (1994) for Three Clarinets, Three Violas, Three Cellos and Percussion: I. Dolcissimo ed espressivo | 00:00 Tools | |
50865240 | Play | Living Toys op.9: I Angels - | 00:00 Tools | |
50865241 | Play | Act 1, Scene 3: 'Fear to the sinner' | 00:00 Tools | |
50865242 | Play | Act 3, Scene 2: 'Spirit must I right...' | 00:00 Tools | |
8099359 | Play | Arcadiana, op.12 (1994) - 4. Et... (tango mortale) | 00:00 Tools | |
8099690 | Play | II. | 00:00 Tools | |
8099377 | Play | Arcadiana, op.12 (1994) - 3. Auf dem Wasser zu singer | 00:00 Tools | |
8099369 | Play | Arcadiana, op.12 (1994) - 2. Das klinget so herrlich, das klinget so schön | 00:00 Tools | |
8099517 | Play | Arcadiana, op.12 (1994) - 7 Lethe | 00:00 Tools | |
87133843 | Play | Asyla, Op. 17: II. | 00:00 Tools | |
50865244 | Play | City of Birmingham Symphony Orchestrsa; Simon Rattle / Asyla 3 | 00:00 Tools | |
50865245 | Play | City of Birmingham Symphony Orchestrsa; Simon Rattle / Asyla 1 | 00:00 Tools | |
50865246 | Play | Act 2, Scene 1: 'Awake, awake' | 00:00 Tools | |
50865247 | Play | City of Birmingham Symphony Orchestrsa; Simon Rattle / Asyla 2 | 00:00 Tools | |
89183928 | Play | Les amusements (Three Studies from Couperin) | 00:00 Tools | |
89183929 | Play | Dances from Powder Her Face - I. Overture | 00:00 Tools | |
89183930 | Play | Arcadiana, Op. 12: II. Das klinget so herrlich, das klinget so schon | 00:00 Tools | |
50865248 | Play | Act 2, Scene 1: 'I had the notion that I flew' | 00:00 Tools | |
50865256 | Play | Adès: Chamber Symphony, Op. 2 - Mvt. 3 | 00:00 Tools | |
50865252 | Play | Adès: Chamber Symphony, Op. 2 - Mvt. 4 | 00:00 Tools | |
8099405 | Play | Adès: Concerto Conciso - Mvt. 1 | 00:00 Tools | |
50865250 | Play | Act 3, Scene 1: (Entr'acte) | 00:00 Tools | |
50865251 | Play | Act 1, Scene 2: 'We'll find the prince' | 00:00 Tools | |
8099551 | Play | Living Toys, op.9 (1993) - 1. Angels - | 00:00 Tools | |
50865258 | Play | Adès: Chamber Symphony, Op. 2 - Mvt. 2 | 00:00 Tools | |
8099327 | Play | Living Toys, Op. 9 - II. BALETT | 00:00 Tools | |
50865257 | Play | Act 3, Scene 1: 'This way...' | 00:00 Tools | |
8099328 | Play | The Origin of the Harp, Op. 13 - I. Dolcissimo ed espressivo | 00:00 Tools | |
50865259 | Play | Fayrfax carol | 00:00 Tools | |
50865263 | Play | Traced Overhead, Op. 15: Sursum | 00:00 Tools | |
8099339 | Play | The Origin of the Harp, Op. 13 - III. Spettrale | 00:00 Tools | |
50865267 | Play | 15 Moravian Folk Songs (Piano): 3. Ach, ty Jurko, Jurenko | 00:00 Tools | |
50865268 | Play | A monster! | 00:00 Tools | |
8099366 | Play | The Origin of the Harp, Op. 13 - IV. [untitled] | 00:00 Tools | |
8099315 | Play | Living Toys, Op. 9 - IV. BATTLE | 00:00 Tools | |
50865273 | Play | Sonata da Caccia Op. 11 (1993) for Baroque Oboe, Horn and Harpsichord: I. Gravement | 00:00 Tools | |
50865334 | Play | Adès: The Tempest - Act 2, Sc. 2: Friends Don't Fear | 00:00 Tools | |
8099605 | Play | That will do. You may go | 00:00 Tools | |
50865336 | Play | Adès: The Tempest - Act 3, Sc. 2: Fool. You've Tired Us Out | 00:00 Tools | |
50865335 | Play | Part II - City Of Birmingham Symphony Chorus | 00:00 Tools | |
50865279 | Play | Oh Thou, Who Didst With Pitfall And With Gin, Op.3a - Hugh Webb | 00:00 Tools | |
50865280 | Play | Chamber Symphony - 2 | 00:00 Tools | |
8099469 | Play | The Origin of the Harp, Op. 13 - I: Dolcissimo ed espressivo - | 00:00 Tools | |
50865285 | Play | Schubert. 'Trout' Quintet - II. Andante | 00:00 Tools | |
50865286 | Play | Schubert. 'Trout' Quintet - Variation I | 00:00 Tools | |
50865287 | Play | Schubert. 'Trout' Quintet - Variation III | 00:00 Tools | |
50865288 | Play | Schubert. 'Trout' Quintet - Variation II | 00:00 Tools | |
50865341 | Play | Adès: The Tempest - Act 2, Sc. 3: They Won't Find Him | 00:00 Tools | |
50865289 | Play | Concerto Conciso for piano & orchestra, Op. 18: Movement 2 | 00:00 Tools | |
8099489 | Play | Sonata da Caccia, Op. 11 - IV: Galament | 00:00 Tools | |
50865290 | Play | Concerto Conciso for piano & orchestra, Op. 18: Movement 3 | 00:00 Tools | |
50865349 | Play | Interlude - Fifty-eight, seventy-nine | 00:00 Tools | |
50865294 | Play | Schubert. 'Trout' Quintet - Variation V | 00:00 Tools | |
50865295 | Play | Piano Quintet in A major D667 (Trout): Variation IV | 00:00 Tools | |
50865296 | Play | Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe | 00:00 Tools | |
50865297 | Play | Piano Quintet in A major D667 (Trout): IV Thema andantino | 00:00 Tools | |
50865298 | Play | These Premises Are Alarmed, Op.16 | 00:00 Tools | |
50865299 | Play | Arcadiana, Op. 12 | 00:00 Tools | |
8099487 | Play | I. | 00:00 Tools | |
8099564 | Play | Asyla, Op. 17: IV | 00:00 Tools | |
50865301 | Play | Asyla: I. | 00:00 Tools | |
8099397 | Play | Living Toys, op.9 (1993) - BATTLE | 00:00 Tools | |
8099682 | Play | Living Toys, op.9 (1993) - TABLET | 00:00 Tools | |
50865359 | Play | Asyla: II. | 00:00 Tools | |
8099729 | Play | Act 3, Scene 4: 'Quietness...' | 00:00 Tools | |
87133846 | Play | Powder Her Face: Overture | 00:00 Tools | |
89183931 | Play | Lieux Retrouvés for cello and orchestra | 00:00 Tools | |
50865302 | Play | Act 3, Scene 4: 'How good they are' | 00:00 Tools | |
50865303 | Play | Act 3, Scene 3: 'Murder this man' | 00:00 Tools | |
50865304 | Play | America: A Prophecy — Part I | 00:00 Tools | |
50865312 | Play | Adès: Concerto Conciso - Mvt. 3 | 00:00 Tools | |
50865305 | Play | Violin Concerto | 00:00 Tools | |
50865306 | Play | 15 Moravian Folk Songs (Piano): 8. Cí to pachole v noci chodí | 00:00 Tools | |
8099765 | Play | Overture, Waltz and Finale from Powder Her Face: II. Waltz | 00:00 Tools | |
50865370 | Play | Sonata da Caccia, op.11 (1993) - 1. Gravement - | 00:00 Tools | |
50865308 | Play | Act 3, Scene 2: 'Help us!' | 00:00 Tools | |
89183932 | Play | Les Baricades misterieuses | 00:00 Tools | |
50865324 | Play | Adès: Concerto Conciso - Mvt. 2 | 00:00 Tools | |
50865309 | Play | 15 Moravian Folk Songs (Piano): 11. Bezi voda, bezi | 00:00 Tools | |
50865310 | Play | Act 3, Scene 2: 'Murder!' | 00:00 Tools | |
50865311 | Play | Act 3, Scene 3: 'Father...' | 00:00 Tools | |
8099459 | Play | Living Toys, op.9 (1993) - 2. Aurochs - | 00:00 Tools | |
50865314 | Play | Five Eliot Landscapes, Op. 1: New Hampshire | 00:00 Tools | |
50865315 | Play | Overture, Waltz and Finale from Powder Her Face: I. Overture | 00:00 Tools | |
50865316 | Play | Five Eliot Landscapes, Op. 1: Rannoch, by Glencoe | 00:00 Tools | |
50865317 | Play | Overture, Waltz and Finale from Powder Her Face: III. Finale | 00:00 Tools | |
8099550 | Play | Living Toys, op.9 (1993) - BALETT - | 00:00 Tools | |
8099486 | Play | Living Toys, op.9 (1993) - 4. H.A.L.'s Death - | 00:00 Tools | |
8099570 | Play | Living Toys, op.9 (1993) - 3. Militiamen - | 00:00 Tools | |
50865318 | Play | Traced Overhead, Op. 15: Chori | 00:00 Tools | |
50865319 | Play | Under Hamelin Hill, op. 6: Arietta | 00:00 Tools | |
50865320 | Play | Traced Overhead, Op. 15: Aetheria | 00:00 Tools | |
50865321 | Play | Five Eliot Landscapes, Op. 1: Usk | 00:00 Tools | |
8099331 | Play | The Origin of the Harp, Op. 13 - II. Largo con moto | 00:00 Tools | |
50865323 | Play | Act 3, Scene 2: 'Fool. You've tired us out...' | 00:00 Tools | |
8099350 | Play | Living Toys, Op. 9 - V. TABLET | 00:00 Tools | |
8099370 | Play | Living Toys, Op. 9 - V. Playing Funerals - | 00:00 Tools | |
89183933 | Play | Powder Her Face | 00:00 Tools | |
50865328 | Play | 15 Moravian Folk Songs (Piano): 5. Uz sa mne muj milý pryc ubirá | 00:00 Tools | |
50865383 | Play | Piano Quintet: III. | 00:00 Tools | |
50865332 | Play | Schubert. 'Trout' Quintet - I. Allegro vivace | 00:00 Tools | |
8099635 | Play | The Origin of the Harp, Op. 13 - III: Spettrale - | 00:00 Tools | |
50865395 | Play | Part II | 00:00 Tools | |
50865338 | Play | Schubert. 'Trout' Quintet - III. Scherzo (Presto) | 00:00 Tools | |
89183934 | Play | Posthumous Piano Pieces: Na památku - In memorium | 00:00 Tools | |
50865340 | Play | Sonata da Caccia, Op. 11 - I: Gravement - | 00:00 Tools | |
50865403 | Play | Ah! None left | 00:00 Tools | |
50865342 | Play | Living Toys op.9: BATTLE - | 00:00 Tools | |
50865343 | Play | Birmingham Contemporary Music Group / Chamber Symphony 3 | 00:00 Tools | |
50865405 | Play | Under Hamelin Hill, op.6: Preambulum (g) | 00:00 Tools | |
50865344 | Play | Chamber Symphony, Op.2: Movement 4 | 00:00 Tools | |
50865409 | Play | Ghost Epilogue - Enough...Or too much! | 00:00 Tools | |
50865345 | Play | Living Toys op.9: II Aurochs - | 00:00 Tools | |
50865346 | Play | Schubert. 'Trout' Quintet - V. Finale (Allegro giusto) | 00:00 Tools | |
50865347 | Play | Schubert. 'Trout' Quintet - Allegretto | 00:00 Tools | |
50865348 | Play | T Ades-pf, L Marsh-cla, A Marwood-vn, L Hopkins-vc / Catch, op.4 (adef) | 00:00 Tools | |
8099820 | Play | Movement I | 00:00 Tools | |
50865350 | Play | Sonata da Caccia, Op. 11 - II: Gayëment - | 00:00 Tools | |
50865351 | Play | Friends don't fear... | 00:00 Tools | |
8099561 | Play | Help us! | 00:00 Tools | |
50865352 | Play | Arcadiana Op.12: I Venezia Notturna | 00:00 Tools | |
50865353 | Play | The Origin of the Harp, Op. 13 - IV [untitled] | 00:00 Tools | |
50865354 | Play | Piano Quintet in A major D667 (Trout): Variation II | 00:00 Tools | |
50865355 | Play | Living Toys op.9: V Playing Funerals - | 00:00 Tools | |
87133847 | Play | IV. | 00:00 Tools | |
50865357 | Play | The Origin of the Harp, op.13 (1994) - 4. [untitled] | 00:00 Tools | |
89183935 | Play | Les tours de passe-passe (Three Studies from Couperin) | 00:00 Tools | |
50865358 | Play | Act 3, Scene 5: 'Who was here...' | 00:00 Tools | |
89183936 | Play | Concerto Conciso, Op. 18: II | 00:00 Tools | |
50865371 | Play | Traced Overhead, Op. 15: Part 2, Aetheria | 00:00 Tools | |
89183937 | Play | Mazurka | 00:00 Tools | |
50865361 | Play | Bruiloftsdans van de dwergen in Vossevangen uit Drie Noorse Boerendansen | 00:00 Tools | |
89183938 | Play | In Seven Days: iv. Stars - Sun - Moon | 00:00 Tools | |
89183939 | Play | Chamber Symphony, Op. 2: III | 00:00 Tools | |
50865368 | Play | Traced Overhead, Op. 15: Part 1, Sursum | 00:00 Tools | |
50865362 | Play | Asyla III, Ecstasio | 00:00 Tools | |
50865363 | Play | City of Birmingham Symphony Orchestrsa; Simon Rattle / Asyla 4 | 00:00 Tools | |
50865364 | Play | Adès: Living Toys - Ballet | 00:00 Tools | |
50865365 | Play | America: A Prophecy — Part II | 00:00 Tools | |
87133850 | Play | Life story, op. 8 | 00:00 Tools | |
50865366 | Play | 15 Moravian Folk Songs (Piano): 1. Ty hodiny vívanské | 00:00 Tools | |
50865367 | Play | Act 3, Scene 4: 'How these things...' | 00:00 Tools | |
50865369 | Play | Arcadiana, op.12: I. Venezia notturna | 00:00 Tools | |
87133851 | Play | The Four Quarters | 00:00 Tools | |
87133852 | Play | In Seven Days: I. Chaos - Light - Dark | 00:00 Tools | |
50865372 | Play | Gefriolsae Me Op.3b | 00:00 Tools | |
50865373 | Play | Arcadiana, op.12: III. Auf dem Wasser zu singen | 00:00 Tools | |
50865374 | Play | I see, This is what is has come to | 00:00 Tools | |
50865375 | Play | Arcadiana, op.12: II. Das klinget so herrlich, das klinget so schön | 00:00 Tools | |
8099840 | Play | Living Toys, op.9 (1993) - 5. Playing Funerals - | 00:00 Tools | |
89183940 | Play | Three Studies after Couperin - L'Ame-en-peine | 00:00 Tools | |
50865376 | Play | Under Hamelin Hill, op. 6: Fuga a tre voci con alcune licenze | 00:00 Tools | |
50865377 | Play | Five Eliot Landscapes, Op. 1: Cape Ann | 00:00 Tools | |
50865378 | Play | Five Eliot Landscapes, Op. 1: Virginia | 00:00 Tools | |
50865400 | Play | The Origin of the Harp, op.13 (1994) - 1. Dolcissimo ed espressivo - | 00:00 Tools | |
50865379 | Play | Asyla For Orchestra: Movement IV | 00:00 Tools | |
87133853 | Play | Piano Quintet | 00:00 Tools | |
89183941 | Play | Three Studies after Couperin - Les Amusemens | 00:00 Tools | |
89183942 | Play | Three Studies after Couperin - Les Tours de passe-passe | 00:00 Tools | |
87133854 | Play | Piano Quintet: I. | 00:00 Tools | |
89183943 | Play | Asyla (3rd mvt, 'Ecstasio') | 00:00 Tools | |
89183944 | Play | In Seven Days: Creatures of the Land; Contemplation | 00:00 Tools | |
87133855 | Play | Oh thou, who didst with pitfall and with gin, op. 3a | 00:00 Tools | |
87133856 | Play | Powder Her Face (Overture) | 00:00 Tools | |
8099354 | Play | Sonata da Caccia, Op. 11 - IV. Galament | 00:00 Tools | |
8099334 | Play | Sonata da Caccia, Op. 11 - III. Naïvement | 00:00 Tools | |
50865381 | Play | T Ades-pf / Darknesse Visible (a) | 00:00 Tools | |
50865382 | Play | What You Have Told Me | 00:00 Tools | |
89183945 | Play | Moderato from 3 Mazurkas, Op. 27 | 00:00 Tools | |
50865384 | Play | Movement I - Christopher Bowers-Broadbent | 00:00 Tools | |
50865385 | Play | Brahms, Op.21 - Christopher Maltman | 00:00 Tools | |
8099323 | Play | Sonata da Caccia, Op. 11 - I. Gravement | 00:00 Tools | |
8099360 | Play | Sonata da Caccia, Op. 11 - II. Gayëment | 00:00 Tools | |
50865386 | Play | What have you got there? | 00:00 Tools | |
50865380 | Play | Living Toys, for chamber orchestra, Op. 9: Angels | 00:00 Tools | |
87133857 | Play | Piano Quintet: II. | 00:00 Tools | |
89183946 | Play | Broken, It's broken | 00:00 Tools | |
50865388 | Play | Movement II - Christopher Bowers-Broadbent | 00:00 Tools | |
50865389 | Play | Chamber Symphony - 4 | 00:00 Tools | |
50865390 | Play | Life Story, Op.8 - Claron McFadden | 00:00 Tools | |
50865391 | Play | Chamber Symphony - 3 | 00:00 Tools | |
8099679 | Play | In Memoriam | 00:00 Tools | |
50865392 | Play | Vzpomínka (piano) - A Reminiscence | 00:00 Tools | |
8099706 | Play | A Reminiscene | 00:00 Tools | |
8099717 | Play | Christ The Lord Is Born | 00:00 Tools | |
50865393 | Play | T Ades-pf, M Carewe-sop / Life Story, op.8b (ac) | 00:00 Tools | |
50865394 | Play | Asyla (Ecstasio) | 00:00 Tools | |
50865396 | Play | ...mm...ah!...Room service | 00:00 Tools | |
50865397 | Play | Interlude - Scene 4 - Nineteen fifty-three - ...mm...ah!...How may I help you | 00:00 Tools | |
50865398 | Play | Traced Overhead, op.15: Sursum (a) | 00:00 Tools | |
50865399 | Play | Take it from me (Duchess/Electrician/Maid) | 00:00 Tools | |
89183947 | Play | Scene 7 - Nineteen seventy - I'd like to make one thing entirely clear | 00:00 Tools | |
50865401 | Play | What have you got there | 00:00 Tools | |
50865402 | Play | ...mm...ah!...Room service? | 00:00 Tools | |
50865404 | Play | Living Toys, op.9: II. Aurochs | 00:00 Tools | |
50865406 | Play | T Ades-pf / Still Sorrowing, op.7 (a) | 00:00 Tools | |
87133858 | Play | Movement II | 00:00 Tools | |
50865407 | Play | Posthumous Piano Pieces: Malostranský palác - Andante | 00:00 Tools | |
50865408 | Play | Living Toys op.9: TABLET | 00:00 Tools | |
50865410 | Play | The Origin of the Harp Op 13 (1994) for Three Clarinets, Three Violas, Three Cellos and Percussion: II. Largo con moto | 00:00 Tools | |
50865411 | Play | Chamber Symphony, Op.2: Movement 3 | 00:00 Tools | |
50865412 | Play | This way | 00:00 Tools | |
50865413 | Play | Scene III: They won't find him | 00:00 Tools | |
50865414 | Play | The Origin of the Harp Op 13 (1994) for Three Clarinets, Three Violas, Three Cellos and Percussion: IV. | 00:00 Tools | |
50865415 | Play | Piano Quintet in A major D667 (Trout): Variation V | 00:00 Tools | |
50865416 | Play | Powder Her Face (an Opera in two acts) Op.14 (1995), ACT I, Scene 1: Nineteen ninety: I see. This is what it has come to | 00:00 Tools |
Thomas Adès (born in London, 1 March 1971) is a British composer, pianist and conductor. Adès studied piano with Paul Berkowitz and later composition with Robert Saxton at Guildhall School,London. He graduated in 1992 from King's College, Cambridge after studying with Alexander Goehr and Robin Holloway. His degree was classified as "double starred first", indicating outstanding academic distinction. He was made Britten Professor of Composition at the Royal Academy of Music, and in 2004 was given an honorary doctorate by the University of Essex. In 2007 a retrospective festival of his work will be performed at the Barbican Centre in London and he will be the focus of Radio France's annual contemporary music festival Présences. The festival will include the UK premiere of a new work for Simon Rattle and the Berlin Philharmonic called Tevot. In the same year The Tempest will return to the Royal Opera House. -- Orchestral compositions and performances * Five Eliot Landscapes, Adès' first opus, was published in 1990. In 1993, at the age of twenty-two, Adès gave his first public piano recital in London as part of the Park Lane Group series of recitals. * Asyla, for orchestra, was premiered in Symphony Hall, Birmingham in October 1997 by Simon Rattle and the City of Birmingham Symphony Orchestra at the 1999 BBC Proms Adès conducted the BBC Symphony Orchestra in the London premiere of the work while, on September 7,2002, Simon Rattle gave his first concert as principal conductor of the Berlin Philharmonic Orchestra with Asyla and Gustav Mahler's Symphony No. 5, both of which have also been released on CD and DVD by EMI. Asyla has since been performed across the world, including on a recent tour of the Far East by Rattle and the Berlin Philharmonic. * Arcadiana, a seven-movement, 20-minute string quartet (Op. 12) was recorded in 1998 along with other work from the 1993 to 1994 period. * America: a Prophecy was commissioned for the New York Philharmonic Orchestra's Millennium Messages in November 1999 and it received its UK premiere at the Aldeburgh Festival in June 2000. A recording of the work is available on EMI Classics (2004). * Concentric Paths, Adès' violin concerto, received its premiere in September 2005 with a performance by the Chamber Orchestra of Europe, with Anthony Marwood as soloist which received critical acclaim. * Piano Quintet, with Adès on the piano and the Arditti Quartet (plus Schubert's Trout Quintet -with Belcea Quartet- as its companion) was released in 2005 on CD by EMI. -- Operas * Powder Her Face, Adès' 1995 chamber opera with a libretto by Philip Hensher, won both good reviews and notoriety for its musical depiction of fellatio. The opera was commissioned by Almeida Opera, and has since been given new productions by chamber opera groups around the world. The Duchess depicted in the opera is the notorious Margaret Campbell, Duchess of Argyll whose scandalous behaviour in Britain in the early 1960s was revealed during her divorce trial with the introduction into evidence of photograhs of her various sexual acts. * The Tempest, with a libretto by Meredith Oakes adapted from Shakespeare's play, was premièred to critical acclaim at the Royal Opera House, Covent Garden in February 2004, followed by productions at the Strasbourg Opera and the Copenhagen Opera House later in 2005. Its US premiere staging by the Santa Fe Opera took place on 29 July 2006 and it will be revived by Covent Garden in March 2007. -- Other musical activities Ades is Artistic Director of the Aldeburgh Festival and Musical Director of the Birmingham Contemporary Music Group. He is also a noted pianist, having been a runner-up in the BBC's Young Musician of the Year competition in 1990. EMI has released a CD of Adès as a solo performer called "Thomas Adès:Piano" and several CDs as an accompanist, frequently with Ian Bostridge, Steven Isserlis and others. -- Recordings DVD * Powder Her Face was made into a film by Channel 4 and shown on Christmas Day 1999 in the UK. The film was released on DVD in the UK for Christmas 2005, including a documentary film about Adès made by Gerald Fox at around the same time. It is also available in the US. * Asyla (along with Mahler's 5th Symphony) formed Sir Simon Rattle's opening concert with the Berlin Philharmonic. The two concerts given were recorded and released as a DVD in 2002. Audio CD as composer * Life Story (1997) * Living Toys (1998) * Asyla (1999) * Powder Her Face (1999) * America (2004) * Ades/Schubert: Piano Quintets (2005) as performer * Janacek: The Diary of One who Disappeared (with Ian Bostridge) (2002) * Thomas Adès: Piano (2004) * The Music of Poul Ruders, vol.4 (2004) -- References * Inverne, James, "A Most Auspicious Star", New York: Opera News, May 2005 * Mays, Desirée, "The Tempest" in Opera Unveiled, 2006, Santa Fe,New Mexico: Art Forms Inc, 2006 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.