Tjant

Trackimage Playbut Trackname Playbut Trackname
Millum Logini 00:00 Tools
Barn 00:00 Tools
Off Course 00:00 Tools
Svovnlag 00:00 Tools
Bagatelle Fur Godzilla 00:00 Tools
It''s Not Over 00:00 Tools
Happiless 00:00 Tools
Yes or No, Does It Make a... 00:00 Tools
Tjant 00:00 Tools
Alone Alas 00:00 Tools
No Goodbyes 00:00 Tools
Kvoda 00:00 Tools
One Two Many 00:00 Tools
It Started with a Drum 00:00 Tools
Eat Fish Fuckheads 00:00 Tools
Narvana 00:00 Tools
Røtur Og Trø 00:00 Tools
Ravnating 00:00 Tools
Minnið Um Mannin 00:00 Tools
Miracle Of Birth 00:00 Tools
Nú er man her 00:00 Tools
No Goodbyes (Pent) 00:00 Tools
Iris 00:00 Tools
Birds Don't Care 00:00 Tools
Ode to Fidge 00:00 Tools
Eitt annað kvæði 00:00 Tools
The Miracle of Birth 00:00 Tools
Dánial 00:00 Tools
Hymna 00:00 Tools
Myrkatíð 00:00 Tools
It's Not Over (Until The Fat Lady Says So) 00:00 Tools
Bagatelle Für Godzilla 00:00 Tools
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The Faroe Islands might not seem like a hotbed of jazz, but anyone who has followed Tutl's catalogue knows otherwise. The Torshavn-based record label releases a diverse variety of music; some hews close to the traditional material found in these Norse islands, while some is very conceptual and experimental. Tjant's self-titled first album is an offering of relatively straight-ahead modern jazz. The lineup is Hedin Ziska Davidsen on guitar and vocals, Anders Hagberg on flutes and saxophone, Mikael Blak on bass and Brandur Jacobsen on drums. All of the cuts are written by Davidsen and arranged by the group. The flute or sax frequently takes center stage on these tracks. There is a mix of moods from almost cheery ("Bagatelle Fur Godzilla") to raucous ("Happiless") to pensive ("Alone Alas") to gentle "("Barn"). There's even a brief bit of wind ambience called "Millum Logini." The mood often changes during tracks, making it hard to pin down the music in a simplistic manner. I found myself thinking of Bill Frisell's skronk work at times, and of the late pianist Bill Evans' trio work at other times. All the musicians have excellent chops and they work together well, but I found myself particularly enjoying Mikael Blak's bass work. Apart from the music, the album presents a nice physical package. The digipak design features glossy photos on matte stock, and is enjoyable to look at and handle. The type design leans heavily on a faux-typewriter font, so the type gives a low-rent feeling that is belied by the otherwise-glossy package. The ideal listener for this album is someone willing to take a little time to relax and soak up this music's many moods. If that sounds like you, check out Tjant. (taken from http://www.rambles.net/tjant_tjant03.html) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.