Tsèhaytu Bèraki

Trackimage Playbut Trackname Playbut Trackname
Mèdjèmèrya Feqrey 04:11 Tools
Aminèy 04:45 Tools
Bazay 04:04 Tools
Hadarèy 04:00 Tools
Hadarey 04:00 Tools
medjemerya 04:11 Tools
Atzmtom Keskisom 09:58 Tools
Mèdjèmèrya 04:11 Tools
Lale Bola 04:11 Tools
Iley Li Habelmalet 03:18 Tools
Hallu 08:34 Tools
Mèdjèmèrya Feqrey [*] Bonus track 03:18 Tools
Abashawel 07:06 Tools
Sport Malet 06:00 Tools
Harestai 06:00 Tools
Asmara 12:25 Tools
Mejemeria Fegri 06:00 Tools
Freweini 07:14 Tools
Simsim 07:14 Tools
Aminèy 12:25 Tools
Selam 13:30 Tools
Bisenselet Fegri 13:30 Tools
Kabacha meflayey 13:30 Tools
Askarbay gomma 13:30 Tools
Ilkanere beantebo 13:30 Tools
Mhdjhmhrya 13:30 Tools
Ade 13:30 Tools
Hadarhy 13:30 Tools
Mèdjèmèrya 13:30 Tools
- Tsèhaytu Bèraki - Aminèy 04:45 Tools
- Tsèhaytu Bèraki - Hadarèy 04:00 Tools
- Tsèhaytu Bèraki - Mèdjèmèrya feqrey 04:00 Tools
Askarbaygomma 04:17 Tools
Mejemeria feqri 04:00 Tools
Bisenselet feqri 04:00 Tools
Hadarèy 04:00 Tools
Unknown 04:00 Tools
Tsèhaytu Bèraki - Mèdjèmèrya Feqrey 04:00 Tools
- Tsèhaytu Bèraki - Bazay 04:00 Tools
Medjemerya feqrey - Tsehaytu Beraki 04:00 Tools
Milenu 04:00 Tools
Memona 04:00 Tools
  • 18,184
    plays
  • 3,633
    listners
  • 18184
    top track count

Tsehaytu Beraki (Quatit, Eritrea, 1 September 1939 – 25 May 2018) was an Eritrean musician, poet and political activist, known for her singing and playing of the krar (a five-string harp). Born in 1939, in the small town of Quatit, Beraki first thought that she was born in Eritrea's capital city Asmara, but in fact only moved there as a baby. It was not until she returned to Asmara in 1999, that the full story was told to her by her sister Rishan. Beraki started playing the krar, a five-stringed harp, when she was about eight years old, eventually playing at weddings and parties. Her inspirations were Tsehaytu Ghergish, Fana Etel, and especially Tsehaytu Zennar, whose songs included Annes Ay keremneye Wala Hankas Yekunye (I need a man as soon as possible, even if he's crippled). Beraki left school at sixteen, and played the krar as her full-time career. She wrote all of her own music and lyrics, and people would come from as far as Addis Ababa in Ethiopia to record her. From 1964 onwards, her lyrics became more political, and "people were surprised that I dared to sing them". From March 1977, she became actively involved in the Eritrean independence struggle. She eventually had to leave, moving to Sudan and in 1988, to Rotterdam, Netherlands. She returned to visit Asmara in 1999. As well as krar, Beraki played kobero and bass-krar. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.