Twin Obscenity

Trackimage Playbut Trackname Playbut Trackname
The Usurper's Throne 00:00 Tools
When the Chains Are Broken 00:00 Tools
In Glorious Strife 00:00 Tools
For Blood, Honour And Soil 00:00 Tools
The Wanderer 00:00 Tools
Upon The Morning Field 00:00 Tools
Riders Of The Imperial Guard 00:00 Tools
Dark Millenium's End 00:00 Tools
The 11th Hour 00:00 Tools
Lain To Rest By The Sword 00:00 Tools
Like the Death of a Sorceress 00:00 Tools
The Legacy 00:00 Tools
Tribute to Mortality 00:00 Tools
Enchanted by the Empress' Beauty 00:00 Tools
The Crice-Damned Legions 00:00 Tools
Adoration of the Moon (Intro) 00:00 Tools
The Infernal Dance of Prince Kaleth 00:00 Tools
Where Light Touches None 00:00 Tools
Dreams of a Holocaust Night 00:00 Tools
Revelations of Glaaki 00:00 Tools
Bloodstone 00:00 Tools
A Land Forlorn 00:00 Tools
At the Rising of the Sun 00:00 Tools
Terraforming 00:00 Tools
A New Beginning 00:00 Tools
Serenades of the Seas 00:00 Tools
Dragon's Breath 00:00 Tools
Dragons Breath 00:00 Tools
The Thrice Damned Legions 00:00 Tools
Glorious Strife 00:00 Tools
Wanderer 00:00 Tools
Thrice-dammed Legion 00:00 Tools
Dreams Over Holocaust Night 00:00 Tools
11th Hour 00:00 Tools
Serrenades Of The Sea 00:00 Tools
Iain To The Rest Of The Sword 00:00 Tools
Dark Millenium´s End 00:00 Tools
Peaceful Oblivion 00:00 Tools
The Usuper´s Throne 00:00 Tools
...And Then Comes Tranquility 00:00 Tools
Dream Within A Dream 00:00 Tools
Twin Obscenity - Dragons Breath 00:00 Tools
Caverns Of The Dead 00:00 Tools
Journey Beyond 00:00 Tools
Afflicted 00:00 Tools
The Art of Mesmerization 00:00 Tools
Twin Obscenity - Terraforming 00:00 Tools
Twin Obscenity - A Land Forlorn 00:00 Tools
Dissonances of Exquisite Morbidity and Caco-Daemonical Ghastliness 00:00 Tools
Twin Obscenity - Bloodstone 00:00 Tools
Malevolent Invocation 00:00 Tools
Twin Obscenity - The Legacy 00:00 Tools
Twin Obscenity - At The Rising Of The Sun 00:00 Tools
Twin Obscenity - Serenades Of The Seas 00:00 Tools
Like The Death Of A Soceress 00:00 Tools
Behind the Castle Walls 00:00 Tools
Dark Millenium`s End. 00:00 Tools
Lain To The Rest By The Sword 00:00 Tools
Reveletion Of Glaaki 00:00 Tools
06. The Insernal Dance of Prin 00:00 Tools
Revelations of Glakki 00:00 Tools
Adoration Of The Moon [intro] 00:00 Tools
Dreams Of A Holocaust Nigh 00:00 Tools
Land Forlorn 00:00 Tools
02 - The Legacy 00:00 Tools
06 - Bloodstone 00:00 Tools
Where Light Touches None - Enchanted By The Empress' Beauty (3:49) 00:00 Tools
"The Usurper's Throne" 00:00 Tools
The Trice-Damned Legions 00:00 Tools
Legacy 00:00 Tools
07 - Terraforming 00:00 Tools
In Glorius Strife 00:00 Tools
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The twin obscenity's strong roots go back to the winter of 1991 when singer/guitarist/keyboardist Atle Wiig met bassist Jo-Arild Toennessen, who had previously been playing with drummer Knut Naesje. A quick formation ensued, and after auditioning a small number of extra members, they decided to stay as the original three-piece, thus bearing Twin Obscenity. Over the next few years they recorded three demo tapes, which furthered their reputation as one of Norway’s most talented black/death metalbands. Their ‘93 recordings Ruins and Behind The Castle Walls were more in the vein of classic death and doom metal, whereas Revelation Of Glaaki marked the band’s turning point in 1995. Having already developed the shadowy foundation of their majestic and atmospheric blackmetal style, the band mixed a lot of groove and melodic keyboards into their sound, immediately adding the senses of intelligence and advancement to their creativity. Twin Obscenity’s debut album, Where Light Touches None , was released in the summer of ‘97 on the Norwegian label Head Not Found, and received very enthusiastic reviews in the press while spreading the band’s name quickly throughout Europe. After the band signed to Century Media Records in the beginning of 1998 they recorded their second album, For Blood, Honor and Soil. Working their way through numerous moods and image settings, Twin Obscenity’s power and whirlwind-like capabilities are matched equally with striking passages containing triumphant keyboards and angelic, melancholy acoustic overtones. Well constructed and restrained guitar leads and melodies, not often found in today's black metal realm, also give For Honour... a very welcomed, distinguishable and memorable feel. Continuing to set positive examples of growth and creative experiment, while still delivering some of the darkest extreme metal around. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.