Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
39005284 | Play | Den Pao Pouthena | 00:00 Tools | |
39005285 | Play | Fenomeno | 03:22 Tools | |
39005286 | Play | Tilefoni se mou | 00:00 Tools | |
39005287 | Play | Girise | 00:00 Tools | |
77287061 | Play | den milame idia glossa | 00:00 Tools | |
88295593 | Play | Den pao puthena | 00:00 Tools | |
39005290 | Play | Samagnitis | 00:00 Tools | |
39005291 | Play | Emaste tora | 02:55 Tools | |
39005292 | Play | Fainomeno | 00:00 Tools | |
39005293 | Play | Epistrefo | 03:26 Tools | |
39005294 | Play | Gyrise | 00:00 Tools | |
39005295 | Play | Epimeno | 03:26 Tools | |
39005296 | Play | Ta Mou Kleiseis To Spiti | 04:27 Tools | |
39005297 | Play | SoMamu | 00:00 Tools | |
39005298 | Play | Sto para pente | 03:24 Tools | |
39005299 | Play | Lege Oti Thes | 02:56 Tools | |
39005300 | Play | Asto na zize to paidi | 02:57 Tools | |
39005301 | Play | Vaseis ston pono moy fotia | 00:00 Tools | |
39005302 | Play | Den hekxinisai | 00:00 Tools | |
39005303 | Play | Mia stigmi me to geo | 00:00 Tools | |
77287062 | Play | Asti Na Leei | 00:00 Tools | |
39005305 | Play | Ti esthanese | 00:00 Tools | |
39005306 | Play | Ti Tha Kaneis | 00:00 Tools | |
39005307 | Play | Dodeka Para | 00:00 Tools | |
39005308 | Play | Erota moy tipane | 00:00 Tools | |
39005309 | Play | Periergi sumptosi | 00:00 Tools | |
39005310 | Play | Aitopepoithisi | 00:00 Tools | |
39005311 | Play | Telefoni semu | 00:00 Tools | |
39005312 | Play | Aporo an Aisoanesai Tufeis | 00:00 Tools | |
39005317 | Play | Ta mu glisi to spiti | 00:00 Tools | |
39005313 | Play | Na rpfi brosta mu | 00:00 Tools | |
39005314 | Play | Min anisyxeis | 00:00 Tools | |
39005315 | Play | Kalamatiano | 00:00 Tools | |
39005316 | Play | Me Ta Xeria Stayromena | 04:30 Tools | |
39005320 | Play | Ligoligo | 00:00 Tools | |
39005318 | Play | Exo anaki na ego | 00:00 Tools | |
39005319 | Play | Xreose to se mena | 00:00 Tools | |
39005321 | Play | Aporo | 00:00 Tools | |
39005322 | Play | Novata | 00:00 Tools | |
39005323 | Play | Zelevo | 00:00 Tools | |
39005324 | Play | Kane kati | 02:44 Tools | |
39005325 | Play | Epistefo | 00:00 Tools | |
39005326 | Play | Ti antropi | 00:00 Tools | |
39005327 | Play | Ti Aisthanesai Gia Mena | 03:19 Tools | |
39005328 | Play | Ekini | 00:00 Tools | |
39005330 | Play | Phenomeno | 00:00 Tools | |
39005331 | Play | TELEFONI SEMI | 00:00 Tools | |
39005332 | Play | 3 | 02:49 Tools | |
39005333 | Play | Magnitis | 00:00 Tools | |
39005334 | Play | Schoolgirls | 03:37 Tools | |
39005335 | Play | Ftani | 00:00 Tools | |
39005336 | Play | Ti Ais8Anesai | 04:38 Tools |
Vasilis Karras (Greek: Βασίλης Καρράς) (born Vasilis Kesoglidis November 12, 1953) is a Greek folk singer specializing in Greek folk songs about lost love. His trademark is his prominent heavy voice and his unique singing style, which made him a very popular Greek folk singer. Karras was born in Kokkinohori, near Kavala, Greece. At the age of 10, his family moved to Thessaloniki. Also around this time his brother Damian and his sister Anastasia were born. Growing up in the streets of Thessaloniki allowed Karras considerable independence and many of the friendships he created there have lasted well into his life until now. In the summer of 1969, Karras made a brief appearance at the club "Prosfygas" in Evosmos, Thessaloniki and made an immediate impact. Even though he was only 16 years old, he became a favourite in the city suburbs due to his distinctive then raspy voice. The club owners allowed Vasilis to sing on many more occasions, and thus a legend was born. The audience in his home city took a particular liking in his style. In the 1970s Karras cemented his reputation as a young upstart on the Greek 'laika' (folk songs) stage singing throughout Northern Greece and towards the end of the decade had begun to develop his own repertoire, working with song writers and also creating his own work. In 1980 his first album 'Alismonites Ores' was released which set Karras on the long path towards fame and recognition. It was also at this time that Vasilis decided to devote his life and career to folk music and sing professionally. By the 1990s his unique style and appeal to the Greek public catapulted Karras to national stardom. Partnerships with Michalis Rakintzis, Zafeiris Melas and Konstantina also furthered his reputation in Greece. In 1996, Karras contacted acclaimed songwriter Phoebus with the prospect of creating an album based on his songs. Phoebus responded positively and enthusiastically went to work creating songs that fit Vasilis' unique style and complemented his singing abilities. The result was the hit album "Tilefonise Mou" which went 4 time platinum and is Karras' all time best-seller. This album also started a new era for Vasilis: the introduction of a modern, western upbeat style to his music, which complemented his bouzouki-based folk/dance songs. It would become a style that Vasilis would perfect for many years to come and adopt prominently in his discography from then on. Vasilis and Phoebus also partnered for the 1999 hit album "Epistrefo", a perennial mainstay in his club repertoire, with many hit singles. Around this time, Karras also worked with many young Greek talents in efforts to help their career. In particular, after spotting Despina Malea (now known as Despina Vandi), he offered her the chance to sing at his night club for the whole summer season, thus kick-starting her career. Vasilis and Despina would have the chance to work together later on in 2005 in a few duets from the music of common friend Phoebus. Nowadays, Vasilis Karras is regarded as a legend of folk music in Greece. Apart from continuing his discography, he also continues to sing at nightclubs in Athens and Thessaloniki and also travels around the globe to centres of the Greek diaspora, including the United States, Germany, Australia and Canada. The audiences abroad have also taken a particular liking to his music, and Vasilis has many loyal fans outside of Greece. Recently he has partnered with other mainstays of the Greek music scene such as Tolis Voskopoulos, Dantis, Eirini Mercouri, Kostas Karafotis, Despina Vandi and others, writing and performing many duets in their respective albums. His latest album was released on May 17, 2007, titled 'Oneira'. Vasilis Karras' widespread appeal and numerous decades on the Greek music scene have cemented his legend as one of the top Greek folk singers ever, but it his laid back and accessible personality that has endeared him to others throughout the music industry and to the fans through the country and abroad. Vasilis is credited as the last singing survivors of the 'Kapsourika' style of songs in Greece, namely love songs about lost loves and reminiscing. Throughout his career he emphasized his love for his hometown and has written and sung many songs about Thessaloniki reminiscing about his childhood and early loves including 'Den Pao Pouthena', 'Nychta Kselogiastra', 'Erhomai' and 'Gia Afto Stasou'. His 1987 album 'Apo ti Thessaloniki me agapi' and his 1988 work 'Mia bradia sti Thessaloniki' are examples of the special place the city has in his heart. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.