William Mundy

Trackimage Playbut Trackname Playbut Trackname
Kyrie 00:00 Tools
Fantasia 00:00 Tools
In nomine 00:00 Tools
Magnificat 00:00 Tools
Vox Patris Caelestis 00:00 Tools
Vox Patris: Vox Patris 00:00 Tools
Vox Patris: Surge propera 00:00 Tools
Vox Patris: Veni de Libano 00:00 Tools
Beatus et sanctus 00:00 Tools
Sive Vigilem 00:00 Tools
O Lord, the maker of all thing 00:00 Tools
Adolescentulus sum ego 00:00 Tools
Mundy: Vox Patris caelestis - 1. Vox Patris caelestis 00:00 Tools
Mundy: Vox Patris caelestis - 2. Favus distillans 00:00 Tools
Mundy: Vox Patris caelestis - 3. Vineae florentes 00:00 Tools
Mundy: Vox Patris caelestis - 7. Veni de Libano 00:00 Tools
Mundy: Vox Patris caelestis - 4. Surge, propera 00:00 Tools
Mundy: Vox Patris caelestis - 8. Veni ad me, Assuerum verum 00:00 Tools
Mundy: Vox Patris caelestis - 6. Veni ad me, dilectissimum 00:00 Tools
Mundy: Vox Patris caelestis - 5. Veni de corpore mortali 00:00 Tools
Mundy: Vox Patris caelestis - 9. Te omnes caeli 00:00 Tools
In Nomine, "Fantasia": Fantasia 00:00 Tools
Ah, Helpless Wretch 00:00 Tools
O Lord The Maker Of All Thing 00:00 Tools
Were I a King 00:00 Tools
In Nomine, "Fantasia" 00:00 Tools
Adhaesit pavimento 00:00 Tools
Exsurge Christe 00:00 Tools
O mater mundi a 5 00:00 Tools
Mundy: Ah, helpless wretch 00:00 Tools
In aeternum 00:00 Tools
O Lord, The World's Saviour 00:00 Tools
Videte Miraculum 00:00 Tools
The Secret Sins 00:00 Tools
O Lord, The Maker Of All Things 00:00 Tools
Maria virgo sanctissima 00:00 Tools
Alleluia: Per te dei genetrix I 00:00 Tools
Mundy: Adolescentulus sum ego - Live 00:00 Tools
O Lord, the maker 00:00 Tools
Alleluia: Per te dei genitrix II 00:00 Tools
Nunc Dimittis 00:00 Tools
Mundy: Songs and Psalms : No. 26, Were I a King 00:00 Tools
Mundy - Vox Patris caelestis 00:00 Tools
Songs and Psalms: Were I a King 00:00 Tools
A Solfing Song 00:00 Tools
De la court 00:00 Tools
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William Mundy (c.1529 - c.1591) was an English composer of sacred vocal music during one of the most dynamic eras in English music. Little is known of Mundy's life, but it is known that he served as a Gentleman of the Chapel under Queen Elizabeth and so enjoyed some renown during his lifetime. At least one writer praised him as the second greatest composer of the age, after William Byrd. Mundy's music exhibits a wide range of styles, from the older Latin antiphon tradition to the modern English verse anthem. Though his compositions are based on the current syllabic style of text setting, with restrained and tightly controlled counterpoint, Mundy often indulges in elaborate passage-work, especially at the end of a piece. Mundy's output contains masterful pieces in several difficult genres. His magnificent votive antiphon "Vox patris caelestis" impressively crowns the grandiose antiphon tradition of the previous century of English music, and is perhaps the finest example in post-Reformation music. His English anthems are also masterly essays in that developing genre, and his verse anthems with organ accompaniment are among the earliest examples in what was to become the dominant style of English cathedral music. These divergent compositions – all of high quality – show Mundy to have been possessed of a unique combination of historical reflection and brilliant innovation, even if his name was forgotten shortly after his death. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.